Chronicles: Medieval Announced At Summer Game Fest 2025
Showcasing an epic medieval trailer, Raw Power Games announced Chronicles Medieval at Summer Game Fest 2025.
Set in a brutal medieval world, Chronicles: Medieval looks to be a massive tactical action game where players take on the role of a knight in a vast kingdom. Players will supposedly engage in sword-based combat as well as command giant armies. The biggest selling feature however is how the game will be narrated by Tom Hardy.
While the majority of the trailer was cinematic, there was a brief moment at the end showcasing the size and scale of the world and potential tactical gameplay. Chronicles: Medieval will supposedly be set in a vast medieval sandbox world and aims to push boundaries, especially by delivering an immersive medieval battle experience.
Set in the brutal but beautiful European world of the 14th and 15th centuries, Chronicles: Medieval throws players into a sprawling, dynamic sandbox blending action and RPG depth on a strategic scale. Players will write their story and forge their destiny in a living, breathing realm where every decision echoes through history and every sword swing could change their fate. Engage in intense combat, fight for land, glory, and legacy, and lead massive armies into intense battles.
'Whether players dream of carving out a kingdom, leading armies into battle, or becoming the most prosperous trader, history is written by their hand in Chronicles: Medieval,' says Andrzej Zawadzki, Senior Designer at Raw Power Games. 'As we unveil the game and move towards an early access release, we plan to listen and work with our community to make our first game a truly epic adventure.'
Based out of Copenhagen, Denmark, this looks to be the first project from new studio Raw Power Games, and an incredibly ambitious one at that. While no release date has been set players can Wishlist Chronicles: Medieval now. The game will enter Early Access in 2026.
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Buzz Feed
5 hours ago
- Buzz Feed
If You Love Looking Fancy Without The Fancy Price Tag, These 30 Walmart Pieces Are Calling Your Name
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The material is quality and laced underneath with a slip." —AndriaPrice: $32.99 (available in sizes S–XL and in eight colors) A button-up shirt that's giving coastal vibes! Or, ya know, I-just-woke-up-and-have-a-video-call-in-five-but-I-still-want-to-look-chic-as-heck vibes. Promising review: "Very well-made. It does run a little big." —Walmart reviewerPrice: $26 (available in sizes XS–XXL and two colors) A wide-leg pant aka one of those things that screams "boss babe" the moment you put them on. Seriously, you can wear any top imaginable with these pants and still make people wonder in awe, "Who is that? And where did they get those pants?" Promising review: "I was skeptical because I am 5'10 1/ 5'11, and most of these pants are not long these are perfect and comfortable. Will be getting more in different colors!" —maddgabePrice: $18.99 (available in sizes S–XXL and six colors) A Faux leather mules you can slip into whenever you need a versatile, goes-with-everything shoe that can be worn to a fancy outing or even on a casual workday. Promising review: "Cute, comfortable, excellent quality. This is my second pair." —WendyPrice: $19.98 (available in sizes 6–8 and two colors) A ruffle blouse, because 'tis the season of transitional clothing! This top will go perfectly with capris on warmer days or layered under a leather jacket when the weather is a bit chilly. Promising review: "They are very cute and well-made. The size is true to size. I'm a 12 and ordered the large. I have four of them! White, pink, and blue. Two of them are a slightly different style. I have this exact one in pink and white. 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I did size up so it would not cling to me!" —MadelinePrice: $10.99 (available in sizes XS–3XL and three colors/patterns) A 100% cotton midi dress, since there's no reason you *shouldn't* look like you're dressed to the nines, even if you're only going to the farmers market. TBH, there's nothing more rom-com than running into your crush while shopping for produce. Promising review: "The quality of this dress is excellent. The fabric is substantial and not thin and flimsy. This dress fits a little big, but not where I needed to size down. It's very long on short people — almost to the ankle. However, it fits as a midi on average to tall women." —anonymousPrice: $20.40 (available in sizes S-M) A lightweight funnel-neck sweater that'll keep you cozy while making it look like you run the coolest art exhibit in town. (Yes, that basically means channeling Charlotte York vibes — and we're here for it.) Promising review: "This sweater is so soft and a beautiful color! 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Newsweek
a day ago
- Newsweek
Lewis Hamilton Details Apple's Role in F1 Movie's Realism
