
MOCA gala honors Frank Gehry, others, raises $3.1 million: L.A. arts and culture this weekend
The special program honoring 'visionaries' who helped shaped the museum's trajectory is part of a new gala tradition called MOCA Legends, which will continue with new honorees next year.
The night began with cocktails in the plaza and private access to the Olafur Eliasson exhibition, 'OPEN.' The Japanese American drumming group TAIKOPROJECT played while guests found their seats for dinner.
MOCA director Johanna Burton welcomed attendees with a speech about the power of art and its ability to bring communities together.
'As we celebrate our annual gala, we are not just honoring individual achievements, but reaffirming our collective belief in the power of art to connect and challenge; uplift and endure,' Burton said, according to a news release about the event.
After Pelosi's introduction of Gehry, which included mention of his 1983 renovation of the Geffen Contemporary, the 96-year-old legend noted how much the museum has meant to him over the years.
'Artists brought me into their club — it's where I wanted to be, and they opened my eyes to another world,' Gehry said.
I'm arts and culture writer Jessica Gelt, and I'm here for all the celebrations of art and artists — the more the better. Here's your weekend rundown of arts news.
Noah DavisA collection of more than 50 figurative paintings made by the late Los Angeles artist, who died at 32 in 2015, just as Davis' career was beginning to attract wide attention, arrives after stops in Potsdam, Germany, and London. Davis' paintings, often built around found photographs, regularly balance on a knife-edge between daily life and dream. The exhibition represents the first institutional survey of Davis' work.Sunday-Aug. 31. UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. hammer.ucla.edu
Seoul FestivalThe L.A. Phil turns to the South Korean capital this week for a follow-up to its revelatory Reykjavik and Mexico City festivals. Unsuk Chin, today's best-known Korean composer, is the curator. Despite a seeming wealth of renowned performers, Korea remains a musically mysterious land. The mostly youngish composers and performers in the first festival event, an exceptional concert of new music on Tuesday night, were all discoveries. The festival continues with weekend orchestra concerts featuring different mixes of four more new Korean scores commissioned by the L.A. Phil, Chin's 2014 Clarinet Concerto and a pair of Brahms concertos. A chamber music concert with works by Schumann and Brahms played by Korean musicians is the closing event Tuesday.Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
'Lear Redux'While Center Theatre Group reworks Shakepeare's 'Hamlet' at the Mark Taper Forum (see item below), across town, Odyssey Theatre renews its collaboration with theater artist John Farmanesh-Bocca for a madcap adaptation of the Bard's 'King Lear,' another entry in the director-playwright's Redux series. Veteran stage actor Jack Stehlin stars as the titular monarch in the production, which Stage Raw's Deborah Klugman described as 'wildly idiosyncratic.' In 2016, Times' contributor Philip Brandes made Farmanesh-Bocca's 'Tempest Redux' at the Odyssey (also starring Stehlin) a Critic's Choice, writing that the work 'boldly transposes Shakespeare's play to a darker, more unsettling key, but the inventive staging and solid command of source text make for a memorable re-imagining.'Wednesday-Sunday, through July 13. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com
When CNN broadcasts a live performance of 'Good Night, and Good Luck' from the Winter Garden in New York City on Saturday (4 p.m. PDT), it's apparently the first time a Broadway play will be shown live on television, and the timing could not be better.
An adaptation of George Clooney and Grant Heslov's 2005 film, which chronicled CBS newsman Edward R. Murrow's heroic crusade against Sen. Joseph McCarthy's communist witch hunts, the broodingly elegant production, sharply directed by David Cromer and starring a quietly committed Clooney in the role of Murrow (played in the film by David Strathairn), was not only one of the most stirring offerings of the Broadway season but also one of the most necessary.
As media companies face a campaign of intimidation from the Trump administration, the figure of Murrow, standing tall in the face of demagogic adversity, is the courageous example we need right now.
I don't know how different the experience will be watching at home, but 'Good Night, and Good Luck' made me reflect on what theatergoing might have been like in ancient Greece. Athenian citizens would gather at an open-air theater as a democratic privilege and responsibility. Playwrights addressed the polis not by dramatizing current events but by recasting tales from the mythological and historic past to sharpen critical thinking on contemporary concerns.
Clooney and Heslov aren't writing dramatic poetry. Their more straightforward approach is closer to documentary drama, but the effect is not so disparate. We are affirmed in the knowledge that we are the body politic.
