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Now playing in movie theaters: 73 minutes of cat videos, for a good cause

Now playing in movie theaters: 73 minutes of cat videos, for a good cause

The best of the internet's cat videos are coming to the big screen this weekend. Cat Video Fest is a 73-minute, G-rated selection of all things feline —silly, cuddly, sentimental and comedic—that's playing in more than 500 independent theaters in the U.S. and Canada.
A portion of ticket proceeds benefit cat-focused charities, shelters and animal welfare organization. Since 2019, it's raised over $1 million.
The videos are curated by Will Braden, the Seattle-based creator of the comedically existential shorts, Henri, le Chat Noir. His business cards read: 'I watch cat videos.' And it's not a joke or an exaggeration. Braden watches thousands of hours of internet videos to make the annual compilation.
'I want to show how broad the idea of a cat video can be so there's animated things, music videos, little mini documentaries,' Braden said. 'It isn't all just, what I call, 'America's Funniest Home Cat Videos.' It's not all cats falling into a bathtub. That would get exhausting.'
Now in its eighth year, Cat Video Fest is bigger than ever, with a global presence that's already extended to the UK and Denmark, and, for the first time, to France, Spain, Japan and Brazil. Last year, the screenings made over $1 million at the box office.
In the early days, it was a bit of a process trying to convince independent movie theaters to program Cat Video Fest. But Braden, and indie distributor Oscilloscope Laboratories, have found that one year is all it takes to get past that hurdle.
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'Everywhere that does it wants to do it again,' Braden said.
Current theatrical partners include Alamo Drafthouse, IFC Center, Nitehawk, Vidiots, Laemmle and Music Box. The screenings attract all variety of audiences, from kids and cat ladies to hipsters and grandparents and everyone in between.
'It's one of the only things, maybe besides a Pixar movie or Taylor Swift concert, that just appeals to everybody,' Braden said.
And the plan is to keep going.
'We're not going to run out of cat videos and we're not going to run out of people who want to see it,' Braden said. 'All I have to do is make sure that it's really funny and entertaining every year.'
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From curiosity to craze, saxophone finds a home in China
From curiosity to craze, saxophone finds a home in China

