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Jennifer Lopez debuts new look after unleashing Ben Affleck-inspired heartbreak song

Jennifer Lopez debuts new look after unleashing Ben Affleck-inspired heartbreak song

Daily Mail​10 hours ago
Jennifer Lopez looked like she was heading to Studio 54 at the height of the disco era as she left the restaurant Alba in Los Angeles.
The Jenny from the Block singer, 55, completed her new look with a pale sliver dress that exposed one of JLo's tanned shoulders while the other arm was covered by the long sleeve.
The dress was gathered over the Marry Me star's left hip and she wore her hair stick straight with half cascading down her torso and the other half down her back.
A grey fedora with an off white band, clear high heels, and a brown and white handbag completed the Selena star's chic look.
Her makeup was on the heavier side with emphasis on her rosy cheeks and darkly lined eyes.
She stood at the valet stand with a very handsome mystery man who wore bedazzled black pants a puffy white shirt.
The sighting comes after Jen took a swipe at her ex-husband Ben Affleck, 52, in a new song.
The Let's Get Loud singer debuted six new songs at an exclusive listening party for 30 lucky fans in Los Angeles this week - and dropped a hint about her recent personal turmoil.
She filed for divorce from her fourth husband Affleck last August on what would have been their second wedding anniversary.
The collapse of their marriage was the culmination of months of rumors that the couple's relationship was skidding towards implosion.
Lopez appears to have taken a swipe at Ben in her music, in the lyrics to a song called Wreckage of You that she played at the listening party.
One of the guests, Edgardo Luis Rivera, shared that JLo 'kept thinking of the word "wreck" because it means destruction, but she wasn't destroyed.
'In fact, the lyrics of the song are: "I'm stronger after the wreckage of you,"' via Us Weekly.
'She mentioned how last year was a very difficult time for her both personally and professionally. She had to cancel her tour and really focus on herself,' he noted.
The Let's Get Loud singer debuted six new songs at an exclusive listening party for 30 lucky fans in Los Angeles this week - and dropped a hint about her recent personal turmoil. Seen here January 11, 2009
JLo scrapped her This Is Me... Live tour last summer, saying she 'needed to be with my kids and myself and really dig down deep into things that were happening in my life' - amid the rumors her marriage to Ben was on the rocks.
'Fast-forward to one year later,' said Edgardo, talking about the listening party: 'and she feels better and stronger than ever, so she wanted to write a song about coming out of a bad situation much stronger.'
Another attendee described the musical number as a 'very emotional, empowering song about walking away from a relationship and coming out a stronger person.'
The other five songs she played at the party were all reportedly more peppy, and were called Birthday, Free, Up All Night, Save Me Tonight and Regular.
Edgardo explained that those songs were 'fun, more Jennifer of old in terms of music style,' calling them 'really good songs' with a 'real vibe to them' and dishing that the assembled fans went 'nuts' while listening to Birthday.
While Jennifer was promoting This Is Me... Now, she intimated that the album about Ben might be the final one she ever released.
However last October, after she filed for divorce, an insider revealed JLo hoped to put together a new album with a successful dance single.
'She has had an enormous amount of hits and can't accept the last album is the end of her music career. She wants to wash away the stink of This is Me Now,' the source explained to Page Six, months after This Is Me... Now had turned out to be a flop.
Another one of JLo's exes was in the spotlight this week, as a verdict was finally reached in the case of her former boyfriend Sean 'Diddy' Combs.
A New York jury reached a split verdict Wednesday in which Diddy — who has proclaimed his innocence — was acquitted of the most serious charges of racketeering conspiracy and sex trafficking
However, the jury found him guilty on the less-serious charges, two counts of transportation to engage in prostitution, and the judge overseeing the case has ordered that he be kept behind bars until his sentencing hearing in October.
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Mother Play review – Sigrid Thornton is terrific as a gin-soaked, monstrous matriarch
Mother Play review – Sigrid Thornton is terrific as a gin-soaked, monstrous matriarch

The Guardian

time38 minutes ago

  • The Guardian

Mother Play review – Sigrid Thornton is terrific as a gin-soaked, monstrous matriarch