— Charles McNulty
Director and playwright Robert O'Hara's world premiere adaptation of Shakespeare's 'Hamlet' opened Wednesday at the Mark Taper Forum starring Patrick Ball from 'The Pitt' and Gina Torres from 'Suits.' The Times sat down with the trio of creatives for an interview about how the show came together — as well as the many novel ways it diverges from the traditional script. O'Hara presents a modern-day vision that questions whether Hamlet is a tragic hero or a murderous psychopath. The mystery is solved 'CSI'-style and the tone is very L.A. noir. For his part, Ball can't believe any of this is really happening, having been a relative unknown before 'The Pitt' premiered in January.
L.A. Opera announced Domingo Hindoyan as its new music director. Hindoyan — chief conductor of the Royal Liverpool Philharmonic — will replace outgoing music director James Conlon when he steps down at the end of the 2026 season. When Hindoyan, a native of Venezuela, made his L.A. Opera debut last November with 'Roméo et Juliette,' Times classical music critic Mark Swed speculated he might be in the running for the coveted position. Turns out he was right.
Times contributor Nick Owchar talks with architectural historian Nathan Marsak about the Angel City Press reissue of photographer Arnold Hylen's book of mid-20th century photos, 'Los Angeles Before the Freeways: Images of an Era 1850-1950.' Marsak curated and expanded the new edition, which details a fascinating world of lost streets, civic buildings, shops and restaurants.
Orange County Museum of Art executive director Heidi Zuckerman — who announced she will step down in December — has launched a new online platform called 'About Art.' It's home to her 'Why Art Matters' newsletter and 'About Art' podcast, as well as a number of lifestyle offerings including an entry on Zuckerman's love of matcha and how to prepare the perfect cup. In a news release about the venture, Zuckerman notes that her work has gathered a community of 40,000 art enthusiasts.
The summer Hollywood Bowl season is upon us, and with it comes the complimentary Market Tasting Series with wine picks by chef Caroline Styne. The fun begins with the Roots Picnic this Sunday in the Plaza Marketplace near the box office. Tastings start an hour before doors open, and you can meet with vintners and reps from Habit Wines, Skurnik Wines, Grapevine Wine Company, Kermit Lynch Wine Merchant, Elevage Wines and more. The final tasting will take place before the John Legend concert on Sunday, Sept. 28.
Speaking of wine, Barnsdall Art Park Foundation is back — beginning tonight at 5:30 p.m. — with its 16th annual Barnsdall Fridays wine tasting fundraiser (the first two Fridays are already sold out). Proceeds from the events, scheduled to run through Sept. 26, support cultural programming at the park. The popular summer series comes as proposed city budget cuts imperil the park's finances. Guests are invited to relax on Olive Hill, as well as the west lawn of Frank Lloyd Wright's Hollyhock House — the only existing UNESCO World Heritage site in the city of Los Angeles. Wines come courtesy of Silverlake Wine, and there are always a variety of local food trucks onsite, as well as a DJ. While there, visitors can check out exhibitions and artist-led presentations at the Los Angeles Municipal Art Gallery and Barnsdall Junior Arts Center Gallery.
— Jessica Gelt
I'm happy to report that I've been to 14 of the 17 eateries on The Times Food section's list of L.A.'s oldest restaurants. Some, like Musso & Frank Grill, I've ambled into many times (that martini!), and others, like Mijares Mexican Restaurant, I've stumbled upon while walking around town. I'll spend this weekend visiting the remaining three.
