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Michelle Keegan showcases her jaw-dropping figure in brown bikini just four months after giving birth

Michelle Keegan showcases her jaw-dropping figure in brown bikini just four months after giving birth

Daily Mail​2 days ago
Michelle Keegan has stunned fans by showing off her toned post-baby body in a bikini - just four months after giving birth to her first child.
The former Coronation Street star, 38, posed beside a sun-soaked pool in a chocolate brown bandeau bikini from her Orfila Bee swimwear line.
She completed the sizzling look with a white linen shirt, sarong and cowboy hat.
Michelle's glam Instagram post comes hot on the heels of her return to work after welcoming daughter Palma in March.
She recently jetted off to Bulgaria for her latest acting project, sharing behind-the-scenes snaps from a film set abroad.
Since becoming a mum, Michelle has been living it up with luxury holidays, red carpet appearances and a major new deal with Sky, all while flaunting her enviable post-baby figure in skimpy swimwear from her fashion range.
But while fans are flooding her comments with praise, writing things like 'Beautiful'...'You look absolutely incredible ❤️' and 'Stunning' not everyone is impressed.
It comes after Michelle posed for a slew of smiley snaps with her crewmates last week, during filming in Bulgaria for a secret new project.
The actress looked like she was having the time of her life in a slew of behind-the-scenes snaps giving her fans a glimpse of her mystery job with Sky.
It was recently revealed the mother-of-one has signed a six-figure advertising deal to become the new face of the media company.
And Michelle looked to be laughing all the way to the bank as she larked about on the set with her hairstylist, makeup artist, talent agency and fashion stylist during breaks from filming.
She could be seen sitting with the crew in a line of black director's chairs, which were labelled - confirming the project to be a collaboration between Sky Creative and B2Y Productions.
Michelle captioned the photos: 'Bulgaria files… with the best of the best ✨'.
It comes after Michelle posed for a slew of smiley snaps with her crewmates last week, during filming in Bulgaria for a secret new project
The deal will reportedly see Michelle film a series of promo clips with fellow British actor Idris Elba, who already appears as the 'face' of Sky.
The former soap star has brought along her baby daughter Palma on her work trip, her first major job since she gave birth to the little girl in March.
It's believed the couple chose the name Palma because of their strong llinks to the Spanish island of Mallorca, which has been their go-to holiday destination for years and the setting for their pregnancy reveal photo shoot.
Michelle found fame as Tina McIntyre on Coronation Street in 2007, before leaving the ITV soap in 2014.
Her career then took off, with hits such as BBC military drama Our Girl, Sky's Brassic and BBC's Australian drama Ten Pound Poms.
While her biggest success came last year, when she scored the starring role of Maya Stern in Netflix's Harlan Coben thriller Fool Me Once - which racked up more than 100 million views globally.
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‘Sharon saved me every day' How Ozzy's wife's devotion never wavered through years of drug addiction hell
‘Sharon saved me every day' How Ozzy's wife's devotion never wavered through years of drug addiction hell

The Sun

time11 minutes ago

  • The Sun

‘Sharon saved me every day' How Ozzy's wife's devotion never wavered through years of drug addiction hell

