Katy Perry and Orlando Bloom split six years after engagement
The statement was being released due to the "abundance of recent interest and conversation" surrounding their relationship, it added. The pop star, 40, and the 48-year-old actor split in 2017 but got back together shortly afterwards. They got engaged on Valentine's Day in 2019. A year later Perry revealed she was pregnant in the music video for her single Never Worn White. Their daughter Daisy Dove was born later that year, with Unicef announcing the news on its Instagram account. Both Perry and Bloom are goodwill ambassadors for the United Nations agency that helps children.US singer Perry, who was previously married to Russell Brand, shot to fame in 2008 with the single I Kissed A Girl, which reached number one in the UK.Her hits since then have included Roar, California Gurls, Firework and Never Really Over.Bloom was previously married to Australian model Miranda Kerr, and they have a son, 14-year-old Flynn.The British actor has starred in Pirates Of The Caribbean, The Lord of the Rings and The Hobbit.
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Daily Mail
34 minutes ago
- Daily Mail
Smallville and Blue Bloods composer Mark Snow dies at 78: 15-time Emmy nominee wrote iconic X-Files theme
Mark Snow, the composer known for his work on numerous hit television shows, has died at age 78. Snow died on Friday at his home in Connecticut, according to Variety. His cause of death has not yet been reported. Snow is best known for composing the theme song for The X-Files, which had a surprisingly large footprint after it became a hit on the charts throughout Europe in 1996. He also lent his talents to scoring popular shows including the Superman prequel Smallville and the police drama Blue Bloods. He was also a key component of shows including Starsky & Hutch, Hart To Hart, T.J. Hooker and The Ghost Whisperer. He's best known for composing the theme song for The X-Files, which had a surprisingly large footprint after it became a hit on the charts throughout Europe in 1996; Gillian Anderson and David Duchovny pictured on The X-Files Snow earned an impressive 15 Emmy nominations over a television composing career that reached back to the mid-1970s. The composer, who was born in Brooklyn, began his formal music education early when he attended New York City's High School of Music & Art, the precursor to today's Fiorella H. LaGuardia High School of Art and Performing Arts. He later attended the Juilliard School, where he befriended the late composer Michael Kamen, who died in 2003. The two were roommates and went on to start rocks bands together. Snow was born Martin Fulterman, and he initially began a career as a record producer, but after he moved to LA and began writing TV scores he adopted the pseudonym Mark Snow to avoid legal threats from his former employer. The name eventually stuck, and he used it consistently as his professional name beginning in the mid-'70s. Snow was part of a first wave of film and television composers who abandoned expensive orchestras in favor of composing primarily for synthesizers and other electronic instruments Variety notes that by the late 1980s he was working exclusively on the devices, which he used to composing the eerie music for The X-Files. The long-running conspiracy-tinged science fiction thriller series starred Gillian Anderson and David Duchovny as FBI agents tasked with examining paranormal cases that other members of the bureau had tried to sweep under the rug. The show was more demanding on its composers than similar dramas, as it featured an extensive use of music, which sometimes required him to fill of 40 minutes of screen time with his compositions. (X-Files episodes tended to be 42 to 45 minutes long before commercials were added in.) The composer Sean Callery, known for scoring 24, gush to Variety about Snow's 'limitless talent and boundless creativity,' which he said was 'matched only by the generosity he bestowed upon other composers who sought his guidance. 'He would give the most inspiring and intelligent feedback when listening to the work of other young artists (myself included),' Callery continued. 