Jess Glynne hits out at White House for use of 'Jet2 holiday' trend
If you've been on social media in recent weeks you will have come across the 'Nothing beats a Jet2 holiday' sound which is accompanied by music from Jess' song, Hold My Hand.
The sound has become one of the biggest trends of the summer, with the White House wanting in on the action, much to the horror of many. British singer-songwriter Jess Glynne has hit out at the White House following their use of a trending sound to promote ICE (Immigration and Customs Enforcement) deportations. Pic: Neil Mockford/FilmMagic
The 20-second clip shared via X on Tuesday shows clips of handcuffed people, understood to be undocumented migrants, boarding a plane to be deported.
'When ICE books you a one-way Jet2 holiday to deportation,' The White House captioned the clip, 'Nothing beats it!'
Social media users have taken to the comments to hit out at the post, with one person writing: 'Our country is an embarrassment posting sh*t like this.'
When ICE books you a one-way Jet2 holiday to deportation. ✈️🎶
Nothing beats it! pic.twitter.com/hlLapr9QsE — The White House (@WhiteHouse) July 29, 2025
Another added: 'There is no bigger a**hole on this site than this account.'
A third commented: 'Mind you this is an official united states government page.'
British singer Jess has taken to social media to condemn the post, admitting it had made her 'sick.' British singer Jess has taken to social media to condemn the post, admitting it had made her 'sick.' Pic: Jess Glynne/ Instagram
She said: 'My music is about love, unity, and spreading positivity — never about division or hate.'
It comes not long after the European Union and the United States of America reached a trade deal which President Donald Trump branded 'the biggest of all deals.'
The trade deal will see the US imposing a 15% tariffs on exports from the EU, including Ireland, going to the US.
Speaking after the deal was announced, Trump said it will bring the US and the EU 'closer together'.
'A partnership, in a sense,' he added.
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RTÉ News
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"The Wolfe Tones and 2Pac, you played them alongside each other and whatever it was, it represented the same thing. I don't know if people were thinking about it but there was a similarity. I always compare certain Irish rebel songs to gangster rap." Ireland's affinity for Tupac is just the latest in a mutual sense of kinship shared by Irish people and Black American activists that can be traced across centuries. In 1845, Frederick Douglass fled to Ireland to escape slave catchers after the publication of his book Narrative of the Life of Frederick Douglass, an American Slave. He encountered Daniel O'Connell, an Irishman fighting for Catholic emancipation in Ireland. At the time, Catholics were a majority in Ireland, but subject to harsh rule by the Protestant minority and the British Empire. O'Connell was opposed to all forms of oppression and was one of the few political leaders who spoke out against American slavery. Douglass drew comfort and inspiration from O'Connell: "I have heard many speakers within the last four years— speakers of the first order; but I confess, I have never heard one, by whom I was more completely captivated than by Mr. O'Connell." After the Irish War of Independence, a guerrilla struggle fought from 1919 to 1921 by revolutionary paramilitary organization the IRA against British rule, there was the establishment of the Irish Republic, which resulted in partition of the island. Six of Ireland's thirty- two counties located in the north of Ireland remained under British rule. Irish Catholics in the north suddenly found themselves on the opposite side of a border from their countrymen and kin. Living among a Protestant majority who saw themselves as British, the Catholics were denied basic rights such as votes, housing, and jobs. By the 1960s, they were taking their cues from the civil rights movement in the United States by organizing protests, but these were ruthlessly suppressed. A need for protection revived Irish paramilitary operations, with some identifying as the successors of the old IRA. "Everyone was very radicalized at that stage," said Tim Brannigan, a west Belfast Black Irish Catholic who went to prison in the 1990s on IRA weapons charges. "But, of course, what the IRA did was rather than see the potential for a mass movement, they saw the potential for clandestine guerrilla struggle." The kinship between the Black American struggle and the Catholic struggle was sharply felt in Derry, a city in Northern Ireland. In August 1969, a march was organized to protest discrimination, but participants faced counterdemonstrations and a police force, the Royal Ulster Constabulary (RUC), its officers deploying water cannons and batons. Residents of the Bogside neighborhood responded by rioting. In what became known as the Battle of the Bogside, Catholic resisters declared the area autonomous territory. They erected barricades to prevent the police entering. Radio Free Derry played rebel songs as a call to locals to resist. A famous mural reading "YOU ARE NOW ENTERING FREE DERRY" was painted on a corner house signifying a police-free zone. It's still there today, an enduring symbol of the resistance. Lasting intermittently for three years, Free Derry showed the power of a community united against oppressive forces. Yet Derry would be deeply wounded by some of the most brutal sectarian violence in what would become known as the Troubles. In 1972, there was Bloody Sunday, a peaceful protest that was attacked by the British Army and resulted in the murder of fourteen civilians, a case which is still unresolved. Imprisoned for a short period for her role in the Battle of the Bogside was Bernadette Devlin. 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