Canada News.Net

time9 hours ago

  • Canada News.Net

From curiosity to craze, saxophone finds a home in China

HARBIN, Aug. 4 (Xinhua) -- At the opening ceremony of the 20th World Saxophone Congress in late July, as a melody filled the venue, 57-year-old Yin Zhifa was swept back to that distant morning in 1976 when he first glimpsed the shimmering saxophone. Little did he know then that over the next five decades, he would travel across China with his saxophone in hand, bringing fresh melodies to the lives of countless Chinese listeners. Yin is a veteran saxophonist and currently serves as president of the professional saxophone committee of the China Popular Music Association (CPMA). He said he still vividly remembers seeing a saxophone for the first time at a public performance when he was eight. "The golden gleam of its brass body and its vibrant, soaring melody instantly captivated me." Yin began formal training at nine and joined a local performance troupe at 17, becoming one of China's few saxophonists of that era. At the time, the saxophone still carried an air of mystery in China. While it occasionally appeared in military honor guard shows or parades, for most people it remained a rare and exotic import from the distant West. "Back then, only a handful of factory and school bands had saxophones. It looked and sounded incredible, so I worked hard to learn how to play," Yin said, adding that a light music tape released in 1982 helped introduce the instrument to a wider audience in China. Recorded by a Beijing-based orchestra, the tape featured the saxophone as the lead instrument, backed by drums and guitar. Its fresh, vibrant sound soon became a symbol of the country's spirit of opening up. In 1991, Yin joined the Art Ensemble of the All-China Federation of Trade Unions as a saxophonist. During performances across the country, he noticed audiences responding with growing enthusiasm, often erupting in applause during his saxophone solos. "That's when I decided to popularize the saxophone among the public because only with widespread affection can it truly thrive," he said. Over the next three decades, Yin's life would closely mirror the saxophone's growing popularity in China. In 1993, he compiled China's first saxophone grading exam textbook, laying the foundation for a standardized evaluation system. Thanks to Yin's persistent advocacy, institutions like the Central Conservatory of Music began launching saxophone programs from 1997 onward, formally introducing the Western instrument into China's higher music education. "At first, many thought it lacked the foundation of traditional Chinese instruments among the people, but music knows no borders. A beautiful melody always resonates with listeners," Yin said, noting that this was best illustrated by the nationwide saxophone craze ignited by the iconic piece "Going Home." In 2002, American saxophonist Kenny G performed it in China, and its tapes and CDs quickly became a "signature melody" heard in shopping malls, school bells and even over park loudspeakers across the country. "Emphasizing family bonds in traditional culture, Chinese people hold a special connection to the idea of 'returning home,' making the name and melody deeply resonate with our emotions," said Yin Shenghua, Yin's daughter and a young saxophonist. Having grown up watching her father promote the saxophone, the junior Yin was struck by the deep passion for the instrument she witnessed upon returning from her studies in France. She observed retired seniors practicing in groups with speakers in Beijing parks, while many five-year-olds began learning the saxophone in training classes in Harbin, capital of northeast China's Heilongjiang Province. According to the CPMA, there are now approximately 800,000 people learning the saxophone in China. To further promote the saxophone's popularity, Yin Zhifa compiled simplified notation textbooks for middle-aged and elderly enthusiasts and encouraged manufacturers to produce smaller instruments tailored for children in recent years. For him, the saxophone has been more than a source of joy for Chinese music lovers; it has also served as a bridge for cultural exchange beyond the realm of art. From July 26 to 31 this year, the World Saxophone Congress was held in China for the first time, drawing musicians from 33 countries to Harbin. Yin and many saxophonists believe that this gathering of diverse musical ideas and cultural styles paved a brighter future for the saxophone in China. The staggering sheer number of saxophonists, as well as the presence of many large saxophone orchestras, is a remarkable achievement, said Arno Bornkamp, president of the International Saxophone Committee. "Though it originated in the West, the saxophone has taken root in China," the senior Yin said.

Riveting wartime read next for book club
Riveting wartime read next for book club

Winnipeg Free Press

time2 days ago

  • Winnipeg Free Press

Riveting wartime read next for book club

The Free Press Book Club and McNally Robinson Booksellers are pleased to welcome Vancouver-born, New York-based author Jack Wang to the next virtual meeting on Tuesday, August 26 at 7 p.m. to read from and discuss his historical-fiction novel The Riveter. Published by House of Anansi Press in February 2025, The Riveter explores the life of Josiah Chang, a Chinese-Canadian living in Vancouver in 1942. Because Chinese people were not allowed to join the army at that time (or become Canadian citizens, for that matter), Josiah is unable to enlist to serve in the Second World War, and instead becomes a riveter working on parts for cargo ships. Shortly after, he meets Poppy Miller and the two begin a whirlwind romance that is just as swiftly halted when Poppy's father expresses his disapproval. Holman Wang photo Jack Wang In order to prove his worth, Josiah figures out a way to get himself enlisted, and volunteers for the 1st Canadian Parachute Battalion, who jumped into Normandy on D-Day; he is one of few Chinese Canadians in the army at this time. Fighting battles on the field, as well as his own complex emotional battles — navigating a relationship with Poppy half a world away, dissecting feelings about his late father and examining his own place in Canada as a non-citizen putting his life on the line — Josiah presses on to find his way back home, wherever that means to him. In her Free Press review of The Riveter, Zilla Jones said the novel 'disrupts expectations of war novels, introducing us to a unique and unforgettable main character from a community whose contributions to Canada's war effort have too often been minimized or ignored' and called Wang's writing 'clear and confident; the story is compelling. 'It's also extremely relevant — a Canadian story by a Canadian author about a time when Canadians, if only temporarily, put aside their differences to fight a greater enemy. The Riveter is a riveting must-read for our times.' Wang will join Free Press literary editor Ben Sigurdson, McNally Robinson Booksellers co-owner Chris Hall and Free Press audience engagement manager Erin Lebar. He'll read from The Riveter, discuss the book and field questions from viewers and readers. Weekday Evenings Today's must-read stories and a roundup of the day's headlines, delivered every evening. Copies of The Riveter are available to purchase at McNally Robinson Booksellers; there's no cost to join the book club or virtual discussion. Video of the meeting will be available for replay on the Free Press YouTube channel following the event. To join the Free Press Book Club and for more information on current and future book picks, visit Book Club.

