
80s movie bombshell, now 58, looks chic in white on walk with dogs in very rare sighting – who is she?
The movie star, now 58, was seen wearing a laidback look whole walking her two dogs.
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Stepping out in Los Angeles with her two dogs, this movie bombshell kept things laidback yet chic on a recent outing
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She rocked a light ensemble for the outing
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Can you guess who she is?
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The starlet was almost unrecognizable as she strolled through her neighborhood dressed head-to-toe in white.
Looking chic, she wore a wide-brimmed white hat that shielded her face from the Californian sun.
She looked relaxed and content, and kept a low profile as she walked her two dogs, but can you guess who she is?
Known for starring in cult classic flick Legend as Princess Lili, and in Ferris Bueller's Day Off as Sloane Peterson, Mia Sara looks totally different in 2025.
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Mia, whose surname is Sarapochiello, is the actress in question, and she was born on June 19, 1967. She is known professionally as Mia Sara.
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Mia Sara starred alongside Matthew Broderick in Ferris Bueller's Day Off
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She played a sex symbol in the hit movie
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The iconic movie came out in the 80s
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Her casual outing and dog walk comes just months after she made headlines for her stunning return to the red carpet in June 2025.
She attended the premiere for her new movie, The Life of Chuck, at the Hollywood Legion theatre.
RED CARPET COMEBACK
When she attended the star-studded event just weeks ago, Sara turned heads in a chic black sleeveless dress with peplum detail.
Most read in Celebrity
In the movie, she stars alongside the likes of Tom Hiddleston, Mark Hamill, and Karen Gillan for the Stephen King adaptation. T
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The American actress made her film debut as Princess Lili in the 1985 fantasy film Legend before having a huge breakthrough role in a beloved comedy flick.
Eighties Icon Annette O'Toole Unrecognizable in LA - Life, Virgin River, and Family Struggles
Mia's breakthrough role came when she starred as Sloane Peterson in the
In Legend, Mia's character was fresh-faced and innocent-looking with curly brunette locks.
Meanwhile, in Ferris Bueller's Day Off, her character was a little older and more of a sex symbol.
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The actress, who hails from New York, also portrayed Melissa Walker in the science fiction film Timecop back in 1994, with the role even winning her the Saturn Award for Best Supporting Actress.
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Mia Sara was seen at The Life Of Chuck premiere in June
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She sported fully brunette locks in her heyday
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Mia has been a movie bombshell her whole life
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MIA'S LOVE LIFE - EXPLORED
After her breakthrough success, Mia went on to get married to a famous A-Lister's son.
In March 1996, Sara married Jason Connery, son of actor Sean Connery after they met on the set of Bullet to Beijing the year prior.
In June 1997, the couple welcomed a son, with them welcoming Dashiell Connery on June 3.
Dashinell followed in his father's footsteps, and the now 27-year-old is an actor known for starring in Outcry, Pandemic and Tommy's Honour.
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But Mia and
Jason
were not to last.
They got divorced in 2002.
During a previous interview with The Times, Jason spoke out about how the divorce was a shock and how he found it hard.
"I suddenly saw all the parallels between my dad, my mum, and me, because they were both actors — like my ex and I," he said at the time.
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Sara then moved on with Brian Henson, with the couple welcoming a daughter in 2005 and tying the knot five years later in 2010.
SHOCKING CAREER CONFESSION
After welcoming her daughter and getting married again, Mia made a confession about her career.
"I was a very unhappy actress," she revealed to The Cossack Review in 2016.
Read more on the Irish Sun
"It was something I felt I could do, and I needed to work, and I got lucky at the get go.
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"However I was never going to be the kind of actress I admire, because I just didn't have the drive for the process."
