
Beloved literary icon Jane Austen is celebrated at this new exhibit in NYC
That interesting legacy, as well as much more Austen lore, is part of a new exhibition at The Morgan Library & Museum titled " A Lively Mind: Jane Austen at 250." It features first-edition copies of her novels, corresponding artworks, personal letters, historical documents and artifacts from Jane Austen's House in Chawton, England. This major exhibition celebrating Austen's 250th birthday is now open through September 14, 2025.
"Our aim in the show is to welcome every visitor—regardless of their prior knowledge of Jane Austen, level of interest in Jane Austen, possible prejudices against Jane Austen," Juliette Wells, co-curator of the exhibition and Professor of Literary Studies at Goucher College, said at a preview event for the exhibit.
To that end, the exhibition takes a chronological approach, starting with Austen's younger years when her father helped to buoy her love of the written word. Her father, a reverend, owned 500 books, a large personal collection for that era. Also rare for the time, he allowed his daughters to read whatever they wanted whether that was from his collection, borrowed from friends or obtained from a library.
Unfortunately, her father's death dealt a blow to the ambitious young writer, who then struggled through unsettled years with a tight budget. Much of the story is told through Austen's letters to her sister and lifelong confidante Cassandra. Being able to see Austen's handwriting and read her words helps the late author tell her own story.
Eventually, Austen found professional success, writing about heroines who value happiness, trust their own judgment and love wholeheartedly. That success continued from 1809 until her death at the age of 41.
In Austen's time, only her family and friends knew she was the writer of popular works including Emma, Persuasion and Sense and Sensibility. Even Austen's tombstone says nothing about her authorship.
It's impossible to know why Austen chose to publish anonymously, Wells said, especially when her early letters demonstrate an interest in fame. It seems Austen wanted her books to sell well, but she didn't want to be personally identified, Wells explained. Meaning she wanted people to devour her writing, but she didn't want them to come up to her on the street.
Plus, The Morgan's Dale Stinchcomb added, publishing for a single woman was still unusual at that time. If she was married, it may have been a different story.
"'A Lively Mind' examines how it was possible for Austen to publish her now-beloved novels when women generally were not permitted to become writers, much less encouraged to be," said Stinchcomb, Drue Heinz Curator of Literary and Historical Manuscripts at the Morgan Library & Museum.
We also don't know why she chose to use "By a Lady" as her literary nom de plume, though that wasn't an uncommon phrase for authors at that time.
Even if they didn't know who she was, Americans were reading Austen in her lifetime—and continue to do so today. American readers, in particular, played a major role in securing Austen's place as one of the great English novelists.
Austen's fandom has grown increasingly diverse and global over the decades. The exhibition ends with a nod to that trend by featuring a painting by Amy Sherald titled "A Single Man in Possession of a Good Fortune," which is a reference to the opening line of Pride and Prejudice. For even more of Sherald's artwork, check out this full exhibit of her work at The Whitney.
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Daily Mail
9 hours ago
- Daily Mail
Emma Corrin is seen for the first time as Elizabeth Bennet on the set of Netflix's Pride and Prejudice
It is a truth universally acknowledged that a single woman in possession of a good fortune must surely be in want of a… dog? What Jane Austen would have made of this is anyone's guess. But these exclusive pictures show Emma Corrin for the first time as Elizabeth Bennet in Netflix's new production of Austen's Pride And Prejudice – and they suggest The Crown star is taking the character's sharp wit and independent spirit to heart. Emma, in period costume and curly wig, was seen cuddling beloved dog Spencer between takes on set – proving, just as in the novel, that important relationships can take many forms. The star was later spotted on a rooftop looking even less like a Georgian heroine, laughing with Freya Mavor, who plays Elizabeth Bennet's sister Jane, and eating a banana. Emma also appeared to grimace with trepidation while gingerly descending some scaffolding. The 29-year-old, who won plaudits playing a young Princess Diana in The Crown, is often seen walking Spencer near their home in Margate and in north London, where the actor shared a £5million