
Rota rota ghar gaya: Bigg Boss 17's Abhishek Kumar recalls casting couch incident
He said, "Mere saath ek incident ho gaya tha. Touchy-touchy sa kuch ho gaya tha (An incident took place with me when someone touched me inappropriately)."advertisement"Koi gay tha Bombay mein dedh, do mahino ke baad. Toh main darr gaya tha (He was gay. This was when I was in Mumbai for almost two months. I got really scared)," Abhishek added.The actor further said, "Matlab kuch aisa hua nahi tha but usne mere saath try kiya ki tujhe aisa karna padega tabhi tu aage badh sakta hain (Nothing happened, but I was told that you have to do these things, only then can you move forward)."Abhishek also admitted that he had lied to his parents that he was in Delhi instead of Mumbai.He said, "Aur maine ghar pe nahi bataya tha ki main Bombay mein hu. Unko bataya tha ki mein Delhi mein training kar raha hoon (I had not told at home that I was in Mumbai, they knew I was in Delhi)."advertisement"Toh maine Mummy ko call kiya aur maine Mummy ko bataya ki mere saath aisa hua hain rote hue. She said waapis aja. Maine agley din train ki ticket li general ki (I called my mother and told her what happened with me in tears. She told me to come back home, and the next day I booked my tickets)," he went on.The actor further said, "Main general main baithha hu aur main rota rota waapis ghar jaa raha hoon. First time main chala gaya tha ki mereko iss industry mein nahi sana, bohot mushkil hai (I cried in the general compartment and returned home. That was the first time when I thought I cannot make it in this industry, it is very hard)."Abhishek was the runner-up on the Salman Khan-hosted reality show 'Bigg Boss 17.'He is best known for Hindi television shows like 'Udaariyaan' and 'Bekaboo.'Must Watch

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Pink Villa
22 minutes ago
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Fantastic Four Box Office: Marvel superhero family saga FLOPS in India with Rs 25 crore first week
The Fantastic Four: First Steps has been running in theaters for the last seven days. Produced under the banner of Marvel Studios, the Hollywood superhero flick stars Pedro Pascal as the main lead alongside Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn. The Fantastic Four has ended its first week. Here's how it is performing in Indian markets. The Fantastic Four earns Rs 24.45 crore in debut week at the Indian box office Directed by Matt Shakman, The Fantastic Four: First Steps opened at Rs 4.9 crore on Friday in India. It then earned Rs 6.5 crore on Saturday and Rs 6.75 crore on Sunday. This was followed by the Marvel Studios production recording Rs 1.8 crore on the first Monday, Rs 1.95 crore on the first Tuesday, and Rs 1.3 crore on the first Wednesday. Now, the Pedro Pascal starrer has fetched Rs 1.25 crore on the first Thursday, bringing its cume collection to Rs 24.45 crore at the Indian box office. The Fantastic Four emerges as a flop in India The Fantastic Four, which serves as the 37th film of the Marvel Cinematic Universe (MCU), has turned out to be a flop in India. Distributed by Walt Disney Studios Motion Pictures, the film opened on an average note and followed an ordinary trend with a big drop on weekdays. Based on the Marvel Comics superhero team, the Fantastic Four, the new release is competing with Saiyaara and Mahavatar Narsimha at the Indian box office. It will also compete with Son of Sardaar 2 and Dhadak 2 from tomorrow. The Fantastic Four: First Steps in theaters The Fantastic Four: First Steps is running in theaters. The tickets for the movie can be booked online or directly at the cinema halls. Stay tuned to Pinkvilla for more updates. Disclaimer: The box office figures are compiled from various sources and our research. The figures can be approximate, and Pinkvilla does not make any claims about the authenticity of the data. However, they are adequately indicative of the box-office performance of the films in question.


