Watch: Harmanpreet Kaur wins heart with special gesture for six-star Kranti Gaud
Also Read: INDW vs ENGW: Harmanpreet's historic feat, Kranti's fire seal ODI series win for IndiaPraising Kranti's maturity and composure, Harmanpreet credited her for effectively using the experience gained from playing for India A and the UP Warriorz in the Women's Premier League (WPL).'I want to share my Player of the Match award with Kranti because she bowled one of the best spells of her career. It's a fantastic achievement, especially as a fast bowler—we've been longing for bowlers of her quality. She brought all her experience from playing for India A, the WPL, and domestic cricket, and executed it perfectly. She truly deserves this, and I'm really happy for her,' Harmanpreet said. Watch the video hereFrom Captain with lots of heart and love A special gesture for a special spell Captain @ImHarmanpreet shares her Player of the Match award with Kranti Gaud and presents her with a signed ball & a special message #TeamIndia | #ENGvIND pic.twitter.com/vRVNlTOBkF— BCCI Women (@BCCIWomen) July 23, 2025Harmanpreet, Kranti drown England With impressive figures of 9.5-1-52-6, Kranti dismissed Amy Jones, Tammy Beaumont, Alice Davidson-Richards, Charlie Dean, Lauren Filer, and Lauren Bell. On the back of her spell, India bowled England out for 305 in 49.5 overs while defending a target of 318.Earlier, after India elected to bat first, Harmanpreet led from the front with a superb knock of 102 off 84 balls, laced with 14 boundaries. She was well-supported by Jemimah Rodrigues (50) and Richa Ghosh (38*), helping India post a competitive total.In the second innings, Kranti stepped up and ensured England never took control of the chase. She finished as the leading wicket-taker of the series, claiming nine wickets at an outstanding average of 15.11.- EndsMust Watch
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Time of India
41 minutes ago
- Time of India
Ratan Thiyam: A Visionary Who Revolutionized Indian Theatre
Guwahati: Born on Jan 20, 1948, at Nabadwip in West Bengal's Nadia district, Ratan Thiyam, recognised as one of India's greatest theatre innovators, grew up in Imphal, surrounded by art and art-making, which profoundly influenced his life and work. His father, Thiyam Tarunkumar, was one of the most respected gurus of classical Manipuri dance, while his mother, Bilasini Devi, was a renowned dancer. Thiyam passed away at 77 at the Regional Institute of Medical Sciences (RIMS) in Imphal at approximately 1:30am Wednesday. Along with KN Panikkar, BV Karanth, Habib Tanvir, Bansi Koul, and Jabar Patel, Thiyam, affectionately known as 'Oja' (teacher in Meiteilon), was a major pioneer of the "theatre of roots" movement, developed during the 1960s-1970s. This movement sought to reclaim and integrate Indian classical, folk, and indigenous performance traditions with modern sensibilities, a powerful strategy for redefining Indian cultural identity. A graduate of dramatic arts from the prestigious National School of Drama (NSD), Thiyam was not only a powerful stage director but also a complete theatre craftsman and creative visionary. He was a multifaceted genius — a designer, music composer, choreographer, lighting expert, costume designer, architect, playwright, painter, and poet, whose brilliance extended across nearly every element of the performing and creative arts. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 15 most beautiful women in the world Undo Thiyam took Manipur and Indian theatre onto the global stage, creating a new theatrical form by synthesising diverse performance traditions from his homeland. His works showcase the seamless blending of elements from the classical Natya Shastra (Indian theatre style during the second century BC) and Western realistic theatre with Manipuri's rich indigenous performing arts such as martial arts (thang-ta), dance, music, and ritualistic gestures. Through this artistic strategy, Thiyam asserted the socio-political and cultural uniqueness of Manipur, positioning it as separate from the mainland's dominant cultural narratives. This gained him national and international recognition as a playwright and director. His celebrated plays, such as Chakravyuha and Uttar Priyadarshi, brought global acclaim to Manipuri theatre and Indian drama at large. His main contributions to Indian theatre innovations are profound and transformative, significantly shaping the direction of contemporary Indian performance. His influence reverberates through his unique stylistic language, institutional leadership, and continued advocacy for indigenous forms and social consciousness. In 1976, Thiyam established the Chorus Repertory Theatre in Imphal, which became a national hub for experimental, visually rich, and socially responsible theatre. The theatre trained and inspired generations of artists and encouraged the fusion of rural and urban motifs, traditional and modern directing techniques, and innovative stagecraft. His work is celebrated for its striking visual design, choreography, and music, combining scenic minimalism and grand imagery. His plays featured stylised movements, ritualistic gestures, symbolic props, and a deep focus on atmosphere that set new standards for Indian stagecraft, creating a holistic theatre experience. Thiyam's plays often explore profound themes. His Leima Yenlingai Khuna Kaba (1980) addresses the motif of corruption in society transforming into an instrument of religious terror, while Urubhangam (1981), adapted from the Sanskrit play by Bhāsa, focuses on Duryodhana's tragic story from the Mahabharata. Lengshonnei (1986), his adaptation of Bertolt Brecht's version of Sophocles' Antigone, reinterprets the Greek tragedy through classical and traditional Indian forms interwoven with tribal rituals. Another masterwork, Chakravyuha (1984), rooted in the Mahabharata (Drona Parva), is considered one of Thiyam's finest productions, where he presents a powerful meditation on war, entrapment, and the heroism of the young warrior Abhimanyu. Another acclaimed production, Urubhangam (Broken Thigh, 1981), adapted from the Sanskrit play by Bhāsa, is based on an episode from the Mahabharata, focusing on the tragic downfall of Duryodhana. Both Urubhangam and Chakravyuha reflect Thiyam's belief in the timeless relevance of epics, recontextualised to comment on modern dilemmas. One of his most internationally acclaimed works is Uttar Priyadarshi, an adaptation of a Hindi verse play by celebrated poet and writer Agyeya, where Thiyam retells the story of Emperor Ashoka's spiritual transformation. These works exemplify Thiyam's ability to blend ancient texts and diverse performing traditions into cohesive contemporary theatre, addressing social, political, and philosophical questions with a rooted yet innovative dramatic language. A towering figure in contemporary Indian theatre, celebrated for combining classical, indigenous, and modern elements in his plays, Thiyam's death marks the departure of one of India's greatest theatre innovators, whose lifelong dedication elevated Manipuri traditions to the global stage and enriched the country's artistic heritage.
