
Global Cult Following Keeps Le Creuset Simmering
For a maker of pots and pans, Le Creuset has had an astonishing global run and cult-like following that nobody could have predicted when the company first set out to produce staple kitchenware in Fresnoy-le-Grand, a modest village in northern France, in 1925.
Two Belgian entrepreneurs built what, a century later, is still Le Creuset's home factory in the village of barely 3,000 inhabitants, home of the company's trademark enamelled cast-iron cookware.
The flagship Dutch oven model, now available in about 100 colours, started out exclusively in flaming orange, which still makes Le Creuset pots instantly recognisable.
With a price tag in the region of 250 euros ($280) for basic cast-iron models -- rising fast for elaborate models or special editions -- Le Creusets are high-end designer creations with a reputation for indestructibility.
All the company's cast-iron cookware is still exclusively made in the Fresnoy-le-Grand factory, the centrepieces of which are two giant electric furnaces -- also called "creuset", which is French for "crucible".
The furnaces heat molten cast iron to 1,550 degrees Celsius (2,822 Fahrenheit), the melting point for this iron and carbon alloy.
The blindingly bright liquid, hotter than lava, is then poured into a transfer recipient, which is automatically carried along a rail.
The cast iron is poured quickly into sand moulds shaped by metal patterns to make raw products. The remaining cast iron and sand are recycled back into the manufacturing process.
After being ground by robots and stripped by being exposed to bombardment with tiny steel beads, the utensils are glazed with enamel -- a mixture of glass, quartz, clay, water and colorants -- before vitrification at nearly 800C.
The resulting variety of shapes and colours presents an industrial challenge, but "really embodies the strength and DNA of the brand," said Frederic Salle, manager of the site.
Le Creuset now sells 95 percent of its production abroad, in more than 80 countries, but keeps a tight lid on financial data, which the privately held company is not obliged to disclose.
Things weren't always upbeat. When Paul van Zuydam, a Briton with a South African background, bought Le Creuset in 1988, customers had gone cool on the brand.
But Van Zuydam, who is still Le Creuset's president, pushed the company's international expansion, established it at the high segment of the market and diversified production sites for non-cast iron products to foreign countries, including China and Thailand.
Le Creuset has 575 retail outlets in the world, with online sales having received a boost from a home cooking craze during the Covid pandemic.
"The brand is doing very well pretty much everywhere in the world," said Marie Gigot, managing director for France, Belgium, the Netherlands and Luxembourg.
Like for many global companies, US President Donald Trump's tariff threats are a concern, she acknowledged. "The situation changes every day, so we follow it very closely."
But US buyers wealthy enough to purchase Le Creuset products in the past will probably not be put off by any tariff hikes, said Nick Stene, head of home and garden research at Euromonitor, a market research company.
"Homes that can afford to invest in the higher price points, especially over $300 for luxury cookware, are the last households to feel the pain when buying power is under pressure," he told AFP.
Le Creuset has been "one of the strongest performers" in the homeware category, which has seen around 4.5-percent annual growth since 2019, he said.
One major factor of success has been social media, where proud owners like to showcase their Le Creuset to prove they can afford it, but also that they "know how to use it properly", accompanied by hashtags like #LeCreuSlay, he said.
