Krishna Shroff Named Fitness Creator Of The Year At Power Creator Awards 2025
Krishna Shroff Named Fitness Creator Of The Year At Power Creator Awards 2025
Krishna Shroff bags the Fitness Creator of the Year Award at the Power Creator Awards! Known for her unmatched dedication to health, MMA training, and inspirational fitness content, Krishna continues to raise the bar for creators everywhere. From workout reels to powerful wellness insights, she's a true force in the fitness world. Catch her big win and what makes her stand out in the creator community.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Hans India
2 days ago
- Hans India
A soul-stirring Bharatanatyam ballet of devotion and deception
Ravindra Bharathi came alive with the grand premiere of Sirikakolanu Chinnadi, a Bharatanatyam ballet that dazzled with exquisite costumes, jewellery, music, and dialogue. Originally a radio broadcast drama by the famed Veturi Sundararama Murthy, it was the dearest wish of the late Padma Shri Dr. K. Viswanath that the story be transformed into a dance ballet. Although he originally intended it to be a film, circumstances prevented it, and the vision lived on in this evocative new form. The monumental task of choreographing and creating this ballet was entrusted to Dr. Smitha Madhav, who embraced the challenge with patience, devotion, and years of creative effort. The richly layered narrative, set in the luminous era of Sri Krishnadevaraya, was staged with classical finesse and majestic grandeur. At the heart of the story is Aliveni, a devadasi of profound devotion to Lord Krishna, caught in a whirlpool of love, deception, divine longing, and social condemnation. Through masterful choreography, soul-stirring music, and deeply expressive abhinaya, the production transported audiences to Sirikakulam—a sacred land envisioned as Vaikuntha itself. The music, composed by maestro Embar S. Kannan, gave the ballet a tonal richness that added to its emotional impact. The program's prologue opened with a vibrant homage to Telugu land and the Krishna River. Stunning imagery was projected on a screen, eliminating the need for traditional props. In 'Sīrulu Galugu Telugu Thalli,' young dancers in a riot of multicolored costumes celebrated the beauty of the land—said to surpass even Amaravati—setting the sacred tone for the story. Three noblemen in bright tunics encounter Aliveni, debate her identity, and try to win her over. She, however, remains detached, immersed in her devotion to Krishna. Smitha portrayed this enraptured mood with refined sensitivity. At a grand performance at the Andhra Maha Vishnu Temple, Emperor Krishnadevaraya notices her divine connection and appoints her as the temple devadasi, granting her lands and sacred honors. However, the provincial governor Marthanda becomes infatuated with her. Smitha's portrayal of Aliveni offering services to the Lord was marked by reverent, elegant gestures. Back home, tension brews between her and her mother Rangaji—a show-stopping performance by Bhargavi—along with her friends Chanchala (Ananya) and Jalaja (Aditi). Rangaji and Chanchala, driven by greed and cynicism, mock Aliveni's spiritual path. Jalaja's innocent questions about Krishna offer a tender moment, with Aliveni responding in the lyrical format of 'Nanda Kishorudu,' echoing the yaksha-prashna tradition. The supporting characters were deeply compelling: Bhargavi as the domineering and exploitative mother, Ananya as her crafty companion, and Aditi as the gentle and innocent Jalaja. These performances showcased abhinaya at its finest. Aliveni counters skepticism with a moving performance of 'Raayi Kaade,' declaring the deity as not merely a stone, but a living and loving Lord who resides in her heart. The narrative intensifies halfway through the 90-minute ballet. In a dream sequence set to 'Katthina Silanu,' Krishna appears, responding to Aliveni's yearning. She proves her devotion through 'Kondaneti Dhara.' Rangaji's fury escalates, and she imprisons her daughter. In the heart-wrenching 'Na Jeeva Veena Pai,' Aliveni pleads to Krishna, comparing herself to a silenced veena, desperate and abandoned. Rangaji, in collusion with Marthanda, plots to deceive Aliveni. Disguised in crown and garments, Marthanda (played with exuberance by guest artiste Hari Mangalampalli) approaches Aliveni pretending to be Krishna. She is deceived. The truth is revealed when Aliveni collapses during a dance performance before Krishnadevaraya, her pregnancy exposing the betrayal. A vivid courtroom scene follows, rich in drama and eloquence. After Aliveni sings 'Brindavaname' in despair, her innocence is proven through Marthanda's confession and Rangaji's remorseful admission. The emperor and his court poet Allasani Peddana reflect on the events. Marthanda is punished; Aliveni is spared. The finale is poignant and unforgettable. A broken-hearted Aliveni walks into the Krishnaveni River, symbolizing her liberation. In a stunning theatrical gesture, the dancer stepped off the stage and walked through the central aisle, dissolving the boundary between performer and audience. This moment marked not just the end of her story, but an immersive experience of spiritual transcendence. The ballet powerfully explored the eternal tension between worldly desire and divine love. Each scene was sculpted with classical precision—mudras, jatis, and expressions seamlessly aligned with raga and rasa. Sri. Y Harish Chandra Prasad founder Malaxmi Group presided as Chief blessings from Seetha Mahalakshmi the ballet was produced by Madhav-Director Varna Arts Academy. Presentation was assisted by the Department of Language and Culture, Govt. of Telangana and Raga Saptha Swaram whose convenor Smt. V. S. Rajyalakshmi was indefatigable in her organizational skills to make the recital well attended and appreciated.
