logo
Three Winnipeg restaurants on Canada's 100 best list

Three Winnipeg restaurants on Canada's 100 best list

Three Winnipeg restaurants have been ranked among the best in the country.
The 2025 Canada's 100 Best Restaurants list was released Monday and includes local fine dining spots Deer + Almond, Yujiro Japanese Restaurant and Nola.
For Nola co-owner Mike Del Buono, it's a privilege to be included on the national restaurant guide for the first time.
MIKAELA MACKENZIE / FREE PRESS FILES Chef Emily Butcher (left) and Mike Del Buono of Nola
'It's a very cool honour to be recognized. I'm just so happy for the team; it's such an amazing recognition for all the hard work they've put in,' he says.
Del Buono, founder of Burnley Place Hospitality, and chef Emily Butcher opened Nola at 300 Taché Ave. in 2021. Making Canada's 100 Best list has been a goal ever since.
'It's never been our North Star, but we knew that we would be in the conversation one day. We wanted to do this for Emily more than anything, she very much deserves to be on that list,' he says.
This is the latest accolade for Butcher, who has competed on Top Chef Canada and earned gold at Canada's Great Kitchen Party during her tenure at Deer + Almond. She was unavailable for comment at press time.
This is Yujiro's (1822 Grant Ave.) third appearance on the Canada's 100 Best list. Owned by prolific local chef and restaurateur Edward Lam, it's also the fine dining Japanese restaurant's best showing yet; having climbed the ranks from No. 92 last year to No. 65 this year.
RUTH BONNEVILLE / FREE PRESS FILES Ed Lam of Yujiro Japanese Restaurant
The ranked restaurant guide is compiled and voted on by food professionals and enthusiasts from across the country. This year's roster included 160 chefs, food writers, diners, critics and restaurant owners.
Deer + Almond (85 Princess St.) is now a fourth-time Canada's 100 Best honouree and, landing at No. 34 this year, is also enjoying its highest rank to date.
'It's incredibly humbling and with any craft that you hone and work on; the doors just keep opening and the opportunities keep coming up,' chef and owner Mandel Hitzer says.
'Deer + Almond's success story is the sum of its parts. It's the hundreds of people that have contributed and been part of the team.'
Hitzer himself is celebrating some additional props this year, having earned the organization's annual community leadership award for his unabashed Winnipeg boosterism and for his work with RAW:almond, the annual winter pop-up restaurant.
MIKAELA MACKENZIE / FREE PRESS FILES Deer+Almond is a four-time Canada's 100 Best honouree.
'It's always been about building community and giving people opportunities. This is just a really great day, I'm really stoked and really honoured,' he says.
Hitzer and Del Buono are both glad to be representing their hometown on a national scale — especially at a time when customers are eager to support Canadian businesses and as more travellers are opting for domestic vacations instead of trips to the United States.
'We've always prided ourselves on our restaurant scene in Winnipeg and if this gives us an opportunity to showcase that even further, that's a good thing for everybody. Hopefully that leads to more (local) restaurants getting on the list,' Del Buono says.
'There's nothing else out there that's celebrating our culinary artistry from coast to coast,' Hitzer says. 'It's also pushing creativity and pushing people like myself to try new things and keep working on what we do.'
There were no Winnipeg restaurants included in the organization's Top 10 best new restaurant list this year. The 50 best bars in the country will be announced May 12.
eva.wasney@winnipegfreepress.com
Eva Wasney
Reporter
Eva Wasney has been a reporter with the Free Press Arts & Life department since 2019. Read more about Eva.
Every piece of reporting Eva produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press 's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press 's history and mandate, and learn how our newsroom operates.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Haru Nemuri Releases New Album 'ekkolaptómenos' — Where Political Rage Meets Pop
Haru Nemuri Releases New Album 'ekkolaptómenos' — Where Political Rage Meets Pop

