‘Lilo & Stitch' becomes 2nd highest-grossing film of 2022
LOS ANGELES, June 2, (AP): 'Lilo & Stitch' and 'Mission: Impossible- The Final Reckoning' dominated the box office charts again after fueling a record-breaking Memorial Day weekend. Theaters in the US and Canada had several new films to offer this weekend as well, including Sony's family-friendly 'Karate Kid: Legends' and the A24 horror movie 'Bring Her Back. ' According to studio estimates Sunday, it added up to a robust $149 million post-holiday weekend that's up over 120% from the same timeframe last year. Disney's live-action hybrid 'Lilo & Stitch' took first place again with $63 million from 4,410 locations in North America. It was enough to pass 'Sinners' to become the second-highest-grossing movie of the year with $280.1 million in domestic ticket sales. Globally, its running total is $610.8 million. 'Sinners,' meanwhile, is still going strong in its seventh weekend with another $5.2 million, bumping it to $267.1 million domestically and $350.1 million globally. The eighth 'Mission: Impossible' movie also repeated in second place, with $27.3 million from 3,861 locations. As with 'Lilo & Stitch,' that's down 57% from its opening. With $122.6 million in domestic tickets sold, it's performing in line with the two previous installments. But with a reported production budget of $400 million, profitability is a ways off. Internationally, it added $76.1 million (including $25.2 million from China, where it just opened), bringing its global total to $353.8 million. 'This is the year of long-term playability,' said Paul Dergarabedian, Comscore's senior media analyst. 'The currency of word of mouth and the stronghold is more important than opening weekend dollars.'
Leading the newcomers was Sony's 'Karate Kid: Legends,' with an estimated $21 million from 3,809 locations. The movie brings Jackie Chan and Ralph Macchio together to train a new kid, the kung fu prodigy Li Fong (Ben Wang). Chan starred in a 2010 reboot of the 1984 original, while Macchio has found a new generation of fans in the series 'Cobra Kai,' which just concluded a six-season run. Reviews might have been mixed, but opening weekend audiences gave the PG-13 rated film a strong A- A-CinemaScore and 4.5 stars on PostTrak. It also only cost a reported $45 million to produce and has several weeks until a new family-friendly film arrives. 'Karate Kid: Legends' opened earlier internationally and has a worldwide total of $47 million. Fourth place went to 'Final Destination: Bloodlines,' which earned $10.8 million in its third weekend. The movie is the highest-grossing in the franchise, not accounting for inflation, with $229.3 million globally. The weekend's other big newcomer, 'Bring Her Back' rounded out the top five with $7.1 million from 2,449 screens. Starring Sally Hawkins as a foster mother with some disturbing plans, the film is the sophomore feature of twin filmmakers Danny and Michael Philippou, who made the 2023 horror breakout 'Talk to Me.' It earned a rare-for-horror B+ CinemaScore and is essentially the only new film in the genre until '28 Years Later' opens on June 20. A new Wes Anderson movie, 'The Phoenician Scheme,' also debuted in New York and Los Angeles this weekend, where it made $270,000. It expands nationwide next weekend. The summer box office forecast remains promising, though there's a long way to go to get to the $4 billion target (a pre-pandemic norm that only the 'Barbenheimer' summer has surpassed). The month of May is expected to close out with $973 million - up 75% from May 2024, according to data from Comscore.
