Tony nominee Jasmine Amy Rogers on finding the ‘color' in 'Boop! The Musical'
One year after getting rejected for the role, Jasmine Amy Rogers is now Tony-nominated for 'Boop! The Musical.' She and co-star Ainsley Melham join Morning Joe to talk about tap dancing, time travel, and why the show's joyful message—'life isn't full of color until it's filled with love'—is resonating with Broadway crowds.
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Marvel Heroes, Ranked By Who'd Actually Pay Rent On Time
1. Peter Parker (Spider-Man) – 10/10 That Guy, Tries SO Hard 'With great power comes... great rent anxiety.'Peter would sell his blood to pay rent early. He triple-checks Venmo requests, apologizes for paying 2 minutes late, and still brings cookies to the Relatable broke college student Super responsible (thanks, Aunt May).Downside: Occasionally forgets what day it is... because multiverse. 2. Steve Rogers (Captain America) – 9/10 Pays In Advance 'A deal's a deal, ma'am.'Cap sets reminders. Cap budgets. Cap pays rent with a firm handshake and a smile. He also mows the neighbor's lawn without Golden Retriever with a 401(k).Strength: Treats rent like a moral Still writes checks. On paper. 3. Sam Wilson (Falcon/Captain America 2.0) – 8.5/10 'I'm not Tony. I budget.'Sam knows the value of money, and respect. He Venmos the exact amount, includes the correct emoji (🏠), and always splits bills Responsible guy who gently shames you for Uber Eats Financially Tries to get everyone on spreadsheets. 4. Bruce Banner (Hulk) – 6.5/10 Pays When Calm 'You wouldn't like me when I'm budgeting.'When he's in his zen phase? Perfect tenant. When he's stressed? Your wall has a Hulk-sized hole and no one got Peaceful until the Wi-Fi bill Quiet roommate, great at Might smash the smart meter. 5. Wanda Maximoff (Scarlet Witch) – 6/10 Pays In Alternate Realities 'In my universe, I already paid.'Wanda means well. She believes she paid. But it turns out she just mind-controlled the leasing office to think she did. Reality is Emotionally dramatic Venmo Could hex the rent No one remembers the due date. Including her. 6. Tony Stark (Iron Man) – 4/10 Thinks Rent Is For Poor People 'Can I buy the building instead?'Tony forgets rent exists. Or pretends it doesn't. He shows up 20 days late in a Bugatti, tosses you a check for $500K, and says 'Keep the change.'Vibe: That rich friend who never has cash Technically never Literally too rich to care. 7. Loki – -100/10 Probably Burned Down The Apartment 'I am burdened with glorious... eviction notices.'He's charming, mysterious, and absolutely NOT paying you back. Loki forged the lease, created a fake landlord, and summoned raccoons as Chaotic bisexual You'll still invite him to You're now being sued by your HOA and Asgard. Scott Lang (Ant-Man) – Love on 10, Forgets, But Means Well 'Oh no no no, I thought it was next Friday!'He's trying, okay? He's got a kid, a criminal record, and one functional AirPod. Rent is due, and Scott's still Venmoing someone from his burner Adorably broke single dad Will do odd jobs to cover his May shrink and hide during landlord visits. Which Marvel hero is your roommate vibe?
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2 days ago
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USA Today names ‘uniquely satisfying' Portland donut shop among the best in the U.S.
PORTLAND, Ore. () – USA Today released a list of the 10 best donut shops in America on Wednesday, featuring one Portland shop claiming to 'take your tastebuds to the disco.' 'These 10 donut shops across the U.S. offer a unique charm and personal touch that large chains often can't match. Nominated by an expert panel and voted by readers as the best, these spots serve up an array of flavors that cater to every palate — from classic glazed favorites to avant-garde gourmet varieties — and every bite feels like a special treat,' USA Today said of the list. Snagging the ninth spot on the list was Portland's Blue Star Donuts. Portland native, two-time 'RuPaul's Drag Race' winner to star in Tony-winning play 'Brioche dough is one of the secrets to Blue Star Donuts' uniquely satisfying, strikingly creative donut offerings. Incredible flavor combinations like raspberry rosemary, blueberry basil bourbon, and Cointreau créme brûlée exemplify what makes Blue Star distinct,' USA Today said. 'Their vegan selections are also hard to beat, with flavors like orange olive oil, sugar 'n' spice, and blueberry crumble.' 'We're honored to be recognized among the best donut shops in the country,' said Blue Star Co-Founder and CEO Katie Poppe. 'This achievement is thanks to our amazing team and loyal community, who inspire us every day.' Blue Star has four Portland locations – including Goose Hollow, Division, South Waterfront and in Concourse D of the Portland International Airport. The number one donut destination on the USA Today list was Donald's Donuts in Zanesville, Ohio, followed by City Donut in Orange Beach, Alabama, the Bakery Unlimited in Winterset, Iowa, Darling Doughnuts in Saratoga Springs, New York and Back Door Donuts in Oak Bluffs, Massachusetts. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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Lalo Schifrin, Composer of ‘Mission: Impossible' Theme, Dead at 93
