Art curator Koyo Kouoh dies at height of career
A Cameroon-born curator, Kouoh had been at the height of her career.
She was due to become the first African woman to lead next year's Venice Biennale, one of the world's most prestigious contemporary art events, and led one of Africa's largest contemporary art museums.
The cause of Kouoh's unexpected death has not yet been made public. The curator passed away in Switzerland, according to reports.
South African artist Candice Breitz described Kouoh as "magnificently intelligent, endlessly energetic and formidably elegant".
Otobong Nkanga, a Nigerian visual artist, called the late curator a source of warmth, generosity and brilliance".
Italian prime minister Giorgia Meloni also spoke of Kouoh's impact, saying her passing "leaves a void in the world of contemporary art".
Kouoh's colourful life began in 1967, when she was born in Cameroon, a Central African country with a rich artistic heritage.
She grew up in the country's largest city, Douala, before moving to Switzerland aged 13.
There, she studied business administration and banking but, in a pivotal moment, chose not to pursue finance as a career.
"I am fundamentally uninterested in profit," she explained in a 2023 interview with the New York Times.
Rather than building on her degree, Kouoh assisted migrant women as a social worker and began to immerse herself in the world of art.
She gave birth to her son in Switzerland during the 90s, an experience she described as "profoundly transformative". She would go on to adopt three other children.
Fed up with life in the Swiss city of Zurich, Kouoh returned to Africa in 1996.
She worked as a curator in Senegalese capital city Dakar, before founding Raw Material Company, an expansive, independent art hub.
Just last week, and six years into her role as the director of South Africa's Zeitz Museum of Contemporary Art Africa, Kouoh reflected on her love for Dakar.
"Dakar made me who I am today," she told the Financial Times.
"It's the place I came of age professionally, where I really became a curator and an exhibition-maker... I'm in Cape Town now but, mentally, I live in Dakar. It's the one and only place for me."
When Kouoh took the top job at Zeitz, Africa's biggest contemporary art museum, the institution was in crisis.
Founding director Mark Coetzee had been suspended in 2018 following allegations of staff harrasment and later resigned.
Kouoh has been widely credited with turning Zeitz's fortunes around, leading it through the scandal, as well as the Covid pandemic.
"For me, it became a duty to salvage this institution," she told The Art World: What If…?! podcast.
"I was convinced that the failure of Zeitz, if it had failed would've been the failure of all of us African art professionals in the field, somehow indirectly."
As Zeitz's director and curator, Kouoh oversaw a number of acclaimed exhibitions, including When We See Us: A Century of Black Figuration in Painting. The show, which brings together works by black artists from the last century, is currently on display in Brussels.
In a statement announcing Kouoh's "sudden" death, Zeitz expressed its "profound sorrow" and said that, out of respect, the museum would be closed "until further notice".
In her Financial Times interview last week, Kouoh challenged the idea that death would bring an end to her endeavours.
"I do believe in life after death, because I come from an ancestral black education where we believe in parallel lives and realities," she said.
"There is no 'after death', 'before death' or 'during life'. It doesn't matter that much. I believe in energies - living or dead - and in cosmic strength."
The Ivorian artist 'not surprised' to be a best-seller
Mother's joy as son named world's youngest male artist
Ethiopian artist Julie Mehretu breaks African art-world record again
Go to BBCAfrica.com for more news from the African continent.
Follow us on Twitter @BBCAfrica, on Facebook at BBC Africa or on Instagram at bbcafrica
Africa Daily
Focus on Africa
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
England fans watch on nervously as Lionesses fall behind in final
England supporters watched on nervously as the Lionesses once again found themselves behind in a crucial Euros tie. Fans draped in England flags joined the Prince of Wales and his daughter Princess Charlotte in holding their heads in their hands as Mariona Caldentey put Spain 1-0 up in the final on Sunday. William and Charlotte were pictured in Switzerland for the Euros final as the royal family led the nation in wishing good luck to England's Lionesses. Shortly before kick-off, an image of the pair was posted on the Prince and Princess of Wales's X account with the caption 'let's go, Lionesses'. As Caldentey's header found the net in the 25th minute, William and Charlotte were pictured with their heads in their hands and crowds in fanzones across England fell silent as they watched proceedings. Before kick-off, supporters waved England flags and loudly sang the national anthem at Boxpark Croydon and star striker Michelle Agyemang's former team, Brandon Groves Community