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Eerie demise of Noel Edmonds' 90s theme park left to decay with graffiti-covered rides after opening for only 13 weeks

Eerie demise of Noel Edmonds' 90s theme park left to decay with graffiti-covered rides after opening for only 13 weeks

The Sun4 days ago
NOEL Edmonds jetted to New Zealand to invest £15million in property and start a new life down under.
Fans are hoping that his new business ventures are more successful than his Blobbyland theme park, which closed after just 13 weeks.
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The park in Cricket St Thomas, in Somerset, was based on the BBC's hit show Noel's House Party, and first opened in 1994.
Blobbyland welcomed 650,000 guests, making it even more popular than Buckingham Place, which welcomed 200,000 fewer visitors in the same year.
Inside was a mocked-up high street with a Blobby store, but the crown jewel of the resort was Mr Blobby's house.
It was named Dunblobbin and was painted bright pink with yellow spots and had a blue roof.
Locals often complained of a loud doorbell that could be heard for miles - which rang through their houses every time someone visited the little pink home.
But the noise didn't bother guests as young fans went mad for its quirky look, which included a giant stuffed Blobby dog kipping on the ground.
When visitors roamed in they were met with a view of a cake-only dinner that the fictional character and his family ate for tea.
The entertainment show ran for eight years between November 1991 and March 1999, and Mr Blobby became a kids' craze.
Although the bustling fantasy-fueled land attracted thousands of fans, it didn't last long.
According to DorsetLive, when the area was re-discovered by urban explorers in 2009 it rekindled the public's interest, and soon groups of people started trying to break into the forgotten den.
As a result, the land's owners blocked an access tunnel and had the remains demolished in 2014.
Noel, 76, returning to TV screens to document his new life in New Zealand in June - but insisted the ITV show will be nothing like Clarkson's Farm — because he's not as funny as the former Top Gear star.
Noel exclusively told The Sun: 'When we were filming our show, some people who knew about Clarkson's Farm said to me, 'Oh, is it like Clarkson's Farm?'
'And I said, 'No, it couldn't be more different.' First of all, I'm not like Jeremy in many ways, though I wish I were.
"He's brilliant. He can articulate an argument beautifully and deliver a sharp, humorous line like no one else.'
Noel went on to crack a joke about his years in the showbiz wilderness.
His last big gig was on I'm A Celebrity in 2018, when he was voted out after only nine days.
Noel laughed: 'People still ask, 'Noel Edmonds? Didn't he die? Is he still around?'
'Yes, I'm still here — and living life to the full.'
You can stream all the episodes of Noel Edmonds' Kiwi Adventure on ITVX.
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Sam Neill's 20 best roles – sorted!
Sam Neill's 20 best roles – sorted!

The Guardian

time44 minutes ago

  • The Guardian

Sam Neill's 20 best roles – sorted!