India Today
2 days ago
- India Today
Naa Ninna Bidalare: Anant Nag's classic is a battle between obsession and devotion
In this week's Retro Review, we pick a 1979 Kannada horror film that set trends, made waves and gave an iconic on-screen pair. 'Naa Ninna Bidalare' is a milestone film in the esteemed careers of Lakshmi and Anant Nag, who were considered an iconic on-screen pair during their prime. The film established Anant Nag's acting prowess as well as his potential to pull audiences to the Naa Ninna Bidalare (1979)Cast: Anant Nag, Lakshmi, K Vijaya, KS Ashwath, Leelavathi, Balakrishna, Musuri Krishnamurthy among Vijay ReddiBox-Office Status: Blockbuster (Ran in theatres for over 100 days)Where to Watch: YouTubeWhy to Watch: Anant Nag-Lakshmi on-screen chemistry, screenplay, peak horror, beautiful songsadvertisementToxicity in relationships and romance is one of the most talked-about topics currently, in cinema or otherwise. Red flags, obsession, stalking, coercion, manipulation, etc., on one side - green flags, loyalty, trust, devotion, etc., on the other - and we often find characters in films and people around us in real life oscillating and stuck between these poles; all in the name of imagine a film that is almost four decades old addressing the same issues, but with a magnified perspective. That's 'Naa Ninna Badalare' for you - a 1979 Kannada film that talks about the same problems but on a deeper, darker and scarier level. On one end, we have Kamini, played by K Vijaya, who represents all the negative connotations of love listed above; and on the other, we have Gayathri, played by Lakshmi, who represents the positive. Struggling in between is Krishna, played by Anant Nag, who is married to his childhood love Gayathri but becomes blue-eyed due to Kamini's obsession - a love that haunts him literally. A poster of 'Naa Ninna Bidalare' advertisementThe Plot in a nutshellThe film begins with Krishna attempting to study for his exams, but his focus quickly falters, thanks to a photo of Gayathri tucked inside his textbook. The picture acts like a bookmark - or maybe a checkpoint in the syllabus - as if he's promised himself he can see her only after completing a set number of the exams are done, Krishna heads back to his village. But instead of going home, he rushes straight to see Gayathri. Having grown up together - their parents being siblings - Krishna and Gayathri have shared a bond since childhood. Their love story feels destined, even unofficially betrothed over the follows is a string of cinematic highs: Krishna jumps off a moving train just to get to Gayathri immediately; a retro classic, 'Naanu Neenu Ondada Mele' by SP Balasubrahmanyam and S Janaki, sets the tone; there's drama, comedy, and a wedding fixed before you know it. Then comes another SPB–S Janaki gem, 'Hosa Balige Nee Joteyaade', played on their first night as a married couple. Just when things seem to be heading toward a near-consummation of marriage - boom - the pre-interval twist drops: in a graveyard, Krishna is blue (eye)balled, and the camera pans ominously to the name... Kamini. (PC: Youtube/SGV Digital) This is where the film really gets into its element and picks up pace. Who is Kamini? What happened to Krishna? Was Krishna loyal to Gayathri while he was away for his studies? Will Gayathri be able to save her husband from the clutches of Kamini? The answers to these questions - delivered in the most conventional and classic manner - form the plot of the rest of the film. Not just that, but these very answers are what made the film a classic in the rich filmographies of cinema icons like Anant Nag and of romance: Red flags and green flags'Naa Ninna Bidalare', which translates to 'I won't leave you' in Kannada, is applicable in two ways: the innocent, dedicated love of Gayathri and the toxic obsession of Kamini - both directed at Krishna. While 'red flags' and 'green flags' are terms popularised by Gen-Z, the theme itself has existed for as long as love has been relevant, and cinema has long explored these Anant Nag as a possessed Krishna looks terrifying, the conversations between Kamini in Krishna's possessed body and Gayathri are just as catty as ever - conversations between two women over a man. The dialogue, 'Baa re baa!', is so iconic that it's the first thing that comes to mind for anyone who has watched the film. And the pre-climax clash between the metaphorical green and red flag? It's the kind of spicy (masaledaar) showdown that reality shows today could only dream of staging. (PC: Youtube/SGV Digital) advertisementThe film takes a moral standpoint, holding up a mirror to reflect the contrast between these polar-opposite forces. Sitting in 2025, it might come off as a tad preachy in its portrayal of a modern city girl versus a traditional village girl. But if you look past the obvious classic template, you can see how these women represent all the traits we now label individually - what was once simply considered good or classic template: Old now but gold thenThe story, screenplay, and technical aspects of the film follow what we now recognise as 'the template'. In the realm of love-centric dramas, it has all the familiar ingredients: a noble and charming hero, a heroine who's the epitome of virtue, families who heighten the drama without offering real solutions, a couple of comic side characters, and a female villain who's the complete opposite of the ideal heroine. And since the villain is a ghost, it's ultimately God who steps in to save the paper, it might sound like a film you've seen a hundred times before, but what makes this old gem feel like gold is the way it has been presented. A classic template done right is still entertaining today, so just imagine the kind of craze this film must have had - which, for a 1979 release, can still be considered ahead of its time. While the elements follow the template, the treatment does not. Most importantly, the comic scenes are an extension of the main plot, and not just a random ape-man showing up in the city and harassing women under the guise of comedy. This shows that building a story was given the most importance and not a mindless integration of music and immortal voicesSP Balasubrahmanyam, S Janaki, and P Susheela are pillars of playback singing in Indian cinema. Just these names, along with the music cassettes sold, were enough to make this film a profitable venture. Those were the days when such musical icons were no less than superstars on screen. The immortal voices of these stalwarts struck the right chord, elevating the cinematic experience and instantly establishing the chemistry between the characters. P Susheela, SP Balasubramaniyam and S Janaki (from the left), some of the most accomplished singers in Indian cinema advertisementThe four songs in the film - the devotional 'Bidenu Ninna Paada', the saucy anti-romantic 'Endendigoo Naa Ninna', the song of unification 'Hosa Balige Nee Joteyaade', and the ever-romantic 'Naanu Neenu Ondada' - form a playlist, and a set of voices, that are truly Nag and Lakshmi: One of the finest on-screen couplesLakshmi, or 'Julie Lakshmi', became a nationwide sensation with her debut film for her beauty and on-screen charm. Anant Nag, on the other hand, was a consistent presence in parallel cinema, frequently seen in Shyam Benegal's award-winning films like 'Ankur', 'Nishant', and 'Kalyug'. While these roles marked their entry into the Hindi film industry, both actors carved out their own success stories in South Indian cinema before coming together on who debuted in 1968, was soon cast opposite some of the biggest names in South Indian cinema - from Rajkumar and Vishnuvardhan to MG Ramachandran, Sivaji Ganesan, NT Rama Rao, and Akkineni Nageswara Rao. She steadily built a strong portfolio, eventually establishing herself as a female superstar of that Nag, meanwhile, made his debut in 1973 after gaining prominence in theatre. He gradually rose in popularity for his chocolate-hero image in commercial films, while also making a mark in several award-winning parallel cinema projects. When the two were paired together in 'Naa Ninna Bidalare' (1979), their chemistry was so widely appreciated that they went on to star in several more Kannada films together, becoming a formula for guaranteed commercial success. A lasting legacyA film becomes a classic when it refuses to fade with time and continues to live on in the minds of its audience. This is one such film - not just because its themes still resonate today, but because its storytelling sets it apart from the rest. What truly cements its legacy, however, are two unforgettable forces: the iconic pairing of Padma Bhushan Anant Nag and Lakshmi, and Kannada cinema's eternal blue-eyed boy - Krishna. - Ends
Time of India
3 days ago
- Time of India
Actor Krishna arrested in drug case; sent to judiciary custody till July 10
Actor Krishna arrested in drug case; sent to judiciary custody till July 10Prasad, a former AIADMK IT unit executive, was arrested in a drug case following a riot at a luxury bar in Nungambakkam on June 22, 2025. The investigation that followed him revealed that Pradeep and John, a Ghanaian, were involved in the supply of cocaine. Based on this information, actor Srikanth was also arrested for purchasing drugs. This left Kollywood in a state of shock. Krishna comes under scanner Later, the name of Krishna, the brother of director Vishnu Vardhan and actor who acted in films including 'Kazhugu', also cropped up in the case. After the detainees confessed that he had also used drugs, four special teams were formed to capture him. According to News 18, Krishna, who returned to Chennai after completing the shoot in Kerala, appeared in person at the police station with his lawyers. The police conducted intensive interrogation of him for more than 24 hours. Police confirm Krishna's drug use During interrogation, Krishna reportedly stated that he had a stomach problem and was experiencing a state of shock due to the shocking information. However, the police said that an examination of his WhatsApp conversations and mobile details confirmed his drug use. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Free P2,000 GCash eGift UnionBank Credit Card Apply Now Undo Subsequently, information was received from actor Krishna and Kevin, who was distributing the drugs, was arrested. Krishna remanded till July 10 Police said they seized several types of drugs, electronic devices, and cash from Kevin. It is stated that Krishna used to share drugs in WhatsApp groups and shared the times and places with friends. Currently, Krishna and Kevin have been remanded in judicial custody till July 10, even though the lawyer said the medical test results were negative. The continuous drug cases involving actors have caused a huge shock in Kollywood.