Time of India
26 minutes ago
- Time of India
Are Character Actors Disappearing from Tamil Cinema?
Manorama in the 1990 film 'Nadigan'. Pic credit: Stills Gnanam Thirty-five years after the hit film's release, Khusbhu, who was hailed the star of P Vasu's 'Nadigan', still believes Manorama was the real hero. 'As the strict aunt, she had the audience eating out of her hand. She outshined the rest of us on screen.' That was the time, says Khushbu, when Tamil cinema was defined not just by its stars, but by its unforgettable character actors, a glaring void in present-day scripts. In the 1960s it was S V Ranga Rao, V S Raghavan, S V Subbaiah and T S Balaiah who were remembered for their memorable roles as father, father-in-law and sometimes playing characters for period films. You Can Also Check: Chennai AQI | Weather in Chennai | Bank Holidays in Chennai | Public Holidays in Chennai Then came Thengai Srinivasan as Sri Ramachandramurthy, the opinionated eccentric boss in 'Thillu Mullu' (1981), Poornam Viswanathan, the loyal village officer Shankara Sastri in 'Ore Oru Gramathiley' (1987) and Delhi Ganesh as the educated Hindi-speaking sidekick Iyer in 'Nayagan' (1987) who didn't just support the story but gave it depth and meaning. Scripts were tailor-made to showcase their talent and they approached roles with precision, which made their innings longer across industries. In today's films, there's a hero who occupies most of the screen space, a blood-thirsty villain, and a heroine who is often reduced to nothing more than eye candy. Although actors such as Saranya Ponvanan, Urvashi and M S Bhaskar have managed to get screen space, their potential remains untapped. Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Brain tumor has left my son feeling miserable; please help! Donate For Health Donate Now Undo by Taboola by Taboola Urvashi and Saranya aced it in 'J Baby' (2024) and 'Conjuring Kannappan' (2023), while Bhaskar stole the show in the 2023 film 'Parking'. Travelling with the script throughout is a challenge, says film critic Balu. 'Malayalam director I V Sasi had a huge cast in his films. Now, films have a limited cast and space has shrunk for character roles,' he says. 'Until a couple of decades ago, Rajinikanth and Kamal Haasan would recommend involving veterans such as Nagesh, Ravichandran and Pandari Bai. But that was just a phase. Today's filmmakers work with barely six characters as movie making is a costly affair with inflated salaries,' says Balu. In between intense or violent scenes, it was the character actors that provided humour, relief or reassurance to the audience that all was well. 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Sarath Kumar's 'Por Thozil' (2023) got him well-deserved recognition, says Dhananjayan. 'He is not the hero in '3 BHK' (2025) either but his screen presence left an impact. Sathyaraj and Radhikaa too are taking up projects that give them character roles.' He believes that versatile actors attract directors. 'Decades ago, Simran was one of the top actors. In 'Tourist Family', it was her role as a mother that stood out. Directors today are looking for character artists. But in the end, faces in posters are what attract audiences. Our biggest issue now is getting people to step out of their homes and watch movies in theatres,' says Dhananjayan. Film critic Vamanan says the answer lies in emotion-based content. 'Family-based scripts are passe. Crime-based content dominates. There's no time to build on a person's character and emotions. This generation has no time. Sensationalising violence has taken prominence because it gives instant gratification.' When Manorama changed the formula When her days of being a comedy queen started to diminish in the late 1980s, Manorama transformed her image to play a mother, mother-in-law, sister-in-law, aunt and grandmother. Director K Balanchander gave her a unique and difficult task in 'Unnal Mudiyum Thambi Angayarkanni' (1988) where she played Kamal Haasan's sister-in-law. It is said the director asked her not to be Manorama, emphasising that 'not a shred of her old formula acting' should peep into her role as Angaryarkanni, who had to pacify a judgmental father-in-law (Bilahari Marthandam Pillai) played by Gemini Ganesan against Kamal as (Udhayamoorthi) for his playful attitude Email your feedback with name and address to


Time of India
an hour ago
- Time of India
Asha Parekh's picture with Helen and Waheeda Rehman from their dinner outing has fans commenting 'legendary icons,' 'classy ladies'
Veteran Hindi cinema actress Asha Parekh dropped a rare picture of herself dining out with Helen and Waheeda Rehman . She shares a good bond with her industry friends. The trio stepped out for a dinner together in Mumbai. And it goes without saying that picture has delighted every fan of Hindi films. Asha Parekh, Waheeda Rehman, and Helen in one frame In the picture, Asha Parekh exuded grace and elegance in a red saree as she smiled for the camera. At the other end of the table, one could see Waheeda Rehman and Helen sitting and posing for the picture. The former wore a grey saree, while Helen opted for a black salwar. She captioned the post, "Jab we met… Cherished moments with people I love," followed by a red heart emoji. View this post on Instagram A post shared by Asha Parekh (Official Account) (@ashaparekhofficial) Fans react to the picture The picture received love from the netizens as they dropped sweet comments on the post. A comment read, "Three beautiful legendary icons in one frame. Thank you and immense gratitude to all three of you for providing us with wholesome entertainment for decades." Another one commented, "Heartthrobs, classy ladies. 😍" One added, "It's so wonderful to see women who made us love movies." Last but not least, a person wrote, "So lovely to see these elegant legends. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Experience next-level CPAP comfort with Resmed AirSense 11 ResMed Enquire Now Undo Aaah, the days of class and beauty paired with immense talent." Their friendship and work For the unversed, the trio enjoyed holidays in the north in 2024. They had shared pictures from their trip on social media. In 2022, they all celebrated together when Asha Parekh was honoured with the Dadasaheb Phalke Award. Meanwhile, Asha Parekh has worked in several movies like 'Dil Deke Dekho,' 'Kati Patang,' 'Teesri Manzil,' 'Love in Tokyo,' 'Aya Saawan Jhoom Ke,' and 'Mera Gaon Mera Desh.' Helen got her breakthrough role in 1958 with the song 'Mera Naam Chin Chin Chu' from Shakti Samanta 's film 'Howrah Bridge.' Waheeda Rehman worked in movies like 'Pyaasa,' 'Kaagaz Ke Phool,' and 'Sahib Bibi Aur Ghulam.'