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Ferrari driver Lewis Hamilton released a video talking about the newly released "F1" movie. Hamilton is stepping into the film world with "F1," officially listed as a producer on the movie and playing a crucial role in its development. "F1" stars Brad Pitt and Damson Idris as the two drivers in the movie. Joseph Kosinski - of "Top Gun: Maverick" fame - directed the movie while Apple Original Films produced it. The famous Hans Zimmer produced the film's score. Lewis Hamilton attends the "F1: The Movie" European Premiere at Cineworld Leicester Square on June 23, 2025 in London, England. Lewis Hamilton attends the "F1: The Movie" European Premiere at Cineworld Leicester Square on June 23, 2025 in London, England. Photo byIn a video released on X (formerly Twitter), Hamilton spoke about what movies as a form of art have meant to him. "I've always loved film. So much of my life has been inspired by things I've seen in movies," Hamilton said in the social media video. "Whether it's clothing, whether it's just stories that have just been uplifting, that have got me past difficult times. And then this opportunity came up, I jumped at it." The seven-time World Champion also elaborated on the film-making process itself, crediting Apple Films for providing high-tech equipment. "To get it authentic, to get the technology, to get that real live action experience, there's only one company that could make it happen. That wouldn't have been possible without Apple," Hamilton added in the video. "Apple's always stood at the intersection of the liberal arts and technology. It feels wonderful to be a part of getting this out to the world. You've really contributed a lot too. I mean, you can tell from the movie how authentic it is. "To get people to feel what we're feeling like in the car, as close as you can possibly get, we needed that technology, and we needed that camera." "And we got to utilize Apple's amazing team in pushing technology and pushing the boundaries in camera making. And they've created these new cameras." #F1TheMovie is in theaters now. Big thanks to @tim_cook and the @appletv team for helping us get to this moment ~ — Lewis Hamilton (@LewisHamilton) June 27, 2025 Hamilton's role in making the movie was to guide it into a sense of realism. He advocated for Idris and Pitt to get time behind the wheel of race cars at different tracks - hoping to add realistic driving techniques and maneuvers. The production crew shot the movie during several F1 races, and it features cameos from drivers and teams from the 2023 season. The movie runs for a total of two hours and 36 minutes - allegedly costing a total of $200 million to produce the blockbuster. "F1" fetched $10 million during the early screenings and enters its debut weekend at the box office with high expectations because of Apple's huge marketing push. More F1 news: How Lewis Hamilton Made the F1 Movie Production More Expensive For more F1 news, head on over to Newsweek Sports.
Business of Fashion
a day ago
- Business of Fashion
Jonathan Anderson's Grunge Aristocracy at Dior
PARIS — The enormous tent constructed in the Place Vauban for Jonathan Anderson's debut at Dior was printed with a silvery evocation of the past, a monochrome image of Christian Dior's decorous couture salon. Fast forward to the present, 75 years later. That tent had been exhaustively climate-controlled to allow for the hanging of two paintings by Jean Siméon Chardin, the 18th century artist who is regarded as the master of the still life. He was a favourite of Dior's, Anderson's too. The Chardins were his idea. So was the inspiration for the showspace, clad in velvet like the Gemäldegalerie in Berlin, home to one of the finest collections of European art from the 13th to the 19th century. One Chardin came from the Louvre, the other from the National Gallery of Scotland. Reflect for a moment on the logistics involved in transporting monstrously valuable works of art to a tent packed with an unruly, heatstruck audience for one hour on a Friday afternoon in Paris and you'll maybe garner some notion of the political and financial power that a fashion conglomerate like LVMH, which owns Dior, now wields. Ah yes, the present. Dior Menswear Spring/Summer 2026. (Spotlight/ And the future? Well, for that single stretch of showtime, it rested in Anderson's hands. He's been cast as Dior's saviour in a challenging market — and is the first to oversee women's, men's and haute couture collections since Monsieur Dior himself first experimented with menswear. Unsurprisingly, Anderson has been soft-pedalling expectations. 'You have to, because no one gives anyone any time anymore,' he conceded at a preview earlier this week. In another exchange, he said, 'My idea is to be slightly optimistic, it's not going to happen overnight. We have to be realistic today.' But his attempt at lowering the temperature was clearly unsuccessful. His audience was littered with pop stars, movie stars and a full platoon of fashion peers, many of whom were on their feet at show's end. Dior Menswear Spring/Summer 2026. (Spotlight/ Anderson was insistent that Dior was something alien to him. 'It's not a character that I know.' But that's what seduced him. 'It's like buying a chateau in the South of France that you saw on a website, a very British thing to do. It's beautiful, but it needs so much renovation. You have to start somewhere, and as you go, you realise, 'Wow! It's amazing what they did in the 18th century with door handles,' and then you find the next thing and the next thing.' And those 'next things' were the years of input from all the designers who have worked for Dior over the decades. To isolate the most striking carryover from the past in Anderson's debut collection: Maria Grazia Chiuri's wildly successful book tote reappears rendered as the covers of specific titles, In Cold Blood, Bonjour Tristesse, and, luridly best of all, Dracula. ('Because it's Irish,' he said archly.) He compared the learning process to doing a PhD in Dior. What did he come away with? 'I feel the name is bigger than the individual designer. It was always like that. So that was the whole idea for me.' Dior Menswear Spring/Summer 2026. (Spotlight/ There will undoubtedly be plenty of people who look at what Anderson showed on Friday and question his concept of permanence. 'My idea was to decode it to recode it,' he explained, sort of. 'That's how the collection was built.' Take the first look, practically a manifesto in one outfit. 