Japan Forward

time2 hours ago

  • Japan Forward

Haru Nemuri Releases New Album 'ekkolaptómenos' — Where Political Rage Meets Pop

Underground Japanese musician Haru Nemuri has become popular in spite of the music industry. With a strong DIY spirit and highly literate lyrics that carry heavy political statements in a country where most music is consciously apolitical, Haru Nemuri (real name Haruna Kimishima) has built a following at home and around the world. A potent blend of punk, Goth, industrial, dark-pop, and riot grrrl, Haru Nemuri's music is driven by rage, which is uncommon in Japan, resulting in a visceral and exciting sound with surprisingly deep production. Seeing Kimishima's small frame bent over with fury as she lets out a blood-curdling scream, her live shows are a mesmerizing spectacle. And yet her anger and frustration have led to love and success, with multiple overseas tours and collabs with Western artists like Jaguar Jonze, Pussy Riot, and Frost Children. Now, Kimishima is back with a brand-new self-produced album, "ekkolaptómenos," released on August 1 on her own label of the same name. The Greek-language title refers to birth, and the songs on the album are hypnotically amniotic, expansively multiversal, subatomic, confrontational, and very angry. "I wanted to try completely self-producing the album myself because I felt my skills had grown in the past few years since my last album [2022's 'Shunka Ryougen']," says Kimishima. "So I decided to go the DIY route. The result is a sound that is totally me." While Kimishima is known for rap and spoken-word sections in her songs, on "ekkolaptómenos" she sings more. The album draws on her electronic music base, with layered production that lets her voice shine through. The result is an album that is dense, rich, and just a little sweet, like a poisoned chocolate fudge cake. Cover artwork for the album "ekkolaptómenos," whose title is a Greek coined word that "signifies both the act of hatching and being hatched simultaneously." "I wanted to have a proper go at singing," she says. "I think it's a much more pop sound — much poppier than I had intended at the start. But when I played it to people, they said it's not pop at all!" The songs' lyrics draw on themes familiar to the doom-scrolling generation: a nihilistic treatise on the difficulties of fitting into society and the modern prison of digital surveillance — a swirling vortex of religion, hardship, and death. And yet, these caustic, carcinogenic sentiments leave a strangely life-affirming and hopeful impression, aided by the catharsis of her music. "Living in society as a human being, it's very difficult to simply exist," explains Kimishima. "The behavior expected of you is extreme. If you were to suddenly start dancing in the middle of Ginza Crossing, people would think you're strange — but shouldn't you be allowed to do that if you want to? I'd like to destroy the frameworks of society, government, and religion, and simply exist in a state of being myself. "If you know the rules, you have the option of breaking them. You really can dance in the middle of Ginza Crossing." This may seem like an overtly anarchistic message. But do we really have to accept the constraints of modern life? Having grown up in Japan, Kimishima points out how first-world society is designed to promote an industrious lifestyle where work is everything. We are workers, consumers, and not free human beings. That's not a new observation, of course, but Kimishima is representative of a generation that feels suffocated by it. "Our cities are designed to promote the rules of society," she says. "There are very few spaces where people can just sit and do nothing. Cities are designed so that you leave your home, go to work, and then go home again. It makes people forget that they have the option of choosing to skip work that day, and they become trapped. "I want to remind people that they always have the option to suddenly take a day off work and go to the beach! This is something that music can do." Kimishima illustrates her feelings of frustration in the song "supernova," inspired by the writings of Galileo Galilei. His groundbreaking scientific discoveries were construed by the Catholic authorities of the 17th century as heresy, only finding true understanding decades or centuries later. Kimishima craves the same understanding, even if it comes too late. "Yes, I'm able to turn my emotional unbalance into music," she says. "But I'd rather be unable to make music if it meant I could live life in comfort instead! When a star explodes, viewed from afar it looks bright and beautiful, but it's still an explosion, and from the perspective of the star it's a destructive event. And that's how I feel." "Supernova" is not the only clash with Catholicism on the album. Though not a religious person, Kimishima attended a Protestant middle school and high school in Japan, where daily church services were part of