Esther Freud is back in our picks for the best Literary Fiction out now: MY SISTER AND OTHER LOVERS by Esther Freud, FLASHLIGHT by Susan Choi, THE GIRLS WHO GREW BIG by Leila Mottley
This slim but capacious novel begins with narrator Lucy preparing for a premiere. Although not named, it's obvious that the film is Hideous Kinky, adapted in 1998 from Freud's largely autobiographical debut novel of the same name which featured the then five–year-old Lucy as the protagonist.
Lucy's bruising but always engrossing passage from child to adulthood provides the arc here, and we're deeply with her at every moment, whether she's watching Eric and Ernie at Christmas while her beloved sister injects drugs upstairs, or suddenly discovering three previously unknown half-brothers (Freud's father, the artist Lucian, was rumoured to have 30 children).
Freud's alternately painful and funny story may cleave close to her fascinating life, but it begs larger questions too as Lucy's insight grows into the lasting legacy of her rootless bohemian upbringing.
FLASHLIGHT by Susan Choi (Jonathan Cape £20, 464pp)
Spanning decades, oceans and political ideologies, the drama in Choi's epic novel takes place on the largest and most intimate of stages.
At the centre are the Kangs: Serk, Anne and Louisa. Though born in Japan, Serk doesn't discover he's ethnically Korean until the end of the Second World War. He subsequently emigrates to America, where he marries Anne and fathers Louisa.
Rage, not love, is default in this fractious family, which keeps the novel's first half at a roiling boil.
Then a family trip to Japan takes an apparently tragic turn. The truth, however, is far stranger than fiction – cue a spoiler-forbidding plot that draws on an incredible episode in late 20th-century geopolitics.
It makes for an expanse of narrative ground to cover, but Choi's startling, bristling characters power this journey, which plays in the reader's mind with cinematic intensity.
THE GIRLS WHO GREW BIG by Leila Mottley (Fig Tree £16.99, 352pp)
Motley's debut, Nightcrawling – written when she was just 17 – earned her a Booker Prize longlisting.
Her ample talent is on display again in this loose sequel, which follows an improvised sisterhood of mostly teenage Floridian moms, 'the Girls'.
Shunned by their small town's community, they provide each other with support. But when pregnant, would-be Olympic swimmer Adela arrives, the dynamic is disturbed.
Clever Emory, who dreams of college admission, finds in the newcomer the friendship she's been starved of. But the unwitting Adela is on an explosive collision course with the Girls' ringleader, Simone.
Motley's tough, vital lyricism drives a fiercely compassionate novel about survival, hope, and love.
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The Guardian
an hour ago
- The Guardian
‘They're rowdy. They're vibing. I rip my shirt off': the exploding career of Hanumankind, India's hottest rapper
Two weeks ago, halfway through his first ever UK show, Hanumankind instructed the crowd to mimic him by hopping to the right then to the left, back and forth, in unison. But the rapper from India slipped and fell, limping to the end of the gig in evident pain, kept upright by his DJ and inspired by the audience's singalong familiarity with his catalogue. 'We were ready to have a good time,' he sheepishly grins from an armchair at his record label's offices three days later. It turns out he has torn a ligament. 'It was a battle of internal turmoil. The show was like a fifth of what it was meant to be, but I gave it my all. London has a beautiful energy which gave me strength.' Even without the leg injury, the 32-year-old star, who was born Sooraj Cherukat, has reached a testing threshold in his short, explosive career. His tracks Big Dawgs and Run It Up, helped by action-movie music videos, have made him one of the most talked-about MCs in the world. A$AP Rocky and Fred Again are among his recent collaborators. Indian prime minister Narendra Modi even invited Cherukat to perform at an event in New York last September. But as a rare south Asian face in globally popular rap, he feels a certain responsibility. 'The past year has been hard,' he says. 'I'm trying to navigate through it.' What's more, although he expresses a deep pride about life in India, 'a lot of things are off. There is a mob mentality. There's a lot of divisiveness because of religion, background, caste. It doesn't sit well with me. I'm in a unique space to change the way people can think within my country.' Born in Malappuram, Kerala, which he remembers as a 'green, beautiful environment', Cherukat spent his childhood following his father's work abroad, from Nigeria to Saudi Arabia to Britain. 'We'd traverse different countries and I'd sing songs in whatever language I was picking up,' he says. 