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Running Into The Sun - National Theatre Tour Launched Today

Running Into The Sun - National Theatre Tour Launched Today

Scoop2 days ago
Winner of BEST THEATRE at the 2024 Melbourne Fringe returns home
TICKETS ON SALE NOW
Melbourne-based, New Zealand theatre crew a2 Company are bringing their breakout work Running into the Sun home to Aotearoa. The show had a breakthrough season at the 2024 Melbourne Fringe, winning the notable combination of Best Theatre and Best Emerging Company out of more than 400 Australian and International shows.
Written by Ben Ashby (former Artistic Director of Long Cloud Youth Theatre) and developed by the a2 Company ensemble, Running into the Sun is a one act play with a three piece jazz band and four contemporary dancers. The story follows Mary (Jasmine Susic) and Ash (Ben Ashby) at their university graduation house party, as they navigate an unexpected pregnancy and a flash flood hits their hometown.
'messy, joyous, heartfelt and completely off the chain.'
- 2024 Melbourne Fringe Festival: Judges' Picks.
Running Into The Sun is a bold and empathetic work exploring what it means to be young and managing personal crises against the increasingly surreal backdrop of international climate disaster, political instability, and live-streamed war.
After their success in Melbourne the a2 Company are excited to bring this show back home. 'This show could not be more specific to the New Zealand experience', says Ashby. 'I was at my Aunts house in MacAndrew bay, writing about the characters learning of a flash flood in their home town, and I got an emergency alert, telling me I was stranded, because the only road back into Dunedin had been closed due to slips. - At least I got a lot of writing done that weekend!'
TICKETS ON SALE NOW
Wanaka Hāwea Hall: 7 September TICKETS
Christchurch Chch Arts Centre: 9 - 14 September TICKETS
Auckland Basement Theatre: 16 - 20 September TICKETS
Wellington Te Auaha: 1 - 4 October TICKETS
a2 Company was founded in Te Whanganui a Tara - Wellington by Ben Ashby (Artistic Director Long Cloud Youth Theatre 2020-2023) and Nadiyah Akbar (Footnote NZ Dance, Movement of the Human, Joel Bray Dance).
The a2 Company ensemble for the 2025 Aotearoa Tour of Running Into The Sun is:
Choreographer Nadiyah Akbar; Dancers Nadiyah Akbar; Alec Katsourakis, Jasmine Susic, Luke Romero; musicians Toby Leman, Lennox Grootjans, Seth Boy; actors Ethan Morse, Ben Ashby; and designer Asha Barr.
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Ironically another 'unprecedented' moment among so many long-predicted by scientists and science fiction writers (floods, fires, plagues and pandemics being other such 'unprecedented' yet increasingly common phenomena). Wood, like so many creatives, is grappling with the implications of AI and cites a Guardian article that quotes filmmaker Justine Bateman: 'They're trying to convince people they can't do the things they've been doing easily for years … We will get to the point … that you will essentially become just a skin bag of organs and bones, nothing else. You won't know anything and you will be told repeatedly that you can't do it, which is the opposite of what life has to offer.' Wood will never use generative AI but doesn't believe in throwing up hands against new technologies either. She's played with Claude AI but found it feeble – often incorrect, unoriginal. She has concluded that she's not worried about AI writing novels: 'I don't give a shit about that. Who is going to read it?' Wood is more concerned about the loss of process: 'I think it's obscene to pretend that all we want is result, and it'll be a shit result. When we read a book, we want a human connection with another person, and we want that book to be an outcome of all of that writer's life and thinking and experience and observation and serendipity, and the weather – all of this stuff goes into making something deeply, deeply human.' It's this deeply human experience that makes Stone Yard Devotional so relatable: on the surface it is hard to imagine a book about a woman who goes off to live in a monastery connecting with so many readers to such a heightened degree as it has. But Wood's attention to instinct, to the strange ways of the mind and what she calls 'distorted memory' (after an Elizabeth Hardwick quote that is the epigraph of the novel) is so specific that it becomes universal. It's New Zealand painter Jude Rae who Wood credits with finding the form of her novel. 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She's looking forward to being in Aotearoa – particularly in relation to the oddity that is the gulf between Australian and New Zealand literary communities. My parting question is to ask Wood for recommendations – Australian writers she admires. We discuss Fiona McFarlane, Joan London, Helen Garner, Gail Jones, Alexis Wright and Ellen van Neervan. Wood then turns to glance at her empty bookshelves to consult for more and momentarily despairs at their absence, 'so weird when they're not there! I feel out of my head.' Charlotte Wood will appear in multiple events at WORD Christchurch this August including an event on Stone Yard Devotional, an Elements of Fiction masterclass, live with Emily Perkins.

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