LoveWatts Launches Global Art Program with Explosive Debut of Anonymous Collective GODS MGMT
NEW YORK, NY, June 19, 2025 (EZ Newswire) -- LoveWatts, opens new tab, the world's most powerful cultural media platform, today announces the debut of its inaugural global art exhibition featuring GODS MGMT, an anonymous conceptual art collective reshaping contemporary visual culture. This marks the official launch of LoveWatts' entry into the global art market—signaling a bold new era of artist discovery, curation, and market leadership.
Founded in 2012, LoveWatts has grown into a digital cultural giant, operating a network of channels that reach over four million followers worldwide. From design and fashion to music, fine art, and entertainment, LoveWatts has become a dominant force in curating influence and amplifying the next generation of global tastemakers.
Now, following over a decade of unmatched cultural impact, LoveWatts is making a revolutionary move into the physical art world. With an ambitious global art program, the platform aims to disrupt the traditional gallery model, cultivating emerging talent and building a new infrastructure for art discovery and growth. This isn't just curation—it's cultural engineering.
'At LoveWatts, we've built a team with decades of experience developing the careers of blue-chip artists and shaping the visual language of our generation,' said Jordan Watts, founder of LoveWatts. 'Our mission is clear: to take emerging talent and launch them onto the world's biggest stage. This isn't just an art program—it's the Super Bowl for the next wave of culture-defining artists.'
GODS MGMT, LoveWatts' debut artist, is an anonymous collective working at the intersection of mass media, celebrity, internet culture, and mythology. Through oil on canvas and a radical practice of appropriation, they dissect illusions of fame, identity, and authorship. Part Warhol, part Banksy, part digital disruptor—their work delivers a visceral critique of contemporary culture with the visual force of a global brand.
With GODS MGMT, LoveWatts is defining the template for a new kind of art institution—one powered by digital reach, curatorial excellence, and a community-first ethos. The platform is now positioned to lead the next chapter of global art innovation, transforming the way artists are discovered, championed, and collected.
This is not a moment. This is a movement.
About LoveWatts
Love Watts is a global art platform founded by Jordan 'Watts' Watson in 2011. Known for blending street culture and fine art, it began as an Instagram feed and grew into a cultural force with over 4 million followers. Love Watts curates digital content, hosts exhibitions, and collaborates with major brands to make contemporary art more accessible and inclusive. For more information, visit www.lovewatts.com, opens new tab and follow @love.watts, opens new tab on Instagram.
Media Contact
Megan Shockleymegan@hyprlogic.com
###
SOURCE: LoveWatts
Copyright 2025 EZ Newswire
See release on EZ Newswire
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Independent
30 minutes ago
- The Independent
Farewell, Anna Wintour – the Queen of editors with a nuclear-force superpower
Farewell, Anna Wintour: sphinx-faced, super-enduring doyenne of global fashion. The news that the editor-in-chief of US Vogue has stepped down after 37 years marks the end of an era, but I don't mean her reign over couture and catwalk. What her bow marks is the golden age of magazines, when editors were celebrated as celebs in their own right and whose names were synonymous with their product. Mark Boxer at Tatler, Graydon Carter's Vanity Fair, Nick Logan at The Face, Bill Buford heading Granta, Alan Coren at Punch and Tina Brown presiding over Tatler, Vanity Fair, The New Yorker and the Daily Beast. But 'Nuclear Wintour' outsaw all of them, while the only famed editor still at his desk and outdoing Wintour by two years and still counting is my first boss, Ian Hislop, Private Eye 's Lord Gnome. Magazines shaped my life after my publican parents turned their saloon bar into a comfy sitting room with sofas, log fires and piles of glossies. As my mother put it, 'There's Country Life for the life you want, Hello! to gawp at other people's lives and Private Eye for the truth behind the lives.' Each copy was grey from being thumbed by riveted customers. By 1991, when the cousin of one of our regulars sent me off for an interview with Hislop at the Eye 's Soho offices, I was quivering with nerves at the prospect of meeting a demi-god. But even then, I didn't quite grasp how infinitesimally lucky I was to enter magazine journalism at a time of editorial giants, wide readerships, big ad revenue and significant sway. It was an age when editors decided who was a star in the making – or fading. Front covers rather than TikTok anointed and cemented talent, while media bigwigs, rock stars and actors hung out together at the then newly-founded Groucho Club, feeding on each other's influence. The idea of a 'chief content creator' wasn't even a twinkle in a Californian tech bro's eye – he was still at kindergarten. All the lesser hacks relied on editors and their lavish expense accounts to lubricate the fun. Michael VerMeulen, the American editor of British GQ – where I landed my second job – negotiated an expense account of £40,000 on