OZZY Osbourne once admitted how his loyal wife Sharon Osbourne saved his life "every day" despite his turbulent life. The Black Sabbath star's death comes just weeks after he took to the stage one final time with his band mates at Villa Park in Birmingham. 3 3 3 Ozzy died aged 76, surrounded by his family on Tuesday morning, after bravely battling against Parkinson's disease. But the veteran rocker may not have hit the heights of his stellar career if he did not have his loyal wife Sharon standing by his side during his lowest moments. Ozzy once said of the woman who became his second wife: 'If it weren't for her, without a shadow of a doubt, I would be dead.' Ozzy's volatile behaviour from his drinking and drug abuse saw his life seemingly fall apart and sparked his divorce from his first wife Thelma. He was also sacked from Black Sabbath in 1979 as his life continued to spiral downwards. But everything changed when Sharon Levy turned up at the door that year. Sharon, then 27, was the daughter of Black Sabbath's manager Don Arden. They'd first met when she was 18 and working as her dad's receptionist. The singer wrote in his autobiography I Am Ozzy: 'I fell for Sharon so badly, man.' And in another interview with Australian music guru Billy Pinnell, Ozzy admitted: "Truly, without my wife at my side, I wouldn't be here – without any doubt. The rocker did not shy away from the subject, adding: "I wouldn't be alive, I wouldn't be singing. "She saved my life every day." When she turned up at his door, Sharon convinced the wreck that he could be a solo star, and that she should be the one to manage him. The pair wed in Hawaii on July 4, 1982. Not only did she become mother to his three children Aimee, Kelly and Jack but she also got things back on track. Debut solo album Blizzard of Ozz, with big numbers like Crazy Train, Suicide Solution and Mr Crowley, appeared in September 1980, and eventually sold more than five million copies. Sharon also amped up his satanic image, encouraging stage antics such as flinging animal entrails into the audience. But while Ozzy's solo career soared, so did his appetite for booze, illegal drugs and prescription pills. He later said: 'I was a beast. Absolutely terrifying.' Ozzy later expressed regret at the toll his much-publicised drug and alcohol abuse had on Sharon. In 1989, he attempted to kill Sharon while high on drugs. Sharon told the Guardian in 2001: 'He was totally insane from all the drink and drugs he was doing, and well, these things happen.' She fought him off and Ozzy was arrested on suspicion of attempted murder, but Sharon later dropped the charges and he spent three months in rehab. Ozzy's family statement BLACK Sabbath frontman Ozzy Osbourne has died at the age of 76. A statement from his family said: "It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning. "He was with his family and surrounded by love. We ask everyone to respect our family privacy at this time. "Sharon, Jack, Kelly, Aimee and Louis." Ozzy was also injured in a quad bike crash at his UK home in 2003, an episode that had a serious impact on his fragile health. Yet there was also redemption for the troubled singer, who relaunched himself as a reality TV star in The Osbournes in the early 2000s, after getting clean from drink and drugs with the help of Sharon. "The crap that I put her through when I was abusing myself - I'd disappear for weeks on end and I'd smack her in the eye and do all these horrible things, and she stuck by me and she got me through all kinds of stuff," Ozzy said. In later years, Ozzy became much more than just a singer. Along with Sharon and his kids, they became global TV sensations through their groundbreaking fly-on-the-wall documentary The Osbournes. It was such a smash hit that it paved the way for similar reality shows featuring Paris Hilton and later The Kardashians. Only three weeks ago, the Prince of Darkness who brought light into so many lives gave us one last ­hurrah when heavy metal royalty descended on Villa Park, Birmingham, to pay their respects. The Back to the Beginning gig ended with him - seated on a giant black throne because he could not stand - joining his Black Sabbath muckers on the songs that took him to the world stage. Ozzy Osbourne's career The singer first pursued his love of music after hearing The Beatles hit She Loves You in 1963, aged 15. After appearing in a handful of school plays, Ozzy joined Sabbath bassist Geezer Butler in their first group Rare Breed in 1967. When that band split, the pair reunited in Polka Tulk Blues alongside Tony Iommi and drummer Bill Ward. The group later became known as Black Sabbath and went onto shatter the music world with their whining guitar solos, Occult-based lyrics and Ozzy's screeching vocals. In 1970, the group gained a cult following in both the US and UK after releasing their eponymous first album. Black Sabbath saw incredible success with hit tracks such as Paranoid but discord in the group saw most of the original line-up leave. Ozzy himself quit the band in 1978, with a spiral into drug abuse leading to a divorce from first wife Thelma Mayfair, who he had two children with. It was then he first met a young Sharon Arden, who Ozzy at first wrote off as he believed she would think he was a "lunatic". But the singer could not be more wrong and the pair married in Hawaii in July 1982 before going on to have three children together, Aimee, Kelly and Jack. With Sharon's encouragement and help from her music manager dad Don, he began to carve out a successful solo career. His seminal first album Blizzard of Ozz in 1980 became a multi-platinum success thanks to Ozzy's howling vocals and macabre laugh on hit Crazy Train. Coupled with the Prince of Darkness' insane tour that saw him bite the head off a live bat, a string of successful tracks followed - cementing Ozzy as a rock legend around the world. In 1992, the singer announced his retirement but four years later created the beloved annual music festival Ozzfest with Sharon. Ozzy returned to Black Sabbath in 1999, with the band winning a Grammy for best metal performance for the song Iron Man. They later earned the same award in 2013 after releasing single God Is Dead? from album 13.

