Tipping Point contestant ripped to shreds for mortifying blunder after bragging about A-level in history - as fans jeer 'you must have skipped a few lessons!'
In a previous episode of the ITV show, hosted by Ben Shephard, a primary school teacher called Hanifa tried her best to get her hands on some cash.
During the game she made a huge mistake while answering one of the questions.
Presenter Ben asked her: 'At the Malta Summit in 1989, which US declared the end of the Cold War?'
Hanifa replied: 'I should know this as I did A Level history… I think I am going to play.'
'Okay, you're going to play - great!' Ben replied.
In a previous episode of the ITV show, hosted by Ben Shephard (pictured), a primary school teacher called Hanifa tried her best to get her hands on some cash.
She confessed: 'I'm debating between two. J.F Kennedy, Abraham Lincoln...
'I am going to go J.F Kennedy.'
Ben asked: 'J.F Kennedy, yep?' He then wanted to know what Hanifa's competition would have answered.
Luckily he had no idea and said: 'Not sure.'
'Didn't have to answer it, because Hanfia, she's all over this,' Ben said.
'Let's see if you got the right one. Is it J.F Kennedy?...'
The light then went red, indicating that she got the incorrect answer.
Ben explained: 'It was George H W Bush was the president in 1989. Kennedy was president in the 60s, Abraham Lincoln was the 1860s, so the century before...'
Hanifa confessed: 'I was way off!'
George H.W Bush was president in the US between 1989 and 1993, while George W. Bush was president between 2001 and 2009.
John F. Kennedy was president between 1961 and 1963.
Abraham Lincoln was in charge between 1961 and 1965.
The moment has resurfaced on Instagram, with one viewer sharing their shock as they said: 'Absolutely, and I can't emphasise this enough, f***ing extraordinary.'
'Hint: 1989 (who was the US president at the time?)'
'tbf she said she DID A level history, she didn't say she PASSED A level history.'
'Oh dear....'
'I have no more words ffs.'
Fans of the quiz show are able to watch on ITV's new channel ITV Quiz.
The channel has launched a first-of-its-kind new channel fronted by Jeremy Clarkson, Stephen Mulhern and Graham Norton.
Quiz show viewers will be able to enjoy a number of their favourite programmes for a whopping 16 hours.
The likes of Who Wants To Be A Millionaire?, Wheel of Fortune, Tenable, Lingo, Tipping Point and Deal or No Deal will air between 9am and 1am on the new channel.
The official press release states: 'ITV Quiz promises the very best in game show entertainment from the iconic classics to recent hits and with an array of star-studded quizmasters at helm including Graham Norton, Stephen Mulhern, Warwick Davies, Mel Giedroyc, Jeremy Clarkson and more.
'Whether it's trivia games, picture games, parlour games, general knowledge or simply luck and chance, ITV Quiz has something for everyone from the devoted trivia buff to the casual quizzer.'
Viewers will be able to watch ITV Quiz through a number of television services.
It will air on channel 28 on Freeview, 22 on Freely, 28 on YouView, 119 on Freesat, 131 on Sky Q, 125 on Sky Glass, and 119 on Virgin 119.
ITV Quiz is also available to stream on ITVX.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
BBC News
24 minutes ago
- BBC News
The Swansea terraced house that looks like a stately home
From the outside, this three-bedroom house on the outskirts of Swansea looks like an ordinary terraced home. But step inside and it reveals a remarkable work of art - a beautifully decorated neo-classical interior inspired by 18th Century Royston Jones, 77, originally from Ceredigion, inherited the house after his father passed away. Over the past five years he and his partner Fiona Gray have transformed it room by room using their own plasterwork and decorative Jones said his love of art and interior design was shaped by his experiences growing up as a foster child, and by visits to grand estates across west Wales and to Heveningham Hall in Suffolk. Mr Jones didn't learn about his past until he was 18 when he discovered relatives in Newquay who had never known of his existence, as his unmarried mother had kept his birth a by various foster families, including the Honourable Lady Aitken, he said he encountered "some really interesting" and "well-connected" individuals who left a lasting impact on his life and artistic Lady Aitken he was introduced to the Van Eyck family of Heveningham Hall, which he described as the "finest neo classical interior in Europe" and his "spiritual home".Mr Jones explained: "It's enormously grand. "It's longer than Buckingham Palace and it stands in the middle of the countryside with a great lake in the valley."His visits sparked a lifelong fascination with King George III's favourite architect James Wyatt, who designed the hall's interiors, and he has since built up an archive of the inside of the the government purchased it in 1970, Mr Jones spent significant time researching and photographing Heveningham Hall - and the entrance hall in his Swansea home is now modelled on its entrance hall. After studying art at Lowestoft in East Suffolk, Mr Jones went on to attend London College of Fashion. However, a serious illness forced him to pause his studies. During his long recovery he turned to academic research on architecture and began crafting his first neo classical models."I just find it incredibly beautiful," he said. "It's almost too delicate to survive - and yet it does. It's everywhere."It was during this period that he met Ms Gray. The two began working together, with their first paid commission in 1985 where Ms Gray assisted him. Since then they have spent the past 50 years creating intricate one-eighth scale models of neo classical interiors, focusing on the period between 1760 and work has been commissioned by a number of high-profile people and has earned them numerous awards. These include models of both Sledmere House's drawing room in Yorkshire and the Painted Room from Spencer House. The latter was originally intended as a gift for Diana, Princess of Wales and was described at the time by Lord Rothschild, who had restored Spencer House, as "a masterpiece, a work of genius".Mr Jones has held major exhibitions in Bond Street, created artwork for Russian palaces, and completed plasterwork in a grand Robert Adam mansion in Portland Square, pair's decades of working together has led to their long-term project; their home in Swansea. Built in 1910, the house on Llangyfelach Road in Treboeth is a two-storey brick property with a low-pitched slate Jones said his father moved from Newquay in Ceredigion after the war and settled in Treboeth with his stepmother, later leaving the house to him and Ms Gray "unexpectedly".The pair moved in from Norwich and began transforming the Jones said: "I thought we were living in this plain old box, and I wanted to bring some beauty into it."He added the house looked "very different" before they took it over as his father and his wife were "very conventional"."I'm sure he'd be amazed if he saw all this now." The pair transformed it room by room, so far decorating six rooms with only one at the back still Jones explained that "hand by hand" they designed every ornament, created the moulds, and cast each piece said the simple ceilings took up to four weeks to complete, while more intricate features like the staircase took much to him, visitors "can't believe it" when they step inside."They all gasp as they come in," Mr Jones said."They call it a Tardis, because on the outside it just looks like nothing and then they walk through the door and they are shocked." Although Mr Jones and Ms Gray are content with life in Swansea, calling it a "lovely place" where "people are so nice", they are considering a move."We're looking for somewhere quieter with bigger rooms, so we can really go wild with even more plasterwork," Mr Jones ahead, they hope to find "someone sympathetic" to buy their home - "someone who truly appreciates what we've done, so it isn't gutted or ripped out."
Daily Mail
24 minutes ago
- Daily Mail
Coronation Street legend Catherine Tyldesley 'will FINALLY return to the cobbles' seven years after quitting
Catherine Tyldesley will reportedly finally make a return to Coronation Street seven years after quitting the coblbes. The actress, 41, became a household name when she was first cast as glamorous barmaid Eva Price on the ITV soap in 2011. She was the on-screen daughter of Stella Price, played by EastEnders star Michelle Collins, who was also the long-lost mother of Leanne Battersby (Jane Danson). But Catherine quit the cobbles in 2018, and producers are said to have been trying to entice her back for years, and she will finally begin filming again this summer. It is believed that after some persuading by soap bosses, Eva is going to take over the Rovers Return Inn as will be the brand new landlady, according to The Sun. A source told the publication: 'It's one of the biggest jobs in soap, the landlady of the Rovers Return pub. 'Bosses were desperate to get Cath back, they came up with the perfect storyline with her being unveiled as the new landlady of the Rovers.' Daily Mail has contacted ITV and Catherine's representatives for comment. During her time on the serial, Eva famously had a relationship with Aidan Connor (Shayne Ward) but he had an affair with Maria Connor (Samia Longchambon). As an act of revenge when she found out, Eva faked a pregnancy and spent Aidan's savings on a pink Range Rover. The pair later become engaged but Maria burst into the wedding to expose the truth about the fake pregnancy. A short time later, Eva discovered that she was actually pregnant with Aidan's baby but agreed to give the child to her half-sister Toyah Battersby (Georgia Taylor). Soon after that, Aidan took his own life in 2017, and Eva became attached to baby Susie and left the cobbles in the back of a taxi with her. Catherine then starred in the short-lived sitcom Scarborough and played a leading role in Bonnie & Clyde: The Musical, but it was cancelled halfway through the tour amid poor ticket sales. The soap star reunited with her Corrie on-screen boyfriend, X Factor winner Shayne, on The Good Ship Murder, which began airing its second series in January. There was also another Weatherfield reunion when Catherine starred alongside her former co-star Michelle Keegan once again earlier this year. Catherine took on a guest starring role on Michelle's comedy series Brassic, with the pair sharing photographs from set during filming. News of Catherine's comeback comes shortly after she admitted she would 'never say never' to returning to Corrie. She told Prima magazine: ' Coronation Street feels like forever ago, but I always look back with such great fondness 'But if they approached me with an amazing storyline and the time was right, of course, I'd go back. So it's always a case of never say never.'
The Guardian
24 minutes ago
- The Guardian
The Count of Monte Cristo review – you'll have to pause every 45 seconds to shake your head at its daftness
Are you ready for some bad, fun TV made from a bad, fun book? Of course you are! It's high summer and the air is heavy with promise, so come inside, get comfy on the sofa and prepare to binge an eight-episode adaptation of Alexandre Dumas' ludicrous potboiler The Count of Monte Cristo. This series from Greg Latter and Sandro Petraglia stars Sam Claflin (last seen on the small screen being very good as the main man of the sextet in Daisy Jones and the Six) as one of the most wronged men in history, Edmond Dantès. Gosh, he goes through the mill. As do we. The two episodes available for review (there was a third, but the site kept crashing – possibly for my own protection) are extraordinary. The plot is simple enough. Wild, of course – that is what keeps you turning the 1,300 or so pages of the book – but straightforward once you realise that la credibilité is not an overarching concern. We are in France in 1815, just as Napoleon is escaping Elba and looking forward to his brief return to power. Meanwhile, our man Dantès annoys a fellow sailor, Danglars (Blake Ritson), by being promoted to captain over him. I suspect a lifetime of jokes about his name have rendered Danglars overly touchy, but it proves to be very bad luck for our hero. Because Dantès also narks a man called Fernand Mondego (Harry Taurasi) by sweeping his cousin Mercédès (Ana Girardot) off her feet when Fernand was quite looking forward to doing so himself. Danglars and Fernand duly get together to frame Dantès for treason. Thanks to the self-interest and corruption of Marseille's deputy prosecutor, Gérard de Villefort (Mikkel Boe Følsgaard), they succeed. Before you can say: 'What a trio of dirty dogs!' Dantès is chucked into a carriage and then into a cell on an island fortress, where he moulders away for 10 years with nothing but the maggots in his gruel for company. The crushing despair a man would feel, pushing him to the brink of madness and beyond is conveyed by putting Claflin in a terrible long wig. But then! He hears a tapping from the other side of his cell wall. It is the sound of Abbé Faria, played by Jeremy Irons, breaking through. The abbot shares his education and escape plan with his new best mate and they spend the next five years chipping away at the stones and mortar lying between them and freedom. Faria also works out just what dirty doggery has taken place and gives Dantès a raging thirst for vengeance, albeit one that he cannot slake until he is out of Chateau Maggotes. Alas, just as they are about to flee, the abbot has a stroke, leaving him with the strength only to give a 40-minute monologue about the origins and meaning of a scrap of parchment in his ragged pocket. It shows the location of treasure buried on the island of Monte Cristo; he bequeaths it to Dantès before carking it. Dantès puts the corpse in his own bed, sews himself into Faria's body bag and gets himself thrown off the battlements and into the sea. Liberté! There are two problems. Un, we are but a quarter of the way through this and we still have so much to cover – finding the treasure, becoming the count, fooling Parisian high society, some murders, some currency manipulations, at least one duel, some poisoning, blackmail, embezzlement and assorted other shenanigans. I fear that either the story must have been slashed to ribbons or that we will have to hurtle through at such a speed that it becomes incomprehensible. Incoherence already threatens, because of problème deux: the script. The Count of Monte Cristo requires you to pause it every 45 seconds or so to shake your head at needless utterances such as: 'If we can't get through this storm, we'll perish.' Some of it is truly unbelievable. Did Dantès really just say: 'I'd like to add two hours a day to my digging,' to his abbot friend? Did the abbot honestly ask, in wonderment at the sight of a watch Mercédès had given Dantès: 'And you've kept it all this time?' Yes, of course! What was he going to do? Lose it somewhere in his teeny tiny cell? Give it to a mouse? Chuck it out the window in a sudden passion for minimalism? (A high proportion of the performances are terrible, too, but let's be kind and blame most of that on the instructions the actors have been given.) There are enough of these howling absurdities to hobble the pacing, which needs to be fast and furious to cover Dumas' own, and to prevent the viewer from making any investment in the characters. But their stupidity brings a joy of its own. When the tech gremlins decide I am ready, I look forward to many more episodes. The Count of Monte Cristo aired on U&Drama
