logo
Drag Race legend Jinkx Monsoon delivers brutal takedown of JK Rowling's pen name

Drag Race legend Jinkx Monsoon delivers brutal takedown of JK Rowling's pen name

Yahoo2 days ago
RuPaul Drag Race winner Jinkx Monsoon has brutally mocked JK Rowling's views on transgender people.
The author, 60, has been publicly criticized for her controversial statements about transgender people, including celebrating the UK Supreme Court's April ruling that trans women are not legally women under the Equality Act. However, the Harry Potter author has denied being transphobic.
Many famous faces have hit back at Rowling's views, including Monsoon, who identifies as non-binary. During Thursday's episode of comedian Ziwe's podcast, he asked Monsoon if Rowling would 'make a good Roxy Hart in Chicago,' the Broadway musical.
The drag performer responded: 'Who is this? Who is this Jake? Who is he? JK Rowling.'
When Ziwe said Rowling 'is a she,' Monsoon then mocked the author's name. Rowling notably goes by her initials, JK, which stands for Joanne Kathleen.
'That is not a feminine name in the slightest,' they said about Rowling. 'I know that oftentimes, female authors use initials so that people assume it's a male writer.'
Monsoon continued to throw shade at Rowling's views about transgender rights and issues.
'I have to presume that J.K. Rowling was unsatisfied with the way that the world saw her, and then she transitioned herself into a new personality so that the world would perceive her the way she wanted to be perceived,' they continued.
After a moment of silence, Ziwe responded to the remark with: 'Gagging,' prompting Monsoon to burst out laughing.
Rowling has previously opened up about going by the pen name, telling CNN in 2017 that it wasn't her idea to use it. Instead, it was her publisher who was trying to 'disguise [her] gender.'
'I was so grateful to be published, if they told me to call myself Rupert, I probably would have done to be honest with you,' she said. 'But now, I actually quite like having a pen name, because I feel that's — to an extent, that feels like an identity and then I'm — in private life, I'm Jo Murray. And it feels like quite a nice separation.'
Rowling also uses the pen name Robert Galbraith when publishing her ongoing detective series, Cormoran Strike. She uses the pseudonym because she 'wanted to take [her] writing persona as far away as possible from [her],' as noted on her website.
Since December 2019, Rowling has also hit the headlines for her views on transgender issues. She came out in support of Maya Forstater, who worked as a tax expert at the Centre for Global Development, an international think tank, and was sacked after tweeting that transgender people cannot change their biological sex.
Since then, Daniel Radcliffe, Rupert Grint, and Emma Watson, the trio of child actors who played Harry Potter, Ron Weasley, and Hermione Granger in the film series, have all publicly shunned Rowling over her apparent anti-transgender views. The author has said she would not forgive them for criticizing her, telling them to 'save their apologies.'
Tom Felton, who played Draco Malfoy, was recently asked whether Rowling's views 'impact you at all or impact your work in the world of Harry Potter at all.'
'No, I can't say it does,' he replied. 'I'm not really that attuned to it.'
In May, Rowling announced the launch of the J.K. Rowling Women's Fund. The legal fund, which doesn't specifically mention transgender people, will support 'individuals and organizations fighting to retain women's sex-based rights in the workplace, in public life, and in protected female spaces,' its website says.
However, many bookstores in San Francisco later responded to the fund in with protest by pulling Harry Potter books from stores' shelves.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

When Acting Is More Than a Career
When Acting Is More Than a Career

New York Times

time18 minutes ago

  • New York Times

When Acting Is More Than a Career

These days, being an actor — especially if you're a woman, especially if you're an American woman — isn't just about acting. You have to also be a marketer (of yourself, of a product). Ideally, you should also be an entrepreneur. You should express your politics intelligently, but you should be prepared for public opinion to turn on you for doing so in a way that doesn't feel authentic or sounds too strident, or for choosing the wrong issues altogether. Acting itself is no longer the end goal of your career — it's a gateway to being a director or founding a production company. Acting is your way into a different life, not life itself. This is increasingly true for young actors everywhere, but it's perhaps less so in the U.K. There, for both business and cultural reasons, even internationally known and commercially successful actors are expected to make regular appearances in plays; you're more likely to see them turning up in strange, low-budget or otherwise unconventional TV or film roles. Many of them are graduates of the country's storied acting schools, where Shakespeare is emphasized and theater is prioritized. Actors are among the U.K.'s greatest exports; Hollywood and Broadway would be lesser places without them. But even in this context, the London-based Irish actress Jessie Buckley stands out for her diversity of roles and singularity of spirit. At 35, she skipped over the ingénue phase, choosing instead a series of indefinable, distinct characters marked not by their looks or sympathy but by their sincerity and sense of wounded, tender pride — a nuclear fallout survivor in the 2019 mini-series 'Chernobyl'; a dissenter in a close-knit Mennonite community in the 2022 movie 'Women Talking'; and the impassioned, fragile Sally Bowles in the 2021 London production of 'Cabaret.' 'There are threads that connect [her] performances,' writes T's digital director, Alice Newell-Hanson, in her profile of the actress. 'Buckley allows her characters to be prickly with unresolved tension — between individual and family, abandon and care, creativity and responsibility.' In the coming months, Buckley will have two starring roles in anticipated films: first as Shakespeare's wife in 'Hamnet,' and then as the titular character in 'The Bride,' a remake of the 1935 film 'Bride of Frankenstein.' When Newell-Hanson met her in May, she was also 33 weeks pregnant with her first child. Her life is about to change. But one senses that, no matter what, she'll continue to chart her own course, and that her ambitions will remain her own as well: a performer who lives to perform. 'Life is magical and mercurial,' she says. To watch her onscreen or onstage is to believe that too. Hair by Orlando Pita at Home Agency. Makeup by Francelle Daly for Love Craft Beauty. Set design by Patience Harding at New School Rep

Jessie Buckley Goes Where Few Actresses Dare
Jessie Buckley Goes Where Few Actresses Dare

New York Times

time18 minutes ago

  • New York Times

Jessie Buckley Goes Where Few Actresses Dare

THE NIGHT BEFORE I saw the movie 'Hamnet' in May, I dreamed that I lost the baby I was carrying at the very end of my pregnancy. It was harrowing but not totally surprising. I was in fact pregnant, and the film, which will be released in November and which I'd been planning to see for weeks, is about the death of a child. Based on the Northern Irish writer Maggie O'Farrell's 2020 novel of the same name, it's a fictionalized account of how William Shakespeare and his wife — who in this version is Agnes, an herbalist said to be the daughter of a forest witch — grapple with the loss of their son, Hamnet, to the plague. As its star, the Irish actress Jessie Buckley, later said to me, it's 'a pretty brutal one to watch while you're pregnant.' When we dream, our bodies experience the emotions of our unconscious selves almost as acutely as if we were awake. It's a nightly suspension of disbelief that allows even the least imaginative person to act out fictional scenes with startling intensity. But the real trick, of course, is to pull off this illusion while awake: to perform an event you've never experienced with the immediacy of real life. For an actor, that requires craft. To maintain the fantasy, they must pretend they're not being watched, whether by cameras or audiences, but they must also — or at least, the very best actors do — compel their viewers to feel what they are feeling, no matter how much those witnesses might rather turn away. In 'Hamnet,' when Agnes realizes that, despite all her efforts, her son is no longer breathing, she releases a wrenching, full-bodied scream, filmed from the side so that we can see the sound erupting from her mouth, then dissolving into silence, her lips still straining, as if her grief is ultimately unutterable. Buckley's performance of loss, here and in the rest of the film, seems to draw from some dark place where every parent's worst nightmare has pooled. Her scream is both unfathomable and instantly recognizable, a reminder of the potential for tragedy that lies just beneath the surface of life. More than any other quality, it's this ability — to peel back that veneer and enter the places we'd rather not go — that has earned Buckley a reputation for playing complicated roles with devastating power. Chloé Zhao, the director of 'Hamnet,' says that as soon as she read the book, which she adapted with O'Farrell, she knew the role had to be Buckley's. Few other actresses of her generation can gain access to such a wide spectrum of emotions, or seem as willing to risk being disliked for exploring the tougher ones. 'She has no fear in terms of how she's perceived,' says Paul Mescal, 29, who plays Shakespeare in the film. 'She's never trying to hide or draw lines.' In 'Hamnet,' she is part earth mother, tending bees with muddy fingernails and giving birth in the roots of a tree, and part practical parent and partner, revealing with barely perceptible gestures — a searching stare, a terse response — the tug between her own mourning, the small daily tasks of child rearing and her anger at her husband's seeming absence after their son's death. Want all of The Times? Subscribe.

Lifelong Wolves fans from Dudley care home visit Molineux
Lifelong Wolves fans from Dudley care home visit Molineux

Yahoo

time44 minutes ago

  • Yahoo

Lifelong Wolves fans from Dudley care home visit Molineux

TWO lifelong football fans have enjoyed a heart warming return to their beloved team's stadium after decades away. Fred Tennant and Ian Humphries, residents at Broadway Halls care home in Dudley, were given the chance to visit Wolverhampton Wanderers' Molineux Stadium thanks to a wish fulfilled by the Wolves Make a Wish Trust. Scott Bates, activities coordinator at Broadway Halls, described it as 'a perfect day'. The pair, who have lived at the care home for two years, began their visit at the Wolves Museum. Mr Tennant pointed out photos of matches he attended years ago, while Mr Humphries quietly took in the memories. The day became even more special when they met Wolves legends John Richards and Steve Bull. The former players chatted with the fans over tea and sandwiches before leading them out onto the pitch. Mr Tennant and Mr Humphries had their shirts signed and received a Wolves memorabilia gift bag. Mr Humphries said: "This is something I'll remember forever." Mr Tennant agreed. He said: "It's been the most memorable day. "A day I'll never forget. "It is such an amazing feeling to know that such a loving group of people care so much about us that they helped us to live out a dream – and we didn't even have to ask." Danica Chugh, general manager at Broadway Halls, said: "We believe that every moment is worth cherishing. "We want everyone we care for to know how important they are to us here at Broadway Halls. "It is testament to the hard work and dedication of the team here in making our residents' dreams come true. "It was wonderful to see how happy Ian and Fred were – and the staff loved being a part of this as well."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store