Softball: Game action Clarkstown South and Harrison in AA Championship game
The Medicine Hat Tigers continued their winning ways on Monday as they defeated the Moncton Wildcats 3-1, improving to 2-0 at the 2025 Memorial Cup. Ryder Ritchie scored twice and added an assist, while Gavin McKenna iced the game late in the third with an empty-net goal. As for Harrison Meneghin, he had a strong performance, stopping 21 of the 22 shots he faced.
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With 76% on RT, Is David Cronenberg's 'The Shrouds' Worth Your Time?
Regardless of what might be going on in the world, it's reassuring to know we can still rely on a new David Cronenberg film every few years. The legendary Canadian director essentially birthed the body-horror genre with his third feature, Shivers (1975), and has proceeded over the next five decades to expand and evolve his filmography in a way few filmmakers have. Now, he's back with his 23rd feature, The Shrouds, a classically Cronenbergian tale which tackles complex emotions of grief, surveillance and voyeurism, and, of course, amorous conspiracy theorists. Vincent Cassel stars in his third collaboration with the director following the stellar Russian mob thriller Eastern Promises (2008) and the Sigmund Freud-Carl Jung biopic A Dangerous Method (2011). Here, the actor is styled to look uncannily like Cronenberg, his white quiff and gaunt features so reminiscent that you may for a moment believe Cronenberg has decided to feature himself on the film's poster, but the choice is appropriately thematic rather than eye-narrowingly metatextual. Cassel plays Karsh, an entrepreneur with unlimited financial resources who, four years after the death of his wife, Becca (Diane Kruger), from cancer, has established GraveTech, a cutting-edge business which allows relatives to view the decomposition of their loved ones in real time. As is well documented, Cronenberg lost his wife of 38 years, Carolyn, to cancer in 2017. He's spoken at length about how this film is an exploration of his own grieving process, but crucially not an autobiographical one. It goes without saying that The Shrouds is one of the director's most personal and most haunting works. It's also one of his most subdued and thoughtful, which adds to its otherworldly a brazenly explanatory opening scene, Karsh tells a blind date (an exceptional Jennifer Dale, nearly stealing the picture in two scenes) that when he watched Becca's coffin lowered into the ground, he felt 'an intense, visceral urge to get into the box with her…I couldn't stand it that she was alone in there and that I would never know what was happening to her.' And while it may sound grisly, business is booming. The garden outside of the ritzy restaurant, which Karsh also owns, is dotted with graves affixed with screens which deliver 24/7 video feeds from within the coffins. 'Can I smoke?' Karsh's date deadpans after being shown a live feed of a skeletal, partially mutilated Becca. As Karsh considers where to open the next GraveTech location, a hack of the company's database and the subsequent vandalism of several graves, including Becca's, sends the entrepreneur reeling. At the same time, he begins noticing new, unexplained growths on Becca's corpse. He enlists the help of both Becca's sister, Terry (also played by Kruger), and her ex-husband, a paranoid techie named Maury (Guy Pearce), who coded GraveTech's security and offers to help Karsh determine from where the hack originated. Karsh shares his theories behind the subterfuge with Terry, who finds herself sexually aroused by the mystery. Meanwhile, Karsh begins an affair with Soo-Min (Sandrine Holt), the blind wife of a CEO who's pressuring Karsh to bring GraveTech to Budapest. There's also the matter of Hunny, Karsh's AI assistant who's designed to resemble Becca and is likewise played by Kruger in a third role. The Shrouds is Cronenberg's best film since 2005's A History of Violence, and his most classically Cronenbergian film in decades. Beginning with 1996's Crash and culminating with 2014's Maps to the Stars, Cronenberg left behind the scrungy sci-fi conceits for which he's best known and took on a variety of disparate genres onto which he laid his singular stamp. (The sole outlier in this period was 1997's eXistenZ, which was uber-Cronenberg but is regarded as one of his lesser works.) During this time, Cronenberg made some of his most interesting pictures, including Spider (2002), Cosmopolis (2012), and A History of Violence, which is arguably his masterpiece. He returned to his roots in 2022 with Crimes of the Future, and while it was nice to see Cronenberg back in the body-horror saddle, that film felt very much like a retread of ideas he'd explored more furtively in the past. (It was also, narratively speaking, muddled and not particularly gripping.) Even the title and some key elements, though notably not the main plot, were taken from Cronenberg's 1970 second feature. But The Shrouds is a seminal Cronenberg movie, one brimming with fresh and unexplored pathologies. It's thrilling to see the 82-year-old filmmaker working at such a high level, producing work that's as compelling and groundbreaking as his most revolutionary projects. His latest flirts tangentially, almost teasingly, with the body-horror genre, but Cronenberg rejects any explicit move into that territory. As ever, the director isn't content to rest on his laurels; he's also not concerned about giving audiences what they're expecting, a blessing in this time of pre-packaged is a movie of ideas—it is, almost literally, a movie about theories—and Cronenberg certainly has many he wishes to work out. The Shrouds is about our collective relationship with grief and letting go of lost loves; the current state of digital voyeurism and the moralities thereof; the line between clinical trials and human experiments; and how we deal with the inevitable breakdown of our own bodies. It's also, ultimately, the most demented film ever made about a widower finding another chance at love. The Shrouds is knowingly absurd, but never camp, and it's also very funny in that subtle, macabre way in which Cronenberg so excels. If there's any fault with the film, it's that it is slightly overstuffed with characters and notions. But that's also something to celebrate, because the precise film Cronenberg wished to make is up there on the screen. Even if that leads to occasional narrative wonkiness, it's far more thrilling to have his vision presented unfettered. It's