the syllabus, leaving her with a strong sense of faith and an interest in the heavy hand of religious dogma. Take the new song "indulgentia," a bold track built around a sample of a hypnotic South Indian chant, with lyrics that reflect upon medieval viewpoints on sin that remain part of modern society. In the Middle Ages, the Catholic church sold "indulgences", which essentially meant paying for the absolution of sin and release from purgatory after death. This practice is now seen as a corrupt means of exploitation, but the concept of sin is still very much a part of life. "Sin, criminality, and law are a major part of society, but are the things we consider illegal actually always bad?" questions Kimishima. "The line can be arbitrary. Like, in some countries, abortion is illegal — but why? This completely violates the rights of a pregnant person. It may be illegal, but is it really bad? The punishment doesn't always seem to match the crime, and I feel we need to reckon with that. "People may be arrested for having a dependency on drugs, but couldn't we care for them instead? Sin is an unavoidable element of life for some people, so why should we shun them? I want those people to feel understood." This lack of humanity in everyday life is what drives Haru Nemuri's music. They are eternal problems, yes, but that is also what makes them timely — and why they resonate with so many fans around the world. I first saw Haru Nemuri in 2018 at Moshi Moshi Nippon, a festival in Tokyo that aimed to showcase artists with global appeal. Immediately after that, she played her first overseas show in Taiwan. Since then, she has gone on to frequently tour in North America, Europe, Asia, and beyond, finding sympathetic music lovers who share her worldview wherever she goes. "Japanese audiences don't necessarily respond when I talk about being an anarchist or a feminist, but when I say that overseas, the audiences erupt in cheers! In Japan, the common belief is that it's safer not to talk about politics. But during the recent mayoral election in New York, some of my favourite New York-based musicians were posting every day on Instagram telling people who to vote for." Her dense lyrics are filled with meaning, but they are written mostly in Japanese. How do audiences get beyond the language barrier to understand their meaning? "Sometimes fans tell me they are learning Japanese just so they can understand my lyrics — but my lyrics are not really great material for beginners!" she laughs, as her manager points out that even native Japanese speakers may struggle to penetrate them. "Even if people can't understand the lyrics in detail, I think they can understand the emotion," says Kimishima. "When I play overseas, I try to explain in English the message I want people to take away between songs. I want to make sure everyone is on the same page before I start screaming. But music is the common language." Despite so many of her songs carrying dark and nihilistic messages, on stage, Kimishima is almost quite cheerful and seems grateful to her audience, acknowledging how music has allowed her to find her tribe. "I feel alive on stage," she says. "I usually detest my body — I wish I had endless stamina and didn't get tired so easily. I'm small, and people look down on me, which I hate. I get exhausted from overthinking, and I wish I was invincible. "But when I'm on stage, I can forget all that. I'm filled with adrenaline, and I don't think about feeling tired or in pain, and I can do all the things I want to do. That's when I feel invincible." Still, that feeling of helplessness is part of what defines Kimishima and her music as Haru Nemuri. I ask her what cuts through the pain to give her hope, and she pauses for a long beat. "Hope... To be honest, it's tough," she eventually replies. "With the recent rise of populism and nationalism [around the world], things have gotten pretty bad ... I had a good education, and it would never occur to me to do something deliberately to hurt another person. "I wish everyone could be happy. But looking at reality today, it seems like I'm in the minority. The majority of people are afraid of others who look different from their group. I don't know why. Every day it seems strange to me. Why can't people get along with their neighbors? "When I meet like-minded people who want to fight and protest these things, that's what gives me hope. We have to create an environment where we can be happy. For the right to simply exist, we must be prepared to fight." Haru Nemuri's album "ekkolaptómenos" is out on August 1. She will perform at the Shindaita Fever in Tokyo on August 8, followed by a nine-date North American tour from September 12. Her Japan tour resumes on October 7 through the end of November. For further information, visit her website. Interview by Daniel Robson Read Daniel's artist interviews and his series Gamer's World on JAPAN Forward, and find him on X (formerly Twitter) .

Trump slaps tariffs on key allies as global trade talks intensify
Trump slaps tariffs on key allies as global trade talks intensify

Canada News.Net

time3 hours ago

  • Canada News.Net

Trump slaps tariffs on key allies as global trade talks intensify

WASHINGTON, D.C.: With the clock ticking toward a self-imposed trade deal deadline, U.S. President Donald Trump has announced steep tariffs on dozens of countries, escalating his efforts to reshape the global trade landscape. Through an executive order issued this week, Trump imposed new import duties ranging from 10 percent to 50 percent on goods from 69 trading partners, including Canada, Brazil, India, Taiwan, and Switzerland. The tariffs will take effect in seven days, just ahead of the August 1 deadline. The measures include a 35 percent tariff on many Canadian goods, 50 percent for Brazil, 25 percent for India, and 20 percent for Taiwan. An exception has been granted for shipments already in transit. Goods from countries not listed will face a blanket 10 percent U.S. import tax, potentially more in the future, Trump indicated. "Some trading partners, despite having engaged in negotiations, have offered terms that, in my judgment, do not sufficiently address imbalances," the executive order stated, adding some also failed to align with U.S. economic and national-security priorities. Markets reacted with relative calm, a contrast to the selloff that followed Trump's earlier tariff threats in April. Still, stocks and equity futures edged lower in Asian trading. The administration says additional trade deals are in the works as part of a broader strategy to close trade deficits and support U.S. manufacturing. Canada was hit particularly hard. Trump raised tariffs on Canadian goods tied to fentanyl-related enforcement to 35 percent, up from 25 percent, claiming Ottawa had "failed to cooperate" on narcotics enforcement. "Canada has been very poorly led," Trump told reporters. Canada's government has not yet responded, but it previously contested the basis for such tariffs. Mexico, meanwhile, received a reprieve. Trump granted a 90-day delay on new 30 percent tariffs for most Mexican non-automotive and non-metal goods covered by the U.S.-Mexico-Canada Agreement (USMCA), following a call with President Claudia Sheinbaum. "We avoided the tariff increase announced for tomorrow," Sheinbaum posted on X, calling the call with Trump "very good." However, U.S. tariffs on Mexican steel, aluminum, copper, and non-USMCA-compliant autos remain in place. India now faces a 25 percent tariff following stalled negotiations over agricultural market access. Trump also raised concerns about India's purchases of Russian oil. Talks are ongoing, but New Delhi has pledged to protect its farm sector. The news triggered backlash from India's opposition and a drop in the rupee. Brazil was hit with a 50 percent tariff amid tensions over the prosecution of former President Jair Bolsonaro, a Trump ally. Still, specific sectors such as energy, aircraft, and orange juice were spared. Commerce Department data showed that tariffs may already be driving up prices: home furnishings rose 1.3 percent in June, recreational goods 0.9 percent, and clothing and footwear 0.4 percent. Meanwhile, Trump's legal justification, using the 1977 International Emergency Economic Powers Act, faced tough questioning in federal court. Judges appeared skeptical that trade deficits and fentanyl enforcement constitute emergencies under the law. Following preliminary progress in earlier talks, China now has until August 12 to finalize a broader tariff agreement with Washington.

Cocoa tariffs crush US firms, boost Canadian chocolate exports
Cocoa tariffs crush US firms, boost Canadian chocolate exports

Canada News.Net

time9 hours ago

  • Canada News.Net

Cocoa tariffs crush US firms, boost Canadian chocolate exports

LONDON/NEW YORK: U.S. President Donald Trump's tariffs are designed to strengthen domestic manufacturing. But in the chocolate industry, they're having the opposite effect, raising cocoa import costs and making U.S. production less competitive than factories in Canada and Mexico, industry executives and experts say. Thanks to the U.S.-Mexico-Canada Agreement (USMCA), chocolate exported to the U.S. from Canada and Mexico is tariff-free, regardless of where the cocoa is sourced. Meanwhile, U.S. manufacturers must now pay between 10 percent and 25 percent in tariffs on cocoa imports. Those rates could rise to 35 percent starting August 1. Canada has no tariffs on imported cocoa products like butter and powder, and Mexico grows its own beans, giving both countries a cost advantage over U.S.-based factories. Top U.S. chocolate producer Hershey, which has facilities in Canada and Mexico, estimated earlier that tariffs could cost it US$100 million in the second half of this year if they remain in place. The company recently introduced double-digit price hikes on products like Reese's cups, but said the increases were not related to tariffs. Smaller producers are also feeling the pressure. Taza Chocolate, based in Somerville, Massachusetts, had to pay over $24,000 in duties for a single container of cocoa from Haiti. Its next shipment from the Dominican Republic will cost more than $30,000 in tariffs. "For a company our size, that's our profit margin gone," said CEO Alex Whitmore. While he considered moving part of the production to Canada to benefit from USMCA, the investment was too risky in today's uncertain environment. "We're just hunkering down and hoping this will pass," he said. Customs data from Trade Data Monitor shows Canada's chocolate exports to the U.S. rose 10 percent in the first five months of this year. Industry insiders say Canadian and Mexican contract manufacturers are gaining market share, including multinationals like Barry Callebaut, which operates multiple facilities across North America. Barry Callebaut declined to comment, but CEO Peter Feld noted the company's presence in the U.S., Canada, and Mexico "allows us to navigate this environment." Contract chocolate makers supply raw chocolate to U.S. brands, which then add ingredients and market it as American-made. The timing is especially tough for U.S. chocolate makers. Cocoa prices have surged due to poor weather and disease in major producing countries like Ghana and the Ivory Coast. Cocoa accounts for 30 to 50 percent of a chocolate bar's total cost. Hershey said in May that it is lobbying the U.S. government for an exemption on cocoa imports. In Mexico, the chocolate association Aschoco Confimex said American companies have shown growing interest in outsourcing production south of the border. "The sentiment… and requests… to manufacture in Mexico is real and has been increasing," said director general Paolo Quadrini. The U.S. chocolate market is worth $25 to 30 billion. Imports from Canada and Mexico now make up roughly 12.5 percent of that total.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store