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Karnataka police to wear blue peak caps once again

Karnataka police to wear blue peak caps once again

Time of India18 hours ago

Bengaluru: In a nod to the long-standing demand from police ranks, chief minister Siddaramaiah approved the introduction of blue peak caps for constables, head constables and assistant sub-inspectors.
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The announcement, made Friday, marks a significant uniform change for the state's lower-rung police personnel.
Interestingly, the blue peak cap is not new to Karnataka police. It was first introduced in the early 1980s by then CM Gundu Rao, replacing the colonial-era khaki slouch hats. However, the caps were short-lived, vanishing within six months due to discomfort and practicality issues.
Despite a recent committee led by ADGP-KSRP Umesh Kumar recommending against replacing the existing slouch hats, the govt chose to move forward with the change, citing persistent requests from personnel on the ground.
The new design is modelled on the Telangana police cap, selected after reviewing caps from several states including Maharashtra, Delhi, Goa and Tamil Nadu.
"The slouch hat has been part of the constabulary uniform since British era, but many officers find it outdated and uncomfortable," a senior IPS officer said, adding: "The demand for change has been strong, but whether this new cap will stand the test of time remains to be seen."
The govt is expected to place an order for over 85,000 blue peak caps to cover all eligible personnel within the department's nearly 1 lakh-strong workforce.

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UK government condemns 'Death to IDF' chants at Glastonbury festival
UK government condemns 'Death to IDF' chants at Glastonbury festival

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UK government condemns 'Death to IDF' chants at Glastonbury festival

British authorities are also investigating statements made by Irish rap trio Kneecap, who have been fiercely critical of Israel and its current military assault against the Palestinian terrorist group Hamas in the Gaza Strip read more Bob Vylan performs on the West Holts Stage on the fourth day of the Glastonbury festival at Worthy Farm in the village of Pilton in Somerset, south-west England. AFP A British punk-rap group faced escalating criticism on Sunday for using anti-Israel statements during the Glastonbury festival, which prompted a police investigation. During their Saturday set, Bob Vylan led fans in chants of 'Death, death to the IDF,' an allusion to the Israeli military's acronym. British authorities are also investigating statements made by Irish rap trio Kneecap, who have been fiercely critical of Israel and its current military assault against the Palestinian terrorist group Hamas in the Gaza Strip. STORY CONTINUES BELOW THIS AD One of Kneecap's members wore a T-shirt dedicated to the Palestine Action Group, which is due to be outlawed under UK terror legislation. The UK government has 'strongly condemned' Bob Vylan's shouts, which event organisers claimed had 'very much crossed a line'. 'We are urgently reminding everyone involved in the production of the festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence,' the festival said in a statement. Avon and Somerset police said Saturday that video evidence would be assessed by officers 'to determine whether any offences may have been committed that would require a criminal investigation'. 'Life is sacred' The chants about Israel's military, condemned by the Israeli embassy in London, were led by Bob Vylan's frontman Bobby Vylan. They were broadcast live on the BBC, which airs coverage of Britain's most popular music festival. 'I thought it's appalling, to be honest,' UK minister Wes Streeting said of the chants, adding that 'all life is sacred'. 'I think the BBC and Glastonbury have got questions to answer about how we saw such a spectacle on our screens,' he told Sky News. The Israel embassy said in a statement late Saturday 'it was 'deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival'. STORY CONTINUES BELOW THIS AD But Streeting, Labour's health secretary, also took aim at the embassy, telling it to 'get your own house in order'. 'I think there's a serious point there by the Israeli embassy. I wish they'd take the violence of their own citizens towards Palestinians more seriously,' he said, citing settler violence in the West Bank. A spokesperson for the BBC said Vylan's comments were 'deeply offensive' and the broadcaster had 'no plans' to make the performance available on its on-demand service. 'A joke' Kneecap, who have made headlines in recent months with their pro-Palestinian and anti-Israel stance, led crowds in chanting abuse against UK Prime Minister Keir Starmer. Starmer, and other politicians, had said the band should not perform after its member Liam O'Hanna, known by his stage name Mo Chara, was charged with a terror offence. He appeared in court earlier this month accused of having displayed a Hezbollah flag while saying 'Up Hamas, Up Hezbollah' after a video resurfaced of a London concert last year. STORY CONTINUES BELOW THIS AD The Iran-backed Lebanese force Hezbollah and the Palestinian militant group Hamas are banned in the UK, and it is an offence to express support for them. O'Hanna has denied the charge and told the Guardian newspaper in an interview published on Friday that 'it was a joke – we're playing characters'. Kneecap regularly lead crowds in chants of 'Free Palestine' during their concerts. Their fans revere them for their anti-establishment stance and criticism of British imperialism but detractors call them extremists. The group apologised this year after a 2023 video emerged appearing to show one singer calling for the death of British Conservative lawmakers. Israel launched an offensive against Hamas in the Palestinian territory of Gaza after the Islamist militant group launched an attack that resulted in the deaths of 1,219 people, mostly civilians, according to an AFP tally based on Israeli official figures. Israel's retaliatory military campaign has killed at least 56,412 people in Gaza, also mostly civilians, according to Hamas-run territory's health ministry. The United Nations considers these figures to be reliable. STORY CONTINUES BELOW THIS AD