Poisonous and heavily self-medicating mothers are a standard in the theatre, from Mary Tyrone in Long Day's Journey into Night to Violet Weston in August: Osage County. Self-absorbed, vain and hypercritical, they tend to stalk their stages like injured lionesses, their own offspring the convenient targets of their abuse and cynicism. US playwright Paula Vogel adds Phyllis Herman (Sigrid Thornton) to this list, as monstrous and brittle as any of them. While Mother Play (the subtitle is A Play in Five Evictions) flirts with the toxicity and histrionics of those antecedents, it feels closer in spirit to Tennessee Williams' 'memory play' The Glass Menagerie. Where Williams created the character of Tom as an authorial surrogate, Vogel gives us Martha (Yael Stone), who is likewise desperate to escape her mother's clutches while trying to understand what makes her tick. There's a deep melancholy working under the play, a sense of all that's been lost to the ravages of time and forgetting. Like Williams, Vogel is mining a lot of her own biography here – her mother was also named Phyllis, and worked as a secretary for the Postal Service after the breakdown of her marriage – and she traces the outline of a family in slow decline with poignancy and skill. The rot sets in during the first eviction, as Martha and her elder brother Carl (Ash Flanders) move boxes and furniture around while Phyllis drinks herself into a state of grotesque self-pity. The kids are only 12 and 14, and yet already they seem like the parents to a stubborn and petulant child. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning As the play progresses and the narrative moves inexorably through the decades – it opens in the early 60s and ends in the present day – this parental imbalance only worsens. Gin-soaked and combative, Phyllis alternately berates, guilts and clings to her children like resented support structures; one moment she is rejecting them for being gay, the next grasping for their approval. She's fiendish and cruel, but Vogel also lets us see the damage done to her, the ways in which she is shaped by the casual cruelties of others. It isn't so much a cycle of abuse as a long sputtering out, levelled by great reserves of forgiveness and stoicism from the kids. Thornton is terrific, constantly alive to the character's gaping flaws without once losing the central pathos that keeps us engaged and sympathetic. She has a harsh, steely quality under the gaucheness and impropriety that softens as the play progresses, eventually reaching a kind of weary dignity and poise. Stone finds great depth and complexity in Martha, pained by her mother's sadism but determined to see beyond it. Flanders is solid in the lesser part of Carl, and together the cast paint a convincing and intricate family dynamic. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion Director Lee Lewis gets many things right, which makes the ones she gets wrong seem more egregious, somehow. Those performances are beautifully calibrated and expertly pitched, but Vogel's startling tonal shifts and narrative longueurs seem to trip Lewis up; too often the production falters, pitching into silliness and camp. One scene in a gay bar – where Phyllis starts dancing a conga line with her adult children – feels desperate, and the less said about a giant cockroach that waves at the audience the better. This reticence seeps into Christina Smith's design, which is surprisingly banal and unwieldy – although not her costumes, which are little treasure troves of period wit and personality. The family's five different abodes are simultaneously underdone and overly complicated, necessitating some clunky transitions. Niklas Pajanti's inventive lighting helps, pitching from glamorous to desolate as the family's fortunes change. Kelly Ryall's compositions are similarly mercurial, jaunty one minute and plaintive the next. Vogel is a fascinating and idiosyncratic playwright, and if this production of Mother Play doesn't quite coalesce, it still achieves moments of beauty and quiet awe. That temporal scope allows the actors to track the emotional beats of their characters' lives like pins on a map, and if political and social events tend to disappear into the background, their effect on the family's interpersonal relationships is forcefully underlined. The moral battle between liberalism and conservatism, those ideological polarities currently tearing the US apart, are depicted here as fissures of the self and the family unit, a long time coming. Memory plays are by definition fragmentary and elliptical, so perhaps the staccato rhythms and jolting tonal shifts are necessary. The cliche of the monstrous feminine, where the mother becomes the repository of all the family's sickness and perversion, is subtly but surely unpacked and debunked. What we're left with is a mother and a daughter tremulously reaching for care, compassion and connection. In this way, it feels vital and contemporary. Mother Play, by the Melbourne Theatre Company, is on at the Sumner theatre until 2 August

Rose McGowan leads celebrity tributes for Julian McMahon as Charmed cast grieves their Australian co-star: 'A force of brilliance'
Rose McGowan leads celebrity tributes for Julian McMahon as Charmed cast grieves their Australian co-star: 'A force of brilliance'

Daily Mail​

timean hour ago

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Rose McGowan leads celebrity tributes for Julian McMahon as Charmed cast grieves their Australian co-star: 'A force of brilliance'

