Ellie Kemper Reveals the Parenting Rule She's Ditching This Summer with Her 2 Boys
The actress is looking forward to "having not as much structure" in her kids' routines
Kemper shares sons James, 8, and Matthew, 5, with husband Michael KomanEllie Kemper is embracing a schedule-free summer — and throwing out this one parenting rule.
The actress, 45, spoke with Parents for their summer issue and shared that this summer, she and husband Michael Koman are ditching a popular parenting tactic for their two boys — James, 8, and Matthew, 5.
"I'm looking forward to having not as much structure," the mom of two says of her summer plans with her family. "I know that all the parenting experts tell me that structure is key, and I agree with that to a point."
"But I think it's also nice to let some of the structure slide during the summer, which is sort of natural," Kemper explains.
Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.
When asked to define her parenting style, Kemper admits that it's "constantly evolving."
"And by that I mean that, while my husband and I have rules and boundaries and structure in place, I've learned that I need to ease up on certain things. So, it's kind of something that I'm constantly refining," she says.
In a 2021 episode of The Ellen DeGeneres Show, Kemper shared that her then-toddler son Matthew had started talking and kept his vocabulary extremely courteous.
The proud mom revealed that Matthew "jumped straight to a phrase, not even his first word."
"He says, 'No thanks,' all the time," the Unbreakable Kimmy Schmidt star said with a laugh. "I feel like I should get a medal because I've raised him to be so polite. Isn't that cute?"
Not only is her little boy well-mannered, Kemper said Matthew is also "incredibly strong."
"I have to wrestle him to change his diaper," she admitted. "It's unbelievable. My husband has a similar strength; he never works out, but he's incredibly strong. I think Matthew has inherited that super strength."
At the time, she also shared that her older son James is also incredibly respectful — especially when it comes to Kemper's patience.
"I get a little sad at night because James will say to me, he's like, 'Mom, why don't I brush my teeth. You don't have to help me. I know you don't have a lot of patience left,' " Kemper said, letting out a laugh. "It's like, how many times have I said to him, like 'James I don't have patience.' "
"It's hilarious and a little sad," she continued. "I tell James that I start the day with a bucket full of patience and energy. And by the end of the day, the bucket is running low."
Read the original article on People

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Jennifer Love Hewitt Teases the Jaw-Dropping Ending of the New ‘I Know What You Did Last Summer'
The wait for Jennifer Love Hewitt's return to the I Know What You Did Last Summer franchise is finally over. This Friday, for the first time in nearly three decades, Hewitt reprises her final-girl role of Julie James in Jennifer Kaytin Robinson's I Know What You Did Last Summer (2025). The legacy sequel reintroduces Julie as a psychology professor, one who fittingly specializes in trauma. Now single, Julie is living a happily quiet life after narrowly surviving two rounds of attacks by murderous fisherman, Ben Willis (Muse Watson), in the late '90s. More from The Hollywood Reporter Jennifer Love Hewitt Taps Her Scream Queen Notoriety for ID's 'A Killer Among Friends' Docuseries Jennifer Love Hewitt Calls Out Killer With Iconic Line in New 'I Know What You Did Last Summer' Sequel Trailer Nicholas Alexander Chavez Is Just Getting Started However, Julie's past soon catches up to her when Ava Brucks (Chase Sui Wonders) pays her a visit and requests her help in dealing with an all-too-familiar problem. A vengeful Fisherman copycat is now targeting Ava and her friend group of 20-somethings in Julie's hometown of Southport, North Carolina. For Hewitt, the decision to return to her most famous role was anything but automatic. 'I was hesitant at first. I wanted to make sure that she fit into the movie in the right way and that there was a reason for her to come back besides just the '90s nostalgia moment,' Hewitt tells The Hollywood Reporter in support of the film's July 18 theatrical release. 'I wanted her part in the movie to matter and for the audience to feel like they were proud of who she has become.' Once her return was finalized, Hewitt sat down to revisit Jim Gillespie's I Know What You Did Last Summer (1997) and Danny Cannon's I Still Know What You Did Last Summer (1998). But these latest go-rounds were particularly special since she got to share her teenage self's work with her kids for the first time. In doing so, she also recognized some elements from the first two films that paved the way for the jaw-dropping ending of Robinson's new installment. (Don't worry, this is a spoiler-free zone.) 