
Welcome to China's very own CSI, new series 'Coroner's Diary' sees medical expertise and mystery-solving unite in ancient times
And thus far it has been winning fans in not only in South-East Asia but also the whole region. With the ever-elegant Li Landi leading the way together with Ao Ruipeng, the series that pits CSI skills and mystery-solving talent, the "Coroner's Diary" is indeed a new trail for costumed drama series in Asia.
The series tells the story of Shen Wan (played by Li Landi), the daughter of an official from an ancient Chinese judicial institution. Using her remarkable medical and forensic skills, Shen Wan teams up with Prince Yan Chi (played by Ao Ruipeng) to solve complex mysteries, catch criminals, and clear her father's unjust charges.
Produced by iQIYI, the drama is written by Zou Yue, Gao Shen, and Huang Zien, and directed by Li Huizhu, Deng Weien, Huang Bin, and Chen Ziqiang.
Starring Li Landi, Ao Ruipeng, Yu Cheng'en, and Shen Yujie, "Coroner's Diary" combines episodic mysteries with themes of revenge and character growth, creating an engaging storyline. Before its release, the series attracted over 2.5 million reservations on iQIYI.
A major attraction of "Coroner's Diary" is its presentation of eight intriguing cases, including "The Headless Bride" and "Corpse in the Well."
Each case contains hidden clues linked to a broader revenge plot, gradually building tension as viewers uncover the truth. The series also features strong character development and emotional depth.
Li Landi plays two roles: Shen Wan and Qin Wan, who uses a hidden identity as a gentle doctor while secretly mastering forensic skills. Ao Ruipeng portrays Yan Chi, a young general whose tough exterior hides a warm heart, bravely investigating crimes. Unlike traditional romances, their relationship develops naturally as they solve cases together.
The series pays careful attention to investigative techniques, forensic props, and visual style, significantly enhancing its suspenseful atmosphere.
Realistic sets such as autopsy rooms and hidden passageways, detailed props like a six-fingered skeleton and poisoned needles, and a cold-colored visual style featuring rainy nights and ancient houses, all contribute to an immersive viewing experience.
About Li Landi
Chinese rising star Li Landi is considered one of the brightest stars to arrive in the scene over the last five years. Li Landi, also known as Landy Li, is a Chinese actress, singer, and model of Hui ethnicity.
She also starred in the 2019 Chinese film "Adoring". She is best known for her roles in the dramas "My Huckleberry Friends (2017), Wu Xin: The Monster Killer 2 (2017), and The Starry Love (2023)". She is now winning accolades in "Coroner's Diary", already one of the top series seen in iQIYI.
The young star has been acting since she was 10 and has a host of projects already lined up after "Coroner's Diary".
About Ao Ruipeng
At the age of 29, Ao Ruipeng is already a veteran of many TV series. The Chinese actor who was born in Chongqing and graduated from Chengdu College of Arts and Science.
He officially entered the entertainment industry in January 2019 with his participation in the blind date TV show "Dream Space".
His screen debut attracted the attention of many viewers as soon as he appeared on stage. In 2022, he played the role of Lei Wujie in The Blood of Youth and rose to fame and is now among the most sought-after leading men in the industry.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New Straits Times
11 hours ago
- New Straits Times
Badminton stars Tang Jie and Yi Fan's 88.8 per cent 'love match'
KUALA LUMPUR: Are Malaysia's Chen Tang Jie and China's Jia Yi Fan badminton's latest power couple? Photos and videos of Tang Jie and Yi Fan appearing together at a recent official event have gone viral, setting social media abuzz with speculation about a possible romance between the mixed doubles shuttler and the Chinese women's doubles ace. Neither has commented publicly, but that hasn't stopped online sleuths from launching full-blown investigations, analysing emojis, interpreting glances, and even claiming there's an "88.8 per cent chance" the rumours are true. Adding fuel to the fire, netizens cheekily weighed in with playful jabs. "Not bad. Soon Malaysia will have more women coaches," one user quipped, a nod to the growing trend of Malaysian male shuttlers forming close friendships with foreign female players. Others joked this could be a new "strategy" to help recruit international talent into the national fold. But amid the memes and mockery, some fans have called for restraint. "Whatever their status, what matters is their performance on court. Gossip doesn't earn ranking points," one commenter posted. On the competitive front, both players fell short of reaching the final at the Japan Jie and his mixed doubles partner Toh Ee Wei lost in the semi-finals to China's world No. 2 pair Jiang Zhen Bang-Wei Ya Xin. Yi Fan, who plays women's doubles with Zhang Shu Xian, also bowed out in the semis, losing to eventual champions Liu Sheng Shu-Tan Ning. Badminton has seen its fair share of high-profile romances. Among Malaysia's most famous are Datuk Lee Chong Wei and Datin Wong Mew Choo, and current mixed pair Goh Soon Huat-Shevon Lai. Last month, Malaysian doubles ace Ong Yew Sin tied the knot with former Japanese singles star Aya Ohori. Other international love matches include Lin Dan and Xie Xingfang, Chen Long and Wang Shixian (both China), Alan Budi Kusuma and Susi Susanti (Indonesia), and Chris and Gabrielle Adcock (England).


