What Non Official Disney Princess Are You?
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Have you ever wondered what NON official Disney princess you are? You got me curious, let's find out!
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Gizmodo
42 minutes ago
- Gizmodo
How Disneyland's New Walt Animatronic Helps Celebrate the Past
Walt Disney—A Magical Life finally joins the Disneyland 70 anniversary festivities at the Disneyland Resort. The long-anticipated docu-style attraction featuring Walt Disney himself in audio-animatronic form is set to become a permanent feature at the Opera House on Main Street, USA, at the park's entrance. io9 was on hand for the media preview of the show ahead of its premiere July 17, the day the park turns 70. As part of the new show, the lobby gallery inside the Opera House has a new exhibition, 'Evolution of a Dream,' showcasing Disneyland's history. It's a loving homage where you follow in Walt's footsteps by seeing the Griffith Park bench he sat on while imagining a place families could enjoy together. The addition of the Disney children's portraits is a nice touch. Once inside, you follow the park's rich lore along the walls and boards, which feature original build concepts. It's fun to see how at one point he considered the park's location to be near the Disney lot in Burbank and the sketches of what that would have looked like. Then, of course, he settled on the orange groves of Anaheim to build his dream on. Through a partnership with the Walt Disney Family Museum, additional artifacts are on display, which include vintage merch like original Mickey Mouse Mouseketeer ears. There's even an astounding recreation of Walt Disney's apartment as it was set up over the firehouse, just across the way, while he was alive. It very much creates an altar to the man, the myth, and the legend, with the aim to treat new generations of park fans with the history of Walt's real presence in the parks. He would often oversee the park's operations from the apartment with a view so many wish to experience themselves to this day. The walk highlights the awards and recognitions Disney garnered during his time, alongside Imagineering feats taking center stage. Before you enter the show, you see some of the original audio-animatronics he introduced to fans on television before the parks opened on The Wonderful World of Disney. Among the figures, you get a close look at the birds from The Enchanted Tiki Room, which is intentional in a very special way. Those very birds were the ones that started it all and gave Walt the inspiration to expand on that tech with the animatronics you see in Pirates of the Caribbean and It's a Small World. It's artistry that Imagineering only improved over the years with the likeness of Harrison Ford on the Indiana Jones Adventure ride as well as more recently modern movie stars such as John Boyega as Finn on Star Wars: Rise of the Resistance. It's all a way to tie it together to meet Walt in animatronic form, and it lands exceptionally well. Walt Disney—A Magical Life begins as a short-form documentary that regales the audience with a very abridged version of Walt's life with a narration by the Disney Company's current leader, Bob Iger. And that choice makes sense, especially when the storytelling gets handed off to Walt in his own words. It's a magically nostalgic transition to go from Disney's current leadership to its first. And it sets up perfectly the reveal of Walt the animatronic in his office. When Uncle Walt gets up from his desk to address his guests, it feels like you're stepping into his office. It evokes that scene in Barbie where Barbie meets Ruth Handler, the creator of the doll, in a recreation of her home. You're transported back in time to visit Walt in his office on a day out of time, where he has stacks of paperwork on his desk and is working on the next big idea. It's wild and truly moving as he stands and draws closer, gesturing with his hands as he shares stories in ways that many of us have only seen him do on a small screen. Using real recordings of his experiences to program the audio-animatronic to reminisce right in front of you is a very surreal yet enchanting moment, a magic trick that only Disney Imagineering can pull off. A testament to one man's dream that his Disneyland will continue to evolve in a celebration of human innovation to bring more joy to families. Check out the gallery below for more glimpses of the displays included with Walt Disney—A Magical Life, including the antique Mouseketeer ears, Walt's apartment, maps, artwork, and more. Walt Disney—A Magical Life will open July 17, marking Disneyland's official birthday. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
Atlantic
an hour ago
- Atlantic
Pixar's Must-See Era Is Over
Early last year, Pixar appeared to be on the brink of an existential crisis. The coronavirus pandemic had thrown the business of kids' movies into particular turmoil: Many theatrical features were pushed to streaming, and their success on those platforms left studios wondering whether the appeal of at-home convenience would be impossible to reverse. Disney, Pixar's parent company, premiered the Pixar films Soul, Luca, and Turning Red on Disney+, and each was well received. But they were followed by the theatrically released expected smash Lightyear —a spin-off of the beloved Toy Story franchise—which underwhelmed at the box office. Elemental followed, weathering a low-grossing opening to become a sleeper hit. Discussing the studio's next film, Inside Out 2, the company's chief creative officer, Pete Docter, acknowledged the concerns: 'If this doesn't do well at the theater, I think it just means we're going to have to think even more radically about how we run our business.' He had nothing to worry about: Inside Out 2 was a financial sensation —by far the biggest hit of 2024. Yet here we are, one year later, and the question is bubbling back up: Is Pixar cooked? Its latest film, Elio, made only $20.8 million in its first weekend; the performance marked a record low for the company. (The number is smaller than what the first Toy Story earned 30 years ago.) In the weeks since its mid-June debut, Elio hasn't shown the strong box-office 'legs' that bolstered Elemental or proved that it has the earlier movie's major international appeal. It instead seems likely to earn less than $100 million domestically, based on its current performance. It would be the first Pixar movie not to clear that bar, pandemic releases aside. The debut of the studio's newest film used to be a seismic theatrical event, whether it was a sequel or an original story; the Pixar imprimatur was enough. The company has made icons out of a curmudgeonly old man, a garbage-compacting robot, and a rat obsessed with French cuisine. But its status as an instant star-maker seems to have dimmed; name recognition alone is no longer carrying the day. Elio hit theaters after a tumultuous creative process that saw the