'I will say that in thinking about it and watching the other movies before filming this new one, [the ending] makes sense,' Hewitt carefully teases. Below, during a recent conversation with THR, Hewitt also looks back on her character's iconic line of, 'What are you waiting for, huh!?' and how the indelible moment may have been conceived by a young kid who'd won a contest to visit the I Know What You Did Last Summer set in 1997. *** To go back to the very beginning, was it just a coincidence thatbecame the casting office for -written slasher movies? [Writer's Note: For the uninitiated, the Wiliamson-penned drafted Hewitt's co-star Neve Campbell from the same hit series.] Isn't that hilarious? Yeah, it was just a coincidence. What's the history with you and a third movie? Have there been other attempts to get you back as Julie James over the years? No, this is the first one! I was shocked and elated all at the same time. Hollywood loves the rule of three, so it was always surprising to me that they didn't conclude the first two films with a proper trilogy capper. I know, I was surprised, too. But after a certain span of years went by, I was like, 'Oh well. I guess it's just not going to happen.' But now it did. When writer-director Jennifer Kaytin Robinson pitched you, were you immediately on board? Or did you need to mull it over? I was hesitant at first. If I was coming back as Julie, I just wanted to make sure that we were bringing back the best and right version of her. I wanted to make sure that she fit into the movie in the right way and that there was a reason for her to come back besides just the '90s nostalgia moment. I wanted her part in the movie to matter and for the audience to feel like they were proud of who she has become. Julie is now a psychology professor, and I suppose one could say she's lonely by choice. Is this the life you expected for her? Or did you think she'd have three kids and a golden retriever by now? (Laughs.) No, she's exactly who I thought she would be and who I wanted her to be, honestly. As weird as it sounds, it was really important for me to not see a Julie James that had healed her trauma. She needed to stay in trauma, and she would've stayed in trauma, so this version of her feels right. During her reintroduction, is she wearing a Cure T-shirt underneath her jacket? Yes, I really liked the idea of her being a professor in a vintage T-shirt, and Jenn [Kaytin Robinson] is the one who chose The Cure. I'm also a massive Cure fan, so I was really psyched about that. It was just us wanting to be nostalgic by also having her hold on to some nostalgia. Originally, she was going to be in a shirt and tie when you first saw her, and then she would wear the vintage T-shirt later. But Jenn was like, 'No, we've got to go with the vintage T-shirt right off the top.' And I just loved that. You haven't played Julie in 27 years. How quickly did you find her again? Well, what's beautiful about this movie is that she feels like the same person from the original movie, but she also feels like a new character in some ways because of all the time that's gone by. But I did rewatch [I Know What You Did Last Summer]. It was my kids' first horror movie. They really wanted to watch it together, and so I watched it with them, which was a total trip. So it was really fun and exciting and interesting to go back and watch that girl on the road that night. When you watched it, could you focus on performance and story? Or were you more consumed by your behind-the-scenes memories? I think it was a mixture, but I did learn a lot about Julie that I didn't notice at the time. One big thing in particular that we tried to bring back into the new movie is that I never realized how silenced she was on the road that night. If you had asked me at 18 or even at 20, I would've said, 'Yeah, we were all in it together,' but that really isn't the case. After the accident happened that night, everyone basically looked at her and said, 'Shut the fuck up.' That's what they said, and she really was struck by that. And in that silence, her detective brain kept going, and she wanted to solve this. She didn't just lose her innocence that night; she lost everything. She lost her friends. She lost the respect that she had for the person [Freddie Prinze Jr.'s Ray] who was the love of her life in that moment. She also lost herself, and she lost the ability to ever live life trauma-free again. So I honestly don't think that I realized any of that when I watched the movie as a young person. Watching it now at this age after having children, I went, 'Oh, wow. These are some really interesting things that we can pull from in this new movie.' Do you still feel connected to that 18-year-old version of you? Yeah, I do. Very much so. It's interesting that you ask that. I've definitely had a loss of innocence and trauma in my life. Some of my friends don't [feel this way], but I still feel uniquely connected to my youth and who I was then. I carry her with me, and that's an important thing to do as you get older. When you lose that, you lose something very drastic. So I still feel very connected to that part of my life, for sure. When you reunited with Freddie Prinze Jr. on the set of (2025), did it feel like old times? Honestly, it was an out-of-body experience that I didn't totally process until after we were done with the first scene. That's when I was like, 'Oh my