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Emilia Fox on what's lovely about turning 50

Emilia Fox on what's lovely about turning 50

Independent09-07-2025
Emilia Fox saw turning 50 as a significant milestone in her life – but not a scary one.
The actress, who's starred in the crime drama Silent Witness for an impressive 21 years, is as busy with work as ever. She is happily 'sandwiched' between a teenage daughter and ageing parents, yet has more energy than ever and says she's looking forward to the next half of her life.
'Do you know what's lovely about turning 50?' she asks. 'It's seen in a very different way to what it was, and people are really recognising that it's a time when we still want to be busy – we have the choice.
'I think people do see 50 as a significant milestone in life – my goodness, we're lucky if we get to 50 and feel healthy and fit and well. I think 50 is a great time to reflect on what's happened in the first half of your life and what you'd like the second half to look like – I remember really thinking about that on my 50th birthday.
'Turning 50 is not like the closing of a chapter, it's the opening of a new one, which is full of energy and possibility, and I think that's a really positive message.'
Acting is in Fox's blood – she's the daughter of actors Edward Fox and Joanna David, sister of actor Freddie Fox, her uncle is the actor James Fox and her cousins are the actors Jack, Laurence, and Lydia Fox – and she's not letting age dampen her passion for the profession at all.
'Work-wise, it seems to be really busy, and I feel very lucky to be working at this time, because people are celebrating and writing for women of all ages now, and life experience seems to be more interesting to write about and see on screen or on stage. And that seems to be recognised in a different way to, say, my mum's generation – she's an actress, and it's been much harder for her getting older in the business.'
Fox is currently filming the 29th series of Silent Witness 'which I can't quite believe', she admits, co-presents the BBC crime documentaries In the Footsteps of Killers, has just recorded an Audible Crime Scenes series and appeared in the film Legend Has It. She will also start filming a new series of the crime TV show Signora Volpe in Rome in the autumn.
'My life is full, and I really love it,' she declares.' I feel busy, and when I'm busy, I feel like I've got more energy. I don't feel like slowing down, I feel very happy, and I have a clarity about being 50 and knowing what I want to do. Actually, being 50 has created more opportunities.'
And Fox, who lives with her 14-year-old daughter Rose and her partner Jonathan Stadlen, is pleased to say that hitting 50 hasn't had any negative health repercussions either – which she credits, in part at least, to her healthy upbringing.
'I was brought up by parents who live very healthily and well, they've never gone to a gym and they've never been on a diet, but they ate well, and they kept very active, so I was brought up with that kind of mentality,' she explains.
'I enjoy eating well, and I do care about exercising. I think as much as feeling physically better with it, I feel mentally better too when I'm exercising and – it's probably just psychological – it makes me feel like I'm fitter to do lots of things work-wise.
'Aches and pains-wise I feel okay, but my dad has terrible knee and neck pain and I look at that and think we're so lucky if we feel fit and healthy. There couldn't be anything more important than that, to have your health. But I wish I could take the pain away from my dad, I really do.'
Fox says that because of her work playing the forensic pathologist Nikki Alexander in Silent Witness, she finds human anatomy 'endlessly fascinating', and admits: 'Working on Silent Witness, you get to see inside the human body, and boy, when you've seen inside a human being, does it make you want to look after your body and try and keep those aches and pains away as much as possible.'
She says she's been very lucky to have had a steady role in Silent Witness for 21 years, because acting is such a 'precarious profession', and she admits: 'Silent Witness was my dream job. I was brought up on the crime genre, reading Agatha Christie and Sherlock Holmes and watching Inspector Morse. I absolutely loved it from childhood, and then being asked to be in Silent Witness was like the dream job come true.'
She loves playing Nikki, of course, and says: 'She's seen me through life's ups and downs, she's been like a friend. She's always been there, and the show has always been a joy to come back to.'
