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‘A lot of wacky stuff goes on': Eric Bana goes wild, again, for Netflix murder mystery

‘A lot of wacky stuff goes on': Eric Bana goes wild, again, for Netflix murder mystery

The Age5 days ago
A brooding cop, troubled by his past. Stunning wilderness. Long-held secrets in a tight-knit community. A murder investigation. Eric Bana.
Share these details with an Identikit artist, and you'll probably get something that looks like The Dry, or its sequel Force of Nature, the Australian feature films in which Bana starred as Jane Harper's detective Aaron Falk.
But that, insists the 56-year-old whose star turn on the other side of the law as Chopper Read is now, remarkably, 25 years old, would be wide of the mark.
'I just love working outdoors. It's been a pretty consistent theme, that I'm always drawn to big outdoor shows,' he says. 'But I don't think they have too much in common after that.'
In Netflix's six-part crime series Untamed, Bana plays Kyle Turner, a detective with the Investigative Services Branch. 'It's kind of like the FBI of the National Park Service,' he explains of the real-life ISB. 'There aren't that many of them [investigators], and they move around from park to park, depending on the workload.'
Kyle is based in Yosemite, where he's lived for years. His ex-wife Jill lives nearby, and though she has repartnered, they are bound – not especially healthily – by trauma. Neither of them can, or will, move on.
When a young woman drops to her death from a cliff (almost collecting a couple of climbers along the way, in one of the more spectacular opening sequences in recent memory), Kyle suspects foul play rather than an accident. Soon, he realises the dead woman is linked to a case he had investigated many years earlier, and that the sprawling wilderness he holds dear also hides a whole range of nefarious activities besides illegal campfires.
The spark for the show was lit when screenwriter Mark L. Smith read an article about a real-life crime in a park, and the ISB investigation that followed. 'And it was just like, 'We haven't seen this on film before, a murder mystery thriller investigation in a national park',' Bana says. 'That's where the idea began, and then he just started fleshing it out. 'Well, who would this person be?'
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'He's not based on a real character,' he hastens to add of Kyle. 'It was just the germ of the idea.'
Bana is a producer as well as star of the series, and as it was in development, a real-life story was unfolding in the Australian wilderness – the so-called High Country Murders of Russell Hill and Carol Clay, for which former Jetstar pilot Greg Lynn was ultimately convicted.
For Bana, that duality of the remote wilderness was part of the appeal of the Untamed story.
'A lot of wacky stuff goes on, and that plays into the psyche,' he says. 'Even if you love the outdoors, there's the element that you always feel a little bit exposed.'
There's the natural aspect – which, in Australia, often means the threat of bushfire or flooding or extreme heat or cold, or simply wandering off track and becoming hopelessly lost. 'But then there's also that thing of, well, what if there's someone else out here? What about the humans, you know? So on a subconscious level, I think everyone relates to that, and we definitely were trying to tap into that.'
Bana read a script for the first episode in 2018, and was immediately onboard. But it took years to get it made. Why the delay?
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'COVID, strikes, trends, quality, making sure we had everything right. Just all the normal things – and the abnormal ones. I've lived with Kyle for a long, long time, probably one of the longest gestation periods I've had for a character.'
ISB officers generally 'don't work as part of a massive team, and they are often highly skilled in their particular areas, used to working alone', Bana says. And Kyle has that lone-wolf vibe dialled up to 11. Basically, he just doesn't like people very much, himself included.
Though the park is a major character too, the series was actually shot in Canada's Whistler, which Bana had previously visited on skiing holidays with his wife and kids a couple of times, but had never seen in the warmer months. 'In the middle of summer you can't get into Yosemite because of the tourists, and the restrictions,' he says. 'We just had more freedom of movement in British Columbia.'
For Bana, much of that movement was done on the back of a horse. He first learnt to ride for Troy, more than 20 years ago. 'That was a pretty intensive training period because we were bareback, no stirrups for that film. So from there, everything's pretty easy afterwards.'
Sometimes he'd get to set in the backwoods by car, sometimes by chairlift. And on one memorable day, he and co-star Sam Neill rode their horses to location.
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'They weren't in the scene, we were just using them as transpo,' he says of their trusty steeds. 'He's not even on camera today, my guy, but I'm using his saddlebag for packing some stuff. You'd just pinch yourself every day you were up on a horse on top of a mountain somewhere at the back of Whistler, and realise it was actually a job. It's just amazing.'
Untamed marks Bana's second TV series out of the States, following Dirty John (based on the true-crime podcast) in 2018. Those with long memories will recall that he got his start as part of the cast of sketch-comedy show Full Frontal in the mid-1990s, had a brief eponymous solo show, Eric, from 1996, and played Joe Sabatini in the ABC's weeknight serial Something in the Air in the early 2000s. But post- Chopper, he has almost exclusively been a movie actor.
Untamed doesn't represent a major shift, he insists.
'It doesn't feel that different. I mean, there are some days when you feel like, 'OK, we're really having to go quickly', but generally, there's not a huge difference between making a TV show and making a movie.
' On Dirty John, we had one director over the eight episodes, so that just felt like a big film. This, because I worked so closely with [creators] Mark and Elle, felt like a big film shoot, with three directors. It was amazing and incredible to work on and to put together an incredible cast for this.'
That includes Rosemarie DeWitt (Mad Men, United States of Tara, The Boys) as Kyle's ex-wife, Jill, and Lily Santiago (La Brea) as Kyle's offsider Naya Vasquez. And, of course, it includes Sam Neill, aka The Prop (see the NZ actor and winemaker's prolific social media output for further detail).
'Sam Neill's a legend,' Bana proclaims happily. But, remarkably, this was the first time the pair had ever worked together.
In fact, he adds, 'We'd never even met prior to this project, ever been in the same room.
'We have mutual friends, and the first day we met, we're both like, 'How is this possible?'
'He said, 'I feel like I've known you my whole life'. And I said, 'I feel the same'.'
Of course, they got on like a house on fire. And, of course, Neill brought out a few bottles of his Two Paddocks pinot noir at the end of long shooting days. 'Absolutely, my word. He wasn't getting away from the job without some of that,' Bana says.
But tell me, Eric – did he open the really good stuff, his top-of-the-line Fusilier, or First Paddock offerings?
'Oh,' Bana says with a laugh. 'I'm going to have to go through my picture library this afternoon and find out just how close a friend I am.'
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INXS win Hottest Aussie 100 with Never Tear Us Apart
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Higgins also joined the radio station, telling presenters she couldn't believe Scar still resonated with Australian audiences more than 20 years since its debut. "I can't quite believe it - I feel like the luckiest person ever," she said moments after the song was played. The countdown is typically comprised of the best songs of the year from all over the world but the youth station hosted a special mid-year poll dedicated to Aussie artists and tracks to celebrate its 50th anniversary. Belgian-born Australian singer-songwriter and multi-instrumentalist Gotye squeezed in to cinch the number 10 spot with his 2011 hit Somebody That I Used To Know. Other notable mentions included Australian music great John Farnham, voted in at number 15 with his 1986 hit You're the Voice. Daryl Braithwaite's The Horses came in at number 30, with Natalie Imbruglia's Torn voted in at 32. 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Higgins also joined the radio station, telling presenters she couldn't believe Scar still resonated with Australian audiences more than 20 years since its debut. "I can't quite believe it - I feel like the luckiest person ever," she said moments after the song was played. The countdown is typically comprised of the best songs of the year from all over the world but the youth station hosted a special mid-year poll dedicated to Aussie artists and tracks to celebrate its 50th anniversary. Belgian-born Australian singer-songwriter and multi-instrumentalist Gotye squeezed in to cinch the number 10 spot with his 2011 hit Somebody That I Used To Know. Other notable mentions included Australian music great John Farnham, voted in at number 15 with his 1986 hit You're the Voice. Daryl Braithwaite's The Horses came in at number 30, with Natalie Imbruglia's Torn voted in at 32. More than 2.65 million votes were tallied for the countdown, the station's fourth-largest poll, according to the broadcaster. Eight tracks in the countdown were separated by fewer than 10 votes and only 30 votes separated songs 100 and 101. The countdown kicked off at 10am AEST on Saturday and wrapped at 8pm. * HOTTEST 100 TOP TEN SONGS 1. INXS - Never Tear Us Apart (1987) 2. The Nosebleed Section - Hilltop Hoods (2003) 3. The Veronicas - Untouched (2007) 4. Missy Higgins - Scar (2004) 5. Crowded House - Don't Dream It's Over (1986) 6. Powderfinger - My Happiness (2000) 7. Cold Chisel - Flame Trees (1984) 8. Cold Chisel - Khe Sanh (1978) 9. Paul Kelly - How to Make Gravy (1996) 10. Gotye (featuring Kimbra) - Somebody That I Used to Know (2011) Aussie power ballad Never Tear Us Apart by 1980s rock royalty INXS has taken out the title of number one song on Triple J's special edition Hottest 100 countdown dedicated to Australian artists. Audiences have been voting for months to reveal Australia's favourite song in the annual countdown that showcases some of the nation's best homegrown music talent. Celebrating on behalf of the band, founding member and drummer Jon Farriss joined the radio station on Saturday night to reflect on the win. "We feel so blessed and we're very grateful," Farriss said. Australian hip hop royalty The Hilltop Hoods came in at number two with their 2003 hit The Nosebleed Section. Queensland pop duo The Veronicas and their 2007 hit Untouched, Missy Higgins' breakout 2004 single Scar and Don't Dream It's Over by Crowded House rounded out the top five. Reflecting on their number three spot, Jess and Lisa Origliasso said for "just two girls from Brisbane", the countdown had brought them to tears. "We're on top of the world right now ... this is such a huge honour for us," Jess Origliasso said. 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Culture takes centre stage in this 'incredible' musical
Culture takes centre stage in this 'incredible' musical

The Advertiser

timean hour ago

  • The Advertiser

Culture takes centre stage in this 'incredible' musical

Gamilaraay performer Googoorewon Knox has music in his blood. His grandfather Roger Knox is a country music legend and on the other side of his family, his grandmother Auriel Andrew was also a respected performer. Knox made his debut in musical theatre as George Washington in the Australian return season of Hamilton in 2024. While on a slightly different path to the one set out in his family roots, it's not that much of a stretch for him. "It makes sense being a singer, being in a musical family and enjoying being an entertainer at the same time," he tells AAP. "The fact that it's happened isn't a huge surprise." Knox is returning to the stage in August to play Agwe, the god of water in the award-winning musical Once on This Island. The contemporary re-imagining of the classic Hans Christian Andersen tale The Little Mermaid and the book My Love, My Love by Rosa Guy follows the story of Ti Moune, who risks everything to save a boy from the other side of the island where she lives. Beginning on Australia's own shores, the show blends Caribbean origins with the rich cultural history found closer to home. Knox says it's a freeing experience to bring himself and his heritage to the stage. "That's who I am," he said. "Hamilton was a historical piece; all the characters are real people, they're played by Black people but they weren't Black people," he said. "To be able to play Black characters as a Black person is very freeing." The show is directed by Gumbaynggirr and Turkish writer Brittanie Shipway, who says it is a celebration of storytelling, music and the rich tapestry of culture. "What better way to honour the spirit of our island home than through the voices of 12 extraordinary performers, each bringing the depth and beauty of their own cultural heritage." Ti Moune is "a dreamer, a healer and a trailblazer on a journey of love, sacrifice and self-discovery", she adds. To Knox, the story is a "representation of us" filled with the music and dances of culture, which he's looking forward to sharing with audiences. "It's going to be incredible," he said. "There's a section in the middle that's going to be mind blowing. I don't care who you are, you're going to go crazy for it." Once on This Island plays at the Hayes Theatre in association with Curveball Creative, from August 2 to 31. Gamilaraay performer Googoorewon Knox has music in his blood. His grandfather Roger Knox is a country music legend and on the other side of his family, his grandmother Auriel Andrew was also a respected performer. Knox made his debut in musical theatre as George Washington in the Australian return season of Hamilton in 2024. While on a slightly different path to the one set out in his family roots, it's not that much of a stretch for him. "It makes sense being a singer, being in a musical family and enjoying being an entertainer at the same time," he tells AAP. "The fact that it's happened isn't a huge surprise." Knox is returning to the stage in August to play Agwe, the god of water in the award-winning musical Once on This Island. The contemporary re-imagining of the classic Hans Christian Andersen tale The Little Mermaid and the book My Love, My Love by Rosa Guy follows the story of Ti Moune, who risks everything to save a boy from the other side of the island where she lives. Beginning on Australia's own shores, the show blends Caribbean origins with the rich cultural history found closer to home. Knox says it's a freeing experience to bring himself and his heritage to the stage. "That's who I am," he said. "Hamilton was a historical piece; all the characters are real people, they're played by Black people but they weren't Black people," he said. "To be able to play Black characters as a Black person is very freeing." The show is directed by Gumbaynggirr and Turkish writer Brittanie Shipway, who says it is a celebration of storytelling, music and the rich tapestry of culture. "What better way to honour the spirit of our island home than through the voices of 12 extraordinary performers, each bringing the depth and beauty of their own cultural heritage." Ti Moune is "a dreamer, a healer and a trailblazer on a journey of love, sacrifice and self-discovery", she adds. To Knox, the story is a "representation of us" filled with the music and dances of culture, which he's looking forward to sharing with audiences. "It's going to be incredible," he said. "There's a section in the middle that's going to be mind blowing. I don't care who you are, you're going to go crazy for it." Once on This Island plays at the Hayes Theatre in association with Curveball Creative, from August 2 to 31. Gamilaraay performer Googoorewon Knox has music in his blood. His grandfather Roger Knox is a country music legend and on the other side of his family, his grandmother Auriel Andrew was also a respected performer. Knox made his debut in musical theatre as George Washington in the Australian return season of Hamilton in 2024. While on a slightly different path to the one set out in his family roots, it's not that much of a stretch for him. "It makes sense being a singer, being in a musical family and enjoying being an entertainer at the same time," he tells AAP. "The fact that it's happened isn't a huge surprise." Knox is returning to the stage in August to play Agwe, the god of water in the award-winning musical Once on This Island. The contemporary re-imagining of the classic Hans Christian Andersen tale The Little Mermaid and the book My Love, My Love by Rosa Guy follows the story of Ti Moune, who risks everything to save a boy from the other side of the island where she lives. Beginning on Australia's own shores, the show blends Caribbean origins with the rich cultural history found closer to home. Knox says it's a freeing experience to bring himself and his heritage to the stage. "That's who I am," he said. "Hamilton was a historical piece; all the characters are real people, they're played by Black people but they weren't Black people," he said. "To be able to play Black characters as a Black person is very freeing." The show is directed by Gumbaynggirr and Turkish writer Brittanie Shipway, who says it is a celebration of storytelling, music and the rich tapestry of culture. "What better way to honour the spirit of our island home than through the voices of 12 extraordinary performers, each bringing the depth and beauty of their own cultural heritage." Ti Moune is "a dreamer, a healer and a trailblazer on a journey of love, sacrifice and self-discovery", she adds. To Knox, the story is a "representation of us" filled with the music and dances of culture, which he's looking forward to sharing with audiences. "It's going to be incredible," he said. "There's a section in the middle that's going to be mind blowing. I don't care who you are, you're going to go crazy for it." Once on This Island plays at the Hayes Theatre in association with Curveball Creative, from August 2 to 31. Gamilaraay performer Googoorewon Knox has music in his blood. His grandfather Roger Knox is a country music legend and on the other side of his family, his grandmother Auriel Andrew was also a respected performer. Knox made his debut in musical theatre as George Washington in the Australian return season of Hamilton in 2024. While on a slightly different path to the one set out in his family roots, it's not that much of a stretch for him. "It makes sense being a singer, being in a musical family and enjoying being an entertainer at the same time," he tells AAP. "The fact that it's happened isn't a huge surprise." Knox is returning to the stage in August to play Agwe, the god of water in the award-winning musical Once on This Island. The contemporary re-imagining of the classic Hans Christian Andersen tale The Little Mermaid and the book My Love, My Love by Rosa Guy follows the story of Ti Moune, who risks everything to save a boy from the other side of the island where she lives. Beginning on Australia's own shores, the show blends Caribbean origins with the rich cultural history found closer to home. Knox says it's a freeing experience to bring himself and his heritage to the stage. "That's who I am," he said. "Hamilton was a historical piece; all the characters are real people, they're played by Black people but they weren't Black people," he said. "To be able to play Black characters as a Black person is very freeing." The show is directed by Gumbaynggirr and Turkish writer Brittanie Shipway, who says it is a celebration of storytelling, music and the rich tapestry of culture. "What better way to honour the spirit of our island home than through the voices of 12 extraordinary performers, each bringing the depth and beauty of their own cultural heritage." Ti Moune is "a dreamer, a healer and a trailblazer on a journey of love, sacrifice and self-discovery", she adds. To Knox, the story is a "representation of us" filled with the music and dances of culture, which he's looking forward to sharing with audiences. "It's going to be incredible," he said. "There's a section in the middle that's going to be mind blowing. I don't care who you are, you're going to go crazy for it." Once on This Island plays at the Hayes Theatre in association with Curveball Creative, from August 2 to 31.

'Sabotage': Rebel Wilson sued by production company
'Sabotage': Rebel Wilson sued by production company

The Advertiser

timean hour ago

  • The Advertiser

'Sabotage': Rebel Wilson sued by production company

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As the director, producer and co-star who nurtured a project called THE DEB for 5 years from a 3 page idea into a gorgeous feature film - I want nothing more than to have this film released and have been working tirelessly behind the scenes to get this to happen. To say otherwise is complete nonsense. I'm so proud of the film! "In my opinion this is continued bullying and harassment from UK financiers of the project Amanda Ghost, Gregor Cameron and Vince Holden after I exposed their dodgy behaviour. They tried to prevent the film from premiering there (they lost) and now they've tried to stop the film being released because of a baseless US lawsuit and now a further Australian one. "I've moved on, now directing my 2nd movie and loving it. But regarding THE DEB all I can literally say is 'F*** my life" with tears in my eyes and a heavy heart. Everyone who worked on the movie and who knows me KNOWS I put my blood, sweat and tears into this. Everyone knows I'm a 'truth teller' when it comes to vile people in the industry. I just want this movie to come out and for all the amazingly talented contributors to be recognised for their sensational work! (sic)." In 2024, Wilson was hit with a defamation lawsuit after accusing the producers of The Deb of stopping it from premiering at the Toronto International Film Festival in September. Rebel Wilson is being sued by the production company behind her directorial debut. UK-based AI Film has filed the lawsuit in Australia, accusing the 44-year-old actress of deliberately sabotaging the film's release in order to devalue the movie and pressure AI Film and Australian company Dunburn Debutantes Commissioning Company - named as the second plaintiff in the lawsuit - into selling their stake to her company Camp Sugar. According to The Guardian, AI Film said in a statement: "These proceedings are regrettable but essential to ensure The Deb's timely release. It's a joyous, fun film, and we are sure that audiences are going to love it." Lead actress Charlotte MacInnes said: "I love this film and I can't wait for it to be released … it would be wonderful if these proceedings can help make that happen." Wilson responded to the lawsuit with a message on Instagram Stories saying: "Apparently I'm being sued in Australia. It makes no sense. As the director, producer and co-star who nurtured a project called THE DEB for 5 years from a 3 page idea into a gorgeous feature film - I want nothing more than to have this film released and have been working tirelessly behind the scenes to get this to happen. To say otherwise is complete nonsense. I'm so proud of the film! "In my opinion this is continued bullying and harassment from UK financiers of the project Amanda Ghost, Gregor Cameron and Vince Holden after I exposed their dodgy behaviour. They tried to prevent the film from premiering there (they lost) and now they've tried to stop the film being released because of a baseless US lawsuit and now a further Australian one. "I've moved on, now directing my 2nd movie and loving it. But regarding THE DEB all I can literally say is 'F*** my life" with tears in my eyes and a heavy heart. Everyone who worked on the movie and who knows me KNOWS I put my blood, sweat and tears into this. Everyone knows I'm a 'truth teller' when it comes to vile people in the industry. I just want this movie to come out and for all the amazingly talented contributors to be recognised for their sensational work! (sic)." In 2024, Wilson was hit with a defamation lawsuit after accusing the producers of The Deb of stopping it from premiering at the Toronto International Film Festival in September. Rebel Wilson is being sued by the production company behind her directorial debut. UK-based AI Film has filed the lawsuit in Australia, accusing the 44-year-old actress of deliberately sabotaging the film's release in order to devalue the movie and pressure AI Film and Australian company Dunburn Debutantes Commissioning Company - named as the second plaintiff in the lawsuit - into selling their stake to her company Camp Sugar. According to The Guardian, AI Film said in a statement: "These proceedings are regrettable but essential to ensure The Deb's timely release. It's a joyous, fun film, and we are sure that audiences are going to love it." Lead actress Charlotte MacInnes said: "I love this film and I can't wait for it to be released … it would be wonderful if these proceedings can help make that happen." Wilson responded to the lawsuit with a message on Instagram Stories saying: "Apparently I'm being sued in Australia. It makes no sense. As the director, producer and co-star who nurtured a project called THE DEB for 5 years from a 3 page idea into a gorgeous feature film - I want nothing more than to have this film released and have been working tirelessly behind the scenes to get this to happen. To say otherwise is complete nonsense. I'm so proud of the film! "In my opinion this is continued bullying and harassment from UK financiers of the project Amanda Ghost, Gregor Cameron and Vince Holden after I exposed their dodgy behaviour. They tried to prevent the film from premiering there (they lost) and now they've tried to stop the film being released because of a baseless US lawsuit and now a further Australian one. "I've moved on, now directing my 2nd movie and loving it. But regarding THE DEB all I can literally say is 'F*** my life" with tears in my eyes and a heavy heart. Everyone who worked on the movie and who knows me KNOWS I put my blood, sweat and tears into this. Everyone knows I'm a 'truth teller' when it comes to vile people in the industry. I just want this movie to come out and for all the amazingly talented contributors to be recognised for their sensational work! (sic)." In 2024, Wilson was hit with a defamation lawsuit after accusing the producers of The Deb of stopping it from premiering at the Toronto International Film Festival in September.

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