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Time Magazine
8 hours ago
- Time Magazine
The Best K-Dramas That Are Not on Netflix
For better or worse, Netflix is the king of the global K-drama phenomenon. The streamer has invested billions of dollars in South Korean TV—even if the people really driving K-drama's success appear to see little of it—and in return, 80% of subscribers watch Korean content as the streamer garners a bevy of awards for its trouble. Yet, as Netflix rushes productions an focuses on sequels, sometimes prioritizing celebrity over quality, other streamers have swooped in to fight for their piece of the pie. Which might come as a surprise to some fans, with Disney and Prime Video consistently going minimal when it comes to marketing their K-dramas in the West. But if they won't tell you about the surprisingly great K-dramas that aren't on Netflix, by gum, we will. Given the rate at which Disney spews out content, it's no surprise that Hulu and Disney+ dominate this list, though there's a surprising amount of platform diversity as Prime Video and even Tubi capitalize on our continuing enthusiasm for South Korean media. That said, one streamer that doesn't appear is Viki—a platform devoted entirely to Asian content. An argument could be made that it deserves its own list. However, a clutch of issues, including limited versatility regarding devices and a hard-to-justify cost for general viewers in a sea of streamers offering a broader array of content, makes it increasingly hard to recommend. We also excluded shows that, while not Netflix originals, are consistently available to watch on Netflix (most notably, My Mister and Reply 1988, both justifiably regarded as two of the finest K-dramas). Those limitations don't even remotely dent our options though. The titles listed below evoke the K-drama at its best—exploring the depths of human emotion, the power of community, and the importance of truth—and, in many ways, a level of quality that's become harder to find. Moving (Hulu; Disney+ outside the U.S.) You can't discuss the best K-dramas without including Moving. At the height of superhero fatigue in 2023, Kang Full—adapting his 2015 webtoon—fashioned a fresh take by asking: What if super powers sucked? Gone is the tired exceptionalism of American superheroes as Kang places them on the fringes of society. A desperate, frightened group pursued by a government that perceives a threat in their otherness. On a personal level, Moving's allegory of superpowers as disability—cemented by disabled superhero Lee Jae-man (Kim Sung-kyun)—is an overdue approach to the genre. From a broader K-drama perspective, its focus on bringing people together, on empathy, and on dispelling the perceived barriers of our differences—led by literal power couple Bong-seok (Lee Jung-ha) and Jang Hui-soo (Go Young-jang)—elevates it above the stumbling output of the MCU and Netflix's cynical attempt to capitalize on its success with the mostly horrid The Atypical Family. As I wrote in 2023, it's almost unfair to call Moving a superhero show. It's a category of television unto itself. Revenant (Hulu; Disney+ outside the U.S.) 2023 was a big year for Disney and K-drama—and this list, it turns out. Before Moving became a word-of-mouth sensation, Revenant offered a tour through the greatest hits of South Korean folk horror to remind us what we're missing as western horror increasingly shifts to hastily-assembled franchises like the Conjuring universe and relying on jump scares alone. You know you're in good hands when Kim Tae-ri's on-screen. Revenant doubles that surety by casting her in dual roles, as the troubled yet sensitive Gu San-yeong and the demon possessing her. Together with folklore professor Yeom Hae-sang (Oh Jung-se), San-yeong comes to understand both her own grief and the trauma death leaves behind as Revenant embraces the quiet, brooding dread that makes Korean horror genuinely unnerving. Masterly performances and production make Revenant an unnerving gem. The sympathetic eye it casts over lost souls, however, is what truly makes it an unusual joy. Light Shop (Hulu; Disney+ outside the U.S.) Speaking of sympathetic horror, Kang Full continues his reimagining of well-trodden genres as explorations of marginalization in 2024's Light Shop. Ju Ji-hoon and Park Bo-young lead an ensemble cast as Kang proposes that the fear with which we regard the creatures that populate our horror stories is really a manifestation of our own unchallenged biases. It's not as original an approach as Moving, but if that series is a bombastic allegory for the treatment of those who exist outside of perceived norms, then Light Shop is a quieter rejection of the othering of those we don't immediately understand. In a murky, haunted alley through which both the living and dead must travel, Jung Won-young (Ju) and his titular light shop serve as a beacon that literally shines a light on how unremoved we are from the spirits. The only difference between us and these creatures we fear, Kang suggests, is that we get to leave the alley once we exit Jung's sanctuary. Marry My Husband (Prime Video) Amazon has been quietly outstanding with its infrequent Korean originals. No Gain No Love and the recent Good Boy are a measure of that. But it's Prime Video's time-travel revenge-romance that, despite its crummy title, is most notable. In a hackneyed genre in K-drama, Marry My Husband blends a welcome self-awareness of its own goofiness with a rare modern deployment of a She's All That makeover to overcome the usual K-drama cliches where it counts. When Kang Ji-won (Park Min-young) discovers her layabout husband Park Min-hwan (Lee Yu-kyun) in bed with her best friend Jeong Su-min (Song Ha-yoon), plotting what to do when Ji-won finally succumbs to the terminal cancer she's been battling, Min-hwan murders her. At the same moment, she transports into her past self—complete with thick-rimmed glasses and a ponytail so you know she's not secretly a smokeshow—from where she plans to visit her cancer upon Su-min and carve a better life after ruining her and Min-hwan by inciting the stress that made her sick in them. That might sound like a typically sadistic revenge thriller a la The Glory. Marry My Husband, however, is surprisingly subtle in exploring and ultimately challenging Ji-won's twisting morals, making her a far more sympathetic protagonist, and is relatively sensitive around the subject of health. It also has a great cat. The surest sign of Marry My Husband's quality is that it already has a Japanese remake, released on Prime Video in June. Blood Free (Hulu; Disney+ outside the U.S.) Ju Ji-hoon turns up again in Lee Soo-yeon's near-future Korea dominated by AI chatbots and synthetic meat. CEO Yun Ja-yu (Han Hyo-joo) navigates the political and corporate pitfalls of her synthesized flesh empire, protected (and kind of turned on) by superman bodyguard Woo Chae-woon (Ju), a former naval officer with his own mysteries to solve—including the mystery of his cold heart. As the controversy around her cheap, 'blood free' meat threatens corporate and political interests across South Korea and puts Yun's life in constant danger, both are forced closer together with both romantic and tragic consequences. Lee is the mind behind the criminally underrated Stranger (which you can find, yes, on Netflix). Her output since, including Stranger's second season, has been tepid. But in Blood Free, she rediscovers some of the chemistry and fun that made her crime caper so watchable. Whether all that fun is deliberate on Lee's part isn't always clear, but Blood Free is a goofy and surprisingly watchable sci-fi bodyguard thriller. Live (Tubi, CJ ENM Selects—accessible via Prime Video, including a 7-day free trial) K-dramas have a habit of lionizing the police without nuance, but Live presents a more complex picture as it follows young people exiting a punitive job market to train as police officers—led by Bae Sung-woo as their troubled instructor Oh Yang-chon. The first half-hour of Live is genuinely awful, so be warned there is, not unusually for K-dramas, a rough patch to endure before the series hits its stride. Once it does, through a relatively honest look at both the fallibility of authority and the moral ramifications of power, somehow paired with all the usual trappings of K-drama as the show interrupts its procedural with a not always believable romance subplot with the patented K-drama melodrama that goes with it, Live becomes the ne plus ultra of Korean police dramas (that aren't on Netflix) and one of the most underrated K-dramas of the past decade. Rookie Cops (Hulu; Disney+ outside the U.S.) If that all sounds a bit too high-brow, Disney's second Korean original 2022's Rookie Cops eschews all sense of realism for a more typical K-drama approach (including an out-of-nowhere confirmation of the afterlife). In the bright and breezy romance, Ko Eun-kang (Chae Soo-bin) joins Police University—which does not sound like a real thing—to follow her first love, only to discover once she arrives that there is, in fact, more than one boy in the world. If Live's romantic subplot felt tacked on, presumably under the duress of K-drama expectations, here the police plot is simply a vehicle to smush K-drama characters' faces together. That might sound like a knock, but Rookie Cops is a surprisingly spry police procedural even if that aspect is not the main attraction (so to speak). It might not have much to actually say about the police, but it sure is fun. Argon (Tubi, CJ ENM Selects—accessible via Prime Video, including a 7-day free trial) It's a rare K-drama that remains timely beyond its initial run—if at all. But in a post-truth world, and as journalism faces unprecedented challenges under corporate interference and political malfeasance across the globe, Kim Ju-hyeok's final drama before his untimely death in 2017 isn't just a reminder of how transformative good K-drama can feel, but also a peek into what now feels like an idealized rendition of the profession. HBC intern Lee Yeon-hwa (Chun Woo-hee) is re-assigned to Kim Baek-jin (Kim) and his struggling investigative program, Argon. Kim's dedication to the truth has left his career stalled, as he butts heads with his network's corrupt higher-ups and their big-city friends. But when a coveted lead anchor role opens in the network, and as he slowly trains up the idealistic Yeon-hwa as a moral successor, he starts to understand how profoundly sick his city, and his network, has become. If you're getting whiffs of 2015's Spotlight, that's not an accident. In another drama, Yeon-hwa and Baek-jin's relationship would flourish into a problematic workplace romance. Argon, a mostly romance-free series, isn't interested in that, letting Chun and Kim anchor a rare Korean glimpse of journalists as anything other than unscrupulous, which both tragically caps Kim's career and speaks of Chun's to come. Soundtrack #2 (Disney+) We started with the bombastic in Moving; let's end with something quieter. 'Hidden gem' is an overused term when media is more accessible than ever—though streamers' unwillingness to market non-English media in the U.S. does lend a bit more credence to the term. Buried deep in Disney+'s catalogue, and unluckily releasing in the wake of Moving, Soundtrack #2 (2023) is a stand-alone sequel series that improves on its predecessor, 2022's Soundtrack #1, in every way. A sweet, tender story about the rocky road to rekindling romance sees struggling music-lover Do Hyun-seo (Keum Sae-rok) finding her way to doing what she loves—in more ways than one—when she's hired as a piano tutor for a YouTube mogul who happens to be her ex-boyfriend, Ji Su-ho (Noh Sang-hyun). That is, if their history doesn't get in the way. This is a K-drama, so of course their history is going to get in the way. Soundtrack #2 squeezes a lot of heart into its six-episode run and, though it may not be the most original K-drama, it serves as a perfect primer for those discovering more of what K-dramas have to offer.


UPI
9 hours ago
- UPI
Watch: Korean teen finds first love in 'Love Untangled'
Netflix is teasing "Love Untangled," which arrives on the streamer Aug. 29. Photo courtesy of Netflix Aug. 1 (UPI) -- Netflix is teasing Love Untangled, a new Korean teen romance film that arrives on the streamer Aug. 29. Shin Eun-Soo portrays Park Se-ri, a 19-year-old with "perpetually frizzy hair" and a crush. "It all started then. My hair started curling and my life got tangled right along with it," she says in the trailer, released Thursday. "Experienced in unrequited love confessions, Se-ri collaborates with her friends to team up with Han Yun-seok (Gong Myoung), a new transfer student from Seoul. Their goal? To carry out 'Operation Love' so she can confess her feelings to the school's most popular boy, Kim Hyun (Cha Woo-Min)," an official synopsis reads. The journey produces comedy and a love triangle, the description continues. Love Untangled also stars Youn Sang-Hyun, and is directed by Namkoong Sun.

Associated Press
11 hours ago
- Associated Press
Phoenix Native Ben Davis Appears on MTV's 'The Challenge: Vets and New Threats' Bringing His Combat Sports Expertise to a New Stage
Photo from MTV's 'The Challenge' Phoenix, AZ - Ben 'The Bane' Davis, renowned Play-By-Play commentator and rising combat sports personality, makes his debut on reality television tonight on MTV's 'The Challenge: Vets and New Threats.' A 25-year-old Phoenix native and graduate from Arizona State University, Davis has made a name for himself as a commentator for UFC Fight Pass and DAZN. With experience in hand-to-hand combat sports himself, he is now branching out into the world of reality television. The first episode premieres tonight on MTV. 'I'm excited for everyone to finally see me bring my MMA skills and strategy to a whole new arena,' Davis continues, 'The Challenge pushed me in new ways and was an absolute blast to film. I hope viewers enjoyed tuning in last night, especially everyone back home in Phoenix.' Photo from MTV's 'The Challenge' In 'The Challenge: Vets and New Threats,' contestants are split into pairs and put through both physical and mental challenges. Using strategy, luck, and alliances, the goal is to be the last male and female standing and earn the title of 'Challenge Champion.' Throughout the competition, contestants are not allowed to have their phones and have the opportunity to win small cash prizes. About Ben Davis Ben Davis is a 25 year old from Cave Creek, Arizona. A graduate from Arizona State University, he is currently the Lead play-by-play commentator for Anthony Pettis FC and Misfits Boxing on DAZN. He also has provided commentary on other platforms such as Fight Circus, Bowl TV, Sumo Wrestling, and more. Davis has additionally competed in BKFC, Misfits Boxing, Karate Combat, and Fury Pro Grappling. Media Contact Company Name: Flo Agency Contact Person: Eve Bailey Email: Send Email Country: United States Website: Press Release Distributed by To view the original version on ABNewswire visit: Phoenix Native Ben Davis Appears on MTV's 'The Challenge: Vets and New Threats' Bringing His Combat Sports Expertise to a New Stage