There are similarities between herself and Nikki, she says, not least because they both love their work, are passionate, and will go the extra mile to do their best. But there are clear differences too, and Fox explains: 'When I go home, I'm a mum to Rose, and Nikki doesn't have children, so I can separate my life from my work quite easily, as much as I enjoy being intertwined with Nikki too.'
She's 'very close' to her daughter, she says, explaining fondly: 'We have great chats, whether that's about school life or friends or relationships, and it's really fun seeing that bit of life with her and through her eyes.
'Certainly, when you're in the sandwich years, which I am now, with a teenage daughter and my parents getting older, you're being pulled in one direction, where you're looking to bring up a young woman, but you're also looking at the future and what that holds and whether you're prepared for it.'
That need to prepare for the future now she's in her 50s is the reason Fox is backing a new campaign to get one million more Brits seeking financial advice in their later years. A report for My Pension Expert's One Million More campaign found the majority (58%) of people aged 65 and over have never sought advice about their pension, despite figures showing those that did get advice boosted their retirement income by an average of 8.5%.
'Lots of us, while we turn to expert advice for things like booking a holiday or those kinds of life decisions, we're not seeking expert advice for significant life decisions like planning a financial future,' explains Fox.
'If individuals start saving for their pension now, they can significantly boost their retirement income – and to do that, you've got to seek financial advice from the experts.'
She adds: 'Suddenly, in your 50s, there comes a bit of clarity – you've got all that life experience behind you, and it's never too late to take action and plan for a more secure retirement, whether that's for an income supplement or for planning some of the pleasures to look forward to in the second half of life.'
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Eight years on, the undiagnosed condition that may explain why no one believed Chloe Ayling after she was snatched by a madman, injected with ketamine and held captive
Eight years on, the undiagnosed condition that may explain why no one believed Chloe Ayling after she was snatched by a madman, injected with ketamine and held captive

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Eight years on, the undiagnosed condition that may explain why no one believed Chloe Ayling after she was snatched by a madman, injected with ketamine and held captive

She became one of the most famous – or infamous – kidnapping victims of our time. When British glamour model Chloe Ayling was abducted on a bogus photoshoot in Milan in 2017, her plight made global headlines and last year led to a gripping TV drama. Little wonder, because it was the real-life stuff of nightmares. Chloe, then only 20, was grabbed from behind and bundled into a suitcase. Injected with ketamine and chained to furniture, she was forced to sleep on the floor of a remote farmhouse. Pictures of her lying unconscious in skimpy clothing were sent to her manager in London, along with a demand for €300,000 (£260,000). If the ransom wasn't paid within a week, she would be auctioned off as a sex slave. She was also told she risked being fed to tigers when her 'buyers' tired of her. Although she was eventually released, it has been another ordeal for Chloe to rebuild her life. The reason? Many simply didn't believe her graphic and appalling story. So outlandish was the sequence of events she described – and crucially how odd her unemotional retelling of the story was – that to this day, eight years on, questions still abound about whether she was complicit in the kidnap and it was all an elaborate publicity stunt. Could the BBC documentary airing tonight finally silence the online commentators and conspiracy theorists? Including interviews with British and Italian police officers who were involved (and some of whom admit they too doubted Chloe's story at first), the three-part series offers an interesting new theory. It suggests Chloe's lack of emotion, both during the kidnap and in media interviews afterwards, was the result of immaturity and nervousness at finding herself in the public eye – but also of undiagnosed autism. Towards the end of the documentary, she actually receives a formal diagnosis of autism spectrum disorder, which she says explains so much – not just about her reactions during her kidnap ordeal, but about her life before and since. 'I had a lot of difficulties with communication,' she explains in the documentary, while poring over childhood pictures. 'I'd react in the wrong way. If I was being told off I would smile. I just had the wrong reactions to things. 