Time of India
2 hours ago
- Time of India
Grief & tributes pour in over theatre maestro Thiyam's death
1 2 Guwahati: The death of renowned theatre maestro Ratan Thiyam plunged the nation into mourning, with an outpouring of grief and tributes from political leaders, cultural figures, and theatre communities across India. Manipur governor Ajay Kumar Bhalla and former chief minister N Biren Singh led the the tributes from Manipur, highlighting his significant contributions to India's cultural landscape. In a statement, the Manipur govt said, "With profound grief and deep sorrow, we mourn the passing of Padma Shri recipient and Sangeet Natak Akademi Awardee Ratan Thiyam — a towering figure in Indian theatre and a cultural icon of Manipur. We join the artistic fraternity and the nation in remembering his extraordinary legacy." The Manipur Raj Bhavan said on X, "The Governor stated that his invaluable contribution to Manipuri theatre and culture will always be remembered. Heartfelt condolences to his family, friends, and admirers. " Singh, in a post on X, wrote, "It is with deep sorrow that I express my heartfelt condolences on the passing of Ratan Thiyam, a true luminary of Indian theatre and an esteemed son of Manipur. His unwavering dedication to his craft, his vision, and his love for Manipuri culture enriched not only the world of theatre but also our very identity. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 11 Foods That Help In Healing Knee Pain Naturally Undo His work carried the soul of Manipur — echoing its stories, its struggles, and its beauty. " Assam chief minister Himanta Biswa Sarma called him "a leading light of the Theatre of Roots movement," saying, "Shri Ratan Thiyam dedicated his life to bring indigenous theatre and art practices to the global stage. A Padma awardee, his productions were rich in talent and messaging." Meghalaya chief minister Conrad Sangma said: "He was a visionary who redefined Indian theatre by blending contemporary form with the cultural soul of Manipur. His legacy will continue to inspire." West Bengal chief minister Mamata Banerjee mourned him as "a true legend who put Manipuri theatre on the global map" and said, "His unique blend of tradition and experiment enriched Indian performing arts immensely and resonated worldwide." Congress MP Gaurav Gogoi, deputy leader in the Lok Sabha, also expressed his grief, saying, "Thiyam's legacy will continue to inspire generations to come." Renowned Kolkata-based theatre veterans like Rudra Prasad Sengupta and Kaushik Sen also paid tribute, recalling Thiyam's frequent presence at theatre festivals in the city and his powerful influence on modern Indian theatre. Ratan Thiyam was a trailblazer of the "Theatre of Roots" movement, which synthesised Indian classical, folk, and tribal performance forms with contemporary theatrical expression. He founded the Chorus Repertory Theatre in Imphal in 1976, which became a national and international symbol of rooted yet experimental theatre. His groundbreaking works like Chakravyuha, Urubhangam, Uttar Priyadarshi, and Lengshonnei challenged the boundaries of traditional Indian theatre and brought the richness of Manipuri aesthetics, spirituality, and politics to the global stage. He was the recipient of many prestigious awards, including Padma Shri (1989) and Sangeet Natak Akademi Award (1987). He relinquished the Padma Shri in 2001 in protest against the Centre's decision to extend the ceasefire with the Nationalist Socialist Council of Nagaland. Ratan Thiyam's passing is not only a great loss for Manipur, which he deeply loved and represented through his art, but also for the entire nation and the global theatre community. His relentless pursuit of truth, his seamless weaving of text and tradition, and his unmatched visual poetics have etched his name into the canon of world theatre.
India.com
3 hours ago
- India.com
ACC meet in Dhaka: BCCI to attend virtually, Asia Cup venue to be decided
Asia Cup Trophy. (PIC - X) The impasse with regards to Asian Cricket Council (ACC) seemed to have been broken as the BCCI is all set to attend the meeting in Dhaka albeit virtually after initial threat of boycotting the event to be presided by PCB chairman Mohsin Naqvi. The deadlock regarding the venue of Asia Cup T20, which BCCI is supposed to host, will certainly come up for discussion with UAE having grounds in Dubai, Abu Dhabi and Sharjah emerging as a strong contender. The other country in line to host is Sri Lanka as India will not travel to Bangladesh. 'BCCI will be represented virtually by its vice-president Rajeev Shukla, who is the designated ACC board member. Since the venue with regards to Asia Cup needs to be zeroed in on, BCCI decided to attend the meeting virtually,' an ACC source told PTI. The BCCI, which has already put its Bangladesh tour in August on hold, had earlier asked the continental body to shift the venue. The Indian board is skeptical about travelling to the neighbouring nation due to political unrest and absence of a stable government. There was a possibility of BCCI, the Afghanistan Cricket Board and SLC boycotting the ACC meeting and without three permanent Test playing nations, there wouldn't have been a quorum and the meeting itself would have been deemed invalid.