home with Bohemian Rhapsody Oscar winner Rami Malek, 44. But like Lizzy Bennet, the star's love life has become tangled, splitting with Malek earlier this year and now said to be dating Zachary Hart, who appeared with Emma on stage in a production of Anton Chekhov's The Seagull. The hotly anticipated adaptation of Austen's 1813 novel is also set to star Slow Horses actor Jack Lowden as eligible Mr Darcy and Olivia Colman as Emma's determined mother Mrs Bennet. Other star names released by Netflix include Rufus Sewell as Mr Bennet and Killing Eve's Fiona Shaw as Lady Catherine de Bourgh. Sadly for some, Jack Lowden will not replicate Colin Firth's famous scene from the 1995 TV adaptation, which saw him emerge dripping wet from a lake – getting female viewers' hearts racing. This year marks 250 years since Austen's birth. The six-part Netflix series, written by Dolly Alderton, will be on screens early next year. However, Netflix recently sparked uproar after releasing a first look at the casting for the new Pride & Prejudice series - with some fans now threatening to boycott it altogether. On Friday, Netflix shared a picture on social media of the Bennet women on set. The films stars shared a quiet moment as they took in the view below Freya and Emma smiled at each other and giggled as they filmed the first scenes as the two eldest Bennet sisters Freya was seen holding a vintage monocular telescope amid filming The actress looked out of the telescope while Emma watched on 'We know you've been yearning for a sneak peek. Pride & Prejudice is officially in production,' the post read. 'Here's a first look featuring Emma Corrin, Freya Mavor, Olivia Colman, Hopey Parish, Rhea Norwood and Hollie Avery as the Bennet women.' But fans immediately rushed to the comments to express their distaste at the prospect as one wrote: 'Not to self: unsubscribe from Netflix immediately, today,' someone wrote. 'This casting is awful what the f**k,' another added. 'You cannot be serious,' someone else said. 'Oh help… praying this isn't a cock up like Persuasion. 'Actually scratch that… this is a reminder to me to unsubscribe,' another shared. Other members of the cast include Jamie Demetriou as Mr Collins, Daryl McCormack as Mr Bingley, and Louis Partridge as Mr Wickham, per Variety. While Freya had no issues with the steps, Emma appeared to be much more trepidatious More actors include Rhea Norwood as Lydia Bennet and Siena Kelly as Caroline Bingley, while Hopey Parish and Hollie Avery are making their acting debuts as Mary Bennet and Kitty Bennet respectively. The director and screenwriter of Heartstopper, Euros Lyn and Dolly Alderton, respectively, are taking on the series. 'Once in a generation, a group of people get to retell this wonderful story, and I feel very lucky that I get to be a part of it,' Alderton said in a statement, per the outlet. 'Jane Austen's Pride and Prejudice is the blueprint for romantic comedy – it has been a joy to delve back into its pages to find both familiar and fresh ways of bringing this beloved book to life.' The limited series will finish filming in the UK at the end of 2025, per What's On Netflix.


Metro
14 hours ago
- Metro
I have to warn you after watching 'heart-stabbing' Netflix film My Oxford Year
Netflix has just released a new film that has fan up in arms about its ending, questioning its classification as a rom-com – and I'm afraid to say, is also just a bit crap. Fans have swarmed social media to reveal they are 'speechless', 'devastated' and generally crying their eyes out over the movie, while others have taken it to task for being 'so boring' and leaving them 'feeling nothing' for any other characters. And I wholeheartedly agree. Not only does My Oxford Year take a very long time to introduce any stakes, but before we get there it's a painful watch for British fans not particularly interested in the film's tourist porn shots of the titular city and university. And while they do at least cast English actors in English parts (Corey Mylchreest, Dougray Scott, Catherine McCormack), some of the schmaltz could not more obviously point to American involvement – we just don't mix well with unnecessarily twinkling and dramatic music underscoring even the most mundane of teaching scenes. Wake up to find news on your TV shows in your inbox every morning with Metro's TV Newsletter. Sign up to our newsletter and then select your show in the link we'll send you so we can get TV news tailored to you. The 'rom-com', loosely based on the book by American author Julia Whelan, who attended Oxford herself, concerns ambitious working-class New Yorker Anna (Sofia Carson), who is attending the University of Oxford to study Victorian poetry as a postgraduate. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video While there she falls for charming local Jamie (Queen Charlotte's Mylchreest), who also happens to be teaching her classes, and the pair begin a very tedious, chemistry-free flirtationship before a secret he's been hiding threatens their burgeoning romance. (Also warning you that, despite Bridgerton raising our expectations in this department, there are no steamy sex scenes to be found here, and even their tiringly clichéd kiss in the rain gave me nothing.) *Spoilers ahead for My Oxford Year* This is where My Oxford Year takes a sharp left into cancerbait territory, revealing that Jamie is doomed to succumb to an unspecified form of the disease, just like his late brother, despite looking and acting like the healthiest, liveliest rake in the room – plus, y'know, Mylchreest. Obviously, they are reminding us that not everyone fatally ill looks or acts that way (and nor should they have to), but it's a clumsily made point when the film decides to give Mylchreest his first topless scene while receiving chemotherapy. And then they belatedly whack out the greyish face make-up for one scene later on. My Year at Oxford's ending reveals that Jamie does indeed die after catching a critical case of pneumonia, sharing the news surprisingly subtly as Anna lies in bed with Jamie, narrating the stops of the grand European tour they intended to go on. While the montage initially shows the couple happily together exploring Amsterdam, Venice, Paris and the Temple of Poseidon at Sounion in Greece, the camera then swings around to reveal Anna on her own taking the trip instead – and fine, yes, okay, I got a little burning behind the eyes at this, but it is not a high bar to pass for a film to manipulate me intro crying. It proved even more emotionally effective for others though. 'Did I finish the movie or did the movie finish me?' asked fan Agnes on X over My Oxford Year's traumatic conclusion. 'Thought I was signing up for a chill romantic movie with a few clichés. Instead, My Oxford Year wrecked me emotionally, stabbed me in the heart and walked away like nothing happened. That ending?? RUDE. Yeah. I'm not okay. Not even a little bit,' ranted user @_httpSea_, echoing a lot of the shocked reaction to the film. 'My Oxford Year is the biggest Trojan horse ever seen. I thought I was watching a silly romcom and I just got depressed with the ending of it,' tweeted @JENNIEDEMIE. 'Why did nobody warn me that it ended like that and why am I bawling over a movie I thought would be a cute and silly rom com,' complained Lily-Rose, while Mel shared: 'Netflix really thought the book My Oxford Year wasn't sad enough, so they proceed to change the ending to send us in therapy.' Critics have not been kind to My Oxford Year, with it sitting at a dismal 29% on review aggregator site Rotten Tomatoes at the time of publication. Collider criticised it for having the 'plot and character development out of a Wattpad novel written by a 15-year-old One Direction fan', while The New York Times called it 'a limp attempt at being this generation's About Time'. 'An uninspired yet competently assembled trifle,' mused The Guardian's two-star review, with critic Benjamin Lee saying the cancer twist will be 'met with a sigh of disappointment' for being so hackneyed. Other viewers agreed, with one saying it was 'pretty pointless' and another that it was 'worse than mediocre'. Noga E described it as 'a painful failure' in comparison to the book while Nina B complained: 'There's no spark, no soul – just two hours of hollow stares and fake chemistry.' 'It's as if A Walk to Remember and Me Before You had a very, very odd cousin that no one wants to hang out with,' added Teresita G. I knew what I was in for when the film mentioned how much it rains in the UK after barely a minute, and Carson began her narration as Anna by quoting poet Henry David Thoreau. Literature references are always the sign of an overly earnest film as you'd never catch a normal human going around quoting poetry, including out loud and at somebody (which also happens later in the film) to make a comparison, even if you were studying it at university (and I did). More Trending That sort of thing is far too intense and emotional, control yourself… which I guess may prove the film's point about British people being repressed and not wanting to talk about their feelings, which is what drives a wedge between Jamie and his father, played by Scott. So I'll give it that, I guess. My Oxford Year is streaming now on Netflix. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Netflix fans declare 'weekend is sorted' as addictive TV series drops 6 new episodes MORE: 17,000,000 Netflix users risk £1,000 fine for watching WWE SummerSlam MORE: 'I'm a TV critic – I'm convinced Netflix's August thriller will blow me away'