director, Adrian Molina, leaving the project and the script getting reworked. The filmfollows a quirky, outer-space-obsessed preteen who, after the death of his parents, dreams of being abducted by aliens. This goal comes to fruition, leading him on a bunch of wacky adventures with an assemblage of blobby cosmic creatures. While the science-fiction angle was always present, reports suggested that other elements were lost over time: Elio (voiced by Yonas Kibreab) was initially supposed to be more 'queer-coded,' according to The Hollywood Reporter, to reflect Molina's own identity. Elio's mother was still alive, to be voiced by America Ferrera. The character's parents were written out in the reworked script, and Elio's disaffection became primarily rooted in loneliness rather than any sense of feeling 'different.' These creative shifts arose after an initial test screening reportedly ended with zero participants saying they'd want to see it in theaters. The changes didn't leave Elio unwatchable. It's a perfectly serviceable and cute diversion for kids, busy with playfully designed aliens; it's got some laser-blasting action that could appeal to preteens too. The protagonist does, however, come across as a little purposeless. The loss of Elio's parents is barely explained; his relationship with his aunt, Olga (Zoe Saldaña), is pleasant but lightweight. Elio's journey just doesn't have enough motivation to convince the audience that it's worth undertaking: After joining the extraterrestrials, he does little but bounce from quest to quest, pretending to be a high-ranking ambassador from Earth. Writing human characters has never been Pixar's forte, unless they're very cartoonish, and Elio suffers from that weakness. The studio has a rich history of introducing intense creative revisions in the middle of making a film. The original director of Ratatouille left the project, and the veteran hand Brad Bird took over; the end result was an artistic high point for Pixar. Brave was set to be the studio's first movie with both a female protagonist and a female director, Brenda Chapman; Pixar then removed Chapman midway through production, and the final film was a muddled effort. Still, the company's relative success with on-the-fly changes might have convinced higher-ups that Elio could be salvaged. Or maybe Docter, who is also one of Pixar's most successful filmmakers, saw Elio 's box-office potential as a minor consideration after the sensation that was Inside Out 2. The company now has three more giant sequels on the horizon: Toy Story 5, Incredibles 3, and Coco 2, the last co-directed by Molina. Despite returning to its familiar franchises, the company isn't giving up on original storytelling. Several projects not based on preexisting properties are in the works; each one is animal-centric, a more typical mode for Pixar. But the fact that Elio underwent such extensive tweaks does suggest internal trepidation—and that Pixar could be shying away from more novel, personal works in favor of safer material. Elio 's failure to resonate with audiences likely won't help matters. Would the movie have ever worked, however? I somehow doubt it. Pixar movies tend to thrive on the basis of their worlds; the galactic landscape—which emerged unscathed from all the tweaking—felt far too thinly sketched to me, even setting aside the low-stakes adventure taking place within it. Then again, my favorite Pixar film in recent years shares more in common with Elio than with Inside Out. Turning Red is a relatively grounded coming-of-age piece about a teenage girl. (She later turns into a giant red panda.) The director of Turning Red, Domee Shi, was brought in to salvage Elio after Molina stepped aside. But the latter film's rudderlessness emphasizes how crucial Shi's intimate connection to Turning Red was in making it so special—just as Molina's personal touch could have helped Elio feel more purposeful. The executives at Disney are likely pleased with the seeming priority shift. Big sequels and tales about cute animals tend to be an easy bet, as evidenced by Disney's own animated-movie track record. Pixar won't get by forever reheating its leftovers, though: It needs to foster filmmakers with specific points of view, such as Shi, to become the creative bedrock of its next generation. So much of the animation world is tilting toward adapting recognizable brands over inventive storytelling, with rivals such as Illumination finding success with Super Mario Bros.; Warner Bros. is threatening audiences with a ghastly looking update of The Cat in the Hat. Pixar has long stood out by bringing something less trifling to theatergoing families. Elio 's failure in theaters may sting, but hopefully it won't entirely deter that mission.
Screen Geek
an hour ago
- Screen Geek
Marvel Casting Rumor May Reveal MCU's Jean Grey For 'X-Men'
The X-Men film franchise is being prepared for its comeback with an all-new reboot set in the MCU. The Marvel Cinematic Universe has been teasing the arrival of a new X-Men movie for quite some time, and now that everything is coming together, a new rumor may reveal who will play Jean Grey for the new MCU endeavor. Jake Schreier is heavily reported to have been tapped to direct the new X-Men movie which is being written by Michael Lesslie. Details regarding the film's cast have yet to be officially confirmed, but now that the creative team is likely set, it should only be a matter of time. In fact, insider Jeff Sneider mentioned which actress will take over as Jean Grey for Famke Janssen and Sophie Turner while speaking on The Hot Mic. It's a choice that should make sense in the studio's efforts to create a new team of cast members to represent the X-Men and carry on their ongoing storylines in the MCU. This choice to play Jean Grey in the new X-Men movie is none other than Elle Fanning. Fans are certainly becoming more familiar with Fanning's work as her career continues to boom, which includes appearances in recent projects such as All The Bright Places and the Hulu TV series The Great . She's also set to appear in Predator: Badlands as two characters, both of which will play major roles in the film. It's worth noting that Disney's 20th Century Studios is behind Predator: Badlands , so it would make sense that the studio might be interested in having Elle Fanning play a character in another popular 20th Century Studios property, aka the X-Men franchise. Of course, we'll have to wait for more official details to come our way. In any case, this gives fans a potential glimpse at what to expect from the Marvel Cinematic Universe and their take on the X-Men franchise. After so many divisive adaptations, it'll be great to see the iconic Mutants have a more successful narrative tied to other Marvel characters and narratives just like the original comics. A release date for the new reboot has yet to be confirmed. Stay tuned to ScreenGeek for any additional X-Men and Marvel Cinematic Universe updates as we have them.
