Julión Álvarez fails to enter US, concert at AT&T Stadium postponed, Texas fans stunned
Julión Álvarez's sold-out concert at AT&T Stadium was postponed after the singer was unable to enter the United States in time. Nearly 50,000 fans are now awaiting news on the rescheduled date. The regional Mexican music star's return was highly anticipated following past issues with US authorities
Julión Álvarez's sold-out AT&T Stadium concert in Texas has been postponed due to his delayed US entry, leaving nearly 50,000 fans awaiting a new date
Tired of too many ads?
Remove Ads
Tired of too many ads?
Remove Ads
Julión Álvarez and his beloved Norteño band were set to perform on Saturday, May 24 at Arlington's AT&T Stadium. With nearly 50,000 tickets sold, the regional Mexican music icon was gearing up for what would have been one of the biggest live music events in Texas this year.But a sudden and forced change in plans disrupted the show. According to a joint statement from promoters CMN and Copar Music , the decision to postpone was out of their hands.Also read: Piano man pauses the music: Billy Joel cancels all upcoming concerts amid concerning brain disorder diagnosis 'Due to unforeseen circumstances, Julión was unable to enter the United States in time for the event,' the statement explained.Despite the disappointment, the promoters and Julión's team were quick to reassure fans that the concert would be rescheduled. 'All previously purchased tickets will be valid for the new date,' the announcement said. Customers can expect to receive updates by email and will also be given instructions on how to request a refund if they are unable to attend the new concert date.Julión Álvarez extended heartfelt thanks to his loyal fanbase, expressing gratitude for their patience and continued support. He also confirmed he is eager to return to the stage in Texas as soon as possible.Julión Álvarez, known to fans as 'The King of the Box Office,' has faced challenges with US entry before. In 2017, the Department of the Treasury's Office of Foreign Assets Control (OFAC) blacklisted the singer amid allegations of money laundering, allegations that were never proven in court.Also read: Coldplay's 'Music of the Spheres' becomes most-attended tour ever, dethrones Taylor Swift's 'Eras' tour The case was resolved in Álvarez's favor in 2022, allowing him to resume touring in the United States without issue until now. While no new legal troubles have been reported, this unexpected travel setback has reignited public curiosity about the singer's relationship with US authorities.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
3 hours ago
- Time of India
Jake Paul vs Chavez Jr. fight time: Ring walk time, fight card, prelims and streaming details for US and UK
Influencer-turned-boxer Jake Paul returns to the ring tonight in a much-anticipated bout against former world champion Julio César Chávez Jr., in what is being dubbed the YouTuber's most formidable test yet. Scheduled to take place at the Honda Center in Anaheim, California, the fight is expected to draw global attention as fans gear up for an action-packed night of boxing. Jake Paul Fight Time: Ring Walks and Main Event Details The Jake Paul vs Chávez Jr. bout will headline a loaded card tonight, Saturday, June 28, 2025. The main card starts at 8 p.m. ET on DAZN pay-per-view, with main event ring walks expected around 11 p.m. ET. / 8:00 p.m. PT. For viewers in the United Kingdom, this translates to approximately 4:30 a.m. UK time on Sunday, June 29, as mentioned in a report by Uncrowned. The showdown will be available on a pay-per-view basis via DAZN, with U.S. users required to pay $59.99, a price that includes access to DAZN content for seven days. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like The Top 25 Most Beautiful Women In The World Articles Vally Undo This event comes on the heels of Jake Paul's record-breaking bout last year against Mike Tyson, which drew over 108 million viewers on Netflix, making it the most-streamed sporting event to date. Julio César Chávez Jr: The Comeback Challenge Chávez Jr., son of Mexican boxing icon Julio César Chávez, brings a professional record of 54 wins, 6 losses, and 1 draw. The 39-year-old last competed in July 2024, securing a decision win over former UFC star Uriah Hall. While once crowned WBC middleweight world champion (2011–2012), Chávez Jr now faces the challenge of re-establishing his credentials at cruiserweight, a class in which Paul has found recent success. Live Events Despite Jake Paul being the bookmakers' favourite, Chávez Jr's pedigree and experience cannot be discounted — even if he's been inactive over the past few years. Full Fight Card: Main and Preliminary Bouts Tonight's bout is not a one-fight affair. A comprehensive undercard features several high-stakes contests across various weight classes: Main Card (8 p.m. ET / 5 p.m. PT, DAZN Pay-Per-View) Cruiserweight: Jake Paul vs Julio César Chávez Jr. WBA/WBO Cruiserweight Titles: Gilberto Ramírez vs Yuniel Dorticos Lightweight: Floyd Schofield vs Tevin Farmer Welterweight: Raul Curiel vs Víctor Ezequiel Rodríguez Welterweight: Avious Griffin vs Julian Rodríguez Preliminary Card (3 p.m. ET) Women's Lightweight: Holly Holm vs Yolanda Guadalupe Vega Welterweight: Joel Iriarte vs Kevin Johnson Super Flyweight: John Ramirez vs Saleto Henderson Bantamweight: Alexander Gueche vs Vincent Avina Heavyweight: Joshua Edwards vs Dominic Hardy Super Featherweight: Victor Morales vs Rene Alvarado Streaming Access and Broadcast Notes DAZN retains exclusive broadcast rights for the main card. With fight fans from across the U.S., UK, and beyond tuning in, the event is set to be one of the most watched of 2025. High Stakes for Paul's Boxing Career With a professional record of 11-1, Jake Paul enters the fight with growing confidence and ambition. Having last defeated Tyson via unanimous decision, the 27-year-old continues to claim he's on a path to boxing world championship glory. A victory over Chávez Jr., a bona fide former champion, would strengthen that claim — and quiet some of his critics. However, failure to impress against a fighter who has competed only once in four years could derail Paul's aspirations and raise further questions about his competitiveness at the elite level. FAQs When is the Jake Paul vs Julio César Chávez Jr. fight? The fight takes place tonight, Saturday, June 28, 2025, at the Honda Center in Anaheim, California. How can I watch the Jake Paul vs Chávez Jr. fight? The event is available via DAZN Pay-Per-View for $59.99 in the U.S. This includes access to all DAZN content for seven days.
Hindustan Times
5 hours ago
- Hindustan Times
Beyoncé faces backlash over Juneteenth concert t-shirt: Who were the Buffalo Soldiers and what is the controversy?
A shirt Beyoncé wore during her Juneteenth concert in Paris has earned the singer backlash from fans and Indigenous voices across the US. According to The Associated Press, the T-shirt featured a description of the Buffalo Soldiers that referred to their enemies as 'warring Indians, bandits, cattle thieves, murderous gunmen, bootleggers, trespassers, and Mexican revolutionaries.' That wording appeared on the back of the shirt and Beyoncé's official website. Beyoncé's shirt featuring Buffalo Soldiers has sparked controversy, with historians noting the complex legacy of these soldiers. REUTERS/Gonzalo Fuentes(REUTERS) Also Read: Inside Bezos-Sanchez wedding: 7 behind-the-scenes secrets everyone's whispering about Beyoncé's recent album, Cowboy Carter, celebrated the contributions of Black Americans to country music and Western identity. The pop star made history by becoming the first Black woman to top Billboard's country chart. At the 2025 Grammys, the album won Album of the Year. A post from popular Indigenous platform @ summed up the online reaction in one question: 'Do you think Beyoncé will apologize (or acknowledge) the shirt?' Who were Buffalo Soldiers? The Buffalo Soldiers reportedly were Black US Army regiments formed after the Civil War in 1866. They served in major wars through 1951. While many admire their role in US military history, the soldiers also participated in violent campaigns against Indigenous tribes and Mexican groups during America's westward expansion. Critics say the wording on Beyoncé's shirt echoes harmful historical narratives, AP reported. Also read: Taylor Swift's epic 'Love Story' performance with Travis Kelce and George Kittle goes viral: Watch Historians and educators urge more honest storytelling At the Buffalo Soldiers National Museum in Houston, staff say they have worked in recent years to revise how these soldiers' stories are told. Cale Carter, the museum's director of exhibitions, said earlier versions of the story romanticized the frontier and ignored the harm done to Native peoples. 'You really didn't see a change in that narrative until recently,' he told The Associated Press. Michelle Tovar, the museum's education director, added that honest discussions about American history are becoming harder to have in schools. Tad Stoermer, a historian at Johns Hopkins, believes Beyoncé used imagery like the Buffalo Soldiers to reclaim space in American culture. However, historian Alaina E. Roberts said their legacy is more complicated. FAQs Who were the first Native Americans? The first Native Americans are believed to be descendants of people who migrated from Asia to North America over 15,000 years ago. What are Native American tribes? Native American tribes are distinct, sovereign communities with their own cultures, languages, and governments, recognized by the US federal government. What is the history of Native Americans in the United States? Native American history includes centuries of rich cultural traditions followed by colonization, displacement and ongoing struggles for rights and recognition. What is life like for Native Americans today? Native Americans today live in both urban areas and on reservations, continuing to preserve their traditions while facing economic, political, and social challenges.