'My mum would come with me on school trips because I wouldn't be able to say what I wanted or express how I was feeling. For ages I just said I'm not an emotional person, but now I realise that no matter now hard I try, I just can't [express emotion].' In hindsight this was never more apparent than Chloe's attempt to communicate what had happened to her when she returned home to the UK. What a catastrophe that was. She admits: 'The aftermath affected me more than the kidnap.' The defining moment for many was when Chloe emerged from her mother's house to face the world's press to deliver a statement that began: 'I feared for my life, second by second, minute by minute, hour by hour.' The mountain house where Chloe was held for six days near Turin in Italy The smile on her face, her almost cheerily robotic delivery, and the way she was dressed – in a revealing vest top and tiny pair of shorts – seemed completely at odds with the seriousness of the situation. Public bafflement was quickly followed by judgment. These days we might call it victim blaming, although there looked to be inconsistencies in Chloe's story which contributed to the sheer disbelief that the situation happened the way she said it did. Why had she gone shopping with her kidnapper to buy shoes, for instance? Why hadn't she tried to run? Chloe, now 28, has spent the years since trying to convince others about what happened – even though in the eyes of the law there is no doubt whatsoever. Polish national Lukasz Herba was sentenced to 16 years and nine months (although this was later reduced to just over 11 years on appeal) after being convicted of her kidnapping. A career that went on to include a stint in the Big Brother house the following year – seen by many as evidence of Chloe's desire to be famous at all costs – hardly helped. 'What is it about me and my story that makes this so unbelievable?' she asks at the start of this documentary. By the end, you get the impression she has as much of an answer as she is ever going to get: because she didn't behave in the way most victims would, her story was scrutinised and found lacking. And because no one asked whether her robotic telling of her story could have another explanation, she was dismissed as a money-grabber who wanted only to be famous. By rights she should be livid, although she doesn't appear to be. 'I can't really be mad at people for not understanding, when I didn't really understand it myself,' she concludes. Chloe's diagnosis is a development that makes complete sense to her former manager Phil Green, who appears in the documentary reliving the horror of having to deal with hostage demands. Phil, who had been a lawyer before setting up a modelling agency, met Chloe when she was 19 and told me this week while the attractive teenager was clearly ambitious ('her goal was to have 100,000 followers on Instagram'), she wasn't a typical model-about-town. 'She didn't seem to have many friends, and didn't hang about with the other models. She lived at home with her mum,' he says. Unusually, for someone starting off in modelling, she also had a baby son 'who would only have been about one at the time,' remembers Phil. The child lived with his father, Chloe's ex partner Conor Keyes. Phil had not been aware of any suggestion of autism until the documentary, but now wonders if Chloe's condition actually helped her maintain a facade of calmness during the ordeal. 'Her reaction to everything that happened was so unemotional, even at the time, but maybe that was a good thing because if she'd behaved in the way some other girls would have who knows what would have happened? Chloe smiles in a skimpy top and shorts as she spoke to the press outside her mother's house after leaving Italy 'Afterwards though it led to people just not believing her.' His inclusion in the documentary defending her is also interesting given the background. Although Phil was the one who always seemed most steadfastly in her corner, Chloe appears to have blamed him for not doing enough to help secure her freedom and perhaps for putting her in jeopardy in the first place by sending her to Milan for the assignment. She dumped him as her manager as soon as she returned from Italy and they haven't spoken since. 'It was brutal,' he says of his sacking. 'I think she blamed me for what happened and we've never been able to sit down and talk properly about it. 'She thought I'd abandoned her [to the kidnappers], but the reality is that my office, which was in my house, had been taken over by the police. 'They were replying to the kidnapper's emails on my behalf. I was out of my depth trying to deal with it all, and I still feel terrible about what happened. I think she has remained bitter. But I always knew she was telling the truth.' He feels Chloe was the victim of more than the kidnapping, angrily lashing out today at the Italian prosecutors who put her story in the public domain against Chloe's own wishes. They also forced her to stay in Italy for weeks after her release, effectively holding her captive all over again. 