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EXO's Kai on Diving Deeper Into Himself on New EP ‘Wait on Me' and Meeting Fans After Two Years

EXO's Kai on Diving Deeper Into Himself on New EP ‘Wait on Me' and Meeting Fans After Two Years

Yahoo21-04-2025
K-Pop star Kai wants you to dive deep into his mind.
The 31-year-old artist, a member of popular boy group EXO, is back with a new solo EP, Wait on Me. The seven-track album, released Monday, marks Kai's first release in over two years following the completion of his military service.
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Kai's pre-release track 'Adult Swim' sets the stage for the album's refreshingly catchy pop sound. ''Adult Swim' is a very meaningful track to me,' the K-Pop star tells The Hollywood Reporter on a Zoom from his agency SM Entertainment's Seoul headquarters. 'If I was the Kai [of a few years ago], I might not have chosen this track.'
While 'Adult Swim' is a great fit for a day at the pool, Wait on Me's lead single of the same name is perfect for a night out with friends. The Afrobeats infused pop track builds on Kai's popular singles of the past like 'Rover' or 'Peaches' to find a sound that feels right at home in his discography.
Below, the global star speaks with THR about performing again after his enlistment, how excited he is to see fans face-to-face again and the pressures that come with being the king of the dance challenge.
What was it like making ? Do you have any favorite moments?
I was really excited, but at the same time it was a bit tough because I wanted to meet my fans so quickly. They've been waiting, and that's why we had a tight schedule for production. I actually felt the pressure of making an album after two years. This pressure that I felt came because of the concern and thoughts that I should need to show new sides of myself to the audience. Throughout these two years, what I've learned actually made me overcome the concerns.
It was tough throughout the production of the album, but that sort of feeling actually let me release those concerns and really get on board for the production.
Hearing you say you wanted to get back to fans quickly; obviously while you were enlisted you weren't making music, so that's a very quick turnaround time. How are you feeling about fans getting to hear the album? Are you excited? Are you nervous, or are you just really ready for them to hear it?
I feel all these emotions at the same time right now. I feel like there's butterflies and excitement just like I was debuting, but at the same time very nervous. As much as the success and all the records that we'll gain from this album are important, for me the most important thing is whether I will be able to fulfill the expectations of the fans. This time I wanted to actually aim [for] that with the challenges that I'll be showing them, so I'm very excited for that.
'Wait on Me' and 'Adult Swim' feel a bit different from songs you've released before, while also feeling very much like a song you'd release. What was it like trying something new and did you feel you fit with it?
'Adult Swim' is a very meaningful track to me. If I was the Kai [of a few years ago], I might not have chosen this track. Because of these two years away, and the experience from that time, that became the factor that made me choose this song. As you can hear, the verse and the chorus, the atmosphere is very different. From the verse, you can feel the cool [and] refreshing beats and the vibes, feeling like you're swimming. When it becomes to the chorus, you go deep into the sea, you're diving into the sea, and you can have those deeper beats and sounds coming up. I think this actually shows my mindset throughout those two years.
The reason I chose this as a pre-release song is that it's a great introductory to the album and also because of the verse. You start with a light, high greeting and then when you go into the chorus, you can really dive deep into my inner-self and emotions. Then you go deeper and deeper down and that's where you can meet 'Wait on Me.'
