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Why the new Bonnie Blue documentary may be the worst thing I've ever seen on Channel 4

Why the new Bonnie Blue documentary may be the worst thing I've ever seen on Channel 4

Daily Mirror3 days ago
Channel 4's documentary on Bonnie Blue may be the worst I have ever seen on the channel, but that has nothing to do with all the sex on screen.
Channel 4 has a rich history of making great documentaries. Dispatches is a strand of docs they have produced since 1987 and it has won a number of Baftas over the years. It was the channel which aired the Michael Jackson documentary Leaving Neverland.

In 2022 it produced a detailed expose of the practices of The Jeremy Kyle Show. Jamie Oliver's school dinners campaign was made on Channel 4 via a documentary series in 2005.

And over the past 20 years I have written about dozens of the documentaries and their findings. It's an area of the job I love. Many have led to changes in business practice or even debates in parliament and nationwide talking points.

But the new Bonnie Blue documentary is not groundbreaking, and worse than that, it is not even a detailed film on the subject matter. I have to say it is one of the worst documentaries I have ever seen on Channel 4, and now I'll explain why I think it is so weak.
Observational documentaries are quite common at the moment and successful. You follow a celeb around, get them in their normal life, chat about their past exploits, successes and traumas and then add in archive footage. If they have home videos even better, especially if it is emotive.

David Beckham did one, Robbie Williams has filmed another, and in this genre the best doc I have seen relatively recently was with Sven Goran Eriksson filmed in the year before he died. Former England manager Sven trusted the director and I felt gave a lot of himself over to the project. It left me in tears by the end as Sven said goodbye to the world via the film.
By contrast, Bonnie Blue gives away very little. There are gaps of weeks between filming. Then the final scene shows her going off to see self-proclaimed misogynist Andrew Tate. It's controversial and the interview between the pair could produce some explosive footage, but the director chooses to end filming before the meeting and does not travel with her.
On another day Bonnie is filming her most famous film to date, sleeping with over 1000 men, but the director admits she didn't stay too long so none of the details are verified. She then fails to meet up with her again for more than a week, so there is no real time reaction to the event.

It feels like Bonnie called the shots when it came to filming, and there are only a couple of occasions throughout the whole doc when I feel she isn't putting on a front or facade.
Bonnie says at one point she earns over a million pounds a month, but we don't see any examples on screen of her earning or what she pays her team who work with her. We have to take her word for it. It's another small detail which is not really proven or probed. What does she spend her money on? Does she have investments or a property portfolio which would show another side to her in terms of business acumen.

The director on the project admitted when speaking to the media the documentary wasn't her idea and she was asked to come on board. This is another red flag for me as a lot of the best docs are passion projects for the makers which means they go that extra mile and also in some cases have a long standing relationship with the subject or the insiders.
I appreciate that the rise of OnlyFans is an interesting topic and understand that some people including young girls and lads in this documentary see it as a way of avoiding boring 9-5 jobs.
And there have been interesting documentaries made on this type of subject. Olivia Attwood looked at the phenomenon of OnlyFans in her series Getting Filthy Rich on ITV in 2022.