Club in Essex. Agyemang, 19, who had one England cap before the tournament, scored crucial equalisers in the Lionesses' quarter-final and semi-final comebacks. Ahead of the game, 11-year-old Violet Ingram, a left winger for Brandon Grove Emeralds, said: 'Seeing her (Agyemang) and the team just makes me feel like I can do anything I want to do.' The Prince of Wales, who is patron of the Football Association (FA), applauded the national anthem as he stood next to Charlotte in the stadium. In a show of support ahead of the final, the Band of the Grenadier Guards performed Three Lions on the Buckingham Palace forecourt, while the royal family's official X account posted: 'Wishing the very best of luck to the @Lionesses in the Women's Euro Final this evening.' William posted a good luck message on Saturday which read: 'Good luck to the Lionesses tomorrow. 'The nation is so proud you are through to the final, after some stunning comebacks! We are all cheering you on! W.' After England beat Italy 2-1 in the semi-final in Geneva on Tuesday evening, the King and Queen wished the team their 'warmest congratulations'. Charles said: 'Knowing the Lionesses' fighting spirit, I suspect we are in for another thrilling encounter on Sunday. 'Your achievements continue to inspire countless girls and women across the nation, proving once again that with dedication and teamwork, anything is possible. 'Good luck, England. May you roar to victory once more. Charles R.' Prime Minister Sir Keir Starmer said: 'Into the final and inspiring the nation. Let's bring it home.' He said the team had 'changed the game – breaking barriers, making history and inspiring the next generation.' 'Tonight, the whole nation will be behind them. Come on England!' Sir Keir said. Meanwhile, cricketer Joe Root wished the Lionesses' the 'very best of luck' in an online message, adding: 'It's been great to watch you play throughout the tournament.' Olympic 800m champion Keely Hodgkinson said the team has 'absolutely smashed it', adding that 'everybody is so proud of you'. Meanwhile, BBC Sport and ITV have secured the broadcasting rights for the Women's World Cup 2027, meaning the tournament will remain free-to-air for UK viewers. England's path to the final has been marked by late drama. They sealed their spot with a last-gasp extra-time win over Italy, following a penalty shootout victory against Sweden in the quarter-finals after nearly crashing out in extra time. The Lionesses will be looking for redemption against Spain, who edged them 1-0 in the 2023 Women's World Cup final. England boss Sarina Wiegman said the team is 'going to do everything we can to win it' and she would prefer to avoid a 'nerve-wracking' match.
Yahoo
6 hours ago
- Yahoo
Sequel to Keira Knightley 2002 sports film in the works, director reveals
A sequel to Bend It Like Beckham is in development more than 20 years after its original release, the film's director has confirmed. The 2002 comedy-drama starred Parminder Nagra and Keira Knightley, who chase careers in professional football despite their parents' wishes. Directed by Gurinder Chadha, it is credited with inspiring a generation of women to take up football. Chadha teased the sequel in Basel, Switzerland, on Saturday (July 26), where England are set to take on Spain in the final of the Women's Euros on Sunday (July 27). She has earmarked 2027 for the next instalment, to mark both the film's 25th anniversary and the FIFA Women's World Cup in Brazil, BBC News reports. Chadha said she was still unsure what form the sequel might take, but suggested it could either be another film or a television series. "I'm pretty certain that everyone's going to want to come back" Discussing with Deadline about the sequel, Chadha shared: "I'm excited to revisit the original characters and revive the enduring story and build on the legacy we helped to create for the women's game." The original cast members 'are aware that a sequel is being developed, but they obviously want to see a script before they commit". 'I'm pretty certain that everyone's going to want to come back,' she adds hopefully. She added: 'Everything hinges on the script and if the original cast likes it. 'I am working really hard to make sure every character I bring back has a decent arc and scenes.' Alongside that, there is the hope that members of the current England squad would be "queuing up" to take on cameo roles. Although the environment around women's football has changed significantly since the film's release, Chadha says there is still some work to be done. Recommended reading: Britain's Got Talent judge 'quits' show as huge star 'lined up' as replacement How to get a free pint after Lionesses play in Euro final - there's a catch The Hit List host Rochelle Humes' famous uncle who is a football legend She explained: "A lot has changed since the original movie, but I think that people still don't think that women should play football. "There are people who still don't take it seriously, although the Lionesses are riding high. "I've left it a while, but I thought: look at the Euros, look at the Lionesses."