God, that's Freddie, and we just did that scene.' I was just so in my head about making sure that Julie and Ray felt like Julie and Ray, but also a totally new Julie and Ray. I didn't get a normal high school experience in my life, but [reuniting with Freddie] was what I imagine a high-school-reunion feeling to be. You know a person, and while so much time has passed to where it's different, we still fit in with each other. We immediately felt like Julie and Ray, but obviously new versions of them. Did you ever feel like you had to take the new cast aside and offer them some pearls of wisdom? No, but I was really touched by how much they celebrated and honored both the movie and us coming back. So I was just really excited to be there and be a part of it. But I have definitely taken a mom role to Chase [Sui Wonders]. (Laughs.) Off camera, I'm constantly checking in on her and making sure that she's eating and drinking and taking care of herself. I just felt very close to her in such a special way, and that was really sweet. Generally speaking, the ending of (2025) is quite shocking. It's a big swing. Yeah. When you read it, did your jaw hit the floor? It did. But I will say that in thinking about it and watching the other movies before filming this new one, it makes sense. [Writer's Note: I then asked Hewitt if she was referring to a specific scene from an earlier movie, and she confirmed that I was on the right track.] You incurred some fishing hook-related damage while making the first two movies. Were you able to come out of this one unscathed? I was! The only thing is that my feet were sore from standing in very tall shoes. I am now in my 40s, and I choose not to torture my feet in high heels most of the time. But other than that, no. All was well. As previewed in the trailer, Julie's famous line of, 'What are you waiting for, huh?' was bound to be incorporated somehow, and I liked that it had utility. It wasn't an empty reference. Right. Were you very particular about its usage in this? Not in its usage, but it had to be said again, and it had to be said in a fresh way. And I think we accomplished that. The meaning behind this one is very different, and I love where it is [in the movie]. That line has just become such a special part of my life; I hear it all the time. Even my kids say it to me, especially my 3-year-old, which is hilarious. He's in his, 'What are you waiting for?' phase, and it's really funny. So it holds a special place in my heart. The 'huh' really makes that line what it is. You put this extra emphasis on it, and it really showed Julie's fighting spirit in the first movie. Thank you. A lot of people leave out the 'huh' when they say it back to me, and so I appreciate that. Yeah, for me, the 'huh' was her gumption. The 'huh' was her challenge: 'Come at me! Bring what you're going to bring. I'm here, I'm ready, let's go.' So the 'huh' is important. There's an internet legend that the entire moment was conceived by a contest-winning child. Is that true? So here's the thing about that. I was 18 years old when we filmed the first movie, and all I know is that there was a kid visiting the movie that day. He was a horror fan, but I don't know who he was. I was 18, I'm now 46, and Lord knows I've had three children, so I don't remember everything perfectly. But I know that he was there that day, and I thought that he was a part of that moment, somehow, because we were all at a monitor. Originally, in the script, I wasn't spinning around and yelling, 'What are you waiting for?' It was a different kind of moment, and it suddenly became that moment. I've heard different versions of it, but I do remember a kid being there and him being a horror movie fan. So he was a part of that conversation, somehow. Was it his designed moment? I don't know. But I somehow ended up spinning around in the street that day, screaming that line that became very iconic. So whoever created it, I'm very grateful. 'And that kid's name was Damien Chazelle.' (Laughs.) Could you imagine? According to another internet legend, Jamie Lee Curtis was filming a different movie near your set in North Carolina, and so she would often come by to lend you emotional support. Is there any truth to that? No! But I've known Jamie since I was 14. She is a very supportive, amazing person, but I did not see her during [filming]. That would've been awesome. I love her. Have these movies altered your behavior at all? Do you avoid late night drives, tanning beds and fishing boats? (Laughs.) When we were filming the first movie, I was already terrified of horror movies, and I was very aware of the fact that I was actually filming in a real fishing village in Southport, North Carolina. I was like, 'There's fishermen everywhere, and I've been running from one all day. And now I'm supposed to go home and go to sleep? How is that going to work out?' But since this movie has come back into my life, I'm a tad bit more paranoid. I left that behind for a while, and now I'm definitely like, 'What was that!?' (Laughs.) I'm a little jumpier now that the movie is back in my life. Most of the new movie was shot in Australia for the necessity