Hindustan Times
6 hours ago
- Hindustan Times
In birth centenary year, a new Satish Gujral work
In his birth centenary year, a significant and previously undocumented, unexhibited conte drawing titled The Condemned (1957) from the Cyrus and Ruth Prawer Jhabvala family collection, now adds to Satish Gujral's oeuvre. Compositionally similar to the oil painting of the same name, which was also made in 1957, this work ranks among Gujral's finest condemnations of the effects of war and forced migration, with the kind of seething, tragic intensity that set Gujral apart from his peers. With a major exhibition of his works poised for later in the year, this work may be the newest inclusion in a positive reassessment of Gujral's position among independent India's modernists. Among all of his peers who witnessed Partition in Punjab and Bengal, Gujral's works are the most visceral. Satish Gujral returned to India in 1955 in a blaze of glory after an apprenticeship for two years in Mexico under David Siqueiros. Training under the great Mexican muralists Diego Rivera and David Siqueiros against the backdrop of Mexico's response to the years of revolution, Gujral developed a temper for the nation as subject, as well as broad, free, open-handed strokes that he adapted to both his drawings as well as his paintings. As an apprentice to Siqueiros, the most politically radical of Los Tres Grandes (the three greats, Siqueiros, Rivera and José Clemente Orozco), and greatly influenced by the murals of Orozco, Gujral's own inclination was to adopt themes of social realism. The decade of 1947-57 became for Gujral a foundational expression of his response to the violence that he witnessed during the chaos of Partition. In the midst of Partition violence, he had driven a truck bearing refugees from Jhelum to Indian Punjab, and witnessed the barbarity of a brutal conflict as it played out. Gujral's work has often been likened to his own condition, but to attribute the power of his early works to his hearing disability would be doing the artist a disservice. He painted the charming reflective portrait titled My Sister (1951) but also the agonised Partition paintings, of roiling rage, and the enactment of violence, all executed with a powerful monumentality. Writer and art critic John Berger reviewed his exhibition in London in The New Statesman. Berger wrote: 'He is as single minded as Picasso… I am certain that his exhibition should provoke both humanly and artistically as many people as possible.' The drawing mentioned at the beginning of this article, however, was made after his return to India and has its own interesting history. Cyrus Jhabvala, an eminent architect who also headed the School of Architecture in Delhi, was very active when the capital city was in the throes of intense building activity immediately after Independence. With his firm AAJ, Jhabvala not only designed public buildings like Kirori Mal College, Max Mueller Bhavan and Telecom Building, but also the sprawling Kurukshetra University, which was realised over 10 years. Jhabvala was also enthusiastic about commissioning art works for the buildings. One of the artists he chose to work with was the young Satish Gujral, who was growing a reputation for rugged originality. Gujral did not disappoint. He designed murals in relief in ceramic, painted wood, and with tiles. The actual forms drew from primitive shapes and toys, even as he imbued them with a particular grandeur. While Gujral would continue to enjoy the patronage of Jawaharlal Nehru, and made murals for important State buildings like Punjab Agricultural University, Gandhi Bhavan and the Secretariat, in Chandigarh, Jhabvala openly disagreed with Nehru on the design of Ashoka Hotel, and did not take on any government commissions during Nehru's lifetime. Jhabvala, who also acquired two small works from MF Husain, probably bought The Condemned in this phase of Gujral's career. An artist himself, Jhabvala was fascinated with the simultaneous histories that Delhi inhabits. Many of his drawings are exquisitely rendered panoramic views of the grandeur of historic monuments and the chaos of ordinary street life, as in his work, Fakhr-ul Masjid, Old Delhi. James Ivory, collaborator with Ruth Prawer Jhabvala on his films, commented that 'Jhabvala's record is highly personal and subjective and at times, very precise — as precise as the 19th century photographs taken of the same are before and after the Indian Mutiny of 1857'. Among all of his peers who witnessed Partition in Punjab and Bengal, Gujral's works are the most visceral. While he is often placed alongside the Bombay Progressives who also graduated from the JJ School in Mumbai, or the Delhi Shilpi Chakra artists who had migrated from West Punjab, Gujral probably is more akin in spirit to Somnath Hore and Chittaprosad in his reading of the catastrophic event. More muted than his oil paintings, his drawings on the subject, such as Days of Glory (1954) powerfully depict women in mourning. In The Condemned, the solitary figure, probably the victim of rape, her body taut with pain and mortification, fills the frame. In contrast to the flowing lines of the figure, Gujral added hard-edged abstract elements to the fringes of this work, thereby enhancing the sense of pervasive violence. In his centenary year, Gujral will be celebrated as much for the depth of his broad-based practice — as architect, sculptor, painter and muralist — as for his passionate depiction of the human condition. Gayatri Sinha is a curator and art historian. The views expressed are personal.