'Wherever I went, I had to get involved and be ready to leave. I learned to connect with people. That's why the power of the word is so important to me.' At the age of 10, he landed in Houston, Texas, and found a rare stability. It was the early 2000s and the city was an engine room for rap innovation. Cherukat's set his accent to a southern drawl. Already a fan of heavy metal – which makes sense given his grungy, rockstar leanings today – he became hooked on the local chopped-and-screwed subgenre pioneered by DJ Screw, Three 6 Mafia and Project Pat. In his teens he was 'burning CDs full of beats, riding around smoking blunts and hitting hard freestyles'. He returned to south India just before hitting 20. 'The only place I had roots,' he says. He completed a university degree in Coimbatore, Tamil Nadu, before working a corporate job in the tech hub of Bengaluru. Seeing rap as 'a party thing, a way to de-stress and stay connected to the art form', he performed at open-mic nights, softening his US accent and perfecting his stage show for an Indian audience. 'Friends would come to watch and be like, 'Dude, you're not bad. You should lock in.'' So he did. At the end of 2019, Cherukat played his first festival: NH7 Weekender in Pune, Maharashtra. The crowd went wild, quickly morphing from a small handful into a packed moshpit. 'They're rowdy and they're fucking vibing,' he says. 'I rip my shirt off. I'm like, 'OK, I can do this!'' He quit his job and began plotting his next move, filling notebooks with lyrics throughout the pandemic. These are a blend of cheek and grit delivered with a flow that keeps respawning at different speeds and scales. Soon, Cherukat was signed by Def Jam India. Part of a movement to reject the remnants of British colonialism in favour of local expression, the proud, rebellious patchwork of Indian hip-hop encompasses the vast country's 'hundreds of languages, each as deeply rooted as the next', Cherukat explains. 'Someone who speaks Hindi or another regional language will give you a vast amount of depth and detail in what they're doing.' His decision to rap mostly in English therefore came with risks of being perceived as inauthentic at home, but it has certainly helped his global crossover. Besides, he has found other ways to communicate a homegrown aesthetic. Run It Up marches to the beat of Keralan chenda drums, while its video features martial artists from disparate corners of India. Cherukat performed it with a band of drummers at Coachella festival, his debut US gig. 'Most people don't know what is going on in my country,' he says. 'Maybe I can open up some doors, open up some eyes, break out of these bubbles and stereotypes.' Although not religious, Cherukat has a divine figure woven into his performing name. Over recent years, Hanuman, the simian-headed Hindu god of strength and devotion, has been employed everywhere from the car stickers of hypermasculine Indian nationalism to the bloody, satirical critique of Dev Patel's 2024 thriller, Monkey Man. Where does Hanumankind fit into this: traditionalist or progressive? 'I need to make music for myself first,' he says simply. 'But when you have a platform, you can bring about change through your words and actions.' Some fans were disappointed that he accepted the New York invitation from Modi – whose Hindu nationalist government has been accused of democratic backsliding and Islamophobia. Cherukat has defended his appearance, describing it as 'nothing political … We were called to represent the nation and we did that.' But today he claims his 'political ideology is pretty clear' to anyone who has been following his career. In one of his earliest singles, 2020's Catharsis, he rails against systemic corruption, police brutality and armed suppression of protest. 'I'm not just trying to speak to people who already agree with me,' he says. 'I'm trying to give people who are otherwise not going to be listening a chance to be like, 'OK, there is some logic to what he's saying.'' Monsoon Season, his new mixtape, is just out. It features the mellow likes of Holiday – performed on the massively popular YouTube series Colors – as well as raucous collaborations with US rap luminaries Denzel Curry and Maxo Kream. It is less a narrative album, more a compilation, with songs gathered over the years before the spotlight shone on him. 'I have a lot of memories of coming into Kerala during the monsoon,' says Cherukat of the project's name. 'You can have days where things are absolutely reckless, flooded, out of control. There can be days where you get introspective and think about life. There are days where you love the rain: it feels good, there's that smell in the air when it hits the mud, the soil, the flowers. Your senses are heightened. You can fall in love with that. Or it can ruin all your plans and you hate it.' Cherukat's knee will take some time to recover before he embarks on a North American tour later this year. It's clear he needs a break: not just to heal, but to continue processing fame, adapt to its changes and return to the studio. 'I'm still adjusting,' he says. 'The attention, the conversation, the responsibility, the lifestyle, all this shit. Things have been a little haywire. So I just want to go back to the source – and make music.' Monsoon Season is out now on Capitol Records/Def Jam India
The Guardian