'How I feel I'm going to tackle men,' Anderson declared. 'Formality, history, the material, Irishness.' The cargo shorts were panniered with the extravagant folds of the Delft dress from 1948, originally carved from 15 metres of duchesse satin, duplicated for today in undyed denim. The jacket featured the classic Bar silhouette, cut here from Donegal tweed. The model sported a formal stock tie. 'An English stock,' Anderson explained, 'the French is looser. I like the idea of something that makes you lift your head up. There's an etherealness to the formality.' The shoes were based on the sandals he wore to school in the summer. In other words, a weird but winning fusion which spanned the decades between the Frenchman and the Irishman. Dior Menswear Spring/Summer 2026. (Spotlight/ 'For me, it's about a quiet radicalism,' Anderson said. 'For the customer, this is already going to be something that is pretty wild, but in my head, it's normal.' Why is it easy for me to imagine Christian Dior saying something similar 75 years ago? And if my proposed compatibility still seems like a bridge too far, there's their shared obsession with the 18th century. 'I got the guy who's been sourcing things for me for years to find me the best 18th century menswear, and then we meticulously recreated it. There was no point in changing the fit. When I saw it, I thought, 'That's Dior. Let's just put it up there as a thing.'' Like his own version of Martin Margiela's 'Replications' which he loved so much when he was starting out in fashion. Rebecca Mead's profile in the New Yorker earlier this year quoted Anderson saying this: 'Authenticity is invaluable. Originality is nonexistent. Steal, adapt, borrow. It doesn't matter where one takes things from. It's where one takes them to.' So Anderson showed his delicately toned, edibly alluring duplication of the jacket and waistcoat from an aristocrat's summer day look for the court of Louis XV with a dress shirt, black jeans and unlaced Dior trainers. Dior Menswear Spring/Summer 2026. (Spotlight/ Like that first look, it was a provocative encapsulation of the idea of personal style, or how you put things together to express yourself. A midnight blue velvet tail coat over chambray jeans, for instance. Or a delicately frogged white shirt over white jeans. Artistry and calculated artlessness, all of it set to a sensational Frederic Sanchez soundtrack that swung from Springsteen to Little Simz. Velvet, denim, sandals and a stock tie – 'I would love to be able to wear that,' Anderson said. 'Every time I've done a menswear show, I've always wanted to be able to do something I would love to be able to pull off. For me this is a fantasy, because it has to be. I find each person in the show equally attractive because I think they embody the 'thing.' I believe it, and if I believe it, then I want to dress like it.' Fashion as an act of faith: Anderson mastered that challenge at Loewe, and, if early reactions are any indication, he'll be able to translate that mastery to Dior. Dior Menswear Spring/Summer 2026. (Spotlight/ Finding the future in the past is not a particularly novel concept, but if I think for a moment that everything Anderson has done is almost like a movie, it clarifies how he was able to draw such an extraordinary cast of characters to Loewe and his own brand. One of them, director and frequent collaborator Luca Guadagnino, has been tracking him all week with a film crew. The designer talked about the looks in the show that were pure youthful street as his acknowledgement of Jean-Luc Godard and the nouvelle vague that transformed French cinema and French style, from New Look to New Wave. Anderson said it's also about him getting used to living in Paris, trying to work out what he loves about the city. 'I'm on Île Saint-Louis and there's something about this idea of tight grey corridors that have light at the end. No matter when you see people, they're always backlit. And everything looks great backlit. I find it fascinating because it feels like cinema somehow, and really that is how we approached the challenge.' Dior Menswear Spring/Summer 2026. (Spotlight/ The city is currently plastered with posters of artist Jean-Michel Basquiat and footballer Kylian Mbappé, the faces of the new Dior man (or, as Anderson says of Mbappé, 'a new vision of France'). 'I have to find a new language,' Anderson said. 'It's going to take time, and I don't want to be rushed. Anything is possible. At the end of the day, it's a job. And you always have to remind yourself that you love the work and you're gonna get the job done.' Consider this debut a great appetiser for the much more complicated meal to come. Dior Menswear Spring/Summer 2026 Dior Menswear Spring/Summer 2026 look 1. (Spotlight/ Dior Menswear Spring/Summer 2026 look 2. (Spotlight/ Dior Menswear Spring/Summer 2026 look 3. (Spotlight/ Dior Menswear Spring/Summer 2026 look 4. (Spotlight/ Dior Menswear Spring/Summer 2026 look 5. (Spotlight/ Dior Menswear Spring/Summer 2026 look 6. (Spotlight/ Dior Menswear Spring/Summer 2026 look 7. (Spotlight/ Dior Menswear Spring/Summer 2026 look 8. (Spotlight/ Dior Menswear Spring/Summer 2026 look 9. (Spotlight/ Dior Menswear Spring/Summer 2026 look 10. (Spotlight/ Dior Menswear Spring/Summer 2026 look 11. (Spotlight/ Dior Menswear Spring/Summer 2026 look 12. (Spotlight/ Dior Menswear Spring/Summer 2026 look 13. (Spotlight/ Dior Menswear Spring/Summer 2026 look 14. (Spotlight/ Dior Menswear Spring/Summer 2026 look 15. (Spotlight/ Dior Menswear Spring/Summer 2026 look 16. (Spotlight/ Dior Menswear Spring/Summer 2026 look 17. (Spotlight/ Dior Menswear Spring/Summer 2026 look 18. (Spotlight/ Dior Menswear Spring/Summer 2026 look 19. 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