top of his salary and used to sweep his entire staff out for Groucho jollies. Vermeulen with his flamboyant lingo of 'big swinging dicks' (any man he admired) and 'doesn't blow the wind up my skirt' (a lacklustre features pitch) made such great copy that the Guardian sent a journalist to report on what it was like to work in his orbit. I have long cherished the memory of him telling me that when a girlfriend congratulated him on his sexual performance, he instantly replied, 'Don't tell me, tell your friends!' His death, one August bank holiday weekend after an excess of cocaine, was front-page news, and all of Mag Land mourned. Even back then, Anna Wintour rose above it all like a phoenix born of ice, who would never be glimpsed in civilian settings. A good friend went off to work at US Vogue and reported back that the maestra had her own work lavatory, forbidden to all others, so worker bees couldn't bear witness to her doing something as human as going to the loo. (This was apparently even the case at her Met Gala balls, where even Hollywood superstars couldn't share her personal facilities.) During my brief stint at Conde Nast, before I was fired for sleeping with the deputy editor – reader, I married him – rumours of impending visits from Wintour took on the aspect of Elizabeth I descending on an earl's country estate to test his coffers and loyalty. Even that friend who went to the Vogue took on some of her boss's grandiosity. When I bumped into her at an intimate London book launch, I was startled to find she affected not to know me, a phase that happily passed. There was real power in the corridors of glossies back then, and this could distort personalities even more than the charlie so many meeja folk snorted. An actress or model who couldn't land a Vogue cover was denied the super-stamp of being in fashion, and so it was for men who couldn't make a splash on GQ or Esquire 's hoardings. Pamela Anderson may have equalled Princess Diana for sheer fame in the 1990s, but Wintour would not yield her the ultimate accolade of a cover: the sex tape that leaked of Anderson and drummer Tommy Lee deemed her trashy beyond redemption. But in 2023, Anderson had a radical image overhaul, ditching the bombshell slap and going makeup-free to Paris Fashion Week, and every event since. It was intellectual, interesting – and it's got her on the list for the last two Met Galas. This year, Anderson went a step further, with a severe bob and sculpted dress that gave her a faint whiff of catwalk Rosa Klebb. She'd have probably worn a straitjacket if it gained her admission to fashion's front row. Because that, in the end, was Anna Wintour's nuclear-force superpower: the quiet devastation of a 'No'. She was not just an editor, she was the ultimate bouncer with Prada gloves.
BBC News
39 minutes ago
- BBC News
Preserved gladiator helmets on display at Leeds armouries
Three gladiator helmets "perfectly preserved" following the eruption of Mount Vesuvius nearly 2,000 years ago are to go on display in Leeds as part of an international touring exhibition. Gladiators: Heroes of the Colosseum has been brought to the Royal Armouries in collaboration with the Colosseum in Rome and the National Archaeological Museum of Naples. The exhibition also features gladiatorial weaponry and armour from a training camp in Pompeii, effectively frozen in time as a result of the eruption in Armouries director general and master of the armouries Nat Edwards said the collection gave a "real sense of the spectacle of gladiatorial combat". He said: "Some of the objects in this collection you really can't see anywhere else in the world."We have three perfectly preserved gladiators' helmets. They're incredibly rare, they're beautifully decorated, all of the parts still work. "They've got decorations showing winged Victories and barbarian captives, and they look as good as new. They could have just been taken off yesterday, they're quite amazing." The exhibition runs from 28 June to 2 November in Leeds, and has already attracted more than one million visitors while on display internationally. It was officially opened on Wednesday by Jodie Ounsley, also known as Fury from BBC One show Gladiators."That was a lovely golden thread that connected the spectacle of Rome, and why people went to watch gladiators then, to our own fascination with competition and larger-than-life heroism," said Mr Edwards. Mr Edwards said his favourite piece was a gravestone to gladiator Urbicus."There's a little object at the end of the exhibition, which is really personal and intimate and it's a gravestone, which was made by the wife of a gladiator."His name was Urbicus and she tells his story. He was a kind-hearted gladiator. He spared one of his opponents in the arena who then stabbed him in the back."But it's a picture of him with his dog, with his pet, and this is a loving wife who has put a picture of this loved, gentle-hearted soul who found his way into the gladiators arena and his pet dog."And there's something, which is so human about that. It's just a little moment of connection with a human being across thousands of years of history and ultimately that's what museums like our own are all about, those human connections," he said. Listen to highlights from West Yorkshire on BBC Sounds, catch up with the latest episode of Look North.
The Sun
an hour ago
- The Sun
Jake Paul vs Julio Cesar Chavez Jr EXACT fight time – when are the ring-walks for blockbuster bout?
JAKE PAUL is hoping to take another huge boxing scalp when he takes on Mexican mogul Julio Cesar Chavez Jr TONIGHT! The Problem Child hasn't competitively stepped foot in the ring since his controversial points win against legendary heavy-hitter Mike Tyson. 1 Fans feared for 58-year-old Tyson before the fight, and made their voices heard when the decision was followed by unanimous boos around the AT&T Stadium. However, the victory meant that Paul extended his professional boxing career record to 11-1 - only losing a bitter grudge match to Tommy Fury in 2023. And the social media sensation will be determined to build on that when he goes toe-to-toe with Julio Cesar Chavez Jr at the top of a huge Honda Center bill. But for the fans that are only interested in the main event, SunSport can reveal the EXACT time when Paul and Chavez Jr will step into the ring. What time does Jake Paul vs Chavez Jr start and how can I watch it? Ring-walks for the main event is expected to get underway at around 4am BST / 11pm ET meaning that the first bell should go approximately 15 minutes later at 4:15am BST / 11:15pm ET. However, timings could change depending on the length of the undercard bouts. Coverage of the main card will start from 1am BST / 8pm ET. Honda Center in Anaheim, United States is the chosen venue for this huge event and it can host approximately 18,336. The fight will be exclusively shown on DAZN PPV. The pay-per-view costs £24.99 / $59.99 and can be watched on DAZN TV or live streamed on the website / app. Alternatively, SunSport will live blog the full card, including the huge main event. Jake Paul vs Julio Cesar Chavez Jr JAKE PAUL'S controversial boxing career rolls on this weekend with the Problem Child facing boxing royalty in Anaheim, California. Paul will face Julio Cesar Chavez Jr, a highly-decorated former world middleweight champion. The Mexican, 39, has fought just once in the last four years but has the best boxing resume of any fighter to step into a ring with Paul - bar Mike Tyson, who was aged 58 at the time they fought. INFO Everything you need to know about Paul vs Chavez Jr LATEST NEWS & FEATURES Jake Paul buys incredible £29MILLION ranch with 5,700 acres Jake Paul in talks over TWO shock world title fights Chavez Jr is son of boxing great who was arrested on gun charges and robbed by party girls Jake Paul heavyweight days over after getting 'too fat' Who is on the Jake Paul vs Chavez Jr undercard? Jake Paul vs Julio César Chávez Jr. - Cruiserweight Gilberto 'Zurdo' Ramirez vs Yuniel Dorticos - Cruiserweight, for the WBA and WBO titles Holly Holm vs Yolanda Vega - Lightweight Floyd Schofield vs Tevin Farmer - Lightweight Avious Griffin vs Julian Rodriguez - Welterweight Raul 'Cugar' Curiel vs Victor Ezequiel Rodriguez - Welterweight Naomy Valle vs Ashley Felix - Light flyweight Jake Paul's confidence Jake Paul is confident that he will beat Julio Cesar Chavez Jr and believes he could 'whoop' Chavez Jr's legendary father too... at the same time! The Problem Child said: "Put both the Chavezs in there, I'll whoop Sr and Jr in the same night. "Going from Disney Channel to YouTube to world champion in six to seven years? "That's the most relatable and best sports story that any kid can get behind."