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Arab Times
2 hours ago
- Arab Times
Koepp brings fresh vision to ‘Jurassic World'
NEW YORK, June 28, (AP): Ext Jungle Night -- An eyeball, big, yellowish, distinctly inhuman, stares raptly between wooden slats, part of a large crate. The eye darts from side to side quickly, alert as hell. So begins David Koepp's script to 1993's 'Jurassic Park.' Like much of Koepp's writing, it's crisply terse and intensely visual. It doesn't tell the director (in this case Steven Spielberg) where to put the camera, but it nearly does. 'I asked Steven before we started: What are the limitations about what I can write?' Koepp recalls. 'CGI hadn't really been invented yet. He said: 'Only your imagination.'' Yet in the 32 years since penning the adaptation of Michael Crichton's novel, Koepp has established himself as one of Hollywood's top screenwriters not through the boundlessness of his imagination but by his expertise in limiting it. Koepp is the master of the 'bottle' movie - films hemmed in by a single location or condensed timed frame. From David Fincher's 'Panic Room' (2002) to Steven Soderbergh's 'Presence' (2025), he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything - as long as there are parameters. 'The great film scholar and historian David Bordwell and I were talking about that concept once and he said, 'Because the world is too big?' I said, 'That's it, exactly,'' Koepp says. 'The world is too big. If I can put the camera anywhere I want, if anybody on the entire planet can appear in this film, if it can last 130 years, how do I even begin? It makes me want to take a nap. 'So I've always looked for bottles in which to put the delicious wine.' By some measure, the world of 'Jurassic World' got too big. In the last entry, 2022's not particularly well received 'Jurassic World: Dominion,' the dinosaurs had spread across the planet. 'I don't know where else to go with that,' Koepp says. Koepp, a 62-year-old native of Pewaukee, Wisconsin, hadn't written a 'Jurassic' movie since the second one, 1997's 'The Lost World.' Back then, Brian De Palma, whom Koepp worked with on 'Carlito's Way' and 'Mission: Impossible,' took to calling him 'dinosaur boy.' Koepp soon after moved onto other challenges. But when Spielberg called him up a few years ago and asked, 'Do you have one more in you?' Koepp had one request: 'Can we start over?' 'Jurassic World Rebirth,' which opens in theaters July 2, is a fresh start for one of Hollywood's biggest multi-billion-dollar franchises. It's a new cast of characters (Scarlett Johansson, Mahershala Ali and Jonathan Bailey co-star), a new director (Gareth Edwards) and a new storyline. But just as they were 32 years ago, the dinosaurs are again Koepp's to play with. 'The first page reassured me,' says Edwards. 'It said: 'Written by David Koepp.'' For many moviegoers, that opening credit has been a signal that what follows is likely to be smartly scripted, brightly paced and neatly situated. His script to Ron Howard's 1994 news drama 'The Paper' took place over 24 hours. 'Secret Window' (2004) was set in an upstate New York cabin. Even bigger scale films like 'War of the Worlds' favor the fate of one family over global calamity. 'I hear those ideas and I get excited. OK, now I'm constrained,' says Koepp. 'A structural or aesthetic constraint is like the Hayes Code. They had to come up with many other interesting ways to imply those people had sex, and that made for some really interesting storytelling.' Koepp's bottles can fit either summer spectacles or low-budget indies. 'Jurassic World Rebirth' is the third film penned by Koepp just this year, following a nifty pair of thrillers with Steven Soderbergh in 'Presence' and 'Black Bag.' 'Presence,' like 'Panic Room,' stays within a family home, and it's seen entirely from the perspective of a ghost. 'Black Bag' deliciously combines marital drama with spy movie, organized around a dinner party and a polygraph test. Those films completed a zippy trilogy with Soderbergh, beginning with 2022's blistering pandemic-set 'Kimi.' Much of Koepp's career, particularly recently, run through the two Stevens: Soderbergh and Spielberg. 'What they have in common is they both would have absolutely killed it in the 1940s,' Koepp says. 'In the studio system in the 1940s, if Jack Warner said 'I'm putting you on the Wally Beery wrestling picture.' Either one of them would have said, 'Great, here's what I'm going to do.' They both share that sensibility of: How do we get this done?' Spielberg and Koepp recently wrapped production on Spielberg's untitled new science fiction film, said to be especially meaningful to Spielberg. He gave a 50-page treatment to Koepp to turn into a script. 'It's even more focused than I've ever seen him on a movie,' says Koepp. 'There would be times - we'd be in different time zones - I'd wake up and there were 35 texts, and this went on for about a year. He's as locked in on that movie as I've ever seen him, and he's a guy who locks in.' For 'Jurassic World Rebirth,' Koepp wanted to reorder the franchise. Inspired by Chuck Jones' 'commandments' for the Road Runner cartoons (the Road Runner only says 'meep meep'; all products are from the ACME Corporation, etc.), Koepp put down nine governing principles for the 'Jurassic' franchise. They included things like 'humor is oxygen' and that the dinosaurs are animals, not monsters. A key to 'Rebirth' was geographically herding the dinosaurs. In the new movie, they've clustered around the equator, drawn to the tropical environment. Like 'Jurassic Park,' the action takes place primarily on an island. Going into the project, Edwards was warned about his screenwriter's convictions. 'At the end of my meeting with Spielberg, he just smiled and said, 'That's great. If you think we were difficult, wait until you meet David Koepp,'' says Edwards, laughing. But Edwards and Koepp quickly bonded over similar tastes in movies, like the original 'King Kong,' a poster of which hangs in Koepp's office. On set, Edwards would sometimes find the need for 30 seconds of new dialogue. 'Within like a minute, I'd get this perfectly written 30 second interaction that was on theme, funny, had a reversal in it - perfect,' says Edwards. 'It was like having your own ChatGPT but actually really good at writing.' In the summer, especially, it's common to see a long list of names under the screenplay. Blockbuster- making is, increasingly, done by committee. The stakes are too high, the thinking goes, to leave it to one writer. But 'Jurassic World Rebirth' bears just Koepp's credit.