You're known to be an incredible dancer, and I think it's pretty safe to say you might hold the title of king of the dance challenge. Do you ever feel pressure around that or feel like you have to continue to better yourself in that way?
First of all, for 'Adult Swim,' I actually didn't consider the challenge for this song because the choreography itself is very difficult, as you can see, but rather I focused on showing what I'm good at. I tried to get rid of this self-doubt because I chose this song as a lighter introduction, so that was what I was aiming for with this.
For 'Wait on Me,' you actually need to see the music video, but it will be some sort of a challenge, as in the meaning itself. You'll actually see what I mean when you look at the music video. I want the audience to get that impression, as it was actually a challenge itself. Since you came into this world of mine with 'Adult Swim,' you came deep inside [the world]. I wanted to present a new set of challenges for myself with 'Wait on Me.'
Can you share any behind-the-scenes tidbits of shooting the music videos? Was there anything you found easier this time around? Anything more difficult?
I had to shoot the music video a month after my service. It was a challenge itself. It was pretty difficult. Actually, in the last two years, I gained a lot of muscles. I bulked up a little, so it was a challenge for me because these two songs, 'Adult Swim' and 'Wait On Me,' I felt like that type of shape was not fitting to the songs too much, so losing weight and getting fit again was a challenge itself.
During the music video for 'Wait on Me,' there's a lot of props on the floor. I had to run through the alleys, and there's a hallway that I had to run [down]. There were a lot of obstacles, which was very challenging, but at the same time very, very fun. This actually helped me get back into to my life as an artist.
As you start promoting on music shows with this album, you're going to see fans again for the first time in a really long time. How are you feeling about that?
Since my comeback, I've been doing a lot of schedules where the fans could see me through videos and live [streams], but I hadn't had a opportunity where I could meet the fans. I'm very excited for that, and that's why it doesn't feel like a real comeback yet, so I'm very excited.
I'm trying to make more opportunities [for fans], as much as I can through these music shows and [my] upcoming tour. When I actually do meet them, then I'll feel like I have a fully recharged battery.
Speaking of touring, you're to get to meet international fans soon during SMTOWN Live.v How are you're feeling about getting to do that again?
I feel like we're just starting now, like [it's the] official start. I actually feel like my love towards the fans is bigger than their [love] towards me. I miss them more, and I actually want to do a battle – whose heart is bigger?
How do you hope to be viewed as an artist? Whether that be as a member of EXO or as a solo artist.
Since my debut I always wanted to be better, and I wanted to be good at what I was doing. I was wondering where my the peak could be. At the same time, I wasn't very curious about others' perspectives or thoughts too much.
As a EXO member, with 'Tempo' and 'Love Shot,' and as a solo artist with 'Rover' or 'Peaches,' I feel like everyone sees me in a different light and as a different artist through all these different tracks. What I hope [is] that I could at least wiggle into a tiny room of their hearts.
Is there anything you want to add?
Throughout my time with SuperM, that memory is very deeply impressed in my heart because I had such fun at that time. My biggest goal actually is that through this album, I'm hoping to meet my international fans, also my American fans. I just wanted to say I'm still here, guys. I have an album out, and I'm actually going to be there soon to see you all, so please look forward to it.
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From albums to stadiums: K-pop companies look for higher revenue in live concerts
From albums to stadiums: K-pop companies look for higher revenue in live concerts