"There is nothing quite as efficient as having your customers also act as your ambassadors and marketing team," added Stene. Le Creuset cookware comes in 100 colours AFP Instantly recognisable AFP
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Int'l Business Times
5 days ago
- Int'l Business Times
Versailles Orchestra Plays New York In 'Affair Of The Poisons'
Acrobatics, fortune tellers, opulent gowns and palace intrigue: the New York debut of the Versailles Royal Opera Orchestra was a performance befitting the era it recalls. Monday's immersive show "Versailles in Printemps: The Affair of the Poisons" centered on France's 17th-century period of excess and seediness that its creator, Andrew Ousley, told AFP has parallels to the present day. At the evening staged in Manhattan's new Printemps luxury emporium, guests and performers alike donned velvet waistcoats, silky corsets, feathered headdresses and powdered makeup. Core to the performance's tale was the discovery of arsenic, Ousley said -- the first "untraceable, untasteable poison." "Everybody was just poisoning everybody." And at the web's center? A midwife and fortune teller named La Voisin, he said, a "shadowy-like person who basically would peddle poison, peddle solutions, peddle snake oil." "She was the nexus," Ousley continued, in a scheme that "extended up to Louis XIV, his favorite mistresses" -- inner circles rife with backstabbing and murder plots. The poisoning scandal resulted in a tribunal that resulted in dozens of death sentences -- until the king called it off when it "got a little too close to home," Ousley said with a smile. "To me, it speaks to the present moment -- that this rot can fester underneath luxury and wealth when it's divorced from empathy, from humanity." Along with a program of classical music, the performance included elaborately costumed dancers, including one who tip-toed atop a line of wine bottles in sparkling platform heels. The drag opera artist Creatine Price was the celebrant of the evening's so-called "Black Mass," and told AFP that the night was "a beautiful way to sort of incorporate the ridiculousness, the campness, the farce of Versailles with a modern edge." Drag is "resistance," she said, adding that her act is "the essence of speaking truth to power, because it really flies in the face of everything in the opera that is standard, whether it's about gender or voice type." The Versailles Royal Opera Orchestra formed in 2019, and its first stateside tour is underway: the series of shows kicked off at Festival Napa Valley in California before heading to New York. On Wednesday it will play another, more traditional show at L'Alliance New York, a French cultural center in Manhattan. The orchestra aims to champion repertoire primarily from the 17th and 18th centuries, and plays on period instruments. "Playing a historical instrument really gives me a feeling of being in contact with the era in which the music was composed," said Alexandre Fauroux, who plays the natural horn, a predecessor to the French horn distinguished by its lack of valves. Ousley runs the organization Death of Classical, an arts non-profit that puts on classical shows in unexpected places, including the catacombs of Brooklyn's Green-Wood Cemetery and crypts in Manhattan. Monday's spectacle included over-the-top performance, but Ousley emphasized that the evening was ultimately a celebration of classical artists. "These are players who play with such energy, to me it's more like a rock band than an orchestra," he said. And the mission of putting on such shows is about something bigger, Ousley said: "How do you fight against the darkness that seems to be winning in the world?" "When you can sit and feel, with a group of strangers, something that you know you feel together -- that's why I work, because of that shared connection, experience and transcendence." The drag opera artist Creatine Price was the celebrant of a recent so-called "Black Mass" at a night of classical music and performance art in lower Manhattan AFP The Versailles Royal Opera Orchestra performs at the Printemps store in Lower Manhattan July 21, 2025 during a show called "Versailles in Printemps: The Affair of the Poisons" AFP Madame Athénaïs de Montespan played by Erin Dillon joins other performance artists at the Printemps store for a performance of the Versailles Royal Opera Orchestra AFP At the evening staged in Manhattan's new Printemps luxury emporium, which opened on Wall Street on March 1, guests and performers alike donned velvet waistcoats, silky corsets, feathered headdresses and powdery makeup AFP Monday's immersive show "The Affair of the Poisons" centered on France's 17th-century time of excess and seediness that its creator, Andrew Ousley, told AFP has parallels to the present day AFP


Int'l Business Times
5 days ago
- Int'l Business Times
Games Giant Ubisoft Bets On Reorganisation To Dispel Blues