an hour ago
- The Guardian
Kate Nash showcases her sleazy side: best podcasts of the week
Dig out the American Apparel dress, liquid eyeliner and Wayfarer sunglasses – the late 00s' indie sleaze movement is being celebrated for all its messy glory. Kate Nash – an OG sleazer – hosts this nostalgic new series about the scene, speaking to the likes of the Cribs' Ryan and Gary Jarman, Franz Ferdinand's Alex Kapranos and Razorlight's Johnny Borrell. It's enough to make you want to cut in a badly judged chunky fringe again. Hollie Richardson BBC Sounds, available from Monday 28 July This honest, conversational podcast breaks down taboos by talking to people about the loved ones they've lost. Host Jason Davidson is a social worker and in the latest episode Michael Palin (pictured right) talks to him about trying to come to terms with his wife's death – and why he feels it almost impossible to say 'I' instead of 'we'. It's a thoughtful look at his grief. Alexi Duggins Widely available, episodes weekly This enjoyably chatty look at the everyday products we take for granted combines history with product design. It opens with a look at the 'fabulous innovation' of the tin opener, running from how it wasn't created until 100 years after food tins were invented to its potential future: a luxury item, like 'the craft beer' of can-opening. AD Widely available, episodes weekly Keir Starmer may be in power now (and enjoying varying levels of success, depending on your views), but what of the Labour leaders of old? Izzy Conn of the University of London digs deep into the red team in this comprehensive pod, which begins after the second world war with Clement Attlee and the beginnings of the welfare state. Hannah J Davies Widely available, episodes weekly Sign up to What's On Get the best TV reviews, news and features in your inbox every Monday after newsletter promotion Widely available, episodes weekly This new podcast from Tortoise Investigates is about mothers who – like Australia's Kathleen Folbigg, whose case sets off this series – have been accused of murdering their children, and whether the experts are always right. The content is highly charged, but the questions it poses around the use of statistics in a court of law feel vital. HJD Widely available, episodes weekly
Reuters
an hour ago
- Reuters
New TV show imagines China invasion, gives Taiwan viewers wake-up call
TAIPEI, July 28 (Reuters) - A new Taiwanese television series that imagines the run-up to a Chinese invasion is getting rave reviews from viewers, who said the first programme featuring the sensitive topic is a wake-up call for the public facing heightened Chinese military threat. In the show, "Zero Day Attack", a Chinese war plane goes missing near Taiwan. China then sends swarms of military boats and planes for a blockade as Taiwan goes on a war footing. Panic ensues on the streets of Taipei. At viewings in Taipei last week attendees have included the top U.S. diplomat in Taiwan Raymond Greene, who is director of the American Institute in Taiwan, and Taiwanese tycoon Robert Tsao, a strident critic of Beijing. The series is set to premiere on August 2 in Taiwan, followed by its Japanese release on Amazon Prime Video. "Presenting such a situation (of conflict) can lead to more discussion about what we should do if it really turns into reality one day," said Blair Yeh, a 35-year-old engineer, after watching the first episode in the Taipei premier last week. The premise of "Zero Day Attack" is a topic that has for years been considered too sensitive for many Taiwan filmmakers and television show creators, who fear losing access to the lucrative Chinese entertainment market. More than half of the show's crew asked to remain anonymous on the crew list, and some people including a director pulled out of the production at the last minute, its showrunner Cheng Hsin Mei told Reuters. But as China steps up military threats, including at least six rounds of major war games in the past five years and daily military activities close to Taiwan, the upcoming drama confronts the fear by setting the 10-episode series around a Chinese invasion of Taiwan. The drama focuses on several scenarios Taiwan might face in the days leading up to a Chinese attack, including a global financial collapse, the activation of Chinese sleeper agents and panicked residents trying to flee the island. "Without freedom, Taiwan is not Taiwan," the actor who plays a fictional Taiwan president says in a televised speech, urging unity after declaring war on China, in the show's trailer. The live broadcast then gets abruptly cut off, replaced by a feed of a Chinese state television anchor calling for Taiwanese to surrender and to report "hidden pro-independence activists" to Chinese soldiers after their landing in Taiwan. "We've been comfortable for a long time now," said viewer Leon Yu, 43-year-old semiconductor industry professional, adding Taiwan's freedom and democracy must be kept. "There's still a lot of people out there burying their head in the sand and don't want to face the dangers of the present."
