Which acclaimed South West pop-up is coming to Perth?
What do Dahl Daddy's and Special Delivery both have in common?
In addition to operating as pop-ups and enjoying well-deserved reputations for serving terrific modern Asian cooking, Corey Rozario and Jacob d'Vauz – the respective co-founders of each business – both have Burmese heritage.
Which makes the prospect of both camps teaming up for one modern Burmese food party a tantalising thought indeed.
It all goes down on Sunday, July 13 when the two crews join forces – Dahl Delivery? Special Daddy's? – to serve their interpretations of the dishes they grew up eating. Expect kangaroo samosas, lahpet thoke (fermented tea leaf salad), fried Shan-style tofu with green mango salad and an absolute rush for table bookings when they get announced.
Keep an eye on the social media channels of both Dahl Daddy's and Special Delivery for details on how to secure a spot at what promises to be one of the year's hottest collabs.
Staying dry at State Buildings this July
As far as somewhere to get tasty things to drink, The State Buildings has long had our backs. This month, it proves (not for the first time) that it's also looking out for teetotallers too by introducing a suite of new non-alcoholic drink options across the precinct showcasing non-alcoholic spirits produced by Ovant.
These include a Ginless and Tonic at Wildflower powered by quandong; the Siamese-influenced Limonaid for Long Chim; and the beer-inspired Bitter Winter which will be served at Petition Kitchen and Beer Corner.
What Kim Brennan did next
In other State Buildings-adjacent news, Kim Brennan – former executive group chef for both State Buildings and COMO The Treasury – has signed on as group executive chef for Fiveight: the property development arm of Nicola and Andrew Forrest's Tattarang company.
The Fiveight hospitality stable includes riverside dining room Cooee, CBD cafe and wine bar Copia, Cottesloe's Indigo Oscar and Margaret River luxury property Cape Lodge which appointed journeyman Margaret River chef Iain Robertson (formerly of Cullen and Xanadu) as its new head chef.
Watch those spaces.
Three the hard-headed Italian way
When it comes to reimagining Italian cuisine, two heads – or two head chefs – are better than one, as proven by the food Chris Caravella and Frank Trequattrini are jointly cooking together one-hat Beaufort Street osteria Testun.
This weekend, two becomes three as Marche-born chef Nico Renzi temporarily joins the good ship Testun for a week-long residency.
A veteran of kitchens such as Vasse Felix and La Madonna Nera, Renzi's bowerbird cooking makes him a great fit for Testun's freewheeling brand of cucina Italiano. (See also the thrilling collaborative menu including ragu of rabbit braised in native herbs, kangaroo loin spiedini, and truffled apple and marsala pie.)
The menu runs from Friday until Sunday, July 13. Testun's cheery restaurant manager Antonio di Senzo, meanwhile, has assembled a similarly adventurous line-up of drinks pairings that includes sake and marsala as well as selections from Testun's Italo-leaning cellar.
Burnt Ends' Dave Pynt is bringing his modern barbecue cooking to Bali
In addition to overseeing Singapore's World's 50 Best-lauded and Michelin-starred modern barbecue restaurant Burnt Ends, Perth-born chef Dave Pynt also has outposts of his smart-casual barbecue restaurant Meatsmith across Asia and The Ledge by Dave Pynt: a poolside barbecue eatery at the luxe Waldorf Astoria Maldives Ithaafushi.
It's the latter that he'll be bringing to Bali when he once again teams up with the legendary, New York-born hotel brand when it opens the Waldorf Astoria Bali.
Scheduled to open in 2027 in Nusa Dua, the property's 71 villas and 68 guest suits will feature panoramic views of the Indian Ocean plus dibs on barbecue cooking from one of the world's hottest open-fire talents.
'We're really excited to bring our style of barbecue to the incredible cliffs of Nusa Dua,' says Pynt.
'There's so much to explore in the local produce and flavours. And when you add the magic of cooking over wood fire, it becomes something special.'