Yahoo
10 hours ago
- Yahoo
'Recipes for Broken Hearts': How an ancient Uzbek city will be the world's new cultural table
From 5 September to 20 November 2025, this UNESCO Creative City will host the inaugural Bukhara Biennial, a ten-week journey of contemporary art, communal rituals, and culinary storytelling. Titled 'Recipes for Broken Hearts', the Biennial transforms a city of legends into a living stage where grief, memory and joy are reimagined through food, music, poetry and craft. Curated by international art figure Diana Campbell and commissioned by Gayane Umerova, Chairperson of the Uzbekistan Art and Culture Development Foundation (ACDF), the Biennial features over 70 commissions created in Uzbekistan, activating centuries-old madrasas and caravanserais in ways Bukhara has never seen. 'Bukhara has shaped the world before: through knowledge, craft, and exchange,' says Umerova. 'This Biennial is a way of giving it the tools to do so again, through creativity and dialogue'. Not just an exhibition. A sensory ritual. Rather than opening with a red carpet or gallery wall, the Biennial begins with the aroma of fermentation. At Cafe Oshqozon, Buddhist monk and chef Jeong Kwan will prepare kimchi on the first day — only to unearth it again ten weeks later for a final meal, ripened by time and silence. It is a metaphor for the event itself. 'Recipes for Broken Hearts' explores how time, tradition, and care can heal. Every element – from food to sculpture, textiles to sound is part of a broader experiment in emotional repair. Diana Campbell, known for her work at the Dhaka Art Summit, calls it a 'multi-sensory feast rooted in Bukhara's spirit of hospitality and intellectual depth'. She adds, 'You don't just look at the art. You smell it, taste it, feel it in your hands and bones'. From salt and sugar to clay and code The artworks span disciplines and geographies. Egyptian-born food artist Laila Gohar conjures memories through Navat, a traditional sugar crystal made from saffron and grape juice. Colombian artist Delcy Morelos constructs a dome from earth, sand, and spices. Uzbek artist Oyjon Khayrullaeva, working with ceramicist Abdurauf Taxirov, builds mosaic organs - a stomach over the cafe entrance, lungs and hearts tucked across the city connecting venues as parts of one collective body. And then there's Subodh Gupta, who repurposes enamel dishes from traditional kitchens into a towering dome, inside which guests dine on dishes connecting India and Uzbekistan. 'It's about collapsing distance — between countries, between disciplines, between people,' he says. All works are made in Uzbekistan, many in collaboration with local artisans. 'This was non-negotiable,' says Umerova. 'We didn't want an art fair. We wanted something that speaks from here, even when it reaches the world'. This Biennial is a way of giving it the tools to do so again, through creativity and dialogue At the centre of the Biennial is the House of Softness, a transformation of the 16th century Gavkushon Madrasa into a space for public programmes, children's workshops, and storytelling. Artist and architect Suchi Reddy has designed a protective canopy inspired by Uzbek ikat casting patterns of healing across the courtyard. Here, a three-day symposium titled 'The Craft of Mending' will bring together thinkers, historians and artists to explore repair as both a physical and political act. 'Erasure is a form of heartbreak,' says Aziza Izamova, an Uzbek scholar at Harvard leading the event. 'And so, to repair to remember - is an act of resistance'. Young curators from across Asia will also gather in Bukhara for a workshop on how to commission work that does not yet exist. It is a fitting lesson for a city reshaping its own future. Music, too, flows through the Biennial's veins. Each full moon will be marked by a ceremonial karnay ritual – the long Uzbek horn used in weddings to symbolically summon water to the desert. These performances, led by Himali Singh Soin and David Soin Tappeser, fuse local tradition with global environmental consciousness. Elsewhere, the Bukhara Philharmonic will collaborate with artists like Tarek Atoui, bringing together Arab and Central Asian musical traditions. Weekly street processions and spontaneous performances will animate the city with rhythm and memory. Food is not a side programme, it is the soul of the Biennial. From fermented rituals to nomadic grains, the meals are designed to explore loss, resilience and belonging. Uzbek chefs like Bahriddin Chustiy and Pavel Georganov will share dishes infused with memory, while guest chefs like Fatmata Binta from Sierra Leone and Zuri Camille de Souza from India will link Uzbek traditions to West African and Goan culinary heritage. The final week hosts the Rice Cultures Festival, featuring plov, paella, pulao and jollof rice cooked in the open air, surrounded by stories and songs. 'It's not about haute cuisine,' says Umerova. 'It's about how we gather, how we heal, how we remember - through food'. Why Bukhara? 'Bukhara is not a backdrop,' says Umerova. 'It is the protagonist'. For over two millennia, the city has been a center of spiritual, scientific and artistic exchange. Yet in the modern art world, it has remained peripheral, until now. The Biennial is part of a broader national strategy to reintegrate Uzbekistan into global cultural networks. With support from President Shavkat Mirziyoyev, the ACDF has launched restoration projects, museums, and creative platforms across the country and internationally including the Venice Biennale pavilion and the Expo 2025 in Osaka. 'This is not soft power,' Umerova insists. 'It's structural power. Culture creates jobs. It shapes futures. It builds identity that isn't reactive or nostalgic — but alive, generous, and forward-looking'. Bukhara is accessible by high-speed rail from Tashkent and Samarkand, with boutique hotels and guesthouses nestled among its UNESCO-listed architecture. The Biennial is entirely free and open to the public. Foreign visitors can expect immersive programming in Uzbek, Russian, and English, and a culinary scene where history is served with every dish. More information is available at and on Instagram at @