of summer weather, and I loved how Jennifer Kaytin Robinson used the unrecognizable locations to the movie's advantage. Southport's gentrification by an uber-rich land developer is a huge part of the story. Yeah, it's brilliant. If I could say anything to the audience, everything that you want this movie to be, it is. And everything new and fresh is so worth it and so awesome. It's a perfect way to come back in all facets. Sony is putting the new movie out just like they did the first two. They also have the rights to your beloved teen rom-com, (1998). Can you try to get that property back on its feet soon? I've been asking! I've asked a few times now. Yes, I would love that. ***I Know What You Did Last Summer (2025) opens July 18 in movie theaters nationwide. Best of The Hollywood Reporter The 40 Best Films About the Immigrant Experience Wes Anderson's Movies Ranked From Worst to Best 13 of Tom Cruise's Most Jaw-Dropping Stunts Solve the daily Crossword
Yahoo
5 hours ago
- Yahoo
Parents, Rejoice! The Ms. Rachel Tonie Is Finally Here
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." My fellow parents, the day we've all been waiting for is finally here. After years of us begging for our toddler's leading lady to make a Tonie, she's finally graced us with one. That's right: the official Ms. Rachel Tonie has hit the market!Ms. Rachel Tonie $19.99 at As if she doesn't do enough for us parents (one her books literally taught my toddler to count without me even trying), the toddler icon has once again added to her collection of toys, books, and videos. As a mom to a one and a half year old, I own my fair share of Ms. Rachel toys and books. Frankly, we don't even watch that much Ms. Rachel, but my daughter is still obsessed with her and will pick up Hide and Seek with Herbie or her talking and singing Ms. Rachel doll over just about anything else in her playroom. But out of my growing collection of Ms. Rachel paraphernalia, this new Tonie is probably the most excited I've been about a toy in a long time, which is saying something as a shopping editor. Why? Because as my toddler is getting older it's becoming more and more difficult to limit her screen time. In our household, we opt for no TV on weekdays and sparingly on the weekends, but one rainy weekend or day sick can seem to throw us back down the rabbit hole. This Tonie brings all the fun of Ms. Rachel's show but without the high-stimulation screen, so kids can really focus and engage on what they're hearing. Both Mom and toddler are happy, and that seems to happen less and less often these days. Similar to the format of Ms. Rachel's normal videos and shows, the Tonie will feature a mix of engaging storytelling and songs. Kids will join her and friends Mr. Aron and Herbie for a "sound field trip" to a farm, school, and busy city. The Tonie is being sold individually for $20 as well as part of a set that includes a Toniebox (in case you don't already have one) for $100. The timing of the launch couldn't be better, considering we're getting into the dog days of summer when it's just too hot to do anything but play inside. Once again, Ms. Rachel to save the day! So many of Ms. Rachel's toys have sold out quickly, but I'd expect this one to go especially fast considering so many parents have been asking for a Ms. Rachel Tonie for so long. Seriously, don't wait to buy! You Might Also Like 70 Impressive Tiny Houses That Maximize Function and Style 30+ Paint Colors That Will Instantly Transform Your Kitchen


Hamilton Spectator
7 hours ago
- Hamilton Spectator
In her gripping whodunnit ‘Fox,' Joyce Carol Oates jolts with a superb twist ending
Have you ever wondered why turkey vultures are bald? The answer is not pleasant. Turkey vultures feed on the viscera of dead animals, and sliding their heads into and out of carcasses — preferably through the anus — is easier without feathers. Turkey vultures are scavengers; they see opportunity where others can't bring themselves to look. In this they bear some resemblance to serious novelists, like Joyce Carol Oates , who, at 87, has made an astonishing career in part by turning over what others wouldn't touch, sliding into the darkest orifices, pushing forward until she's found all the tenderest bits. Her novels can be hard to stomach, but for this she can blame reality. Some truths are revolting. Oates's latest novel is 'Fox' (Hogarth), which begins at the Wieland Swamp in southern New Jersey, where turkey vultures circle ominously over what turns out to be a human corpse. At first, the corpse is unidentifiable — due to 'significant animal activity,' as the police chief puts it — but is found alongside a vehicle belonging to Francis Fox, a popular new teacher at the prestigious local prep school, the Langhorne Academy. 