Lalo Schifrin, the Oscar-nominated and Grammy-winning composer behind the 'Theme From Mission: Impossible,' has died at the age of 93. The composer's son Ryan confirmed his father's death to the Associated Press, adding that Schifrin died Thursday due to complications from pneumonia at his home in Los Angeles. More from Rolling Stone Rebekah Del Rio, 'Mulholland Drive' Singer of 'Llorando,' Dead at 57 Bobby Sherman, Teen Music and Television Star, Dead at 81 Patrick Walden, Babyshambles Guitarist, Dead at 46 The Buenos Aires, Argentina-born Schifrin, the son of an orchestral violinist, had an early start in music, training on the piano at the age of six. However, upon entering college, Schifrin opted to study law, but his musical roots ultimately took hold. 'While advancing with my law studies, I was also studying music on the side, only as a hobby. And I had a very good teacher, who is probably the most important South American composer—Juan Carlos Paz. He's known among avant-garde circles all over the world, because he's the one who introduced twelve–tone music and the serial techniques in Argentina,' Schifrin told Jazz Professional in 1967. 'All of a sudden, the French Embassy in Buenos Aires offered a scholarship to the Conservatoire of Music. I went for the examination and won the scholarship. That meant that I abandoned my plans for a law career, and I decided to go to Europe.' In Paris, Schifrin became immersed in jazz music, as many of the greats of the time — Count Basie, Ella Fitzgerald, Oscar Peterson — would regularly perform during his time there. Upon returning to Argentina, Schifrin joined one of the country's first jazz orchestras, where he drew the attention of a visiting jazz legend, Dizzy Gillespie. Schifrin, who at that time was already scoring Argentinean films, eventually joined Gillespie's band. 'I stayed with Dizzy about three years,' he said. 'In addition to writing many things for the small group, I rearranged his band book for a type of orchestra with no saxophones in it—only brass,' compositions that formed Gillespie's 1960 LP Gillespian, and resulted in Schifrin's first Grammy nomination (for Best Original Jazz Composition). Schifrin moved to New York and worked alongside Gillespie from 1960 to 1963. (Schifrin and Gillespie would reunite for 1977's Free Ride.) However, dissatisfied with the traveling involved with being in a jazz group, Schifrin signed a contract with Metro-Goldwyn-Meyer, moved to Los Angeles, and scored his first American film, 1964's Rhino! Two years later, Schifrin created his most popular work, the theme from the American spy series Mission: Impossible,' which — the composer frequently admitted — he wrote in just three minutes, and without first seeing any footage from the series or even reading a script. All Schifrin had to go on was producers' idea for an opening credits' burning fuse, which gave the theme its original title, 'Burning Fuse.' (Morse Code of the series' initials, M:I, would also form the theme's 5/4 signature.) 'Television, in those days, people were in the kitchen having a soft drink, and all of the sudden in the living room, the TV set is playing the theme of a new show,' Schifrin said, adding that the 'inviting, exciting' theme was like a lure. Like the series itself, 'Theme From Mission: Impossible' was a hit, landing on the Billboard Hot 100 and earning Schifrin a Grammy Award for Best Instrumental Theme; the song would also be inducted into the Grammy Hall of Fame. (Decades later, the TV show would also eventually become a billion-dollar Tom Cruise film franchise, and though it updated Schifrin's theme, the composer did not contribute musically to any of the reboot's installments.) Over the course of his career, Schifrin would score over 200 films and television shows, and while some would lean on his jazz background — like his work on the 1968 Steve McQueen classic Bullitt and his Oscar-nominated score for Cool Hand Luke, notably its famed 'Tar Sequence' — Schifrin would adapt musically to fit the project, like his experimental work on George Lucas' sci-fi flick THX-1138 and his terrifying score for The Amityville Horror; the composer was infamously recruited to originally score The Exorcist, but upon delivering a portion of his music, the studio and director William Friedkin deemed the shrieking score too scary for even the film and rejected. 'I look for unusual sounds—but never as gimmicks. I like always to make them functional, organic parts of the music,' Schifrin told Jazz Professional. 'It can be percussion, it can be bizarre or exotic instruments, or it can be electronic instruments—but I look for that musical quality, that can be combined, and be organic to the film, to the orchestra and to the music.' Other notable Schifrin scores include Dirty Harry and its sequel Magnum Force, 1973's Charley Varrick, the Bruce Lee kung fu classic Enter the Dragon, Brubaker, the Rush Hour trilogy, Carlos Saura's Tango, the Ringo Starr-starring Caveman and more. 'I've used something in the periphery of jazz myself—not really jazz, but some jazz–orientated scores, like Bullitt, the picture with Steve McQueen. And a little bit of jazz in certain other movies,' Schifrin said. 'But jazz doesn't need anything to be seen, while film–making is made up of many components. There are the dramatic, the visual and the audio elements: they have to be all integrated, and be part of the one thing.' Despite winning a handful of Grammys, the Academy Award remained elusive: Schifrin was nominated for Best Original Score six times — for Cool Hand Luke, The Fox, Voyage of the Damned, The Amityville Horror, The Competition and The Sting II — but never won an Oscar. However, the Academy celebrated Schifrin's career with an honorary Oscar in 2019. 'I love music. To me there is no labels,' Schifrin said in 1969. 'I don't believe in rock n' roll or classical or jazz. I believe that there is good music and bad music.' Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked