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The Advertiser
a day ago
- The Advertiser
Vulnerable and tender, this documentary is five-star worthy
You don't need to know anything about Mariska Hargitay or Jayne Mansfield to enjoy this documentary. My Mom Jayne is a tender, moving, vulnerable film allowing the Law and Order: SVU actress to reclaim her mother's story and, in the process, reclaim her own. Hargitay, director and narrator of the film, tells us early on that she has nearly no memories of her mother. Jayne Mansfield was only 34 years old when she died in a horrific car accident. Mariska, aged three, and two of her siblings were in the backseat when the accident happened, and all survived, but their mum, her partner and their driver all died. It's a piece of Hollywood history that lives alongside the likes of Marilyn Monroe's death and James Dean's fatal car crash. But there's so much more to Jayne Mansfield than her perfect pin-up image and "dumb blonde" big screen roles. She was a mother of five and spoke nearly as many languages. She was gifted with the violin and the piano, and was a savvy public relations strategist. But she was also a woman who lost her father at five years old, became a mother for the first time at 16 years old and struggled to achieve the kind of consideration as a serious actress that she desperately craved. Hargitay, having no real memory or understanding of her mother as a person and not just a famous figure, often struggled with her public image. She felt ashamed of this character her mother played for the masses, with a soft and childlike voice and her figure constantly on show. Her image as a sexpot was something Hargitay hated, and made sure to avoid at all costs in her own career. But in making the film, she discovered so much more about the woman behind the Jayne Mansfield mystique. Much of this comes from frank discussions with her siblings, her stepmum, her mother's former press secretary and an examination of family photos, videos and other documents that have been packed away in storage for decades. While the first half of the film is very much an exploration of Jayne's life and legacy, the back half of the film is much more focused on Hargitay's understanding of her own identity. Here she shares publicly for the first time that Mickey Hargitay - the man she grew up believing was her father, and revered her whole life until his death in 2006 - was not actually her biological father. He always considered himself her dad, and raised her as such, but another man actually fathered Mariska - an Italian-Brazilian performer named Nelson Sardelli. If the film wasn't delivered with such truth and trust, you'd never believe the way a 25-year-old Hargitay found out about Sardelli. It sounds, appropriately, like something cooked up by a Hollywood writer. But it is true, and at the end of the film Hargitay introduces us - the viewers and the world - into her other family, featuring her biological father and two half sisters. Many tears are shed in My Mom Jayne. From the filmmaker herself, from her siblings (especially when they recall the horror accident), from her stepmom and the Sardelli family, but also from the watching audience. It's near impossible to finish this film with a dry eye. The streaming service Max might've only just arrived in Australia - and will soon be renamed (again) HBO Max - but it's worth signing up just for this film. You don't need to know anything about Mariska Hargitay or Jayne Mansfield to enjoy this documentary. My Mom Jayne is a tender, moving, vulnerable film allowing the Law and Order: SVU actress to reclaim her mother's story and, in the process, reclaim her own. Hargitay, director and narrator of the film, tells us early on that she has nearly no memories of her mother. Jayne Mansfield was only 34 years old when she died in a horrific car accident. Mariska, aged three, and two of her siblings were in the backseat when the accident happened, and all survived, but their mum, her partner and their driver all died. It's a piece of Hollywood history that lives alongside the likes of Marilyn Monroe's death and James Dean's fatal car crash. But there's so much more to Jayne Mansfield than her perfect pin-up image and "dumb blonde" big screen roles. She was a mother of five and spoke nearly as many languages. She was gifted with the violin and the piano, and was a savvy public relations strategist. But she was also a woman who lost her father at five years old, became a mother for the first time at 16 years old and struggled to achieve the kind of consideration as a serious actress that she desperately craved. Hargitay, having no real memory or understanding of her mother as a person and not just a famous figure, often struggled with her public image. She felt ashamed of this character her mother played for the masses, with a soft and childlike voice and her figure constantly on show. Her image as a sexpot was something Hargitay hated, and made sure to avoid at all costs in her own career. But in making the film, she discovered so much more about the woman behind the Jayne Mansfield mystique. Much of this comes from frank discussions with her siblings, her stepmum, her mother's former press secretary and an examination of family photos, videos and other documents that have been packed away in storage for decades. While the first half of the film is very much an exploration of Jayne's life and legacy, the back half of the film is much more focused on Hargitay's understanding of her own identity. Here she shares publicly for the first time that Mickey Hargitay - the man she grew up believing was her father, and revered her whole life until his death in 2006 - was not actually her biological father. He always considered himself her dad, and raised her as such, but another man actually fathered Mariska - an Italian-Brazilian performer named Nelson Sardelli. If the film wasn't delivered with such truth and trust, you'd never believe the way a 25-year-old Hargitay found out about Sardelli. It sounds, appropriately, like something cooked up by a Hollywood writer. But it is true, and at the end of the film Hargitay introduces us - the viewers and the world - into her other family, featuring her biological father and two half sisters. Many tears are shed in My Mom Jayne. From the filmmaker herself, from her siblings (especially when they recall the horror accident), from her stepmom and the Sardelli family, but also from the watching audience. It's near impossible to finish this film with a dry eye. The streaming service Max might've only just arrived in Australia - and will soon be renamed (again) HBO Max - but it's worth signing up just for this film. You don't need to know anything about Mariska Hargitay or Jayne Mansfield to enjoy this documentary. My Mom Jayne is a tender, moving, vulnerable film allowing the Law and Order: SVU actress to reclaim her mother's story and, in the process, reclaim her own. Hargitay, director and narrator of the film, tells us early on that she has nearly no memories of her mother. Jayne Mansfield was only 34 years old when she died in a horrific car accident. Mariska, aged three, and two of her siblings were in the backseat when the accident happened, and all survived, but their mum, her partner and their driver all died. It's a piece of Hollywood history that lives alongside the likes of Marilyn Monroe's death and James Dean's fatal car crash. But there's so much more to Jayne Mansfield than her perfect pin-up image and "dumb blonde" big screen roles. She was a mother of five and spoke nearly as many languages. She was gifted with the violin and the piano, and was a savvy public relations strategist. But she was also a woman who lost her father at five years old, became a mother for the first time at 16 years old and struggled to achieve the kind of consideration as a serious actress that she desperately craved. Hargitay, having no real memory or understanding of her mother as a person and not just a famous figure, often struggled with her public image. She felt ashamed of this character her mother played for the masses, with a soft and childlike voice and her figure constantly on show. Her image as a sexpot was something Hargitay hated, and made sure to avoid at all costs in her own career. But in making the film, she discovered so much more about the woman behind the Jayne Mansfield mystique. Much of this comes from frank discussions with her siblings, her stepmum, her mother's former press secretary and an examination of family photos, videos and other documents that have been packed away in storage for decades. While the first half of the film is very much an exploration of Jayne's life and legacy, the back half of the film is much more focused on Hargitay's understanding of her own identity. Here she shares publicly for the first time that Mickey Hargitay - the man she grew up believing was her father, and revered her whole life until his death in 2006 - was not actually her biological father. He always considered himself her dad, and raised her as such, but another man actually fathered Mariska - an Italian-Brazilian performer named Nelson Sardelli. If the film wasn't delivered with such truth and trust, you'd never believe the way a 25-year-old Hargitay found out about Sardelli. It sounds, appropriately, like something cooked up by a Hollywood writer. But it is true, and at the end of the film Hargitay introduces us - the viewers and the world - into her other family, featuring her biological father and two half sisters. Many tears are shed in My Mom Jayne. From the filmmaker herself, from her siblings (especially when they recall the horror accident), from her stepmom and the Sardelli family, but also from the watching audience. It's near impossible to finish this film with a dry eye. The streaming service Max might've only just arrived in Australia - and will soon be renamed (again) HBO Max - but it's worth signing up just for this film. You don't need to know anything about Mariska Hargitay or Jayne Mansfield to enjoy this documentary. My Mom Jayne is a tender, moving, vulnerable film allowing the Law and Order: SVU actress to reclaim her mother's story and, in the process, reclaim her own. Hargitay, director and narrator of the film, tells us early on that she has nearly no memories of her mother. Jayne Mansfield was only 34 years old when she died in a horrific car accident. Mariska, aged three, and two of her siblings were in the backseat when the accident happened, and all survived, but their mum, her partner and their driver all died. It's a piece of Hollywood history that lives alongside the likes of Marilyn Monroe's death and James Dean's fatal car crash. But there's so much more to Jayne Mansfield than her perfect pin-up image and "dumb blonde" big screen roles. She was a mother of five and spoke nearly as many languages. She was gifted with the violin and the piano, and was a savvy public relations strategist. But she was also a woman who lost her father at five years old, became a mother for the first time at 16 years old and struggled to achieve the kind of consideration as a serious actress that she desperately craved. Hargitay, having no real memory or understanding of her mother as a person and not just a famous figure, often struggled with her public image. She felt ashamed of this character her mother played for the masses, with a soft and childlike voice and her figure constantly on show. Her image as a sexpot was something Hargitay hated, and made sure to avoid at all costs in her own career. But in making the film, she discovered so much more about the woman behind the Jayne Mansfield mystique. Much of this comes from frank discussions with her siblings, her stepmum, her mother's former press secretary and an examination of family photos, videos and other documents that have been packed away in storage for decades. While the first half of the film is very much an exploration of Jayne's life and legacy, the back half of the film is much more focused on Hargitay's understanding of her own identity. Here she shares publicly for the first time that Mickey Hargitay - the man she grew up believing was her father, and revered her whole life until his death in 2006 - was not actually her biological father. He always considered himself her dad, and raised her as such, but another man actually fathered Mariska - an Italian-Brazilian performer named Nelson Sardelli. If the film wasn't delivered with such truth and trust, you'd never believe the way a 25-year-old Hargitay found out about Sardelli. It sounds, appropriately, like something cooked up by a Hollywood writer. But it is true, and at the end of the film Hargitay introduces us - the viewers and the world - into her other family, featuring her biological father and two half sisters. Many tears are shed in My Mom Jayne. From the filmmaker herself, from her siblings (especially when they recall the horror accident), from her stepmom and the Sardelli family, but also from the watching audience. It's near impossible to finish this film with a dry eye. The streaming service Max might've only just arrived in Australia - and will soon be renamed (again) HBO Max - but it's worth signing up just for this film.
Sydney Morning Herald
a day ago
- Sydney Morning Herald
Sooshi Mango grew up on pizza and pasta. Here are their go-to places to eat it
Popular Melbourne-based comedy trio (and reigning Kings of Moomba) Sooshi Mango may be best known for their raucous comedy, but their fun Italian diner, Johnny, Vince & Sam' s, on Carlton's Lygon Street has made them successful restaurateurs as well. Two years after opening, queues for the walk-in-only venue still snake down the street, with diners keen to experience the restaurant's home-style Italian cooking, note-perfect nod to nonna-style decor and an always fun and lively atmosphere. The menu, created in collaboration with Johnny Di Francesco of award-winning pizzeria 400 Gradi fame, is an ode to the dishes they grew up eating – spaghetti and meatballs, lasagne and cotolette [schnitzels] among them. The two-level restaurant was inspired by a now-closed Camberwell eatery where two-thirds of Sooshi Mango, brothers Joe and Carlo Salanitri, would dine with family as youngsters.
The Age
a day ago
- The Age
Sooshi Mango grew up on pizza and pasta. Here are their go-to places to eat it
Popular Melbourne-based comedy trio (and reigning Kings of Moomba) Sooshi Mango may be best known for their raucous comedy, but their fun Italian diner, Johnny, Vince & Sam' s, on Carlton's Lygon Street has made them successful restaurateurs as well. Two years after opening, queues for the walk-in-only venue still snake down the street, with diners keen to experience the restaurant's home-style Italian cooking, note-perfect nod to nonna-style decor and an always fun and lively atmosphere. The menu, created in collaboration with Johnny Di Francesco of award-winning pizzeria 400 Gradi fame, is an ode to the dishes they grew up eating – spaghetti and meatballs, lasagne and cotolette [schnitzels] among them. The two-level restaurant was inspired by a now-closed Camberwell eatery where two-thirds of Sooshi Mango, brothers Joe and Carlo Salanitri, would dine with family as youngsters.