Scientists, farmers, spies, cops, priests, the devil incarnate: is there any role Sam Neill can't play? The New Zealand actor has been delivering cracking performances for more than four decades and, after returning to screens in Untamed and the third season of The Twelve, shows no signs of slowing down. Here are his 20 all-time greatest performances. This is the Neill performance that'll make you think: hot damn, he could've made a great James Bond. In this UK TV series he plays a Russian spy who works for the Brits; he is a devil with the ladies; and he scrubs up great in a tux: tick tick tick. The show is adapted from Robin Bruce Lockhart's 1967 book Ace of Spies, and its titular character based on Sidney Reilly, a real-life spy who was executed by the Soviets in 1925. It couldn't have been easy to hold your own against Sean Connery. But in John McTiernan's deep sea blockbuster, Neill delivers a thoroughly engrossing supporting performance as Vasily Borodin, the second-in-command to Connery's Capt Marko Ramius, a Soviet who defects to the US. Borodin is pragmatic and process-driven but embroiled in dangerously volatile circumstances. In this glamorous and racy series set in 16th-century England, Neill plays Henry VIII's most trusted adviser, Cardinal Thomas Wolsey. He's a man of the cloth, who clearly enjoys being referred to as 'your eminence', but is also a cunning and calculating powerbroker who doesn't like getting his hands dirty. Staying on the king's good side is easier said than done, as is surviving in this world; let's just say Wolsey doesn't appear in the second season. Everybody brings their A game to Warwick Thornton's sumptuously shot neo-western, one of the greatest Australian films of the century to date. Neill plays a preacher, Fred Smith, who's a little pious but walks the walk – following Bryan Brown's sergeant on his mission to track down an Aboriginal man accused of murder (Hamilton Morris) because 'I want to see him come back alive'. It's not a huge performance but it's beautifully balanced. Tender yet tough. Rob Sitch's pleasant historical drama is based on the true story of the Parkes Observatory, which helped Nasa track and broadcast Apollo 11's voyage to the moon. Neill plays Cliff, the observatory's mild-mannered but intensely focused director. It's a warm, fully rounded performance that takes an avuncular tone, complete with a face-stretching smile and pipe hanging from his mouth. Initially Neill's character in Jane Campion's Palme d'Or-winning masterpiece seems relatively fair-minded, playing the new husband of Holly Hunter's famously mute protagonist, Ada. That changes in the final act, when he violently responds to discovering Ada's love affair with a retired sailor (Harvey Keitel), tipping the film into nightmarish terrain. It's broodingly dark and poetic, and all the performances are great. The ol' vampire villain is given a modern, corporate makeover in the Spierig brothers' revisionist genre movie, in which Neill plays Charles Bromley, the chief executive of the largest supplier of blood in the US. In this world, most humans have become vamps, leading to a massive blood shortage that Bromley's determined to exploit. Neill gives him a monstrously large impact, with an air of menacing sophistication. In one memorable scene he elegantly quaffs a lovely glass of red – and no, it's not wine. In this classic Australian black comedy Neill plays Carl, a manchild who sleeps in late, rarely washes his clothes (he rarely washes anything) and lives in a grubby broken-down house. He does, however, scrub up pretty well in a black leather jacket. The plot kicks into gear when Carl – a two-bit chef at a dingy club – accidentally kills a drug dealer and sets off a gangland war. Neill makes him a little blase and aloof, and pitiable in some ways – but he is also his own worst enemy. An adult Damien Thorn is a role that could so easily have tipped into evil cartoonishness. But Neill is devilishly good in The Omen's second sequel, imbuing the protagonist with a disquietingly calm and serpentine presence. Thorn's smile stretches a little too wide, and something funny's going on with his eyes; he seems to look through people. The film can be a little goofy, stuffed to the gills with talk of prophecies and end times, but it builds a genuinely creepy psychological space. Gillian Armstrong's superb adaptation of Miles Franklin's classic feminist novel is centred around Judy Davis's great performance as the bull-headed protagonist Sybylla Melvyn, an aspiring author who dreams of something greater than a rural life as a wife. Her primary love interest is Neill's Harry Beecham: a man of the world with a polite, dignified way about him that takes on extra layers as the role deepens. Harry is swoon-worthy but Sybylla is no pushover, twice rejecting his hand in marriage. What a spunky wizard! Neill cuts a charismatic presence as the lead in this two-part miniseries about the mythic middle ages magician, giving the role dramatic weight but also leaning into the story's fairytale-like elements. The special effects of course have dated but the production holds up surprisingly well, with an appealingly old-timey spirit of adventure. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion Critics have never been kind to Paul Anderson's gruesome sci-fi about a team of astronauts who land on a ship that haunts people with their deepest fears, but it's a cracking movie. Neill's role as the ship's designer, Dr William Weir, begins in geeky scientist mode but becomes a berserk reinvention of the mad scientist trope. 'Where we're going, we won't need eyes to see,' says Weir, around the time he literally opens the gates of hell. Good times. Cranked to 11? Dowsed in petrol, then set on fire? No string of words, however sensational, can capture the balls-to-the-wall spirit of Neill's ghoulish performance in Andrzej Żuławski's cult classic. Nor the qualities of the film itself – a bizarre combination of relationship drama and Grand Guignol spectacle. Neill plays Mark, a spy who returns home to West Berlin and discovers that his wife (Isabelle Adjani) wants a divorce; it might have something to do with a bedroom kink involving an tentacled alien. Neill has never been more huggable than in Jeremy Sims' remake of the Icelandic drama of the same name, in which he stars as Colin, a hardy and empathetic sheep farmer. He really, really loves his flock, though such affection does not extend to his crotchety brother Les (Michael Caton), who lives next door. The pair haven't spoken in years but that might change when a rare disease infects their animals. Titled A Cry in the Dark outside Australia and New Zealand, Fred Schepisi's drama about the trial of Lindy and Michael Chamberlain arrived in Australian cinemas with white-hot topicality, just six weeks after their convictions for murdering their daughter Azaria were quashed. Both lead performances are hauntingly powerful, with Neill starring opposite Meryl Streep as Michael, a holier-than-thou pastor who questions his faith when the trial puts them through the wringer. Cillian Murphy's gangster Tommy Shelby and his gang of 'Peaky Blinders' find themselves in an existential fight for survival when Neill's hotshot chief inspector Maj Campbell arrives in town, sent from Belfast to clean up the streets and retrieve stolen weapons. It's a deliciously entertaining performance with plenty of chest-thumping dialogue, and sizzling chemistry with Murphy. Who could forget Neill's palaeontologist, Dr Alan Grant, gawking at a Brachiosaurus while John Williamson's beautiful score swells? This moment from Jurassic Park demonstrates how special effects can evoke wonder, rather than just fill the frame with bling. There are a couple of other scientist characters in the Jurassic Park franchise but it was Grant who got his own film (Jurassic Park 3). For a large chunk of Phillip Noyce's white-knuckle thriller, Neill's navy officer John is alone on a sinking ship, with nobody to share the frame with or bounce off. It's a role that required emotional and physical intensity. The calm-under-fire John tries his darndest to stay alive and return to his wife (Nicole Kidman), who's alone on their yacht with a psychotic stranger (Billy Zane). The film is pacy as hell; there's a real electrical charge to it. Taika Waititi's beloved New Zealand comedy unforgettably paired on-the-run young delinquent Ricky Baker (Julian Dennison) with Neill's cranky foster uncle Hector. Neill goes whole hog on the grumpy old man shtick – smoking, grunting and firing off fun lines like, 'You ever worked on a farm before, are you just ornamental?' The stoic Hector, who always looks as though he's had too much to drink, may not want our love, but by god, he got it. John Carpenter's sensationally loud and Lovecraftian horror movie features a brilliant, wall-rattling performance from Neill, who perfectly drives the human elements of this long under-appreciated film. He plays John Trent, an insurance investigator convinced that a mass hysteria event surrounding the release of a new horror novel is a PR trick. The hardened cynic who becomes a true believer is a classic trajectory, and our man runs with it to hell and back, the protagonist's sanity erupting like a burst blood vessel. So good.