worth reiterating how remarkably rare it is to have an iconic filmmaker of Cronenberg's vintage still producing work which feels as vital and cutting-edge as his earliest works. Cronenberg's films have consistently returned to examinations of the human condition—humanity, mortality, love, the soul's relationship with a corporeal being—through body deterioration, from Shivers and Rabid (1977) to The Fly (1986), Crash, and now The Shrouds. He's not a religious filmmaker, but he's certainly a spiritual one. The Shrouds fits snugly in with the director's preoccupations, and it's an exhilarating escalation of his filmography. Here, he's revisiting past ideas with freshened eyes and interrogating new obsessions with a vibrant curiosity which feels like the work of a much younger and hungrier filmmaker. In the fifth decade of his career, Cronenberg is making his most exciting films yet. Here's hoping we get many 76% on RT, Is David Cronenberg's 'The Shrouds' Worth Your Time? first appeared on Men's Journal on Jul 5, 2025 Solve the daily Crossword
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Read the full text of the judge's verdict in the Hockey Canada sex assault trial
Justice Maria Carroccia's acquitted five former Canadian world junior hockey players of sexual assault in a high-profile trial in London, Ont. Michael McLeod, Carter Hart, Alex Formenton, Dillon Dube and Callan Foote had been charged in relation to a 2018 incident involving the complainant, identified as E.M. due to a publication ban, in a London, Ont., hotel room. 'Considering the evidence in this trial as a whole, I conclude that the Crown cannot meet its onus on any of the counts,' she said, adding that she did not find the complainant's testimony to be 'either credible or reliable.' Read the full text of the Ontario Superior Court justice's verdict, which was delivered in a London courtroom on July 25, 2025:
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Here's how key people reacted after five hockey players were acquitted of sex assault
Reaction was swift after five former junior hockey players were acquitted Thursday in a high-profile sexual assault trial that captured national attention. Here's a look at what key people had to say in the immediate aftermath of the judge's not guilty ruling for Michael McLeod, Carter Hart, Alex Formenton, Dillon Dube and Callan Foote. --- "Justice Carroccia's carefully reasoned decision represents a resounding vindication for Mr. McLeod and his co-defendants. ... The damage to Mr. McLeod's reputation and his career has been significant. But today's decision begins to restore what was very unfairly taken away from him." — David Humphrey, a lawyer for Michael McLeod --- "A criminal trial is rarely an opportunity for vindication — here it is. It is both gratifying and unsurprising to hear an impartial and fully informed decisionmaker accept Mr. Hart's testimony about what happened. ... To anyone who is surprised or angered by today's outcome, it is the direct result of the media's ongoing failure to publicize the weaknesses in the prosecution's case as it unfolded." — Megan Savard, a lawyer for Carter Hart --- "This case stands to the fact that we must never lose sight of the fundamental right to be presumed innocent. Now more than ever before, a fair response to sexual assault claims requires a balanced perspective and public trust in the decision making of the courts." — Daniel Brown, a lawyer for Alex Formenton --- "This decision comes as a result of careful deliberation by her honour. She engaged with the evidence in a thoughtful, methodical and principled manner. Her reasons reflect not only a command of the legal principles at stake, but also a deep sense of responsibility in assessing the evidence, applying the law and demonstrating a strong commitment to justice." — Julia Santarossa, a lawyer for Dillon Dube --- "At the start of this trial, Cal Foote walked into this courthouse an innocent man, and he walks out today exactly that. Cal never lost faith that justice would be done despite the clamour of external pressures and agendas outside the courthouse doors. Criminal investigations and the trial process must always be free from these influences." — Julianna Greenspan, a lawyer for Cal Foote --- "The Crown's goal throughout this proceeding has been to see a fair trial, a trial that is fair to the men charged and one that is also fair to (the complainant). A fair trial is one where decisions are made based on the evidence and the law, not on stereotypes and assumptions, and where the trial process respects the security, equality and privacy rights of the victim, as well as the accused persons. We want to thank (the complainant) for coming forward and for her strength in participating in this process." — Prosecutor Meaghan Cunningham. --- "I expect many people understand that when a person summons the courage to disclose their story, the worst possible outcome is to feel disbelieved. It's a gutting experience that no one deserves. That's why today's verdict is so devastating. (The complainant) did everything in her power to recount her experience honestly and to the best of her ability. She agreed to do everything asked of her by the criminal justice system ... yet it was not enough. Now she questions what more could she have done?" — Karen Bellehumeur, the complainant's lawyer. --- "This investigation has generated important conversations at both national and international levels about sexual violence, accountability, and systemic issues within institutions, including sport. We see this as an opportunity to reflect, learn, and enhance our approach to investigating sexual violence, strengthening our training, and deepening partnerships with community organizations." — London police Chief Thai Truong --- "As the national governing body for amateur hockey in Canada, Hockey Canada recognizes our role, responsibility and duty to be a leader in delivering a sport that is rooted in safety, inclusiveness and respect. Since 2022, we have implemented significant initiatives to help transform the culture and safety of hockey, including many that were announced as part of Hockey Canada's Action Plan. ... While important progress has been made since 2022, there is still more work to be done and we will continue to be transparent and accountable to Canadians as we drive systemic change within our National Winter Sport." — Hockey Canada statement This report by The Canadian Press was first published July 24, 2025. The Canadian Press