'Fox,' by Joyce Carol Oates, Hogarth, 672 pages, $42. In an interview with People , Oates described the novel as a 'classic whodunit,' and the unfolding of the police inquiry — and multiple related storylines — is mostly propulsive, despite the novel's 672 pages and some tiresome stylistic tics ( so many words are in italics ). The most impressive structural feature is the superb twist ending. This is a book that continues to change shape until the very last page. But the novel's real interest lies in its anatomy of the crimes of Francis Fox — a predator, as his name implies, who preys on his middle-school students — and the institutions and norms that make his behaviour possible. Oates does not seek out the origins of his conduct in some childhood trauma or — as in the case of 'Lolita''s Humbert Humbert — a thwarted erotic encounter, but in Fox's own sense of superiority. Fox is the product of a partial Ivy League education — he was ejected from a Columbia PhD program for plagiarism — and the heir to a Romantic tradition that insists on the individual's right to transgress convention in pursuit of his own personal ideal of beauty. Fox quotes Blake and Thoreau as his grandiloquent authorities — 'God himself culminates in the present moment, and will never be more divine in the lapse of all the ages' — as he flatters himself that his obsession with prepubescent girls is a sign of esthetic refinement. Fox keeps a bust of Edgar Allan Poe — who married his 13-year-old cousin, Virginia — on his desk, and fills his apartment with the paintings of the controversial French Polish painter Balthus, best known for his prurient portraits of very young female models. In this way, Oates's analysis of child abuse goes beyond the psychology of the criminal to indict American society, where every educated child is expected to know Poe's poems and where Balthus's portraits hang in the Met. On a more immediate level, the adult characters in 'Fox' are guilty of extreme neglect. In the same interview with People, Oates described Fox as a 'charming con man,' but the novel has no sympathy for the adults who let themselves be conned. Teachers on hiring committees neglect to look into Fox's past, though several red flags call out for closer scrutiny. Later, rather than raising alarm bells, the attention Fox receives from his female students elicits jealousy from his petty colleagues. Parents, too, are fooled by Fox, and lulled into a moral stupor by their reluctance to believe the worst. Even those who harbour suspicions prove unwilling to jeopardize their professional status by levelling accusations against a teacher who has made himself a favourite of the headmistress. One of the few adult characters to see through Francis Fox is a lawyer Fox hires to help him through his first scandal with a student. (Fox tries to quote Kierkegaard to the lawyer: ' The crowd is a lie … The individual is the highest truth. ') The lawyer has nothing but contempt for Fox, but professional pride makes him pursue the best possible settlement for his client — an outcome that all but ensures that Fox will be able to continue teaching. How did things get so bad? The novel hints that the community's (almost complete) failure to stop Fox has something to do with the fragmentation of the community itself. The rich and the poor of 'Fox''s Atlantic County have almost nothing to do with each other. Instead, the locals — 'poor whites,' 'old families that have failed to thrive in the twenty-first century, left behind by the computerized, high-tech economy' — are filled with resentment for the smug nouveau riche who try to ignore them while enjoying a much more comfortable existence, one they seek to make hereditary by sending their children to Langhorne and onward to the Ivy League. Political scientists like Katherine Cramer have been warning of the growing rents in the American social fabric caused by the increasing distance between the well-off and the hard-done-by. As Cramer and her co-author put it in a recent piece in the Hill , 'Constitutional democracy flourishes when people feel common purpose with one another, and it is impossible for people who never come into contact to build that common purpose.' The institutions depicted by Oates serve not to advance a common purpose — or enforce a shared morality — but to prop up the strivers while grinding down the rest. This is an unflattering portrait, but not a hopeless one. Over a long and illustrious career — including a National Book Award for Fiction (1970), a National Humanities Medal (2010) and a 'by the same author' page in 'Fox' that looks like the sides of the Stanley Cup — Oates has sometimes been accused of trafficking in moral turpitude for its own sake. A 1991 review of 'Heat and Other Stories' claimed that 'Ms. Oates … is as cavalierly cynical as a teenager. Her stock in trade is precisely not to be shocked, and she pretends to be equally, mildly, analytically interested in all forms of human behaviour, however grotesque.' But 'Fox' reads more like a quiet jeremiad against complacency and hypocrisy, masquerading as a coolly analytic murder mystery. In a 1972 article about the role of literature in America, Oates claimed that the serious writer must recognize that his or her destiny is inescapably 'part of the nation's spiritual condition.' More than 50 years later, Oates has become an integral part of her nation's spiritual condition, circling its revolting truths as the tireless turkey vulture circles a kill. A weak stomach is no excuse for looking away.