'He combined his decades of experience with the encouragement that composers cultivate: to trust in themselves, embrace their own unique voice, and learn to rely on their own instincts. And he did so with a humor and self-deprecation that made his wisdom all the more enduring.' He added that Snow's compositions 'brought an entirely new language of musical storytelling to television.' Snow's most identifiable music from the show was its theme song, which he originally wrote for the pilot episode. It was remixed and released as a single in 1996, which became a surprise chart success in the UK, Ireland, Scotland, France, Belgium, Germany, Sweden, Switzerland, Denmark, the Netherlands, Finland, Hungary and even Australia. In an 1997 interview with Playback for the American Society of Composers, Authors and Publishers, Snow joked of the piece: 'Nothing really big happens in the song. It stays in D-minor, there's no singing, drums or guitars, and it was a smash hit. That's pretty wild.' Snow developed a strong relationship with X-Files creator Chris Carter, and he went on to score his other shows, including Millennium, the spinoff The Lone Gunmen and Harsh Realm. After getting his start in the '70s scoring for shows including Starsky & Hutch, Vega$ and The Love Boat, he became even more prolific in the '80s with his work on Dynasty, Cagney & Lacey, T.J. Hooker and Pee-wee's Playhouse. The '90s proved to be a less-prolific decade, but primarily because he was so busy writing music for Carter's projects, including The X-Files and Millennium. Later, he scored Smallville, One Tree Hill, Ghost Whisperer and Blue Bloods, which he wrote music for until last year. Snow also wrote the scores for several films, including Ernest Saves Christmas, both X-Files films and The New Mutants. In a departure from the populist fare that he tended to be involved with, Snow also wrote the scores for the legendary French filmmaker Alain Resnais's final four films before his death in 2014.
Daily Mail
41 minutes ago
- Daily Mail
EXCLUSIVE Golden Bachelor's Mel Owens ordered to pay $980K in divorce settlement... as ex issues stark warning
Golden Bachelor Mel Owens' journey to find love will soon begin... but not everyone is happy about him taking on the coveted role. The 66-year-old former pro football player, who was recently rumored to be replaced after sparking backlash for his ageist comments, is not getting support from his ex-wife, Fabiana Owens, whom he was married to for 17 years. The Daily Mail confirmed that Owens has not been replaced due to 'negative publicity' and the season will go ahead as planned, with filming expected to commence later this summer. When reached for comment about her ex becoming the next Golden Bachelor, Fabiana, 46, issued a stark warning. She said told the Daily Mail, 'Good luck. I mean, it's going to be bad. But anyway, I don't want to be involved in this.' Mel and Fabiana's divorce was just finalized in December 2024 after a four-year court battle, according to court documents exclusively obtained by the Daily Mail. Fabiana filed for divorce in February 2020, citing irreconcilable differences. The couple got married in May 2002 and welcomed two children together: sons Lucas, 19, and Andre, 18. Per the docs, they separated 20 days prior to the hotel marketing director filing. The parents share joint legal and physical custody, meaning they share equal parenting time - despite the children no longer being minors (Andre turned 18 a month after the divorce was finalized). Instead of paying for child support, Mel was ordered to pay his youngest child's high school tuition, fees, and costs of extracurricular activities until he graduates. Although Fabiana had waived all rights to receive ongoing spousal support, alimony, and/or separate maintenance from Mel, the former athlete was ordered to pay his ex the sum of $980,000. He was ordered by a California judge to pay this amount, nearly $1 million, 'on or before February 28, 2025.' This amount was determined by support arrearage (unpaid child and spousal support that accumulated over time), potential child and/or spousal support owed after December 2024, the division of non-retirement community property assets and debts, prior monetary sanction against him by the court, and contribution to Fabiana's attorney fees and costs, as stated in the divorce settlement. The support arrearage, alone, totaled $165,312, which includes past due and unpaid child support arrears in the amount of $81,629, plus $83,683 past due and unpaid spousal support arrears. Mel was awarded their marital home in Orange County, which they purchased in 2008 for $840K. The five-bedroom, three-bathroom home, which has a pool in the backyard and built in barbecue, is now estimated to be worth over $2 million. According to court docs, there was an outstanding balance