‘Life of Pi' Stage Adaptation in Spotlight as IFFLA Expands Industry Days (EXCLUSIVE)
Cast members Savidu Geevaratne, Sharayu Mahale and Sorab Wadia will participate in a conversation about representation, adaptation and the cultural significance of a South Asian-led narrative on Broadway and beyond.
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The panel is part of IFFLA's robust two-day industry forum scheduled for May 8-9, 2025, at the Landmark Theatres Sunset in Los Angeles, which has been expanded following last year's successful inaugural edition.
'Following the tremendous success of last year's inaugural Industry Day, the expanded Industry Days offers a vital, curated space for visionary creatives from South Asia and its diasporas to connect, engage with prominent industry leaders, forge and nurture meaningful relationships, and explore an eclectic slate of projects with universal appeal,' said Christina Marouda, executive director of IFFLA.
A masterclass titled 'From Dhaka to Hollywood: The Genre-Bending World of Nuhash Humayun' will highlight one of South Asia's emerging filmmaking talents. In this session, Humayun, known for his horror short 'Moshari,' will reflect on telling bold local stories that resonate globally, working across industries and geographies, and creating space for South Asian horror in global cinema.
A highlight of this year's program is the launch of IFFLA Connect, a new initiative presented in collaboration with Cinévesture. The program will showcase South Asian film projects from India, Nepal, and Bangladesh under the banner CinéV-IFFLA, alongside North American projects curated by IFFLA.
The South Asian lineup includes 'Friends and Fascism' from director Sindhu Sreenivasa Murthy (India/U.S.); 'Kafala' and 'Moving Bangladesh' from Nuhash Humayun (Bangladesh); actor Radhika Apte's directorial debut 'Koyta' (India), produced by Vikramaditya Motwane; 'Papita' from director Aakash Bhatia (India) with producer Richa Chadha; Leena Manimekalai's 'Saracura' (India); Afronza Hossain's 'Song of Jhinuk' (Bangladesh); and Deepak Rauniyar's 'The Taste of Dreams' (Nepal), with the latter two films being produced by Nina Lath.
The North American projects feature Sachin Dheeraj's 'Mouna Tharangam (A Silent Wave)' (U.S.) and Ravi Kapoor's 'Patel' (U.S.), bringing diverse South Asian diasporic voices to the program. 'This initiative is about getting these powerful, South Asian-led projects the access and backing they need from Hollywood industry partners,' said Noopur Sinha, festival producer.
The Launchpad: Pitch Competition returns with finalists Alisha Bhowmik ('Untitled Kolkata Film'), Vankshita Mishra ('The Moth & the Fly'), the team of Venk Potula, Rena Patel and Bijon Imtiaz ('Now & Then'), Kiana Rawji ('Adult Children'), and Minoti Vaishnav ('The Secret Life of Samira Sen') presenting projects to industry executives for a chance to win a $10,000 development grant. The competition will be judged by a diverse panel including TV and film producer Aanch Khaneja, Temple Hill Entertainment's Isaac Klausner, Gaumont Television's Santiago Marcos, writer Madhuri Shekar, and Inflection Point Entertainment's Chisom Ude.
Industry Days will also feature panels on AI in storytelling and international cinema's future, with participation from executives representing Netflix, Neon, Orion Pictures, Film Independent, and other major players. The feature film jury includes acclaimed actor Rajshri Deshpande, author Priyanka Mattoo, and film critic Carla Renata, while the short film jury comprises director Maureen Bharoocha, actor-writer Kausar Mohammed, and Sundance programmer Sudeep Sharma.
IFFLA runs May 6-10.
