logo
Ian Dempsey recalls his day working on Live Aid

Ian Dempsey recalls his day working on Live Aid

RTÉ News​9 hours ago
Former 2fm DJ and current Today FM breakfast show host Ian Dempsey worked behind the scenes on RTÉ's award-winning TV coverage of Live Aid. He shares some memories of the day
What was your role on the day?
"Along with my colleagues, I was 'manning' the phones (a term which probably doesn't exist 40 years later) with fellow presenter Barry Lang and Broadcasting Assistant Linda Bent.
"Our job was to chat, flirt and secure plenty of cash from a very willing public. What a great day it was. We were also simulcasting on Radio 2 (now 2FM) so there was no escape for anybody!"
Were you there for the whole thing?
"No. As I remember it, we each had to do a shift of about three hours over in the TV Block. I was there from about midday until 3pm so early enough and I drove straight home afterwards and went into a darkened room with the television on and watched every microsecond until about 3am the next day."
Live Aid was a HUGE live event with a lot of moving parts and a lot going on so lots of chances for cock-ups - were there many during RTÉ's coverage?
"To be fair to the Donnybrook end of things, it was plain sailing as far as I could see. I suppose they had very little control over the actual music, the feeds, the satellites etc so it was just a case of filling in the spaces whenever necessary. Of course, there was an amazing 'can do' attitude with everybody involved and that usually helps things run both smoothly and brilliantly."
What were your highlights - musical and otherwise?
"I think that pocket of Live Aid in the late afternoon in London which featured separate performances by U2 (landscape changing for Bono), Queen (21 minutes of excellence - no debate) and David Bowie (well, what did we expect?) - but it has to be said that Status Quo at midday kicking it all off with the most appropriate song ever was a bit special - Rocking All Over The World."
What were your lowlights - musical and otherwise?
"I thought the American end was less good but maybe I was just tired. It didn't seem to have the same oomph! Although, I did enjoy The Thompson Twins with Madonna."
Did you get the feeling early on in the day that Ireland would end up contributing the most per capita than any other county?
"Well, Ireland has a brilliant record at helping others. I knew it would be an impressive total from the response that we got on the phones. It was non-stop!"
Was it an emotional experience for you?
"Yes, I think it was something the whole world could come together for and it proved the power of people when we all felt passionately about the issues in Ethiopia. And the fact that Bob Geldof, a lad from South County Dublin, was putting the fear of God into rock stars, TV viewers and donors made it all extra emotional."
What do you think Live Aid's legacy is?
"It was a unique event that will never happen again. Everybody was caught on the hop and the outcome was unbelievable."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Watch: 'I was at Live Aid 40 years ago'
Watch: 'I was at Live Aid 40 years ago'

RTÉ News​

time2 hours ago

  • RTÉ News​

Watch: 'I was at Live Aid 40 years ago'

This weekend marks the 40th anniversary of Live Aid, the star-studded fundraising concerts organised by Bob Geldof and Midge Ure for famine relief in Ethiopia. On 13 July 1985, two concerts took place simultaneously - one at Wembley Stadium in London and another at the JFK Stadium in Philadelphia, US. Queen, David Bowie, George Michael, Elton John, Madonna and The Beach Boys were among the artists who graced the stages. Phil Collins famously performed in Wembley and then caught a Concorde to the US to perform in Philadelphia too. An estimated £150 million was raised, including over £7 million from Ireland. Around 1.9 billion people tuned in to watch Live Aid on television, but journalist Bairbre Power was one of the lucky ones - she was actually there in Wembley on the day.

Live Aid was 40 years ago this weekend
Live Aid was 40 years ago this weekend

RTÉ News​

time2 hours ago

  • RTÉ News​

Live Aid was 40 years ago this weekend

40 years ago this weekend, the world turned on the biggest global jukebox it had ever seen and heard as two massive concerts took place in London and Philadelphia to raise money for the famine-stricken people of Africa. It was a marathon of (mostly) great music, a typically forthright Bob Geldof, and some very emotional moments. Many will have their own personal highlights, from U2 stealing the Saturday afternoon, Elvis Costello's mic breaking down, Status Quo's rousing opening song, and the playing of The Cars' song Drive to heart-wrenching news footage of the dying peoples of Eritrea and Ethiopia. Like countless other TV and radio stations around the world, RTÉ broadcast the live feeds from both the London and Philadelphia concerts and anchored their own coverage of what was a truly global event. Live Aid concert OnThisDay 1985 Take a look behind the scenes @RTE Watch: July 13, 2017 The late broadcaster Vincent Hanley presented RTÉ Television's coverage of Live Aid and producer Niall Mathews went on to win a Jacob's Award for the day-long programme in 1986. As well as footage of outlandish perms and mullets (and that was just the men), and stone-washed denim, thousands of Irish viewers pledged donations and bid on items for auction. 32 years since Live Aid @morningireland speaks to Bob Geldof in 1985 about the generosity of the Irish — RTÉ Archives (@RTEArchives) July 13, 2017 This was long before online banking and the RTÉ Archive clip also shows a couple donating money at the Allied Irish Bank in Donnybrook in Dublin. Given our own history of famine, it was no surprise that the Irish people gave over £7 million to Live Aid - more per capita than any other country in the world.