in the mortgage loan in the amount of $430,531 as of April 15, 2024. The sports injury lawyer was also awarded the 2011 Toyota Sequoia, while Fabiana was awarded her leased car. He also was awarded the bank accounts titled in his name and the name of his law firm, Namanny, Byrne & Owens (NBO) Law. In Owens' income and expense declaration form, filed December 2024, the NFL star had reported that he was making $1,000 per month from his employer Namanny, Byrne & Owens. And that he estimated his ex was making $6,875 per month. While it is unclear why he would only be making $1,000 per month, he did state that his assets from his checking, savings and other accounts totaled $250,000 and other real property totaled $2.5 million. He also stated that his average monthly expenses totaled $15,400 - with $4,995 going towards his living expenses, $4,000 going towards his education (he still has $90,000 left to pay off his law school loan) and $1,200 on groceries and house supplies. It is presumed that Mel has paid off the $980K by the February 2025 deadline since the final court documents state that, 'In the event that Respondent (Mel) fails to make timely payment of the $980,000, and Petitioner (Fabiana) requests that the Court vacate this Judgment on Reserved Issues, the marital residence shall be listed for sale immediately (as provided in the 9/10/2024 Stipulation and Order Thereon), and all prior orders in this matter shall remain in full force and effect.' Their former marital home is currently not listed for sale. Fabiana was described as Mel's 'first love' in the April press release that announced the University of Michigan alum as the next Golden Bachelor, following Gerry Turner's ended in divorce to winner Theresa Nist. 'While life took an unexpected turn with the passing of his father and the end of his marriage, Owens channeled his energy into being the best father he could be, focusing on raising his sons and coaching their extracurricular sports teams,' the release continued. He's now 'ready to rediscover a love rooted in the simple joys of companionship' and he's 'eager to meet someone who shares this vision and finally find that perfect teammate he's been waiting for in his golden years.' Ahead of filming his season, Owens made ageist comments on the MGoBlue podcast last month, admitting that he plans to cut any woman who is '60 and over.' He told the hosts about his requirements for the contestants, 'They asked me, "What's your preferences?" So, I just said 45 to 60, just being honest. 'And then the process went, and I was selected, right? And then we had lunch with the executive producer. I said, "You know, if they're 60 or over, I'm cutting them."' When reminded that the name of the show was The Golden Bachelor, not the 'Silver Bachelor,' Owens said he was told, ''You can't use the word cut.' He added that his ideal 'profile' of a woman would be 'fit' and no 'artificial hips and wigs.' '"Well, they got to be fit because I stay in shape, should work out and stuff," Owens recalled his conversation with producers. 'And I told them, "Try to stay away from the artificial hips and the wigs, you know, that kind of stuff, right?"' Numerous fans of the franchise have made their feelings quite clear about what Owens said. One person wrote, 'This is so sad. I can't believe [producers] knew this man didn't want a golden lady and cast him anyway.' Another person commented, 'Based on his podcast interview I won't be watching or supporting. We need to stop supporting men who think they're so great that they won't date women their own age. This dude needs to go back home.' Even Selling Sunset star Chrishell Stause weighed in on the drama. 'We love the Golden Bachelor because of how wholesome it is,' she wrote on Instagram, adding, 'This type of energy will ruin it.' The Bachelor host Jesse Palmer recently weighed in on the controversial comments, stating, ''I've seen the headlines, obviously, because I'm on social media. I have not heard the podcast. We haven't started filming yet, so I haven't spent a ton of time with Mel. The small amount of time I have spent with him, he seems like a good guy. 'But I know I'm gonna get to spend a lot more time with him pretty soon. I'm sure that's something we're going to talk about,' he told Us Weekly. Fans of The Golden Bachelor can catch up with their favorites from Gerry's season of The Golden Bachelor when they take part in Bachelor in Paradise, premiering on July 7, along with other fan favorites from the franchise.
