‘Black Swan' Dances Back Into Theaters for IMAX Anniversary Screenings
Directed by Aronofsky and shot by Matthew Libatique, 'Black Swan' has been specially remastered for the IMAX format, joining recent premium retro screenings like the upcoming golden anniversary of Steven Spielberg's 'Jaws' and the 10th anniversary of Robert Eggers' 'The Witch.'
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According to Searchlight, more plans to celebrate 'Black Swan's' 15th birthday will be announced throughout the year, and the company has released a brand new trailer (below) to get things started. Portman swept the movie awards season that year for her physically and mentally grueling portrayal of sexually repressed New York City ballerina Nina Sayers, who spirals into madness and delusion when she takes on the dual role of the Swan Queen for a new interpretation of Tchaikovsky's 'Swan Lake.' Sending her world further into a tailspin are her helicopter mom (a wonderfully creepy Barbara Hershey), lascivious artistic director (Vincent Cassel), and confidante-turned-company-nemesis Lily (Mila Kunis).
'Black Swan' grossed more than $329 million at the global box office off a budget in the low eight figures, with nominations for Picture, Director, Cinematography, and Editing along with Portman's Best Actress win.
After opening the Venice Film Festival and premiering in theaters later in the fall, 'Black Swan' was subject to at least two controversies that ultimately had little impact on its legacy: First, that the film was an uncited reinterpretation of Satoshi Kon's 1997 anime film 'Perfect Blue,' about a former Japanese pop star driven to madness by an obsessive fan.
Another came from American Ballet Theatre dancer Sarah Lane, who served as Portman's dance double on the film and who allegedly did most of the onscreen dancing attributed to Portman, the actress' face digitally superimposed on Lane's body during the most challenging pointe work. Through numerous statements and interviews, the filmmakers resolved the issue, with the technical demands of Portman's performance ultimately undisputed despite Lane arguably not receiving the credit she felt was due. (Portman had studied ballerina as a child and then spent another year training for the 'Black Swan' production.)
Either way, 'Black Swan' is still remembered as a delirious mash-up of high art and sleaze, of 'The Red Shoes,' 'Carrie,' 'Showgirls,' and 'All About Eve,' a backstage melodrama now understood as one of the best films of the 21st century so far.
IMAX screenings of 'Black Swan' will take place in major cities throughout the U.S. and Canada, with tickets for select showings already available.
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Jennifer Love Hewitt Talks Body Comparisons
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2 hours ago
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Meet the 'I Know What You Did Last Summer' 2025 Cast & Characters
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Boston Globe
3 hours ago
- Boston Globe
The art of the kill: A primer on slasher flicks
In the past few years, the type of film frowned upon during the Reagan era has become respectable or, at the very least, more respected . For example, last year's extremely gory slasher, 'In A Violent Nature,' earned positive reviews from even the most squeamish of critics. This year's ' Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up More importantly, these movies found an audience, which gave Hollywood the incentive to make (or remake) more slashers. This is why we're getting an inexplicable reboot of 'I Know What You Did Last Summer.' Though the 1997 original was successful enough to earn a 1998 sequel called ' Advertisement The Fisherman in "I Know What You Did Last Summer." Brook Rushton/Sony Pictures Advertisement In honor of Jennifer Love Hewitt's return to the psychotic Gorton's Fisherman franchise, here's a short history of the slasher movie. Like the victims in 'I Know What You Did Last Summer,' I'm sure I'll get the hook for some of my choices. According to my pal Danny, whom you may remember from our The Primitive: Setting the rules The general rules of a slasher are pretty consistent. There's a group of expendable teenagers (or young adults) representing varying tropes — the hothead, the jock, the horny couple, the innocent or virginal female, and the nerd. The catalyst for carnage is often the result of a traumatic prior event that bonds the characters in secrecy. It's usually a prank or accident that maimed someone, or worse, killed them. This tragedy may have happened on a national holiday like Valentine's Day. Robert Englund as Freddy Krueger in New Line Home Entertainment's horror classic "A Nightmare on Elm Street." New Line Productions Whatever the cause, it always brings out a mysterious stalker armed with an arsenal of sharp weapons. The killer's perspective is seen whenever their victims get splattered with anything from axes to machetes to power tools. Items you wouldn't expect, like corkscrews or lawn mowers, are also employed as murder weapons. Gore is plentiful and prevalent, and these 'kills,' as they're called, are the money shots of the genre. The nastier they are, the better. The identity of the slasher movie killer remains a secret until a shocking, last minute reveal. It might be the scarred prank victim seeking revenge, or a relative avenging the death of a loved one. In many cases, it's the dumbest, most nonsensical outcome you could imagine, one you couldn't have predicted unless you were the screenwriter. Advertisement Jamie Lee Curtis in a scene from the 1978 horror film classic, "Halloween," directed by John Carpenter. Compass International Pictures And lest, I forget, there's a 'Final Girl' who must face that killer alone as the sole survivor of the carnage. 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Mario Bava's 1971 giallo, 'A Bay of Blood' (aka 'Twitch of the Death Nerve") influenced 'Friday the 13th Part II' so much that director Steve Miner paid explicit homage to some of Bava's graphic murder sequences. All of these films added something to the slasher genre. The Classical: Following the rules There's a million of these. Practically every sequel to a slasher belongs here. (Even the three 'Psycho' sequels made in this era.) The goal was one-upmanship. How gory are you willing to get with those kills? How far would the MPAA let you go? In order to get an R, movies like the original 'My Bloody Valentine' and Miramax's first movie, 'The Burning,' were eviscerated as if they were slasher victims. Thankfully, unrated home video versions restored all the good stuff the MPAA cut out. Advertisement Jason Voorhees swings an axe in "Friday the 13th Part VII: The New Blood." Michael Ansell Part of the fun of the early 1980s slashers was seeing studio system era actors you'd never expect. 'Mister Roberts''s The Revisionist: Breaking the Rules 'Happy Birthday to Me' gets a special shout-out here as the only movie I can think of that features death by shish kebob. But the true rule breakers are films like the aforementioned 'In a Violent Nature,' which presents most of the movie from the killer's point of view. Between incredibly graphic kills built for midnight movie audiences, director Chris Nash traps us in the killer's viewpoint. This forces us to revel in ennui as the killer slowly walks to his next victim. The guy gets in his 10,000 steps, and you're there to count each one. By making death the ultimate murderer, the 'Final Destination' movies belong here, too. Other worthy mentions include 1984's 'A Nightmare on Elm Street' and its meta-sequel, 'Wes Craven's New Nightmare,' both directed by Craven. Freddy Krueger, the big bad of the 'Nightmare' franchise, is my favorite slasher movie monster. Advertisement Craven also gave us 'Scream,' which belongs in the next category. The Parodic: Making fun of the rules The Ghostface killer - or at least one of them - in "Scream VI." Paramount Pictures The first 'Scary Movie' in 2000 spoofed 'Scream,' taking a comic (though still graphically violent) spin on something that was already a parody. The 2020 film, 'Freaky,' mocks the two biggest genres in the 1980s, body swap movies and slashers. Those are recent additions, but slasher movie parodies aren't new. They've existed as far back as 1981's 'Saturday the 14th' and 1982's 'Pandemonium.' I saw the latter on HB0 7 million times when I was a kid. The film stars Paul Reubens, Tommy Smothers, Carol Kane and Judge Reinhold. Its kills are blatantly comic--one victim is murdered in a tub full of milk and cookies. And the ending makes absolutely no sense. A good parody should be a prime example of what it's parodying, so this fits the bill nicely. Odie Henderson is the Boston Globe's film critic.