She spoke to a variety of content providers and they spoke of the ranges of money they earned and how they earned it in detail. They also said speaking to men on the site had made them distrust men more.
But this new Channel 4 doc doesn't feel like an in-depth exploration into that world. Bonnie is allowed to say the same things over and over and many questions are left unanswered. As a viewer I still had lots of questions and that is why I feel it is such a weak documentary. A far cry from the best documentaries Channel 4 have made over the years.
For their part, Channel 4 obviously disagree. Asked for their reasoning to commission, make and screen the documentary in its current form, they said: "Tia Billinger, via her stage name Bonnie Blue, has gained worldwide attention and millions of pounds in the last year. 1000 Men and Me: The Bonnie Blue Story is an observational documentary in which director Victoria Silver follows Tia over the course of six months.
"The film questions Tia's methods and the divisive style of her social media and hears from colleagues and collaborators in order to understand her polarising business model. Part of Channel 4's remit is to reflect modern Britain and stimulate debate amongst viewers, and a film such as this, exploring changing attitudes to sex, success, porn, and feminism in an ever-evolving online world is an important addition to those conversations."
* 1000 Men and Me: The Bonnie Blue Story is on Channel 4 on Tuesday night at 10pm and available to stream online.
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Some of it comes from a safety deposit box opened around five years ago by Angela and her sister, who wishes to remain anonymous, following the death of their father. 'We didn't know what we had, just that they were items from John Brown and Queen Victoria,' she says now. 'It was always something in the back of our heads - we should probably get these looked at.' Despite long-held family suspicious that they were related to Queen Victoria, Angela was still shocked when Dr Fern got in contact. 'I believed my family was being truthful with it, but we could never prove it. Once she sent that message, I thought 'What the heck? Is there actually validity to this?' Angela, who works as a mental health care worker, said her goal is for the love affair, which was covered-up both during and after Victoria's lifetime, to be acknowledged as the truth. 'It's something that I'm very proud of,' she said. 'I want the vindication essentially for John Brown and just for my lineage, because they were not able to talk about it. It was something that just became that secret that we couldn't really share, but we knew.' If Dr Riddell's version of events is to be believed, and there is plenty of evidence to support it, Victoria and John enjoyed a romantic relationship lasting the best part of 20 years, until his death in 1883. As well as making reciprocated declarations of love to him on his deathbed - 'I told him no one loved him more than I did and he answered 'nor you - than me'' - she also had made a cast of his hand, just as she'd done with Albert. When her own death came in 1901, she asked to be buried with a lock of hair and photograph of the man who'd been by her side for two decades since Albert's death in 1861. Surviving letters see her calling him 'my beloved' and 'darling one'. However, on the others of her eldest son Bertie - about to be crowned Edward VII - the Palace set about erasing John from the record. Victoria's journals were copied and edited, and the originals destroyed. Bertie, who had often clashed with Brown, also ordered the statues and private memorials that Victoria had created for him to be removed. ‌ Angela's grandfather died when she was in fifth grade but she remembers him being upset about the way in which the Browns were airbrushed out of existence. 'My understanding from my Mum was that he was just really upset and bitter about it,' she explained. 'He didn't like to talk about it. Now, having both my parents and my aunt gone, we don't have those resources any more. So the bulk of the story I have been learning from Fern, which is amazing, and I'm so grateful.' Angela is optimistic about the royals eventually having to accept the validity of the claims being made about her ancestors, also shown in a Channel 4 documentary on Thursday. 'My gut says it's going to have to get acknowledged at some point,' she reasons. 'Scandals are always very exciting so I'm sure there'll be a lot of questions for them to answer. If they don't say anything, that's their choice. But I'd like them to acknowledge the truth of this love, to recognise that it wasn't cool to cover up and destroy evidence of the relationship they shared. Let's be real, Bertie was a bit of a d**k to the Browns. ‌ "That story deserves to be known, to have its own breath out there in the world. You don't get that kind of romance every day. It's what you'd hope for anybody, that you would find another chance at love. So I don't see why we should look down on that. It's like an opportunity presented itself and they embraced it, and I think that is beautiful.' Angela says she's hoping to have a DNA test to prove her ancestry, but has been warned it may take some time because of the need for perfect source material for testing across the four-generation gap. 'I'll let the scientists do the science,' she says cheerfully. 'I'm a supporting character in this journey, and so I will follow wherever the story leads me. I'm totally open to it. So far it's been so exciting, so cool. I'm just really stoked.' The tattooed American, who wears a nose-ring, insists that she's not simply trying to cash in on the royals' wealth. 'Money is the furthest thing from my goal in telling this family story. It has always been to get Queen Victoria and John Brown's story the truth it deserves.' ‌ She says she cannot think of any other reason why her family would be in possession of precious heirlooms from Victoria and John, including a brooch and lock of hair. 'Their relationship was authentic and genuine. They obviously had feelings for each other. It went well beyond a queen and man servant situation.' There was plenty of gossip at the time about the pair, played by Dame Judi Dench and Billy Connolly in the 1997 movie Mrs Brown. In 1865, after Victoria requested John's transfer to the Royal Household at Windsor, two of her daughters, Helena and Louise, openly referred to him as 'Mamma's lover'. And the following year a Swiss newspaper published a story claiming Victoria, then aged 46, had privately married John and become pregnant. Angela would be happy whether Mary Ann turns out to be John or Hugh's daughter. 'Either John Brown is my great, great uncle or he is my great, great grandpa. My family still played a key role in history with their friendship and closeness to Queen Victoria. I'm proud of their steadfastness in keeping the legacy of John Brown alive and their word to holding the secret close. It's still a beautiful romance that deserves its moment of recognition in history.' With her Scottish roots from her mother's side, Angela loves spending time in the UK whenever she can and admits she sometimes feels more British than American. 'I've always felt a little disconnected in the sense that I feel more at home over there. Scotland is my happy place. I would move there if I could, for sure.'

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