logo
Chanel turned Grand Palais into an intimate salon to unveil its collection

Chanel turned Grand Palais into an intimate salon to unveil its collection

Gulf Today6 days ago
Only Chanel would call its legendary Rue Cambon salon 'too small' — then rebuild it, supersized, in a palace. On Tuesday, as the house marked 110 years of its haute couture — a century and more of Coco Chanel's revolution in how women dress — it blew up its atelier as a giant set inside the freshly restored Grand Palais, turning intimacy into spectacle for a nature-drenched show at Paris Couture Week.
Chanel, whose founder banished corsets and reimagined luxury as liberation, showed just how far that legacy stretches: from the tiny salons of 1915 to its modern colossus. It was a flex only a handful of luxury giants could pull off — and perhaps, as one front-row guest suggested, a dazzling distraction as the fashion world counts down to the debut of Chanel's new designer Matthieu Blazy.
Penélope Cruz, Naomi Campbell and the house's tightest VIP circle scaled gilded steps, sweating past marble and gold, to enter the reconstructed atelier. The set by Willo Perron was classic Chanel: intimate yet monumental, old world yet futuristic.
'It just felt special,' Campbell said, 'like stepping into a memory and something completely new. There's warmth, intimacy, nostalgia. Chanel can recreate anything, and it works.'
Models present creations for Chanel during the Women's Haute-Couture Fall/Winter 2025-26 collection show in Paris, on Tuesday. Photos: Agence France-Presse
More drama unfolded on the runway. This was couture as nature fantasy, filtered through the Chanel prism. Menswear tailoring added swing to sculpted jackets and coatdresses, while mohair suits in deep greens and plums channeled autumn's hush. Bouclé tweeds mimicked sheepskin; feathers and tweed created illusionary faux fur.
Gold-sprayed wheat ears — the house symbol of abundance — were everywhere: stitched into flounces, embroidered on necklines, set on every guest's seat. The theme may have been country, but make no mistake: This was as close as Chanel gets to 'roughing it.' Technique dazzled at every turn: jewel-buttons, embroidered florals and a finale of lamé so luminous it mimicked sunlight on harvest fields. The studio team, holding the fort after Virginie Viard's abrupt and unceremonious exit last year, anchored the show in classic codes but played with wit and lightness.
That obsessive handwork matters - not just for tradition, but for business. Chanel is fashion's juggernaut: Privately held, the brand reported $18.7 billion in revenue for 2024, cementing its status as one of the world's most powerful luxury houses. Couture may be the crown, but its influence drives global sales in fragrance, bags and jewelry, making it the envy of rivals.
Change is always looming at Chanel. For more than 30 years, Karl Lagerfeld transformed the brand from Parisian legend to pop phenomenon, staging ever-grander spectacles at the Grand Palais. After his death in 2019, Viard, his longtime deputy, guided Chanel into a softer, more discreet era. Now the industry is holding its breath for Blazy, a Belgian talent with stints at Margiela, Celine and most recently Bottega Veneta, where he won fans for his blend of innovation and reverence for craft.
Campbell said of Blazy, whom she knows personally: 'He's focused, open-minded — he'll bring something special.'
Associated Press
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

MESSIKA CELEBRATES 20 YEARS OF CREATION AND UNVEILS 'TERRES D'INSTINCT'
MESSIKA CELEBRATES 20 YEARS OF CREATION AND UNVEILS 'TERRES D'INSTINCT'

Web Release

time18 hours ago

  • Web Release

MESSIKA CELEBRATES 20 YEARS OF CREATION AND UNVEILS 'TERRES D'INSTINCT'