Arab Times
13 hours ago
- Arab Times
Fans slam Beyoncé for shirt calling Native Americans 'the enemies of peace'
LOS ANGELES, June 28, (AP): A T-shirt worn by Beyoncé during a Juneteenth performance on her "Cowboy Carter' tour has sparked a discussion over how Americans frame their history and caused a wave of criticism for the Houston-born superstar. The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black U.S. Army units active during the late 1800s and early 1900s. On the back was a lengthy description of the soldiers that included "Their antagonists were the enemies of peace, order and settlement: warring Indians, bandits, cattle thieves, murderous gunmen, bootleggers, trespassers, and Mexican revolutionaries.' Images of the shirt and videos of the performance are also featured on Beyoncé's website. As she prepares to return to the U.S. for performances in her hometown this weekend, fans and Indigenous influencers took to social media to criticize Beyoncé for framing Native Americans and Mexican revolutionaries as anything but the victims of American imperialism and promoting anti-Indigenous language. A publicist for Beyoncé did not respond to requests for comment. The Buffalo Soldiers served in six military units created after the Civil War in 1866. They were comprised formerly enslaved men, freemen, and Black Civil War soldiers and fought in hundreds of conflicts - including in the Spanish-American War, World War I, and World War II - until they were disbanded in 1951. As the quote on Beyoncé's shirt notes, they also fought numerous battles against Indigenous peoples as part of the U.S. Army's campaign of violence and land theft during the country's westward expansion. Some historians say the moniker "Buffalo Soldiers' was bestowed by the tribes who admired the bravery and tenacity of the fighters, but that might be more legend than fact. "At the end of the day, we really don't have that kind of information,' said Cale Carter, director of exhibitions at the Buffalo Soldiers National Museum in Houston. Carter and other museum staff said that, only in the past few years, the museum made broader efforts to include more of the complexities of the battles the Buffalo Soldiers fought against Native Americans and Mexican revolutionaries and the role they played in the subjugation of Indigenous peoples. They, much like many other museums across the country, are hoping to add more nuance to the framing of American history and be more respectful of the ways they have caused harm to Indigenous communities. "We romanticize the Western frontier,' he said. "The early stories that talked about the Buffalo Soldiers were impacted by a lot of those factors. So you really didn't see a changing in that narrative until recently.' There has often been a lack of diverse voices discussing the way Buffalo Soldiers history is framed, said Michelle Tovar, the museum's director of education. The current political climate has put enormous pressure on schools, including those in Texas, to avoid honest discussions about American history, she said. "Right now, in this area, we are getting push back from a lot of school districts in which we can't go and teach this history," Tovar said. "We are a museum where we can at least be a hub, where we can invite the community regardless of what districts say, invite them to learn it and do what we can do the outreach to continue to teach honest history.' Beyoncé's recent album "Act II: Cowboy Carter' has played on a kind of American iconography, which many see as her way of subverting the country music genre's adjacency to whiteness and reclaiming the cowboy aesthetic for Black Americans. Last year, she became the first Black woman ever to top Billboard's country music chart, and "Cowboy Carter' won her the top prize at the 2025 Grammy Awards, album of the year. "The Buffalo Soldiers play this major role in the Black ownership of the American West,' said Tad Stoermer, a historian and professor at Johns Hopkins University. "In my view, (Beyoncé is) well aware of the role that these images play. This is the 'Cowboy Carter' tour for crying out loud. The entire tour, the entire album, the entire piece is situated in this layered narrative.' But Stoermer also points out that the Buffalo Soldier have been framed in the American story in a way that also plays into the myths of American nationalism. As Beyoncé's use of Buffalo Soldiers imagery implies, Black Americans also use their story to claim agency over their role in the creation of the country, said Alaina E. Roberts, a historian, author and professor at Pittsburgh University