Struggling French video games giant Ubisoft shed light on a far-reaching reorganisation of its business Tuesday, as it reported disappointing sales in April-June. The internal rejig into a slew of autonomous units aims for "a more agile and focused organisation while ensuring necessary long-term stability and creative vision", chief executive Yves Guillemot said in a statement. Ubisoft reported 311 million euros ($364 million) of sales in the first quarter of its 2025-26 financial year, a fall of 3.9 percent compared with the same period last year, largely driven by technical problems with shooter game "Rainbow Six Siege". Acknowledging "mixed results", Guillemot nevertheless hailed the release of "Assassin's Creed Shadows". The latest instalment in the money-spinning franchise "delivered on its expectations, with now more than five million unique players since launch," he said in a statement. Sales were slightly less impacted, losing 2.9 percent, when measured using Ubisoft's own preferred indicator of "net bookings", which excludes some deferred revenues. The company forecast net bookings of around 450 million euros in its second financial quarter, boosted by new partnerships and revenue from TV series. For the full financial year, it confirmed objectives including stable year-on-year net bookings and "approximately break-even" operating profit. Ubisoft made a net loss of 159 million euros in 2024-25 and is in the midst of a cost-cutting plan that has seen it shut several studios outside France and slash over 2,000 jobs. Its woes reflect broader, global headwinds for the video games industry over the past two years. Guillemot -- a member of the founding family that has run Ubisoft for decades -- also said the company had made "meaningful progress" on the plan to split its activities among several "creative houses", each responsible for a different slate of games. Ubisoft has not gone into detail about the functioning of the new units or how its remaining franchises will be divided among them, promising further information about the reorganisation by October. In an email to staff last week seen by AFP, Guillemot had said the units would be "autonomous" and "completely responsible for their business objectives". Pressured to change by a string of disappointing releases and a slumping stock price, Ubisoft created the first such subsidiary earlier this year in a billion-euro deal with heavyweight Chinese investor Tencent. The 3,000-strong unit will control Ubisoft's biggest franchises in "Assassin's Creed", "Rainbow Six" and "Far Cry". Ubisoft said last week that the subsidiary will be run by the CEO's son Charlie Guillemot alongside Christophe Derennes, a veteran chief of the company's major development studio in Montreal. "Christophe, Charlie and their teams will benefit from advice and expertise from Tencent," one of China's largest gaming and internet firms, Yves Guillemot said in his email to staff. Looking ahead, Ubisoft plans to release in March a remake of "Prince of Persia: The Sands of Time", one of its most popular titles from two decades ago. Strategy series "Anno" will get a new episode set in ancient Rome while the company is also cooking up mobile versions of "Rainbow Six" and fellow shooter "The Division". It warned in May however that several unannounced major titles were being delayed. Such news has contributed to a 28-percent slump in Ubisoft's stock price since January. Ubisoft's image has also been harmed by a high-profile case in which three former executives were sentenced this month for enabling a culture of sexual and psychological harassment.


DW
7 days ago
- DW
'Papa Jake' Larson, TikTok star and WWII vet, dies at 102 – DW – 07/21/2025
Jake Larson, known as 'Papa Jake,' has died. The WWII veteran shot to fame on TikTok as he shared world war stories to millions. He was 102 years old. The American war veteran Jake Larson, has died at the age of 102. Known to his 1.2 million followers on TikTok as "Papa Jake", he captivated both young and old with his stories. In a statement on his social media accounts, his granddaughter McKaela Larson wrote that he died peacefully on 17th July, and was "even cracking jokes 'til the very end." Jake was known for his quick smile and how he combined humourous anecdotes with somber reminders about the horrors of war. He had been living in Lafayette, California. A self-described Minnesota farm boy, Jake Larson gained a huge following online in later life by sharing stories of WWII. He was born on 20th December 1922 in Owatonna Minesota. In 1938, while lying about his age, Larson enlisted in the National Guard at 15 years old. In 1942, he was stationed in Lurgan, Northern Ireland. He became operations sergeant and assembled the planning books for the invasion of Normandy. Larson was among the nearly 160,000 Allied Troops who stormed Normandy's beaches on D-Day, 6th June 1944. He survived machine gunfire when he landed on Omaha beach. "We are the lucky ones," Jake told theAssociated Press at the 81st anniversary of D-Day in June, "They had no family. We are their family. We have the responsibility to honor these guys who gave us a chance to be alive" He had been awarded the Bronze Star, and French Legion of Honour for his service. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Jake often called himself "the luckiest man in the world," and expressed awe at the attention he received. "I'm just a country boy. Now I'm a star on TikTok," he told AP in 2023. "I'm a legend! I didn't plan this, it came about." Just three weeks ago, he co-won an Emmy with British-Iranian journalist Christiane Amanpour for their interview marking last year's 80th anniversary of D-Day. Followers across the USA, and towns around Normandy are paying tribute to "Papa Jake". He had visited Normandy several times over the last years. The official page for tourism in Normandy said he "will never be forgotten" McKaela Larson asked that her family be given privacy, but said when the time is right, she will continue to "share Papa Jake's stories and keep his memory alive" "As Papa would say, love you all the mostest," she wrote.