The Life of MI6's Forgotten Master Spy
The Life of MI6's Forgotten Master Spy

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The Life of MI6's Forgotten Master Spy

Tim Willasey-Wilsey's The Spy and The Devi l is an incredible story of a British 'master spy' who gained direct access to Adolf Hitler in 1931 through Alfred Rosenberg, a Baltic-German theorist, who headed the Nazi party's foreign office (NSDAP) from 1933-1945. It recreates the post-World War I Europe, dominated by intrigues, treachery and predatory redrawing of borders through land grabbing. The story has shades of John Le Carre's enthralling drama, chronological clarity through assiduous research and a message on how governments should utilise intelligence services. Willasey-Wilsey, CMG, a former British diplomat, is currently Visiting Professor of War Studies at King's College, London and Senior Associate Fellow at the Royal United Services Institute (RUSI). He spent three years researching for this book. The author admits that some books had already acknowledged the spy's contributions, like professor Keith Jeffery's authorised MI6 history, The History of the Secret Intelligence Service, 1909–1949. Yet, not everything was revealed about how this 'important and courageous secret agent' operated at a time when the British government was divided over a coherent policy towards Nazi Germany. Also, in 1934, the agency 'saw Germany as a potential ally in the more important battle against Bolshevik Russia'. It was this spy who helped 'MI6's evolution from being a service providing low-level tactical information to the strategic organisation' for the British government. That was in 1938, when MI-6 chief Admiral Sir Hugh Sinclair consulted the spy when Sir Alexander Cadogan, Permanent Undersecretary for Foreign Affairs, requested the agency to draft a strategic paper 'What should we do?' to deal with Hitler. The spy was Baron Wilhelm Sylvester von der Ropp, or Bill de Ropp, code number 12821, a Baltic-German from Lithuania, who 'lived in the heart of Berlin under the noses of the three main German security services – the Gestapo, the Abwehr and the SD'. Yet, as Jeffery said, at least 70% of the political intelligence on Hitler's Germany was provided by him. Ropp studied in Birmingham University, became a British citizen in 1914. He joined the British army's Air Intelligence team (propaganda & interrogations) under press baron Lord Northcliffe due to his linguistic flair. Ropp came in touch with MI6 as part of his work with Northcliffe and moved to 'Occupied Germany' in 1919, where he worked in the weekly reporting section. After that job ended, MI-6 employed him for covering the Baltic States under cover as a Daily Mail journalist, courtesy Lord Northcliffe. Meanwhile, he got married to Marie Winifred Woodman, known as Jimmy, who helped him in his 'real' work. MI-6 reappointed him to Berlin where he started writing for Outlook magazine edited by John Balderston, an American. At the end of November 1926, Ropp published an article on 'Airships' in Outlook. 'Little did he realise that he would be discussing these very issues with Adolf Hitler himself only four years later." Very soon, he became their Berlin correspondent. The author said that his first piece on 'Germany inside the League' following Berlin's entry to the League of Nations in Geneva demonstrated his ability as a 'political analyst as well as his excellent written English.' In 1926, Ropp became a representative in Germany for the Bristol Aeroplane Company, which was used by MI-6's 'Air Section' led by F.W. Winterbotham, the 'Ultra' intelligence specialist. This facilitated achieving a three-fold object: 'selling Bristol engines for civil aircraft, watching out for the potential military use of civil aviation, and tracking the expansion of Russo-German relations since the Rapallo Treaty of 1922'. Ropp's reputation in Berlin as an expert on Anglo-German relations stabilised in this capacity. However, MI-6 was still not convinced that Germany was their prime concern even in 1930. Here the master spy became a catalyst to convince his bosses in London. The author quotes Ropp's post-retirement article in Daily Mail in October 1957, out of a series of five, permitted by MI-6: 'I should make friends with Hitler while he was no more than the leader of a minority, if boisterous, party and stay with him as his friend if he rose to power'. For this he adopted, as the author described in Chapter 11, a 'crab-like' approach to Hitler in five stages: First, he tapped Baron Walter von Medem, whom he had met in 1919 while recapturing Riga from the Bolshevik forces. Medem was a member of the Right Wing Stahlhelm (The Steel Helmet) of German war veterans. Medem introduced him to Major Hans Berthold, also of Stahlhelm, who in turn introduced him to Arno Schickedanz, a fellow Balt from Riga, who was the Berlin correspondent of the Nazis' influential newspaper Völkischer Beobachter (VB). Schickedanz suggested that Ropp should meet his boss, Alfred Rosenberg, who was the editor of VB. They got along well: 'In Bill de Ropp he found someone who was prepared to listen. He may never have realised that Bill only took an interest because he was being paid by MI6 to obtain intelligence'. Also, for long, Rosenberg had believed that Great Britain was a natural ally of Nazi Germany. Bill de Ropp allowed him to believe in that and 'kept it alive in Rosenberg's consciousness for many years to come'. The author describes how Ropp met Hitler in VB's office at Schellingstrasse, Munich in 1931: 'He [Hitler] was dressed in an old trench-coat and an ill-fitting 'reach me down suit'. Hitler did not waste time with any formalities but plunged into his first question: 'What do the English think about my movement?'' Ropp worked on that to continue conversations with Hitler and Rosenberg. Hitler told him in his second meeting: 'If you could keep me informed of what, in your opinion, the English really think, you will not only render me a service, but it would be to the advantage of your country.' Both Hitler and Rosenberg thought that Ropp was spying on England for them. Ropp felt that Hitler was not very insightful. In his last meeting, he told Ropp, quoting Ribbentrop, that 'the British won't fight' as they would not get 'the backing of Australia, Canada or South Africa and their youth is too decadent and pacifist'. The author did not know how often Hitler and Bill de Ropp met over the next eight years 'although there is evidence of at least a dozen meetings'. Ropp and Jimmy finally left Berlin on August 29, 1939, just three days before the Nazi tanks entered Poland. From Rosenberg's diaries, the author felt that his correspondence with Ropp came to an end on 3 March 1940. At the end of the War, MI-6 terminated Ropp's services and paid a paltry final gratuity of £500. The 'Master Spy' passed away at the age of 87 on October 3, 1973 at Kingswood Hall, a care home at Kington near Peterchurch. 'There was no funeral and there were no letters from the MI6 officers who had known him so well. There are strict rules preventing contact between retired officers and their agents'. In the final chapter, the author assesses the importance of Ropp. 'Without him 'What Should We Do?' could not have been written and MI6 might have remained a source of low-level tactical information rather than the global geopolitical service that it is today'.