The Star
19 hours ago
- The Star
Can Singapore maintain its ‘exclusive' concerts going forward?
IN the snaking lines for Lady Gaga merchandise at the Singapore Sports Hub's foyer in May, one could hear a smattering of Tagalog and Vietnamese, Thai and Hindi, and mainland Chinese Mandarin among the chatter. It was a smorgasbord sampling of fans from Asia and beyond, who had descended on Singapore for Lady Gaga's only shows in the region. As with Taylor Swift's runaway success of sold-out shows in March 2024, the Republic had once again managed to work out such a deal – making sure that Lady Gaga performed only there. Besides the economic boost, this strategy of securing international superstars for Singapore-exclusive shows could fuel the country's aspirations of being a global entertainment epicentre – and is one that should be pursued for as long as possible. Swift set a high bar, With six shows that sold over 300,000 tickets, Swift's concerts – combined with British band Coldplay's six shows in January 2024 – injected up to S$450mil (RM1.5bil) into the Singapore economy, bringing in high international visitor arrivals, hotel occupancy rates and tourism revenue, according to private-sector estimates. Economists estimated that Gaga's concerts have generated as much as S$150mil in tourism receipts but it appeared that tickets took longer to sell. The rise in business during the week of the Gaga shows was far less pronounced than when Coldplay and Swift were in town in 2024. While Gaga also has a smaller and niched following, 2025 has also been a slow year for business due to the shaky global economy. Still, paradoxically, tourism experts say the climate of global economic uncertainty could encourage spending on such one-off events. Associate Professor Kuan-Huei Lee, director of programmes, business, communication and design at the Singapore Institute of Technology (SIT), said: 'During periods of crisis and economic uncertainty, individuals may increase their spending on emotional or aspirational goods and experiences that they perceive as 'once-in-a-lifetime' events, such as a Lady Gaga concert.' Can the formula be repeated? Lady Gaga's recent run of shows marks the second time in two years that a major international act has chosen Singapore as its only regional stop. However, pulling off such 'once-in-a-lifetime' events on a regular basis could be a challenge. Not only is it contingent on mega artistes' touring schedules and attracting them to Singapore, but other countries in the region could also emulate the Republic's strategy. But observers agree that Singapore is well placed to keep the momentum going. Several key factors make it a preferred choice in the region, noted tourism expert Benjamin Cassim, senior lecturer at the School of Business at Temasek Polytechnic. These include the availability of hospitality and tourism infrastructure for travelling artistes, their teams and visitors attending the concerts, as well as venues with a proven track record that are equipped to deliver in terms of size and technical support. Accessibility is another element, including the ease of getting to Singapore, and travelling within it safely, with an efficient public transport system that is close to venues. Cassim noted that the Republic has already established itself as a premier entertainment and sports events destination, not just within the Asia-Pacific region, but also globally. 'A major catalyst for this transformation is probably the Formula One Singapore Grand Prix event that Singapore started hosting in 2008,' he said. The F1 Singapore GP's consistently stacked and high-quality off-track entertainment line-ups – with concerts by A-listers, built around the marquee race event – have been a template that has since been imitated by other F1 races around the world. 'The more concert and entertainment events Singapore hosts, the more experience the relevant stakeholders get at honing their craft,' said Cassim. 'This increases our levels of expertise to successfully deliver top-notch events.' For concert promoters as well, Singapore is a reliable choice, though it is the most expensive in the region. It costs about 25% to 30% more to stage a concert here, compared with other places in the region such as Seoul, Bangkok and Jakarta, noted Zaran Vachha, co-founder of independent touring company Collective Minds. 'Bringing someone like Lady Gaga here costs millions of dollars, and at that level, they don't want things to go wrong,' he said. 'And in the region, despite it being the most expensive, Singapore is the least risky place to do that – in terms of everything from securing venues, licensing, approvals and visas (for artistes and crew), to (ensuring) ticket demand. 'It's a safety net for both promoters and artistes.' Securing the next big fish While Singapore has a first-mover advantage in this space, and the ability to make it happen again, it should pursue this 'Singapore-exclusive' strategy for as long as it can before others catch up. 