Angry Love Island fans flood Ofcom with complaints over decision to bring back axed star as they spot ‘boss's game plan'
Angry Love Island fans flood Ofcom with complaints over decision to bring back axed star as they spot ‘boss's game plan'

The Sun

time11 minutes ago

  • The Sun

Angry Love Island fans flood Ofcom with complaints over decision to bring back axed star as they spot ‘boss's game plan'

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Groundwater by Thomas McMullan review – a lesson in foreboding
Groundwater by Thomas McMullan review – a lesson in foreboding

The Guardian

time11 minutes ago

  • The Guardian

Groundwater by Thomas McMullan review – a lesson in foreboding

Thomas McMullan's debut novel, The Last Good Man, was a darkly unsettling post-apocalyptic fable about moral puritanism and the perils of mob rule. Set in an isolated Dartmoor village, it was commended by Margaret Atwood as 'a Scarlet Letter for our times' and won the Betty Trask prize. His follow-up, Groundwater, opens in similar style, with its protagonists fleeing a city in favour of rural seclusion, but this time his story is rooted in a more prosaic and recognisable present. An unexpected inheritance has spurred John and Liz to trade in their rented flat in London for a remote house by a lake. After years of trying unsuccessfully for a baby, their relationship strained, both hope that the change will shift something inside them. Meanwhile, though most of their furniture is yet to arrive, they must prepare the house for Liz's sister Monica and her family, who have invited themselves to stay. From the opening pages McMullan stokes an unambiguous sense of foreboding. It is August and the weather is stifling. Walking by the lake John encounters a baby deer, struggling to stand on an injured leg. The next day after breakfast, Monica's children find the fawn dead on the doorstep. A stranger claiming to be a local warden materialises on their land and invites himself to stay. No one thinks to check his claims. When three students from a local campsite also contrive to inveigle themselves into the group, something terrible, it seems, must happen. Reading Groundwater, I was repeatedly reminded of Chekhov's famous exhortation that one must not put a loaded rifle on the stage if no one is thinking of firing it. The warden, Jim Sweet, tells John and Liz about the caves deep below the surface of the lake, miles and miles of unmapped tunnels snaking through the limestone. Liz is haunted by the memory of a dog she watched dying in the hallway outside their London flat. She stares at the walls of trees around the lake and thinks of the California wildfires on the news: 'All that burning, a thousand things dying.' Ominousness is piled upon unease and yet McMullan meets his own challenge only with the humdrum. Terrors are proved baseless. Confrontations blaze briefly and fizzle out. Unable to bring themselves to say what they are really thinking, the adults conduct long and often mundane conversations about inconsequentialities, while the twin interior monologue that shifts often confusingly between John and Liz adds little insight or forward propulsion to the narrative. Insufficiently differentiated, their voices blur: though we spend much of the novel inside their heads, their true selves remain opaque, unformed, out of reach not only of themselves but of the reader. Liz, a writer, is working on a scheme to monitor the black rhinos in a national park in Kenya, but 'she hadn't been to the national park herself … everyone was remote'. The same sense of remoteness, of a reality half-understood but never experienced, pervades these pages. Meanwhile a second intercut narrative, in which dream-like versions of John and Liz draw items including a crystal decanter, a crutch and a child's hobby horse from the waters of the lake, adds a baffling dollop of mysticism to proceedings. As I read on, my thoughts kept returning to another novel set by a lake, Sarah Moss's Summerwater, and not only because of the powerful echo in the title. Like Groundwater, Summerwater, told over a single rain-lashed day in a lochside holiday park in Scotland, is preoccupied with the quotidian, exploring through its 12 narrators the fissures and fractures that open in relationships, the certainties brandished like weapons against fear and vulnerability, the joys, yes, but also the small, terrible failures of courage and understanding. Why, then, does Moss's novel triumphantly succeed and McMullan's never take flight? It helps that Summerwater's simmering tension finally explodes into catastrophe, while Groundwater swerves perplexingly away from climax and sputters out. But it is Moss's astonishing acuity, her uncanny ability to see inside the human heart, that lends her work such power. It is much, much harder than she makes it look to draw readers deeply into the small dramas of small lives, harder still to find the universal in the particular, to draw fresh and meaningful patterns between people and landscape, between age-old cycles of existence and the insistent demands of the here and now. Moss manages it with flourishes of sly humour that both leavens and intensifies the horror to come. McMullan's novel would definitely have profited from a few more laughs. Instead, in striving for an elusive profundity, he reminds us how strikingly difficult it is to spin gold from straw, and how very rare and precious are those Rumpelstiltskin writers who show us how it's done. Groundwater by Thomas McMullan is published by Bloomsbury (£18.99). To order a copy go to Delivery charges may apply.

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