VERY fishy behaviour! Parts of Sir David Attenborough's latest series Parenthood are filmed in a TANK, BBC admit
VERY fishy behaviour! Parts of Sir David Attenborough's latest series Parenthood are filmed in a TANK, BBC admit

Daily Mail​

time4 hours ago

  • Daily Mail​

VERY fishy behaviour! Parts of Sir David Attenborough's latest series Parenthood are filmed in a TANK, BBC admit

Parts of David Attenborough 's latest series were filmed in a fish tank rather than in the wild, the BBC has admitted. The beloved British broadcaster used tanks during key scenes that featured boxer crabs, skeleton shrimps and Banggai cardinalfish across the five episodes of Parenthood. Airing its first episode on Sunday, August 1, the series promised viewers 'astonishing, never-before-seen animal behaviours in stunning ultra high definition, from the remote jungles of Bhutan to the grasslands of Botswana'. The near hour-long programme by Sir David, aged 99, focuses on animal parents that are 'having to adapt to a world that is changing rapidly', with the creatures facing 'a unique set of challenges' that they must overcome. It is the first BBC natural history series to focus on parenting, with the team using new technology to capture the weird and wonderful in the wild. 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In the incredible scene, described as 'a seminal moment for the film', hundreds of young turtles are shown following their mothers calls to the safety of the river, acting as a visualisation of the unpredictability of parenting in the animal kingdom. On Monday, the BBC told The Times that distributing the eggs in situ 'would've overstepped the mark'. Insisting that filming underwater 'would mean risking the survival of the young', Mr Wilson and Mr Scholey also said that the decision to use tanks was taken to 'ensure that we got the balance absolutely right'. Due to the 'incredibly fragile' animals, the filming crews sought to 'tread carefully' in order to avoid infringing on the natural wildlife. As a result, a specialist tank set in Indonesia was also used during a five-minute scene of boxer crabs shown in the opening of the show's first episode. Both Mr Wilson and Mr Scholey also acknowledged that several parts of the programme were indeed captured on location, with filming said to have taken place across locations spanning Botswana, Arizona, Tanzania, Namibia, southern Spain and Indonesia. They added that unlike on land, filming underwater presents a host of unique challenges, with water visibility changing hourly, and divers forced to wade through water in search of the story. A fascinating clip captured from the show's first instalment showed Attenborough's team as they attempt to build up a relationship with the unique silverback gorillas and their infants. Described by Max Kobl, cinematographer for the show, as 'probably the most powerful of all primates', Sir David, narrating, warns that 'it isn't going to come easy' for the film crew as they attempt to get close to the sneaky gorillas. Initially, the team face great difficulty even finding the animals, seen wading through thick swamps in order to locate them and using indicators such as the types of twigs on the ground. Commentating, one member of the crew says: 'The swamps don't pose challenges for the gorillas, the swamps pose one of many challenges for us.' In the insightful footage of their challenging trek, one member of the team is seen nearly toppling over due to the thick, knee-deep water. When asked 'you okay?', he simply responds: 'Nope'. Sir David, narrating, adds: 'The team try as best they can to keep up and just as they reach dry land, the gorilla family has other ideas'. In response, viewers took to social media to praise the 'stunning' new show, with one commenter on X gushing: 'All the contributors to Parenthood are amazing', while another added: 'Parenthood is another great programme. Congratulations once again Sir David Attenborough and the BBC'. Meanwhile, a bone chilling moment during the programme captured the moment a colony of newborn African spiders turn to hunt their own mothers. In the never before seen behaviour, a pack of African social spiders are shown hunting in packs and responding to the vibrations of their prey as they struggle in the webs. The spiders move in unison, starting and stopping at the same time, freezing together in a sinister game of musical statues. Even more disturbing, after displaying their hunting skills on their usual prey of insects, the 1,000 strong colony then turns on their own mothers and eat them alive. Parenthood also features striking footage of the lives of orangutans, elephants and cheetahs, among many others. Unique technology used across the five-part series includes military-grade infrared cameras mounted on gimbals on off-road vehicles and show hippos being chased by lions at night. The BBC was approached for comment.

The Traitors winner Harry Clark announces debut memoir focused on his faith
The Traitors winner Harry Clark announces debut memoir focused on his faith

South Wales Guardian

time4 hours ago

  • South Wales Guardian

The Traitors winner Harry Clark announces debut memoir focused on his faith

The 24-year-old won the second series of the hit BBC show, which sees a group of 'faithfuls' attempt to banish the 'traitors', who murder during the night-time, in order to win a prize pot of up to £120,000. Staying Faithful is slated for release this autumn and will recount Clark's formative years serving in the British Army, before his reality TV fame, along with how his Christian faith has and continues to guide him through his life. Speaking about the release, Clark said: 'Faith has always been important to me. 'It's the blueprint to everything I do, it helped me when I was younger, it guided me when I served in the British Army, every day I'm thankful that I'm part of something bigger outside of myself.' The reality star and former British Army engineer took home £95,150 in the 2024 series of The Traitors, after deceiving his friend Mollie Pearce. An average of 5.5 million people tuned in to watch the dramatic finale that crowned Clark as the series two winner. He recently also starred in the seventh season of BBC Two's Pilgrimage: The Road Through The Alps, where he joined six celebrities on a 300km pilgrimage through the Austrian and Swiss Alps to Einsiedeln Abbey as they discussed their different faiths and beliefs. