logo
Scotland needs a new kind of festival to take on the liberal elite

Scotland needs a new kind of festival to take on the liberal elite

In the arts world, composer and conductor Sir James McMillan could walk down any Scottish street without recognition, except possibly in his native Cumnock, despite being one of the most significant cultural figures to emerge from this country for decades. Also 65, there's time yet, but Sir James is not just a national but a global treasure, his deep Catholic faith inspiring modern choral works of astounding beauty on a par with the 19th Century Austrian giant Anton Bruckner, also a devout Catholic.
At 95 and widely regarded as the keeper of the Edinburgh Festival soul, Richard Demarco can lay justifiable claim for national beatification and the closest he came to controversy was his early support for Jimmy Boyle, the convicted killer who found redemption as a sculptor in Barlinnie prison's special unit. A long-running and now forgotten dispute with [[Edinburgh]] Council in the 90s about rent arrears for housing his archive in an empty Old Town school hardly counts these days.
I recall several conversations with him 20 years ago when at Scotland on Sunday, we campaigned to revive the moribund visual arts festival, hoping it would become a Scottish version of the Venice Biennale and attract the kind of A-list high rollers who don't grace the August season unless they have a kid performing on the Fringe; 21 years on, the [[Edinburgh]] Arts Festival is very much alive, but the oligarchs' super yachts off Granton Harbour are noticeable by their absence.
Always very much part of [[Edinburgh]]'s arts scene, but somehow detached from it, his vigour for an argument is undimmed, and in an interview in The Scotsman with Martin Roche, one of many executive committee members of the pro-EU campaign, the European Movement in Scotland, he called for [[Edinburgh]] to host a new annual 'Festival of Thought' because of the threat of the 'far right' in Europe, Donald Trump, and the rise of Reform in the UK.
Read more
Visitor levy group will have good intentions but may collide with reality
A vote of no confidence in Labour council is now a real possibility
The inside story of the battle for control of Edinburgh
The idea is to assemble a cast of 'liberal thinkers' from across academic disciplines in defence of liberal democracy, but he does not want politicians involved and instead of the language of politics he favours 'the language of the arts' because it is 'the language of love for our fellow human beings'.
Whether it's laudable depends on your point of view, and his interviewer needed very little persuasion, but it struck me that the whole August shooting match, if that's an appropriate phrase, is already a celebration of liberal thought, particularly the Book Festival.
The exclusion of politicians at first glance sounds timely, especially in a year when having dumped fund manager Baillie Gifford because of its minimal investments in oil companies, the Book Festival will be giving pride of place to the most divisive politician of the last 20 years, Nicola Sturgeon. In what is supposed to be a celebration of free speech, it would be strange to ban politicians, but there should be a rule that if they are cashing in on their record by writing a retrospective reputation booster then they should get a damn good grilling, not the patsy chats the Book Festival likes to stage for its favourites.
I don't know if he was invited, but I can't imagine Boris Johnson getting an easy ride if he came up to promote his memoir, Unleashed, if he was being cross-examined by Kirsty Wark. How she approaches her conversation with Nicola Sturgeon remains to be seen, but there would be a roaring trade for tickets on Viagogo if the inquisitor was JK Rowling.
Richard Demarco (Image: Newsquest)
A Festival of Politics was tried a few years ago, with a series of crashingly dull discussions at Holyrood which received the audiences it deserved, but now politicians are everywhere on the Fringe, most notably as guests on Iain Dale's 'All Talk' show for LBC radio at the EICC, and indeed The Herald's Unspun Live at Summerhall – now home of the Demarco Archive – with John Swinney and Anas Sarwar lined up for conversations with Herald journalists. None of it should be as cringeworthy as the Alex Salmond Show at the Assembly Rooms, at which the late SNP leader told sexist gags which would get him banned from MasterChef.
Without a politician in sight, this year's Arts Festival itself is way ahead of the Demarco plan, with events like Decolonosing the Outdoors, another about 'the histories of masculine-leaning gender diversity in Scotland' and My Blood Runs Purple, a short experimental film 'questioning the inequalities and barriers in healthcare offered to artists in so-called black, gendered bodies', putting it well in the liberal vanguard. Its finale is a conversation event in which artists, 'thinkers' and local groups assemble to 'imagine a world where art bridges the knowledge of the past with a sustainable, interconnected future.'
At 95, Demarco can be forgiven if this has all passed him by, as it will have done for 95 per cent of the population, the kind of people who adore Lorraine Kelly. But this is the problem with the Scottish liberal elite – they spend so much time talking to each other that the rejection of their world view is so bewildering that the best they can come up with is to turn inwards in an ever-tightening circle.
Looks like the job's a good'un, Ricky, but it's enough to make me vote Reform.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Harry Lauder back in Portobello
Harry Lauder back in Portobello

Edinburgh Reporter

timean hour ago

  • Edinburgh Reporter

Harry Lauder back in Portobello

Portobello's most famous son, Sir Harry Lauder, will be celebrated as Scottish Opera's acclaimed one-man show Lauder is performed at the seaside suburb's Town Hall on 4 and 5 August. Born just a stone's throw from the venue – a plaque marks the cottage at 3 Bridge Street – Lauder's Porty legacy remains strong and is commemorated with a memorial garden at the Town Hall and the local ring-road is named after the international performer. Tenor and broadcaster Jamie MacDougall is reviving the much loved show – written by another legendary Scottish artist, Jimmy Logan – with performances in London, Derbyshire and Portobello, and proceeds will go to the Erskine Veterans Charity, for which MacDougall is an ambassador. Lauder was much affected by the death of his son, Captain John Lauder, at the Battle of the Somme in 1916 and raised huge sums of money for injured servicemen, donating his musical royalties to Erskine. Famously performing in full Highland regalia – kilt, sporran, Tam o' Shanter, and walking stick – Lauder's global influence led Winston Churchill to call him 'Scotland's greatest ever ambassador', and acknowledged the comfort his songs provided during WW2. Jamie MacDougall said: 'I was 10 when I was taken twice to see Jimmy Logan in Lauder at the King's Theatre Glasgow. That was the start of my life-long association with these wonderful songs and Sir Harry, an entertainer who was the first truly global star. I am honoured to be an Ambassador for Erskine, and hope audiences can come along to see this special show and raise money for an incredible charity.' Adapted by MacDougall and director Kally LloydJones from the original script by Jimmy Logan, it features well-known songs such as 'I Love a Lassie', composed for the 1905 Glasgow pantomime Aladdin, and 'Roamin' in the Gloamin'' and 'End of the Road'. The performance also includes footage of Lauder's funeral and trenchera visuals, transporting audience members through his life. Like this: Like Related

Canadian duo bring twist on trad music to Scottish festival Speyfest
Canadian duo bring twist on trad music to Scottish festival Speyfest

The National

timean hour ago

  • The National

Canadian duo bring twist on trad music to Scottish festival Speyfest

The East Pointers will bring their contemporary twist on Celtic music all the way from the east of Canada to the north-east of Scotland for Speyfest in Moray. Hailing from Prince Edward Island, Jake Charron and Tim Chaisson have built a reputation for their electrifying live performances, drawing on a blend of folk, pop, and Celtic traditions. 'We really can't wait to play at Speyfest,' said Charron. 'We love Scotland so much and always love the opportunity to come back and play somewhere new.' The East Pointers carry a deep sense of pride in representing Canadian traditional music on the global stage. For them, the ties between Scotland and Prince Edward Island run deep, stemming from the waves of Scottish settlers who arrived in the 18th and 19th centuries. Chaisson said: 'Boatloads of Scottish folks came to Prince Edward Island back in the late 1700s and early 1800s. 'A lot of them settled in pretty isolated communities, so the culture stayed really strong – music and stories were right at the heart of this and has definitely informed our style of playing and love for the tradition today.' This connection between east Canada and north-east Scotland is set to add an extra layer of resonance to their appearance at Speyfest. Chair Ashleigh MacGregor said: 'Both regions hold a deep appreciation for our cultural heritage, kept alive through music, storytelling, and community spirit. 'It will be incredibly special to have The East Pointers take to the Speyfest stage for the first time, blending their innovative sound with the traditional roots that bind Scotland and Canada together. 'We hope The East Pointers will feel right at home and reckon our shared traditions and the band's energy will really capture the hearts of the Speyfest audience.' The band's love for Scotland is strong, while their ability to meld various influences has propelled them to stages across the globe, from international festivals to intimate venues in Australia, Japan, Mexico, Europe and the US. With a viral dance to their latest release Misty Morning doing the rounds on TikTok, The East Pointers are known for their connection with their fans and producing high-energy sets that keep crowds dancing. 'We hope to see lots of dancing and singing from the Speyfest crowd and hopefully we can win over a few more fans in the process,' said Chaisson. Speyfest runs this year from July 25-27

Alba playwright puts working-class voices on stage at Edinburgh Fringe
Alba playwright puts working-class voices on stage at Edinburgh Fringe

The National

time2 hours ago

  • The National

Alba playwright puts working-class voices on stage at Edinburgh Fringe

The Glaswegian isn't afraid to tackle controversial issues either. Fresh from touring Alba, his critically acclaimed show about the Scottish independence referendum, he is about to stage a play dealing with toxic masculinity. Full of Glaswegian patter, it's one of three pieces of Scottish theatre presented by Underbelly during the Fringe this year and seems set to be as much of a hit as Alba. 'I'm pouring all my savings into it to get us there, but I think it's worthwhile,' he told the Sunday National. 'When we did Alba, we only did 12 days and we made the money back that we put in, plus a wee bit more. 'I think Going Soft has a broader appeal, so we'll hopefully see an increase in audience numbers for this and we've got a better spot during the day. The last show, with a name like Alba, had the potential to turn people away if they just assumed it was about a certain political party or a certain political view.' With prices now so high for renting venues and accommodation at the Fringe, making sure Scottish working-class voices are heard is becoming more difficult, but Byrne feels it is essential for Scottish actors, playwrights and theatre companies to continue to take part. 'It's something I'm passionate about and I've got a goal going into it, but the prices are just going up and up,' he said. 'For working-class people, being able to just put on a show, you're just getting out-priced. 'But as Scots, we've got to make sure we've still got a seat at the table and we've still got a voice in this festival, especially when it's on our home turf, so that we can network with other artists from Scotland and also globally.' Byrne agrees there is a danger that Scottish voices could be squeezed out but is optimistic this can be overcome. 'It's always a possibility with the amount of stuff from elsewhere that it starts to diminish the Scottish voice,' he said. 'But I think we'll always be loud, as a people and as a nation. I don't think we'll let ourselves go quietly. There'll always be somebody there shouting for us.' Making sure that some of those voices are working class is what led him to start his theatre company, Action Theatre Scotland. 'That's something that we really push,' he said. 'The goal with the last show and now with this one is to get working-class voices on the stage and heard, because you don't hear them as much on this kind of platform, especially when it's the world's biggest arts festival. We want to carve out a wee space for working-class theatre. It's nice to get a voice out there.' Going Soft is centred on a Glasgow prison-themed bar where the co-owners are attempting to set up an adults-only soft play. 'I always want to focus on issues that are prevalent in society,' said Byrne. 'That's why we're called Action Theatre Scotland – because we want to focus on important issues in a kind of call to action.' He believes toxic masculinity, the focus of the recent hit TV series Adolescence, is still a huge problem in society. 'It's a real issue because young men feel they need to act a certain way and can't just express themselves or be themselves, so I wanted to tell that story through this lens of the two working-class guys in working-class Glasgow, and show my experience of it,' said Byrne. Going Soft was inspired by prison-themed bars south of the Border where punters are presented with orange jumpsuits to wear while they are drinking. 'I want to put my spin on it, a Glaswegian spin, so it is a fast-paced, high-energy show, dealing with heavier themes but with that comedic edge,' said Byrne. Going Soft runs from July 31 to August 24 with the exception of August 12. Two of the other Scottish shows at Underbelly during the Fringe are Desperate Wee Gay Boy, a Fringe debut from writer-performer Fraser Kelsey about a thrill-seeking Scot navigating London's queer nightlife and Mary, Queen of Rock!, above, from a female-led Pretty Knicker Productions, who staged Salamander in 2023 which garnered a host of five and four-star reviews. It is described as a fun piece of gig theatre set against a surrealist backdrop of the Scottish Reformation where rock'n'roll has been banned. Mary Stuart, reimagined as the world's biggest rockstar, is tasked with reclaiming the throne of rock. Anyone with EH, G, KY or FK postcodes can benefit from 20% shows on a Wednesday and Thursday with the code LOCALHERD at the checkout – or in person at box offices during the festival.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store