US actress Rose McGowan leads the celebrity tributes for Julian McMahon, who has died, aged 56, after a private health battle. The former Home and Away star's wife, Kelly Paniagua, revealed on Friday that he had passed away after secretly battling cancer. News of the beloved actor's death has sent shockwaves through Hollywood, with celebrities taking to social media to offer heartfelt tributes. Rose, 51, who starred alongside Julian in the hit series Charmed, took to Instagram on Saturday to pay homage to the star. She re-shared an illustration of Julian wearing what appeared to be angel wings. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop. Captioning the image, Rose remembered Julian as a 'force of brilliance.' 'Oh Julian, you force of brilliance,' she wrote. 'For you, your family, and your loving fans all over the world, I pray for comfort.' Rose also commented on the original post from artist 'Stagwarlock'. 'Beautiful art of a beautiful soul,' she wrote, to which the artist replied: '@rosemcgowan as sad as he was magnetic.' Fellow Charmed co-star Brian Krause, who played Leo Wyatt on the hit series, also shared his condolences. He posted a photo of Julian beaming broadly while remembering the actor as a 'kind soul'. 'Sad day for our Charmed family!' Brian captioned the image. 'Julian was one of the funniest, devilishly handsome and kind souls! Prayers to his family and close friends. He will surely be missed!' Brian wrote. His post was met with an outpouring of condolences from fans and followers. 'RIP JULIAN, our Cole Turner, gone too soon, now reunited with Shannen in Heaven,' one fan wrote, referring to fellow Chamed star Shannen Doherty who passed away in July 2024. Another chimed in with a similar: 'Nooo! Not Cole!!! So heartbreaking. F-Cancer. The only comfort is that I'm sure Shannen welcomed him with open arms. 'What a tremendously amazing actor. He could play a hero or villain beautifully. Gone too soon. Condolences to his family.' Holly Marie Combs, who starred as Piper Halliwell on the hit show, joined her Charmed alumni with a tribute. She shared a clip from a fan account that showed a montage of Julian behind-the-scenes from the filming of Charmed. The video shows the Aussie actor hamming it up with castmates including Alyssa Milano and Shannen Doherty. 'Sad day for our Charmed family!' he wrote. 'My favourite pain in the a** ever,' she wrote, augmenting the sentiment with silver heart emojis. Julian starred alongside Shannen Doherty and Alyssa Milano on the cult Aaron Spelling-created magical drama. He played Cole Turner, the half-demon ex-husband of Alyssa's character Phoebe Halliwell. Quickly becoming a fan-favourite, Julian had a starring role in the series for three seasons before returning in the seventh season in a guest capacity. During his time on Charmed, Julian was also romantically linked to Doherty, with the pair dating briefly during the show's third season in 2000–2001. Most recently, Julian starred alongside Nicholas Cage in Stan original film The Surfer. 'We're heartbroken to hear of the passing of Julian McMahon. His extraordinary talent and presence left a lasting mark on everyone he worked with, including the team behind The Surfer,' the Stan official Instagram account posted on Saturday. 'These words from Australian Producer Robert Connolly reflect the deep respect and affection he inspired.' Connolly penned: 'Julian was an exceptional gentleman, a consummate professional, a stunning actor and an absolute delight to work with. 'His performance in The Surfer is a triumph – one among many great performances in an incredible career – and a tour de force celebration of his skill and presence on our screens. 'His huge commitment to the film took Julian from the beaches of Western Australia, to its world premiere in Cannes, to the US and beyond, and we were all so very lucky to have shared this journey with such a gifted and exceptional performer. 'A true gift in all our careers to have had the chance to work together with such a wonderful person.' Julian's wife of 11 years, Kelly Paniagua, gave a statement to Deadline on Friday which read: 'With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, died peacefully this week after a valiant effort to overcome cancer.' Kelly - whom he married in 2014 - continued by expressing the love Julian had for his fans and those around him and what being an actor meant to him during his life. 'Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans. His deepest wish was to bring joy into as many lives as possible,' she said. 'We ask for support during this time to allow our family to grieve in privacy. And we wish for all of those to whom Julian brought joy, to continue to find joy in life. We are grateful for the memories,' she added.

Baby you're a firework! Dancing Donald and Melania in rare PDA at 4th July display... as even music mishap can't dampen spirits
Baby you're a firework! Dancing Donald and Melania in rare PDA at 4th July display... as even music mishap can't dampen spirits

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Baby you're a firework! Dancing Donald and Melania in rare PDA at 4th July display... as even music mishap can't dampen spirits

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