who studies the intersection of Black and Native American life from the Civil War to present day. "That's the category in which she thought maybe she was coming into this conversation, but the Buffalo Soldiers are even a step above that because they were literally involved in not just the settlement of the West but of genocide in a sense,' she said. Several Native influencers, performers, and academics took to social media this week to criticize Beyoncé or call the language on her shirt anti-Indigenous. "Do you think Beyoncé will apologize (or acknowledge) the shirt,' an Indigenous news and culture Instagram account with more than 130,000, asked in a post Thursday. Many of her critics, as well as fans, agree. A flood of social media posts called out the pop star for the historic framing on the shirt. "The Buffalo Soldiers are an interesting historical moment to look at. But we have to be honest about what they did, especially in their operations against Indigenous Americans and Mexicans,' said Chisom Okorafor, who posts on TikTok under the handle @confirmedsomaya. Okorafor said there is no "progressive' way to reclaim America's history of empire building in the West, and that Beyoncé's use of Western symbolism sends a problematic message. "Which is that Black people too can engage in American nationalism," she said. "Black people too can profit from the atrocities of American empire. It is a message that tells you to abandon immigrants, Indigenous people, and people who live outside of the United States. It is a message that tells you not only is it a virtue to have been born in this country but the longer your line extends in this country the more virtuous you are.'
Arab Times
13 hours ago
- Arab Times
Bespoke bash for a billionaire: Jeff Bezos weds Lauren Sánchez in lavish Venice ceremony
VENICE, Italy, June 28, (AP): The sky itself is no limit for billionaire Jeff Bezos and fiancée Lauren Sánchez, who have traveled into space - and expectations were about as high ahead of their wedding in Venice on Friday. One of the world's most enchanting cities as backdrop? Check. Star-studded guestlist and tabloid buzz? Of course. Local flavor? You bet. And then, time to tie the knot. The couple held their wedding ceremony Friday night, and Sánchez posted to Instagram a photo of herself beaming in a white gown as she stood alongside a tuxedo-clad Bezos, the world's fourth-richest man. It was the second day of events spread across the Italian lagoon city, which added complexity to what would have been a massive logistical undertaking even on dry land. Dozens of private jets had flocked to Venice's airport, and yachts pulled into the city's famed waterways. Athletes, celebrities, influencers and business leaders converged to revel in extravagance that was as much a testament to the couple's love as to their extraordinary wealth. The heady hoopla recalled the 2014 wedding in Venice of actor George Clooney to human rights lawyer Amal Alamuddin, when adoring crowds lined the canals and hundreds of well-wishers gathered outside City Hall. Not so for these nuptials, which became a lightning rod for small, colorful protests. But any desire to dampen the prevailing fever pitch hadn't materialized as of Friday. Instead, the glitterati were partying, and the paparazzi jostling for glimpses of the gilded gala. And the bride wore a classic mermaid-line gown, featuring Dolce & Gabbana's signature Italian lace. A traditional tulle-and-lace veil completed her look. "Not just a gown, a piece of poetry," she wrote on Instagram, where her name now appears as Lauren Sánchez Bezos. Venice is famed for its network of canals, where gondoliers croon for lovestruck couples and even ambulances are aquatic. But water transport of everything from bouquets to guests makes Venice among the world's most challenging cities for a party, according to Jack Ezon, CEO of Embark Beyond, a luxury travel advisory and destination event service. "It's a very tight-knit community; everyone there knows everyone, and you need to work with the right people,' said Ezon, whose company has put on a dozen high-end events in Venice. "There's very tight control, especially on movement there with boats.' It at least triples the cost versus staging the same soiree in Rome or Florence, he said. Veneto Gov. Luca Zaia was first to give an estimated tally for the Bezos/Sánchez bash: He told reporters this week the most recent total he saw was between 40 million and 48 million euros (up to $56 million). It's an eye-popping, jaw-dropping figure that's over 1,000 times the $36,000 average cost of American couples' weddings in 2025, according to wedding planning website Zola's annual report. Bezos' team has been tight-lipped about where these millions are going. When the youngest son of Asia's richest man married last July, performances by pop stars Rihanna and Justin Bieber pushed up the price tag. "How do you spend $40 million on a three- or four-day event?' Ezon said. 