What links the gramophone and Antoinette Perry? The Saturday quiz
9 Lariat; opera; matinee; princess; choker?10 Olly Alexander; Simon Le Bon; Karen O; Marti Pellow; Katie White?11 A Room of One's Own; The Common Reader; Thoughts on Peace in an Air Raid?12 46656; 3125; 256; 27; 4; 1?13 Image orthicon tube; gramophone; Margaret Herrick's uncle (possibly); Antoinette Perry?14 Viv Anderson, 1978, and Kerry Davis, 1982?15 Buchanan Castle; Tower of London; Spandau prison?
1 Samuel Pepys.2 Dante (Divine Comedy).3 Japan.4 John Surtees.5 Yorkshire shepherdess.6 Danube.7 Brahma.8 Heath Robinson.9 Lengths of necklace.10 Singers in bands with repeated names: Years & Years; Duran Duran; Yeah Yeah Yeahs; Wet Wet Wet; Ting Tings.11 Essays by Virginia Woolf.12 x to the power of x, from 6 to 1.13 Name origins of Egot awards: Emmy; Grammy; Oscar; Tony.14 First black players for senior England men's and women's teams.15 Rudolf Hess housed there after his flight to Scotland.
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The Guardian
4 hours ago
- The Guardian
A world blown upside down: my Arles photo festival picks
At a time when the world is gripped by crisis, and conversations swirl with talk of conflict, political upheaval and nuclear attack, the work of the renowned Japanese photographer Kikuji Kawada feels more relevant than ever. On display at this year's Rencontres d'Arles, Kawada's seminal series The Map – created from his visits to Hiroshima and Nagasaki in the aftermath of the atomic bombings 80 years ago – forms the cornerstone of an exhibition shown in France for the first time by the Kyotographie festival team in collaboration with Sigma. These haunting images stand as a powerful artistic response to the trauma of nuclear devastation, layered with political metaphor and historical weight. Words Burning Up from the series Endless Map by Kikuji Kawada, above The Japanese national flag which Kawada photographed discarded on the ground after a political demonstration I went inside the Atomic Bomb Dome all alone … what I saw on the site was the trace of violence The Atomic Bomb Dome reflected in the Ohta River from the series Endless Map made between 1959 and 1965, by Kikuji Kawada Moving through the decades, Kawada's work reveals an evolving artistic language – one that embraces new techniques and technologies to reflect a world in constant flux. In the chapter The Last Cosmology, he focuses time and time again on the events of 9/11, making the sky begin to feel like a theatrical set for fatal disaster. The chapter of the exhibition entitled The Last Cosmology One of the images made as a repeated response to the events of 9/11 from the series The Last Cosmology by Kikuji Kawada Now aged 92, Kawada is still photographing every day and is an enthusiastic and committed Instagrammer. I can upload a picture to Instagram and now more people will see it than will read a weekly magazine From the series Shadow in the Shadow where Kikuji Kawada uses photography and collage to reflect his vivid environment From the series Los Caprichos, part of the work exhibited by Kikuji Kawada Among the festival's standout exhibitions is a beautifully curated tribute by Simon Baker and Elsa Janssen to the life and work of Yves Saint Laurent. Rich with iconic prints by fashion photography greats such as Irving Penn, Guy Bourdin and Annie Leibovitz, the exhibition dazzles with visual history. Yet the true fascination lies in the intimate, elegant portraiture that traces Saint Laurent himself throughout his life – capturing not just a designer, but a cultural icon. Yves Saint Laurent, Paris, 1957, by Irving Penn Models from the fall-winter 1976 haute couture collection, known as Opéra–Ballets Russes, Sheraton hotel, Vogue (Paris), September 1976, by Guy Bourdin A costume worn by Zizi Jeanmaire, designed by Yves Saint Laurent for the show Zizi, je t'aime [Zizi, I love you], Paris, 1972, by Jeanloup Sieff Yves Saint Laurent in Paris in 1966, by Harry Meerson In sharp contrast, the crisp lines of Brazilian modernist architecture – captured by a collective of amateur photographers from the Foto Cine Clube Bandeirante (FCCB)–trace the rise of modern São Paulo from 1939 to 1964 in all its geometric concrete splendour. While celebrating architectural innovation, the images also cast a critical eye on the impact of urbanisation across all sections of society. Paralelas e Diagonais [Parallels and diagonals], c 1950, by José Yalenti Untitled, 1950, by Ademar Manarini, on display as part of the Construction Reconstruction Deconstruction exhibition Exploring the past while trying to establish relations in the present is Diana Markosian's series Father. When Markosian was a little girl growing up in Moscow her mother woke her in the middle of the night, packed a suitcase and fled with her and her brother to follow an American dream. Her father was not forewarned and spent years trying to trace his absent family while her mother, settled in California, removed his image from family photographs, prompting a profound sense of confusion and mystery for the young Diana. Markosian is a masterful storyteller. In the work on show at the festival she creates a moving and atmospheric description, made through documentary photographs, film and artefacts, of her journey back to a relationship with her father. 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And true to form, during her acceptance of the Rencontres d'Arles 2025 Women in Motion award, she took the opportunity to raise her concern over the devastating violence and humanitarian crisis in Gaza, screening a powerfully edited film. Her purpose is uncompromising, confronting the most disturbing aspects of life head on with a clear and resounding call to action. Death of Orpheus, 2024, from the exhibition Stendhal Syndrome • The festival runs until September. Fiona Shields visited at the invitation of Kyotographie and Sigma
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6 hours ago
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BreakingNews.ie
10 hours ago
- BreakingNews.ie
Ozzy Osbourne's most shocking moments
Ozzy Osbourne was famed as a provocative and powerful performer on stage and a wild hedonist off it. The Black Sabbath singer and successful solo artist was known for his controversial live shows. Advertisement Drug and alcohol use often fuelled manic behaviour in front of his adoring audiences, and also his most crazed moments in between shows. These are some of the most memorable and infamous moments from the hell-raising life of the late heavy metal pioneer. The Alamo In 1982, Osbourne was wearing one of his wife's dresses for a photoshoot close to The Alamo in Texas, the site of a heroic sacrifice by the Texan troops against the invading Mexicans. The rock star drunkenly relieved himself on a cenotaph commemorating the dead, later donating thousands to the group which maintains The Alamo. Advertisement View this post on Instagram A post shared by Ozzy Osbourne (@ozzyosbourne) Cats In the midst of an alcohol and drug haze, Osbourne said that he set about slaughtering 17 cats with a shotgun. The rocker said he was found by his wife under a piano, armed with a knife in one hand and a shotgun in the other. Ants Osbourne toured with Motley Crue in the 1980s, and it was during this time that he is rumoured to have shocked his fellow rockers after 'spotting' a line of ants. Bassist Nikki Sixx claimed that Osbourne took a straw and, as if snorting cocaine, hoovered the line of ants up his nose. Advertisement Bats In 1982, Osbourne was on stage at a gig in Des Moines, Iowa, during a US tour. A fan threw a bat on stage, and in the frenzy of performance Osbourne – believing it to be rubber – bit its head off. There remains debate as to whether the bat was alive or dead when it was thrown on stage. Happy National Bat Day 🦇 — Ozzy Osbourne (@OzzyOsbourne) April 17, 2025 Doves Osbourne had history with the decapitation of winged creatures, beginning with an incident which stunned CBS Records executives. Celebrating a new album in 1981, the Black Country-born rock star was intending to release two doves in a symbolic act at the record label. Instead, he grabbed a dove and bit its head off, before being thrown out of the building. Advertisement
