Former reality TV star Spencer Matthews teases ‘new' project with wife Vogue Williams months after he left joint venture
The Irish model and her reality star husband
are parents to three kids, Theodore, five, Gigi, four, and three-year-old Otto.
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Vogue and Spencer recently jetted off on a sun soaked holiday
Credit: Instagram
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He later told fans that he and Vogue were working on something
While on a sunny holiday with his family, Spencer teased a new project with his wife,
The former Made in
Spencer's time on the podcast which premiered in August 2020, came to an end after his departure in January of this year, with Vogue's sister stepping in.
However, it now seems like the happy couple are set to team up again on a new project after Spencer shared some cryptic images on social media.
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Taking to his Instagram stories, he shared multiple black and white snaps, as he posed with recording equipment, and captioned the snap: 'New film underway.'
In one of the photos, Spencer and his wife Vogue can be seen enjoying the sunshine on the beach.
The pair were getting back to work while on a
Vogue and Spencer are renowned for posting updates of their hectic life raising three little ones on
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The mum-of-three took to
The Dublin beauty was glowing in the photos as she donned a striking black and white bikini styled with a sun hat, standout gold jewellery and matching sunglasses.
Vogue Williams throws lavish birthday party for young daughter
Vogue posed for the smiling snaps with her three little ones and Spencer as they enjoyed a day by the sea.
She captioned her post: "I've counted down the days until we got here."
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Fans and friends flocked to the comment section to share their love for her post.
Emily said: "Amazing, have the BEST time."
Daisy wrote: "Adorable."
Arual commented: "They are so cute! Like little ducklings!"
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Anne said: "Have a fantastic family holiday in the sun."
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While on holiday Spencer shared a series of cryptic snaps
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Irish Examiner
22 minutes ago
- Irish Examiner
The story of Barry Lyndon: 50 years since Stanley Kubrick made his epic in Ireland
It's the lavish, lauded and lovingly lit period drama centred around the rise and fall of a charming scoundrel and social climber. Shot across a variety of Irish locations including Dublin Castle, Powerscourt, Waterford and Cahir. Barry Lyndon brought cutting-edge technology and storytelling to our screens when it was released in 1975. Now, Stanley Kubrick's adaptation of William Thackeray's novel returns to Irish cinema screens in a new 4K restoration to mark its 50th anniversary. The Triskel and Cork Omniplex are among the cinemas bringing it to the big screen. Fresh from making such beloved movies as 2001: A Space Odyssey and Dr Strangelove, British filmmaker Kubrick travelled to Ireland to make his period epic, starring Ryan O'Neill in the title role and Marisa Berenson as his wife. The movie revolves around a young 18th-century Irishman who, following a series of setbacks, goes to great lengths to advance himself. But there was a dramatic ending to the shoot - approximately nine months after filming on the ambitious movie began in late 1973, Kubrick would beat a hasty retreat out of Ireland amid reported threats and complicating factors connected with The Troubles. Ryan O'Neill and Marisa Berenson in Barry Lyndon. Nevertheless, Barry Lyndon is regarded as a memorable time in Ireland's screen history - coming as it did at a time of growing momentum for the then-tiny Irish film industry. Kubrick, one of cinema's best known and most admired filmmakers following a string of critical hits, would go on to shoot only three more movies - The Shining, Full Metal Jacket and Eyes Wide Shut, before his sudden death at the age of 70, just days after delivering his final film. Barry Lyndon is a film that has become more loved with time, believes Dr Barry Monahan, senior lecturer in the Department of Film and Screen Media at UCC - and its re-release this week is an opportunity to embrace its many qualities. 'You can drill into it and find magnificent little moments, and then see the whole thing weave together,' says Monahan, adding that Kubrick always liked to add a heightened feel to his films. 'Everything had to be epic. That's exactly what he leaned into with Barry Lyndon - its sheer scope, its complexity, is incredibly admirable.' Remarkably, Kubrick - who wanted to film many of Barry Lyndon's striking scenes by candlelight - used a lens initially developed for NASA that enabled him to do so. 'He wanted to shoot the interiors with candlelight predominantly, or natural light coming in through windows,' says Monahan. 'That's one of the big technical feats, and that really was a big thing.' The ZEISS lens - known as one of the fastest lenses ever developed - could film with very low light and without artificial light and only a small number of them were ever developed. They were originally used for lunar exploration. The advertisement in the Cork Examiner in May 1976 for Barry Lyndon showing at the Capitol cinema. Barry Lyndon was shot here at a time when Ireland's film industry had yet to build indigenously to become the internationally respected industry it is today. It would be another number of years before the act to establish The Film Board (now Screen Ireland) was passed in 1980. There had been efforts to build a screen industry here for many decades before, but the arrival of such a prolific filmmaker helped showcase Ireland's beauty as a location, says Monahan, at a time there had long been a growing desire to develop more of a film culture in Ireland. 'As a venue, as a place that could really dress up as a period piece very well, that was beautiful, it had the kind of backdrops that producers would need in a reasonably accessible and reasonably low-budget way. And Kubrick's name associated with a project like that was just magnificent.' Film academics Dr Maria Pramaggiore and Dr Barry Monahan. The shoot also brought a top US heartthrob to these shores in the form of the late Ryan O'Neal. Having recently filmed the Hollywood hit, Love Story, and starred opposite his daughter Tatum in Paper Moon, the period epic marked something of a departure for the star. In fact, the film marked a new adventure for both its leading man and its director, says Dr Maria Pramaggiore, author of Making Time in Stanley Kubrick's Barry Lyndon: Art, History, and Empire. 'Kubrick's overall body of work is small and much beloved by an intense fan and critical following,' says Pramaggiore. 'My interest in Barry Lyndon and my approach to it were motivated by my interest in Irish cinema,' adds the US writer and academic, who was based in Ireland for several years. 'It is arguable - some people might not characterise or categorise Barry Lyndon as Irish cinema.' She feels that the film has been historically underloved - but that that has changed. 'I thought it was quite interesting that Kubrick chose this project. He lived so very long in Britain, and saw himself as stepping outside of the Hollywood system to make his films. It was never going to suit him, because he wanted so much authority over the projects that he was never going to sit comfortably in the Hollywood system, and yet he used Hollywood studios to release his work.' While writing her book, Pramaggiore aimed to delve deeper into the circumstances behind the sudden departure of Kubrick and his production from these shores after several months of filming here. It was a shoot that didn't end conventionally, amid claims that Kubrick had come under IRA threat. Has she been able to piece together the final dramatic days of the production? 'I remain with question marks. It is a mystery. It speaks to, in some ways, both politics that could not be escaped at that time and in that place, Dublin in 1973 with the IRA campaign moving across the border. And also to the industry side of film - the debate about how the production ended was based on reports that there had been a bombing in the Phoenix Park on a day production was due to film there, and they did not film that day. And then there were reported phone calls to Kubrick: 'You better leave, or else; people are in danger'. It's always been reported threats. It took a very long time after they left - two more years - to finish production.' A scene from Barry Lyndon. As the richly detailed film - regarded by many as a masterpiece - returns to our screens, Pramaggiore feels its uniqueness continues to resonate with new and returning audiences. 'It was rolled out in very much an art film, masterpiece mode. It's a period drama. Fans of Ryan O'Neal might have been surprised, coming off of Love Story and Paper Moon. 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The Irish Sun
22 minutes ago
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Real reason behind Gwyneth Paltrow and Madonna's epic fallout revealed as explosive new book lifts lid on actress's life
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The Irish Sun
an hour ago
- The Irish Sun
Emmerdale's Danny Miller reveals he's become a father for the third time and reveals name of new baby boy
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