'Replicating Singapore's advantages as a tourist destination is challenging,' said SIT's Prof Lee, noting that organising such events involves well-oiled coordination between the public and private sectors – the government, venue operators, lodging and logistics. She added: 'As neighbouring countries continue to lag behind in competing with Singapore, it is crucial for Singapore to secure exclusive agreements. 'These should align with fan travel patterns, capitalise on logistical strengths, integrate additional activities for tourists to enjoy outside the concert, and closely observe emerging competitors in the region to adapt and adjust.' In 2024, Singapore hit a record S$29.8bil in tourism receipts, driven largely by visitors from markets such as China, Indonesia and Australia, said the Singapore Tourism Board (STB). Between January and September 2024, tourism receipts showed that spending grew across all categories, led by the sightseeing, entertainment and gaming category, which increased by 25 % to S$4.6bil. STB's outlook for 2025 is even more bullish, with expectations of receiving 17 million to 18.5 million international visitors, bringing in S$29bil to S$30.5bil in tourism receipts, surpassing 2024's numbers. After 2024's sold-out shows by Taylor Swift and 2025's run of shows by Lady Gaga, perhaps Singapore should angle for its next big fish in 2026. With such marquee concert events in the year attracting top tourism eyeballs and dollars, and with Singapore shifting priorities to quality tourism instead of quantity in terms of visitor numbers, the Republic must strike while the iron is hot – and continue on its rodeo run to lasso the highest stratosphere of superstars in the world. There is a very limited list of such stars, and one Beyonce Knowles-Carter – currently on her reportedly 94% sold-out run of Cowboy Carter shows around the US and Europe for 2025 – happens to be on it. — The Straits Times/ANN


The Star
a day ago
- The Star
Feature: Young voices in harmony: Italian and Chinese choirs unite in Bologna
ROME, July 19 (Xinhua) -- At the Antoniano Institute in Bologna, music never stops. Home to Italy's most renowned children's choir - the Little Choir of Antoniano, this institute is a year-round haven for young voices. But this week, its familiar harmonies carried a new accent as melodies from China's Hydrangea Children's Choir blended with the Italian repertoire, marking a joyful celebration of cultural exchange. On Friday, the institute's studio hosted a special joint performance featuring 18 children from the two choirs. The young singers skipped inside hand-in-hand. With practiced ease, they lined up neatly on the stage and burst into a medley of Italian favorites. Classics like Il Coccodrillo Come Fa?, modern hits such as Discopizza DJ, and even a stirring rendition of Bella Ciao rang out, each met with enthusiastic applause from the audience. The performance was one highlights of Antoniano Summer Camp 2025, a ten-day cultural and musical exchange co-organized by the Little Choir of Antoniano and the Hydrangea Children's Choir. Guided by Antoniano's teachers, 22 children from China and their Italian peers rehearsed, played music games and gradually found a shared language through music. "Our teachers help us get the pronunciation right, word by word," said 11-year-old Mai Yijin, now in her second year at the camp. "They explain each song's meaning, helping us understand the emotions. During each rehearsal, an Italian choir member sits next to me, and their pronunciation is so beautiful. I try hard to match their tone." Luca Cesari, a 12-year-old, is a six-year veteran of the Little Choir of Antoniano. He said he enjoys rehearsing with the Chinese kids. "I've been learning Chinese for four years, and I've traveled to China with the choir. I love Chinese food, and I hope to study in China someday," he added. This summer camp is the latest chapter in a growing relationship between the two choirs. According to Liang Xiaoxia, art director of the Hydrangea Children's Choir, the Little Choir of Antoniano first visited China about 10 years ago for a New Year's concert. That was their debut performance in China. "Since that first trip, the choir has returned to China almost every year," Liang said. "Last year, they played five consecutive shows in Shanghai." Liang said the choir's appeal in China extends beyond their charming voices and stage presence. "It's not just the choir's free-spirited and expressive singing style, but the themes of their songs," she said. She added that the Little Choir of Antoniano makes an effort to sing in Chinese. "Every year, they learn one or two Chinese songs. Now they can sing more than a dozen, including The Brightest Star in the Sky, Mo Li Hua and Warrior of the Darkness." Giampaolo Cavalli, director of the Little Choir of Antoniano, said the camp fosters more than musical skills. "The children from Italy and China live together, break through language and cultural barriers, foster friendships, and enjoy the shared joy of music," he said.