The Guardian
42 minutes ago
- The Guardian
Pure joy: the Australian pub choirmaster who flipped the script on America's Got Talent
Viewed from the outside, at least, far from united, the states of America appear irreconcilably divided. Which may explain why Astrid Jorgensen, a 35-year-old choir director from Brisbane who honed her skills at the pub, has just toured the States to sold out shows and seen her US reality TV appearance go viral. 'When I stand on the stage, I would like to prove to you that, in 90 minutes, we can agree on something,' Jorgensen says. 'And I think that that's a really important message anywhere but, for sure, I'm drawing the conclusion [that] in America … it feels like an antidote to whatever's happening in their own communities.' While it might take an hour and a half in her travelling Pub Choir shows – in which she coaches the audience to sing along to pop and rock classics in harmony – Jorgensen made her point in a matter of minutes when she flipped the script of America's Got Talent in her televised appearance last month. Instead of seeking their adulation for her own vocal prowess, the former high school music teacher got her audience to stand up and sing themselves. Yes, the cameras follow Jorgensen's dynamic conduction on stage. But, for the two-minute rendition of Toto's Africa, they mainly focus on the faces of the crowd. People of all ages, genders and colours, singing their little hearts out. Bemused, at first, before exuding the kind of pure and silly joy one only experiences belting out an 80s yacht rock anthem with a bunch of mates. 'If you bring some, like, cerebral, I dunno, indie thing, people are going to feel afraid and that they're going to do a bad job,' Jorgensen says of her song selection. 'I just want people to feel like they're winning – because it's just singing. It's not that big a deal. We've been overthinking it. Just give them a win and let them feel good.' The people must have done. Cajoled by judge Simon Cowell and by an adoring crowd, Jorgensen was voted through to the show's next round. Tens of millions of people have watched, shared and commented on the clip online. Jorgensen is Zooming in from her bedroom in Brisbane, trying to keep an angry chihuahua called Penny quiet. Penny is never angry with Jorgensen – only with those who seek to steal Jorgensen away from her dog. Penny is frequently angry. Jorgensen's not long back from a hectic tour of the US. Yesterday, the ABC's Australian Story team was filming hers. Pub Choir will tour Singapore, Tokyo, the UK and Ireland in August. Jorgensen is launching her memoir, Average At Best, in September. She will tour Australia and News Zealand in October and November. Her computer pings with Slack messages from her media team. Unsure how to mute the notifications, Jorgensen takes a moment to message her handlers and kindly asks them to shush. The quiet brings oxygen back into the conversation. Jorgensen takes a similar approach to her Pub Choir shows. 'I try to play into, and really appeal to, an analogue experience,' she says. 'I tell people to put their phones away. And that is really hard for a lot of people.' But choir, she says, is a unique act of communion in which the audience is transformed into artists. It is a sensation she experienced growing up Catholic, something that almost convinced Jorgensen to become a nun – until she realised that the 'beautiful, hopeful, optimistic, spiritual feeling' that its services gave her came not from the word of God, but from the music of the church. This is an experience Jorgensen wants for her audience, but she wants them to decide for themselves how they feel about it, with their own brain, ears and eyes – not through a screen. Even after the show she asks that they keep phones in pockets. 'And I think that's really freeing for people,' Jorgensen says. 'It's really a lovely invitation for people to just experience, just to feel anything, to feel something at the show with others and to look around, to look eyes up, look at the board, look at each other, hold someone's hand. 'I feel like it's such a nice, rare opportunity to agree with other people just in such a low-key way.' Jorgensen describes singing together as a 'beautiful fast track to community' – something that, ironically, she alone is not part of at her own shows, standing as she does on stage. So after the final show of her US tour, at a nightclub in Honolulu, Jorgensen invited everyone in the audience to come and say hello. 'People were relaying to me that this felt like the opposite of the way they'd been feeling for … years even. And that it felt important for them to remind that humanity and, like, connecting on a level outside of politics is possible,' she says. 'That's a special thing to be able to facilitate.'