Scottish Sun
15 hours ago
- Scottish Sun
Brit tourist, 38, dies after £1,500 hair transplant op in Turkey as heartbreaking tributes pour in
The Brit is said to have suffered complications while undergoing the hair transplant procedure OP TRAGEDY Brit tourist, 38, dies after £1,500 hair transplant op in Turkey as heartbreaking tributes pour in Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) A BRIT tourist has tragically died after undergoing a £1,500 hair transplant operation in Turkey. Martyn Latchman, 38, flew to Istanbul to have a five-hour operation on Monday at Dr. Cinik's clinic in the city's Besiktas district. Sign up for Scottish Sun newsletter Sign up 5 First pictures of Brit Martyn Latchman, 38, who died following a £1500 hair transplant operation in Turkey Credit: Enterprise 5 Mr Latchman suffered complications after undergoing hair replacement surgery at the Cinik clinic in Besikitas Credit: Enterprise 5 He was rushed to the hospital but tragically died Credit: Enterprise But shortly after the surgery, he became seriously unwell and was rushed to hospital for emergency treatment, according to Turkish outlet OdaTV. He is said to have suffered complications while undergoing the hair transplant procedure. His body was later taken to the Forensic Medicine Institute for an autopsy before being repatriated to the UK. Police have launched a probe, treating the case as a possible 'reckless homicide'. Staff at the clinic — including the surgeon who performed the hair transplant, the anaesthesiologist and nurses — have already been quizzed by officers, it is understood. An FCDO spokesperson told The Sun: "We are supporting the family of a British man who died in Turkey and are in contact with the local authorities." Tributes are now pouring in from friends and family for Mr Latchman, whose body has since been flown home. Yashley Latchman posted a picture of keen athlete Mr Latchman on Facebook with the pair working out in a gym. The caption read: "Rest in peace my brother. You will forever be my source of inspiration and motivation. "Thanks for everything. We will miss you loads." Love Island's Ben reveals hair transplant at just 22 years old with before and after video Other family members turned their profiles black in a sign of mourning for Mr Latchman, who was originally from Bridgend but lived in Milton Keynes, Buckinghamshire. According to Dr Cinik Clinic's website, it has treated "more than 50,000 patients" since setting up almost 20 years ago. The website says the clinic has "cutting-edge technology" and is a "centre of excellence in this specialised field". It adds: "Every patient gets personalised care in English, plus access to cutting-edge techniques. "The combination of surgical experience and patient support has made him the go-to specialist for people worldwide." 5 Brit underwent a five-hour operation at the Dr Clinik's clinic (pictured) The tragedy comes amid a boom in 'medical tourism' to Turkey, which now accounts for nearly 60 per cent of the global hair transplant market thanks to its cheaper, high-quality procedures. Turkish Healthcare Travel Council says more than one million people travel to the country each year for hair restoration treatments. According to Dr. Serkan Aygin Clinic, numbers are expected to climb to 1.1 million in 2025, the Daily Mail reports. It follows the shocking death of 58-year-old British mum Anne Towlson, who passed away last year after a botched cosmetic surgery trip to Istanbul. Mrs Towlson, from Leicestershire, had flown to Turkey in April 2024 for a pre-planned tummy tuck and liposuction at Green Park Hospital in Pendik. When she arrived, doctors persuaded her to also undergo an arm tuck in a 'last-minute decision', her inquest heard. But she quickly developed alarming complications. BOTCHED OP Meanwhile, a British man was left scarred and with bald patches after a botched hair transplant in Istanbul. Luke Horsfield, then 26, paid £1,250 for the surgery at the Clinic Centre — around half the cost of a UK procedure — but said the results were disastrous. 'I did everything they told me to do as aftercare once I had the operation. But after four months, I saw literally no growth,' the IT technician from Bradford said. 'I was left with scars and bald patches.' Luke claimed the surgeons barely spoke English and had removed too many follicles from the back of his head, leaving him worse off than before. Despite the clinic's promise of 'transplant after care', he said he struggled to get hold of anyone once the operation was over. After months of disappointment, the clinic eventually offered him a £400 refund — barely a third of what he had paid — and a second procedure at half price. Luke later had the damage repaired at a Yorkshire clinic.