Live Aid at 40: Geldof, Queen and everything in between
Live Aid at 40: Geldof, Queen and everything in between

RTÉ News​

time3 hours ago

  • RTÉ News​

Live Aid at 40: Geldof, Queen and everything in between

Two venues, two billion viewers and, as pomp rockers Queen, who pretty much stole the whole show, would say - one vision. On the 13 July 1985 what still remains the biggest concert in history took place in Wembley Stadium in London and John F Kennedy Stadium in Philadelphia - Live Aid, the global jukebox which just for one day united the world in an effort to help the starving peoples of Ethiopia and Eritrea. This weekend marks the 40th anniversary of the event and it really was a day when the world rocked out and united in a common goal. The eighties was a cynical decade of rampant financial deregulation, an era when "greed is good" trumped sixties idealism and seventies socialism. Today, we are even more jaded and pessimistic and looking back at this four decade remove, it is hard not to wonder at the bloody-minded naivety of Live Aid all those years ago. But somehow, despite the enormous technological and logistical challenges, it worked. More than 75 acts played London and Philly on the day, billions watched at home, egos were kept in check and the short sets guaranteed crowd-pleasing greatest hits packages from some of the biggest acts in the world. Even they felt like they were part of something bigger. In 2024 terms, $370 million was raised, with Ireland donating £7 million, more per capita than any other country in the world. And, of course, the whole thing was a very Irish affair. Dun Laoghaire boy Bob Geldof made it happen and it was also the day that U2 were propelled onto a higher plane with their spinetingling afternoon performance. They played Sunday Bloody Sunday and a very extended Bad that wandered off into snatches of Satellite of Love, Ruby Tuesday, Sympathy for the Devil and Walk on the Wild Side. And it wasn't just the song that wandered off and took a walk on the wild side: Bono, much to the chagrin of his bandmates, took off on another one of his then frequent peregrinations and climbed off stage and plucked a girl from the crowd for a slow set in a moment that seemed to crystallise the Live Aid dream. Bono's fellow Dubliner Geldof also provided another striking and frankly chilling moment during the early afternoon set from his band The Boomtown Rats. By 1985, the one time hit makers were pretty much a spent force but a jolt of electricity shot through Wembley when Geldof stood alone on stage and delivered the key line from I Don't Like Mondays - "and the message today is how to die". But it was Queen's 21-minute set that stole the whole day and is now recognised as one of the greatest live rock performances of all time. With front man Freddie Mercury commanding the whole of Wembley, the band played six songs, including Bohemian Rhapsody, Radio Ga Ga, We Will Rock You, and We Are the Champions, and quite simply mesmerised both the audience in the stadium and at home. It is generally agreed that the show in John F Kennedy Stadium in Philadelphia, the city of brotherly love, just wasn't as good, with criticism and indeed anger focussing on Bob Dylan's utterly weird (imagine!) late evening performance. Dylan, who was already having a strange eighties, invited Rolling Stones Keith Richards and Ronnie Wood to join him for acoustic takes on Blowing in The Wind, The Ballad of Hollis Brown and When the Ship Comes in. However, it was a clumsy comment he made from the stage that people remember the most. In halting tones, he said, "I hope that some of the money that's raised for the people in Africa, maybe they can just take a little bit of it, maybe one or two million, maybe, and use it, say, to pay the mortgages on some of the farms that the farmers here owe to the banks." He had a very good point but his timing was all wrong and back in London, the other Bob was furious. However, Dylan got his wish and just two months later, the inaugural Farm Aid concert took place in Champaign, Illinois. As to Live Aid's legacy, some modern aid workers insist that the event helped put humanitarian issues at the centre of foreign policy for many countries. Call it soft power or just plain having an actual conscience. Critics at the time contended that Live Aid let governments and NGOs off the hook even though Geldof has since spent his life cajoling, haranguing and goading governments and NGOs into action. As for its impact on pop and rock music itself, Geldof and his collaborator, Midge Ure of Ultravox, toyed with the idea of calling the original Band Aid project The Bloody Do Gooders and Live Aid certainly gave pop stars a new outlook. A year after the event, U2, Sting, Bryan Adams and Peter Gabriel took off on the six-date 'A Conspiracy of Hope' tour to increase awareness of human rights and to mark Amnesty International's 25th anniversary. Also in 1986, British anarcho-punks Chumbawamba released an album entitled Pictures of Starving Children Sell Records. Of course, it wasn't the first time pop and rock got a conscience. Back in the sixties, peace and love and understanding was where it was at punk had its own crusading spirit but did Live Aid squander rock's right to be obnoxious (an article of faith Geldof held dear)? Forty years later, it remains one of the biggest events in music history and Geldof is justifiably proud of what was an extraordinary achievement. So where were you? Me? I watched the whole thing on RTÉ in a barn in Cootehill, Co Cavan (don't ask) on a battered old black and white TV we'd hooked up to a makeshift aerial fashioned from some cable and a coat hanger.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store