CNBC

time7 hours ago

  • CNBC

From albums to stadiums: K-pop companies look for higher revenue in live concerts

When Blackpink kicks off their "Deadline" world tour in Goyang, South Korea, this weekend, they'll be aiming to top the record-breaking run of their previous tour, which grossed over $330 million and was reportedly the highest-earning in history by a girl group. Projections from Daishin Securities show that the new tour by the four-member group is likely to rake in 600 billion South Korean won ($440 million), according to South Korean outlet e-daily. Blackpink's concerts are just one example of how K-pop companies are turning to concerts to shore up their balance sheets. Amid a decline in album sales that battered their revenue and tanked their share prices in 2024, these agencies lost a combined market cap of 35% from the second half of 2023 to the end of 2024, according to a June 3 note by Goldman Sachs. South Korea's "Big Four" K-pop agencies are all publicly listed. Hybe Corporation is the largest and is listed on the blue-chip Kospi, while SM Entertainment, JYP Entertainment and YG Entertainment are on the small-cap Kosdaq. Live concerts are one way the "Big Four" are addressing the slumping sales of albums, which traditionally form the bulk of the firms' revenue. Billboard's midyear Boxscore report revealed that boy group Seventeen, managed by Hybe subsidiary Pledis Entertainment, "essentially doubled its midyear gross for the second consecutive year," thanks to its Right Here world tour, which ran from October 12, 2024, to February 12 this year. Billboard's information covers all reported shows between Oct. 1, 2024, and March 31, 2025. The group was the third-highest grossing act in the period, pulling in $120.9 million and an attendance of 842,000 over 30 shows. Five K-pop acts are on Billboard's top-50 list, up from three in 2023 and 2024 and two in 2022. "K-pop acts on the midyear Top Tours chart brought in a collective $228 million and sold 1.6 million tickets from 78 shows. That marks a 79% increase over the genre's 2024 showing, which itself was a 93% jump from 2023," Billboard said. More notably, K-pop concerts defied the broader downtrend in global concert trends. Billboard noted that "this year's midyear charts are down significantly compared with 2024," with a 28% drop year over year in touring revenues, although Live Nation CEO Michael Rapino noted that more artists are waiting until the second and third quarters to launch their tours. Jiwoo Oh, a research analyst at investment firm CGS International, told CNBC that companies are now turning to concerts because the profit margins of live events are higher compared with album sales. By holding concerts, companies also have the opportunity to sell merchandise, which has an even higher profit margin than the concerts themselves. The profit margin for merchandise, she said, can reach as high as 50%. This shift to concerts as a revenue stream can be seen in the companies' first-quarter results. Out of the four major publicly listed K-pop companies, three saw huge increases in concert revenues. JYP Entertainment was the exception. Most notably, Kospi-listed Hybe Corporation, South Korea's largest K-pop company by market capitalization, saw its concert revenue surpass album and digital sales in the first quarter of 2025. Concerts accounted for 31% of total revenue in Hybe's first quarter, surpassing the 27.3% share from music sales. In the first quarter of 2024, music revenue made up over 40% of revenue, while concert revenue stood at 12%. YG Entertainment experienced the largest jump in concert revenue among the four companies, with concert revenue spiking over 270%, reportedly due to world tours from its boy band Treasure and newly debuted girl group Babymonster. The only exception to the trend was JYP Entertainment, which reported a drop in both concert revenue and profit. The company explained in its first-quarter earnings note that this was due to a lack of large-scale concerts by major artists during the period. In line with this surge of concert revenue, K-pop stocks — with the exception of JYP — rose between 60% and over 100% year to date, vastly outperforming the Kospi's 28% gain and the Kosdaq's 15.2% increase. CGS' Oh said that while Hybe and YG are poised to see the largest gains because of the resumption of activities from BTS and Blackpink, respectively, YG is likely to see a higher growth rate because of its smaller stable of artists. YG currently only has three groups in its stable, the smallest bench among all four companies. However, a June 26 note by Morgan Stanley said that they believe that expectations for Blackpink have been "over-reflected" in the share price of YG, adding that the agency's "high reliance on a single IP and its shallow slate of performers remains a concern." The dismal performance of JYP was due to investor concern over contract renewals, CGS' Oh added. Girl group Itzy's contracts are expected to expire in 2025, while members of boy band Stray Kids are facing the possibility of serving South Korea's military service. Morgan Stanley's note echoes this point on JYP, saying that "we believe the stock needs to see more artists contributing to top line growth, and new teams emerge to support longer term growth." While rising revenue from concerts is likely to lift all companies, some can capitalize on this trend better than others. 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The Wall Street bank also sees earnings turbulence in YG, due to its reliance on Blackpink's activities. A "successful ramp-up of Babymonster is key to seeing multi-year earnings growth," it added.

If You're Old Enough To Have Actually Experienced The Y2K Era, These 43 'Boring' Products Will Probably Excite You
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If You're Old Enough To Have Actually Experienced The Y2K Era, These 43 'Boring' Products Will Probably Excite You

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ABBA's Björn Ulvaeus Working on an AI-Assisted Musical
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Yahoo

time12 hours ago

  • Yahoo

ABBA's Björn Ulvaeus Working on an AI-Assisted Musical

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