ROOTED IN NAMIBIA, EXALTED BY THE RADIANCE OF COLORED GEMS, THE NEW HIGH JEWELRY COLLECTION PAYS TRIBUTE TO THE LANDSCAPES, WILDLIFE, AND VIBRANT LIGHTS OF SOUTHERN AFRICA. VALÉRIE MESSIKA DREW HER INSPIRATION DURING A JOURNEY TO NAMIBIA, IN THE HEART OF BOUNDLESS EXPANSES. A VISION CARVED FROM THE BEAUTY OF SOUTHERN AFRICA From the mineral shimmer of the Kalahari to the fiery dunes of the Namib, from the feline grace of the cheetah to the majesty of the lion, each creation pushes the boundaries of emotion and expression. Bold shapes, layered volumes, graphic contrasts, and chiseled light define this 20th anniversary collection where gold and diamond engage with unprecedented textures and finishes. With sixteen original sets, the first chapter of Terres d'Instinct opens as a manifesto of liberated style. 'The creative language of this collection speaks to the earth itself, the cradle of the diamond and the very essence of our Maison. In Namibia, I was struck by monumental landscapes, vibrant ochres, unrelenting light, and the majesty of sovereign wildlife. In the face of such untamed beauty, only the present moment matters.' – Valérie Messika. COLOR AS A NEW TERRAIN With Terres d'Instinct, Valérie Messika ventures for the first time into the realm of colored gemstones. This collection heralds a bold new chapter for the Parisian Maison, long celebrated for its diamond expertise. On the occasion of its 20th anniversary, Messika expands its High Jewelry lexicon to include both precious and fine gems: sapphires, rubies, emeralds, spinels, garnets, onyx, and more. DIAMONDS, EVER THE GUIDING LIGHT Throughout the collection, diamond light weaves the story. Enhanced by diverse setting techniques – bezel, snow, halo, and cuts ranging from cushion and baguette to heart. Terres d'Instinct reflects the creative audacity and spirit of innovation that define the Maison. This contemporary vision of High Jewelry gives rise to a liberated artistry, one that breaks from convention and strides boldly toward new horizons.

Blue Sky Thinking: Meet Chanel's J12 Bleu
Blue Sky Thinking: Meet Chanel's J12 Bleu

Harpers Bazaar Arabia

time4 days ago

  • Harpers Bazaar Arabia

Blue Sky Thinking: Meet Chanel's J12 Bleu

Chanel's J12 watch has a whole new look – for the first time, the monochrome mainstay has departed from its iconic black and white ceramic design, and is stepping into a new, enigmatic hue In the world of luxury watches, when something seems simple, it rarely is. It's all about the long game. So it was five years of development, countless ceramic trials, and a philosophical colour quest that culminated in Chanel's horological showstopper for 2025: the J12 Bleu. And it's not just blue. It's Chanel blue – an inky, velvety, almost-impossible-to-pin-down hue that's more feeling than formula. Unveiled at Watches & Wonders 2025, the J12 Bleu is both a love letter to Chanel's codes and a rebellion against them. Since its 2000 launch in sleek black ceramic (and its iconic white sibling in 2003), the J12 has been all about monochrome mastery. But now, in its 25th year, it's had a tonal awakening. 'There's black, there's white – and then there's this,' says Arnaud Chastaingt, the creative force behind Chanel's watchmaking studio since 2013. Speaking from the brand's booth in Geneva, Arnaud is, by necessity, both a philosopher and perfectionist. 'Black is not a colour,' he says with a grin. 'It's the absence of light. So I imagined giving colour to black.' The result is a blue that defies easy categorisation. There was no Pantone swatch, and no shortcut. 'People asked if I gave our manufacture a reference. I said, absolutely not. That would've been lazy,' he laughs. Arnaud explains that some early samples leaned too red, others veered too much towards green. But after years of obsessive iteration, Arnaud found his poetic equilibrium – an enigmatic blue that flickers between shadow and shine. This moody, magnetic colour didn't, however, appear from thin air. He references a midnight-blue dress Gabrielle Chanel designed, embroidered with black thread, that he discovered a few years back at a Chanel exhibition in Paris called Manifeste de Mode – proof that Mademoiselle never played by colour rules. 'She already knew that blue and black were magic together,' he says. 'Maybe that stuck with me.' The new J12 Bleu collection spans nine pieces, but the crown jewel – quite literally – is the J12 Bleu X-Ray. It's a feat of haute horlogerie brilliance: 196 baguette-cut sapphires glitter across a case and bracelet crafted entirely from synthetic sapphire crystal, offering a mesmerising window into the Calibre 3.1 movement. Transparent, ultra-modern, and wildly limited (only 12 pieces globally), it's the J12 at its most extravagant. In the rest of the collection, then comes the fun. Fun isn't a word you hear often in haute horlogerie – unless you're talking to Arnaud. 'I refuse the idea that a watch must be worn on the wrist,' he says, with the slight defiance of someone who's clearly had this argument before. 'Gabrielle Chanel never designed a watch, but if she had? She'd have worn it as a pendant. Or on a belt. Or a ring.' This spirit infuses the maison's pendant watches, which are very much having a moment. From a glossy lipstick-shaped locket strung on raspberry-hued rhodolite pearls, to miniature interpretations of Coco Chanel herself – there's a lightness, a whimsy, a wink. At the heart of this joy is the Blush collection: 15 watches inspired by Chanel's legendary beauty codes. Lipstick-reds, compact-shaped dials, powdery pastel palettes – it's watchmaking as seen through a make-up artist's lens. One standout? The Talisman watch 'Give Me Luck', a long necklace in yellow gold, rubellite and tourmaline, designed to mimic the maison's iconic Les Quatres Ombres eyeshadow palettes. Another is the Protect Me amulet, where Coco's kohl-rimmed eye is rendered in grand feu enamel and snow-set diamonds, a sparkling homage to Chanel's smoky-eyed signatures. The crossover continues with the J12 Box Dripping Art set: five black ceramic watches splashed with enamel shades inspired by the maison's most iconic nail lacquers. Think Rouge Noir, Rose Beige, and vibrant pinks that feel more pop art than precision timekeeping. While other brands flex their mechanical muscles, Chanel leans into mood, magic and memory. Yes, the movements are meticulous, but it's the storytelling – the deliberate blend of artistry and attitude – that sets them apart. 'Creation,' says Arnaud, 'is everything.'