'If that had happened to an Italian girl in Britain, she would have been allowed to go home immediately to be with her family.' On top of that, the Italian authorities took Chloe back to the property where she had been held – ostensibly to help with their investigation. 'My feeling then was that they didn't believe her and wanted to see her reaction,' he says. The feeling that Chloe was badly let down is echoed by the detective superintendent who headed the British side of the operation, who admits on camera (on condition of anonymity) that the lowest point in his 30-year career was when he realised he had not been able to find or save Chloe. 'It was my job to get her back and I didn't,' he says. The astonishing thing about this case is that it was not the authorities in either Britain or Italy who did save her. She was found only because the man holding her – a man she knew as 'MD', but who was later identified as Polish national Lukasz Herba – walked her into the British Consulate in Milan. In court Herba was described as a 'narcissistic fantasist' who had become obsessed with Chloe. A computer programmer who was living in the West Midlands, Herba had been a Facebook friend of Chloe's (a fact she discovered only after the kidnapping). In order to kidnap her he concocted an elaborate plan, posing as a photographer called Andre Lazio to book her via her agent for a modelling job in Milan. With the help of his brother Michal, who was also jailed for his part, he then abducted Chloe when she arrived in Italy, drugging her and bundling her into a holdall, before taking her to a remote hideout where he kept her captive for six days. He convinced Chloe that he was a trained assassin working for a Mafia organisation called Black Death. Although he never sexually assaulted her, she does speak in this documentary about how he did make sexual advances – but backed off when she convinced him that they would be able to embark on a proper relationship once she was free. She refers to an incident where he tried to kiss her but she declined, saying that she wasn't in the right 'headspace' but implied she could be once she was free. 'He lit up then and everything changed,' she says. 'He could easily have just raped me,' says Chloe, 'but he had this idea of having me in his future. He didn't want to upset me. I repeated that I was not in the right headspace. I wanted to be released before anything sexual happens. I got up and went to have a shower and he was all sorted after my shower. We didn't speak about it again.' Sharing his bed and shopping with him? While these were all details that caused people to doubt her, she says it was all part of her desperate attempt to gain his trust, hoping that he would break ranks, defy his dangerous bosses and help her escape. She was not to know that there was no Black Death organisation. 'He was the good guy in my eyes,' she says. After Herba deposited her at the British Consulate, initially Chloe attempted to stick to the script Herba had drilled into her – that he had simply found her and was her rescuer – but she soon caved under questioning. The fact that some details, such as the shopping trip for shoes, emerged later was highly damning to Chloe, but the Italian police accepted her story that she was simply embarrassed at how far she had gone to appear to be her captor's girlfriend. But public opinion was never as accepting and Chloe is understandably hurt that she was never given credit for her own role in her escape. What has happened to her since? After that perhaps ill-advised appearance on Celebrity Big Brother in 2018, she has rebuilt her life as a model, posting regularly on OnlyFans and Instagram (where she describes herself as an 'entrepreneur' and a 'multiple property owner'). She was never in a career that was compatible with anonymity, but she reveals in the documentary that a few years ago she bought a property in North Wales, falling in love with the area and attracted by the fact that no one knows who she is there. There is no mention of her son in the documentary. She declined to involve him for privacy reasons. Nor is her mum Beata a part of it. Chloe, originally from Coulsdon in south London, explains that her mother was so traumatised by the kidnap ordeal that she still cannot talk about it even eight years on. And while the autism diagnosis has helped Chloe herself understand the backlash against her, she is keen to stress that it does not excuse how she was doubted. There is rarely such a thing as a 'perfect victim' she says. 'Autism plays a big part in the way that I reacted, and that was confusing to neurotypical people. 'However, there are other reasons why people could react in the way that I did, or in an 'unusual' way that doesn't fit the normal box. 'People disassociate with events that have happened or have a delayed reaction, especially after trauma. So, it can't all be put down to a diagnosis, and that shouldn't affect the way people treated me.'

'I thought it was a hat!' Video of man with bob throwing shapes in Ibiza sparks hilarious memes
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