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New York Post
31 minutes ago
- New York Post
Paul McCartney adds Alamodome concert to 2025 tour. Get tickets today
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Business Wire
3 hours ago
- Business Wire
Paul McCartney – San Antonio Date Added
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In 2024, Paul amazed capacity crowds at more than 20 dates spanning from South America and Mexico to the UK and Europe. 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Yahoo
20 hours ago
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Cat Kreidich Stepping Down as President of ADA, Warner Music's Independent Distribution Company
Cat Kreidich, who has been president of Warner Music's distribution company ADA for the past four years, is stepping down from her post, the company announced on Tuesday. In the course of her tenure, she has secured deals with the Three Six Zero and Rostrum labels; signed artists including Paris Hilton, Banks and first-ever distro deals for Kesha and Flume; expanded the company's presence worldwide, via Sua Musica (Brazil), Qanawat and Rotana (in the Middle East) and Africori (in Africa); and brought in a largely female staff. She was an honoree at Variety's Power of Women New York celebration in 2023. More from Variety Warner Music and Bain Capital Announce $1.2 Billion Joint Venture to Invest in Music Catalogs Warner Music Posts Tough Quarterly Earnings, Revenue Down 1% Warner Music Group Teams With Anjula Acharia on South Asian Music Label Kreidich was previously at senior VP at Sony Music's catalog division and the Orchard, along with roles at Ultra Records, EMI Music and Warner Music Group's marketing division. Below are Kreidich and WMG CEO Robert Kyncl's notes to the staff on the transition. To the ADA Team, I wanted you to hear this news directly from me: After four transformative years proving that Warner Music Group and ADA can truly be the best home for independent artists and labels, I have made the decision to leave the company. While organizational change is a constant in our industry, I believe the foundation we've established will continue to serve independent artists effectively. We built an exceptional global team and expanded our global release volume, revitalized our brand identity, and developed a digital platform specifically designed for independent artists and labels within the Warner supply chain. We made strategic acquisitions like RSDL, which Warner will go on to use to help fuel their entire recorded music business. This journey represents my second chapter with ADA. My first began during the early years of digital transformation, when I transitioned from a music tech startup. Having completed one of the first of its kind 'New Media' degrees at Emerson College, I was drawn to the possibilities of digital disruption and the independent music scene. When I came across ADA in the '00s, it was supporting breaking independent acts at an unprecedented scale, pioneering new approaches while music was being democratized globally through emerging digital platforms like iTunes, eMusic, and mobile entertainment. When I returned four years ago as an executive from The Orchard and Sony, I brought a vision to recapture that pioneering spirit and transform ADA to better compete in an increasingly crowded landscape of innovative music technology companies. We didn't aspire to be the biggest distribution company, but rather the most valuable—valuable to our artist and label partners by offering expert guidance and measurable results, and valuable to Warner Music Group by helping build its ecosystem and reputation for supporting independent artists. We believed that Warner Music Group and ADA were better together, each strengthening the other's capabilities and reach, and I think we've proven that out. As the company begins its next chapter, WMG is committed to continuing to expand the depth and range of ADA's services. To the ADA labels and artists who keep the heart of this industry beating: thank you for your dedication, creativity, and passion. I've been inspired by your relentless drive and your vision. You champion creativity, and prove that independence doesn't mean going it alone—it means doing it your way. You are shaping the future of music, and I remain passionate about the independent music community and will continue to champion its growing importance. While I'm not ready to announce my next chapter, I look forward to sharing those plans when appropriate — it will be consistent with the work I have been grateful to do for the last 20 years as an indie advocate. With gratitude and appreciation, CAT *** Hi everyone, As some of you will have just heard from Cat, after four years leading ADA, she has made the decision to leave WMG. You can read her note below. Cat is a class act. A bold thinker and decisive leader, she's always focused on what's best for the indie community – its artists, its labels, and its spirit. Under her leadership, ADA has grown its relationships across the creative ecosystem, expanded its global reach, and strengthened its team and tech. She's helped guide us through some major shifts, staying agile, and delivering results. We'll give an update on ADA leadership this week. For now, a huge thank you to Cat for helping set us up for success. We wish her all the best. Thanks, Robert Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? Final Emmy Predictions: Talk Series and Scripted Variety - New Blood Looks to Tackle Late Night Staples