Syrian couturier Rami Al Ali makes history at Paris Couture Week
Syrian couturier Rami Al Ali makes history at Paris Couture Week

Gulf Today

time4 days ago

  • Gulf Today

Syrian couturier Rami Al Ali makes history at Paris Couture Week

Syrian couturier Rami Al Ali made history on Thursday as the first fashion designer from his country to feature in the official Paris Haute Couture Week calendar in a new landmark for Arab representation in the luxury business. After years of showing his tailored evening dresses on the sidelines of Couture Week, he was invited this year by France's Federation de la Haute Couture et de la Mode to join the programme. He sent out models in long pleated dresses in pastel colours, making elaborate use of silk, rolled crepe fabric, embroidery and beading in a collection that reflected his optimism about the future of his war-ravaged country. 'We called the collection the 'Guardian of Light', and it came at a time that is very hopeful, very promising,' the 53-year-old said beforehand. Al Ali, who grew up in the eastern Syrian city of Deir ez-Zor before moving to Dubai, where he founded his brand more than 20 years ago, was holding back tears as he spoke to reporters afterwards. He said he had been feeling 'nervous, excited, tired, happy' about his breakthrough moment, which follows years of dressing A-listers and royalty including Beyonce and Oscar winner Helen Mirren. Haute Couture Week is separate from the ready-to-wear Paris Fashion Week and is dedicated to handcrafted, one-of-a-kind creations made for red carpet events, galas, and other high-profile social occasions. The programme this week included two designers from Lebanon — Elie Saab and Zuhair Murad — as well as Cameroon's Imane Ayissi, the sole sub-Saharan African label included in the calendar. Saudi Arabian designer Mohammed Ashi's brand Ashi Studio was also in the programme. Ayissi, who joined the Couture calendar in 2020 at the same time as much-hyped Indian designer Rahul Mishra, paid tribute to the increasing diversity on the Paris fashion circuit. 'It shows that things are changing, that things are moving forward,' former model Ayissi said this week after his show, which made elaborate use of traditional African textiles. After studying in Damascus, Al Ali left for Dubai as a young man in search of opportunities in the fashion industry, working initially for two regional brands. He branched out on his own in 2001, building a regional fanbase for his eponymous brand from the United Arab Emirates before creating a following in Europe, including via shows in Paris outside the official Fashion Week calendar from 2012. The invitation this year from France's prestigious Federation de la Haute Couture et de la Mode places him in a new elite category that is increasingly diverse. 'I built from my heritage, from my background, from where I was based, also in the Middle East, in Dubai, all of those combined together created the form and the DNA of the brand,' he explained. Given an appreciation of tradition from his historian mother, Al Ali draws on the design aesthetics of Damascus, Aleppo and Palmyra in particular. Agence France-Presse

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store