'You could bring headliners, A-list performers, great DJs from anywhere in the world. You could spend $2 million on an incredible glass tent that's only there for 10 hours, but it takes a month to build," or expand the celebration to local landmarks. There's no sign Sánchez and Bezos, the former CEO of Amazon, intend to take over any of Venice's tourist-thronged hotspots. Still, intense hand-wringing about the prospect prompted their wedding coordinator, Lanza & Baucina, to issue a rare statement calling those rumors false. On Friday afternoon, Sánchez emerged from her hotel wearing a silk scarf on her head and blew a kiss to journalists before stepping into her water taxi. It carried her through the canals to San Giorgio island, across the lagoon basin from St. Mark's Square, where the couple held their ceremony Friday night. Bezos followed two hours later. Then, in a string of water taxis, came their illustrious guests - Oprah Winfrey, Kim Kardashian, Ivanka Trump, Tom Brady, Bill Gates, Queen Rania of Jordan, Leonardo DiCaprio, and more. Paparazzi trailed on their own boats, trying to capture them all on camera. Vogue magazine, to which the couple granted exclusive access, reported that the Dolce & Gabbana-designed gown took 900 hours to complete. Inspired by Sophia Loren's wedding dress in the 1958 film Houseboat, it featured high-necked, hand-appliqued lace and 180 silk chiffon-covered priest buttons. There are some who say these two shouldn't have been wed in this city. They characterize the wedding as a decadent display of wealth in a world with growing inequality, and argue it's a shining example of tourism taking precedence over residents' needs, particularly affordable housing and essential services. Venice is also one of the cities most vulnerable to rising sea levels from climate change. "Venice is not just a pretty picture, a pretty postcard to please the needs and wants of the elite or of mass tourists, but it is an alive city, made of people who want to actually live there," Stella Faye, a researcher at a university from Venice, said on Friday. About a dozen Venetian organizations - including housing advocates, anti-cruise ship campaigners and university groups - are protesting under the banner "No Space for Bezos,' a play on words referring to his space exploration company Blue Origin and the bride's recent space flight. Greenpeace unfurled a banner in St. Mark's Square denouncing Bezos for paying insufficient taxes. Activists floated a bald-headed Bezos-inspired mannequin down Venice's Grand Canal atop an Amazon delivery box, its hands clenching fake cash. Authorities - from Venice's mayor to the nation's tourism minister - have dismissed the outcry, saying it ignores the visibility and economic boost the wedding has brought. "There will be photos everywhere, social media will go wild over the bride's dress, over the ceremony,' Italy's tourism minister, Daniela Santanchè, told the AP. "All of this translates into a massive free publicity campaign. In fact, because they will spend a lot of money, they will enrich Venice - our shopkeepers, artisans, restaurateurs, hotels. So it's a great opportunity both for spending and for promoting Italy in the world.' As Amazon's CEO, Bezos usually avoided the limelight, frequently delegating announcements and business updates to his executives. Today he has a net worth of $234 billion, according to Forbes. In 2019, he announced he was divorcing his first wife, MacKenzie Scott, just before the National Enquirer published a story about an affair with Sánchez, a former TV news anchor. Sánchez filed for divorce the day after Bezos' divorce was finalized. He stepped down as CEO in 2021, saying he wished to spend more time on side projects, including Blue Origin, The Washington Post, which he owns, and his philanthropic initiatives. Sitting beside Sánchez during an interview with CNN in 2022, he announced plans to give away the majority of his wealth during his lifetime. Last week, a Venetian environmental research association issued a statement saying Bezos' Earth Fund was supporting its work with an "important donation.' CORILA, which seeks protection of the Venetian lagoon system, said contact began in April, well before any protests.