U.K. police reviewing rapper Bobby Vylan's anti-IDF comments at Glastonbury Festival
U.K. police reviewing rapper Bobby Vylan's anti-IDF comments at Glastonbury Festival

The Hindu

timean hour ago

  • The Hindu

U.K. police reviewing rapper Bobby Vylan's anti-IDF comments at Glastonbury Festival

British police said they were examining videos of a band that led chants of 'death to the IDF' or Israel Defense Forces at Saturday's Glastonbury Festival. Rapper Bobby Vylan, of rap punk duo Bob Vylan, led crowds attending the festival in chants of 'free, free Palestine' and 'death, death to the IDF." Avon and Somerset Police said video evidence would be assessed by officers 'to determine whether any offenses may have been committed that would require a criminal investigation." The Israeli Embassy to the U.K. said on social media that it was 'deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival." Health Secretary Wes Streeting on Sunday (June 29, 2025) condemned the band's actions as 'appalling." He told Sky News that the BBC and festival organizers had to answer questions about how the comments were broadcast live to millions. The government said Culture Secretary Lisa Nandy has spoken to the BBC director general about Bob Vylan's performance. The BBC said it issued a warning on screen about 'very strong and discriminatory language' during the live stream. Saturday's festival lineup also included Irish-language rap group Kneecap, which gave an impassioned performance for tens of thousands of fans despite criticism by British politicians and a terror charge for one of the trio. Liam Óg Ó hAnnaidh, who performs under the stage name Mo Chara, has been charged under the Terrorism Act with supporting a proscribed organization for allegedly waving a Hezbollah flag at a concert in London in November. The rapper, who was charged under the anglicized version of his name, Liam O'Hanna, is on unconditional bail before a further court hearing in August. Irish hip-hop group Kneecap performed at Glastonbury Festival despite criticism by British Prime Minister Keir Starmer. Frontman Liam O'Hanna was charged with a terrorism offense last month — Reuters (@Reuters) June 28, 2025 The group has faced criticism for lyrics laden with expletives and drug references, and for political statements, especially since videos emerged allegedly showing the band shouting 'up Hamas, up Hezbollah' and calling on people to kill lawmakers. On Saturday band members led the audience in chants of 'Free Palestine' and 'Free Mo Chara.' They also aimed an expletive-laden chant at U.K. Prime Minister Keir Starmer, who has said he didn't think it was 'appropriate' for Kneecap to play Glastonbury. About 200,000 ticket holders have turned up in southwest England for Britain's most prestigious summer music festival, which features almost 4,000 performers on 120 stages.

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