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Mia Sara can be seen above at the 25th Anniversary of The Muppet Show
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Irish Examiner
2 hours ago
- Irish Examiner
Sam Gilliam: IMMA exhibition underlines impact of Irish visits on output of US artist
Sam Gilliam was an American abstract artist who revolutionised the display of work in gallery spaces. Draping unstretched canvases from the ceilings, and arranging industrial fabric on the floor, he blurred the line between painting and sculpture, and helped shape the development of installation art in the 1960s and '70s. Gilliam broke ground also by becoming the first African American artist to represent the United States at the Venice Biennale in 1972. By the time of his passing, aged 88, in June 2022, he had enjoyed any number of public commissions and major museum shows across the US. Although Gilliam is not as well-known on this side of the Atlantic, he visited Ireland in the early 1990s, and was greatly moved by the experience. His stay is commemorated in Sewing Fields, the new exhibition of his work curated by Mary Cremin and Seán Kissane at the Irish Museum of Modern Art in Kilmainham, Dublin. 'When we first started talking about this exhibition,' says Cremin, 'I met Gilliam's widow, Annie Gawlak. She came to IMMA and told us about how Gilliam had completed a three-week artist's residency at the Ballinglen Art Foundation in County Mayo in 1993. 'Gilliam normally worked on large canvases with petroleum paints, but he wasn't allowed to bring those paints on the plane, so he dyed and painted fabric and sent it on ahead to Ballinaglen. And when he got there, he worked with a local seamstress to collage pieces of the fabric together, so they're kind of stacked on top of each other. You'll see one of those pieces in the exhibition, it's part of a series of four called Cottages. I think the experience was quite transformative for him.' Gilliam was one of the many international artists who have spent time in Ballinaglen with the support of the arts foundation established in the early 1990s by Margo Dolan and the late Peter Maxwell, who owned a prestigious art gallery in Philadelphia. The foundation runs workshops, residencies and fellowships, along with education and outreach programmes and a museum of art. 'It's this amazing place in the middle of the village,' says Cork-born curator Cremin. 'People like Howardena Pindell, who we've shown at IMMA, and Jo Baer, who was very influenced by the archaeology in the area, have all done residencies there. It's very interesting that Ireland has had a real impact on these artists, and a real resonance with them in terms of art making.' Down Patricks-head, by Sam Gilliam. When Cremin began work on the Sewing Fields exhibition, she discovered that Gilliam had once shown in Dublin. 'In the early 1970s, he had a solo exhibition with a gallerist named Oliver Dowling, who passed away just last year. Dowling was a maverick, and quite an influential person within the arts in Ireland. He helped set up the ROSC exhibitions. But it was news both to Annie and to us that Gilliam had ever exhibited in Ireland. We don't think he came over for the opening, but everyone involved is dead now, so it's not possible to say for sure.' Gilliam was born in Tupelo, Mississippi in 1933. 'Growing up where he did,' says Cremin, 'where there's a massive cotton industry, he was probably seeing a lot of quilting and that type of making. We have an exhibition of quilts from Gee's Bend in Mississippi on at IMMA at the moment, and we know that Gilliam had several Gee's Bend quilts in his own art collection. There's a correlation between this idea of stitching and layering, telling narratives through the fabrics, that I think is referenced in his work as well.' In Gilliam's youth, his family migrated north. He studied art at the University of Louisville in Kentucky and then settled in Washington DC. 'He was part of the colour field movement, with people like Kenneth Noland. They made minimal abstract paintings. But later on, he made works that were much more three-dimensional, or sculptural, and he started really playing around with the paint, scraping, stitching and layering. There was really a lot of improvisation. 'He was very interested in jazz as well. Improvisation is very important in jazz, of course, but it's also very important to the kind of way he worked. There were no limitations in terms of how he worked with paint or with the canvas. He was very liberated.' Gilliam came of age during the Civil Rights Movement in America. 'That was, very obviously, hugely important to everyone,' says Cremin. 'And for Gilliam, being a black artist coming up at that time was a big deal, because it was predominantly white males in the art world. He wasn't making work that was overtly political, he was making art for art's sake. But that said, he was very involved in the establishment of the Studio Museum in Harlem, and he was part of a very important exhibition called X in America. 'And also, I guess he does engage politically, in that a lot of his paintings are called after significant black figures, like Martin Luther King. There's one piece in the exhibition here called Count On Us, which is this beautiful three-coloured canvas that's referencing when Obama was voted in as president. It was a very aspirational and very exciting time. So, he referenced politics in a different way.' Mary Cremin, curator. Sewing Fields was organised in collaboration with the Sam Gilliam Foundation, which is run by the late artist's family. 'Gilliam was very supportive of young black artists, and his foundation has continued that work,' says Cremin. 'They also collaborate on exhibitions such as this, ensuring that Gilliam's work is shown as he would have liked. Some of the work in Sewing Fields has never been shown before, and some of the technicians who'd been with Gilliam since the 1980s came over to help with the installation. 'It's only two years since Gilliam passed, but I guess it's important for his work to continue to grow, and for people to have an increased awareness around him. In terms of contemporary Ireland, this is not just the first time he's been shown here since the 1970s, it's his first museum show here as well. Many of these works have never been exhibited before, and many people are travelling over from America to see the show. It's really exciting for us.' Gilliam's time in Mayo may have been brief, but the landscape had a big influence on his work, says Cremin. 'Even towards the end of his life, he was making these really large paintings, with thick impasto, he called Downpatrick Head and Irish, County Mayo. As Annie says, he always referenced back to his time in Ireland.' Sam Gilliam, Sewing Fields runs at the Irish Museum of Modern Art until January 25, 2026. Further information:


The Irish Sun
2 hours ago
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More woke madness as beloved ITV detective show has been slapped with trigger warning over ‘crime scenes'
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The Irish Sun
2 hours ago
- The Irish Sun
I've dated both men and women… I know which sex is easier, says Naked Attraction host Anna Richardson
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'It's wonderful, beautiful and very complex. 'I've loved being in relationships with women, but I find that men are less complicated, less emotional. 'It's a cliché, but as long as you feed them, let them watch footie and the rest, they're happy. 'Whereas it's a whole different ball game when you're with a girl.' Anna was in a relationship with TV director Charles Martin for 18 years. Naked Attraction's Anna Richardson reveals reality of friendship with ex Sue Perkins But when that ended in 2012, she fell for But following an 'excruciatingly painful' They have now been dating for three years and Anna — candid as ever when it comes to intimacy — says 'There's something wonderful about meeting somebody new that makes you realise, 'Oh, I'm not dead from the waist down. "Actually, I can experience amazing sex like I had in my twenties',' said the 'It is possible to recapture it, but it takes work.' Ultimately, Anna insists it is not about whether her lover is male or female — it is about that all-important emotional connection. 'For me, it's about finding the person attractive rather than their sexuality,' she explains. 'Are they floating my boat? Am I into them? 'SEXUAL IDENTITY' "It doesn't matter to me what gender they are. 'I've always been really clear about it, because people do like to stick a label on you — you're gay, you're straight, you're bisexual or whatever. 'But the only label I need is my name.' Recent statistics suggest that more and more women are experimenting with their sexuality. A study by the University of Notre Dame in the US found that women were Although Anna has previously refused to label herself, insisting, 'I have never, ever called myself bisexual', she would always urge people to explore their sexual identity. 'There are far more people questioning their sexuality these days,' she says. 'It is more accepted, but people, going back millennia, have always been gender fluid. It's just the state of being human. 'But we're in the mid-2020s and, with the rise of social media and self-expression, it is more acceptable than ever before. I applaud that. 'At the end of the day, we all just want to be loved.' After three years with Simon, Anna says she is now questioning the next step in their relationship. 5 Anna was in a relationship with TV director Charles Martin for 18 years, until they split in 2012 Credit: Channel4 'We're both in our fifties and relationships are so different now to when you're in your twenties,' she says. 'We've both had broken relationships. 'I was with Sue for eight years and in a very long relationship before that. 'Simon's been through a divorce. "So yeah, we're at that stage now where we're looking at the relationship and wondering what we'll do next. 'What does commitment look like? "Neither of us is in any hurry to get married or anything, but do we move in together? I don't know.' As much as she might be smitten with Simon, the relationship guru admits there are certain benefits to living apart. 'I like my own space. If I want to drop my clothes on the floor in the bedroom, then I will,' she says. 'Do I really want a fella around all the time? And does he want me around all the time? We'll see.' As for her relationship with Sue, Anna says they have since 'I think we have brilliantly navigated coming through a painful break-up and we are now very firm friends,' she says. Being part of Naked Attraction has made me realise there is no such thing as a perfect body — and that's made me more body confident Anna Richardson 'We see each other regularly. We'll be in each other's lives, I hope, for ever. 'We formed a really beautiful friendship. We've got each other's backs and that's what it's all about.' The last series of Naked Attraction aired in March 2024 and, while there were reports that the raunchy show 'I've got everything crossed. People love it — viewers and participants,' she smiles. In an era where surgery, tweakments and social media filters can give us a distorted view of what real bodies look like, Anna says Naked Attraction proves that people come in all shapes and sizes. Hosting the show, she says, has even helped boost her own self-esteem. 'Actually, being part of 'It's made me more accepting of my body. "Whatever you've been born with is perfectly OK, and I'm just very grateful that I've got a healthy body.' For some viewers, 'I must have seen well over a thousand naked penises,' she says. 'I think I've seen every bit and bob going. 5 Anna has hosted Naked Attraction since it began in 2016 Credit: handout "I consider myself to be a kind of honorary gynaecologist, for both men and women.' With so much naked flesh on display, Anna admits that the male contestants can sometimes get a little 'excited'. She adds: 'There have been times when we've had to stop filming because some of the guys were getting a bit frisky. 'We've had to tell them to step outside the room for a few minutes, then rejoin the game when they've calmed down. 'Of course, we get peacocks — excuse the pun — on the show. You've got to be very body confident and I applaud that. "Inevitably, you get fellas who are very pleased with themselves, twitching their pecs and constantly fiddling with their kn*bs. "But that's fellas for you.' She also let slip the reason why female hopefuls ask for the air conditioning to be cranked up, adding: 'When it's cold, their nipples are harder.' 'HOLIDAY FLING' With Naked Attraction on a hiatus, Anna is currently busy with her advice podcast, It Can't Just Be Me, and a true crime podcast, The Mayor And The Mystic. She has also teamed up with iD mobile, who are encouraging Brits to enjoy holiday romances by giving customers inclusive data roaming minutes when they travel abroad. Having enjoyed an 'old-school holiday romance' herself when she was 17, Anna is all for the idea. 'I went camping in the south of France with my mates, met a local French lad called Julien and had a lovely holiday fling,' she recalls. 'We did write to each other for a bit, but sure enough, the letters fizzled out. 'Who knows what might have happened if we'd had mobiles and free data roaming back then?' Anna Richardson has partnered with iD Mobile, the UK's No1 network for roaming, to show how mobile data charges can be a major turn-off for holiday romance. See