His time to shine
His time to shine

Winnipeg Free Press

time3 days ago

  • Winnipeg Free Press

His time to shine

Jeff Hiller is having a moment. After a career spent playing various service industry figures in blink-and-you'll-miss-'em TV and movie roles, the New York-based character actor has received no end of plaudits over the past couple of years for his sensitive, unstereotypical work as Joel, the best friend to Bridget Everett's Sam, in Somebody Somewhere. And last month, Hollywood made that affection official, bestowing upon the lifelong portrayer of bit parts a much-deserved Emmy nomination for best supporting actor in a comedy, acknowledging his indelible contribution to the brilliant HBO show. HBO / Associated Press Jeff Hiller (left) received an Emmy nomination this year for his work as Joel, best friend of Sam (played by Bridget Everett, right) in the HBO series Somebody Somewhere. So the timing is perfect for Hiller's memoir, whose subtitle — My Twenty-Year Trail to Overnight Success — feels more relevant now than ever. In fact, within its opening pages, the former Olive Garden waiter says: 'Don't get me wrong, I really want to win an award, but the truth is, I'm just happy to be an actor who gets to act and who doesn't have to grate mounds of Parmesan onto someone's pasta in hopes of a large tip.' Awards aside, Hiller is a charming enough presence on the page — self-effacing, gossipy, irreverent and open in turn — that it probably doesn't matter if you're familiar with his work. A lifelong reader of celebrity memoirs (mostly, as per the title, by actresses of a certain age), Hiller knows all the clichés fans of the genre have come to expect — Buried Importance (mentioning something innocuous that turns out to be momentous), Body Electric (focus on famous body parts) and You Have to Remember (giving the context of the time in which the story took place) — and does not necessarily avoid them. He takes readers from his tortured teen years, growing up bullied and gay in Texas, to his discovery of improv and the joy found in performing with the famed Chicago company Upright Citizens Brigade. (It might amuse Hiler to learn that, Emmy nod be damned, as of the writing of this review he's not listed among the luminary alumni of the group on Wikipedia.) Gregory Kramer photo Jeff Hiller Along the way he spends time in Namibia on a study-abroad semester — he wanted to go to Ireland for reasons involving the film Far and Away and Tom Cruise's butt crack, but ended up having a life-changing experience — joins a Christian commune and works as an outreach worker recruiting men to be part of an HIV study, hitting up bars and bathhouses to find participants. Of the latter he recalls, 'There was a hot tub that screamed Legionnaire's disease… There was a dark maze where anything could happen and while I could see the appeal in theory, I kept thinking, 'What if the anything is murder?'' Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. A particularly funny chapter finds Hiller answering the most Googled questions about himself, many of which focus on his appearance, which he describes as 'as if a theme-park caricature artist crafted one of his drawings in human flesh.' He tells a cutting anecdote about looking over the shoulder of a man who is clearly trying to place him, only to read the words 'Actor with weird-looking face' in his device's search bar. It's not all witty self-deprecation and (light) dirt-dishing. Hiller includes a touching chapter about coming out to his parents, for whom he has radiant affection, and delves into the way he's had to find room for his Christian faith (something he shares with his Somebody Somewhere character). Of that critically acclaimed show — which gave him the role of a lifetime, one that seemed to have been written for him, but wasn't — he quotes the Broadway musical Title of Show: 'I'd rather be nine people's favourite thing than a hundred people's ninth-favourite thing.' Actress of a Certain Age With this delightful book, Hiller deserves to be many more people's favourite thing. Jill Wilson is the Arts & Life editor of the Free Press. Jill WilsonArts & Life editor Jill Wilson is the editor of the Arts & Life section. A born and bred Winnipegger, she graduated from the University of Winnipeg and worked at Stylus magazine, the Winnipeg Sun and Uptown before joining the Free Press in 2003. Read more about Jill. Jill oversees the team that publishes news and analysis about art, entertainment and culture in Manitoba. It's part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

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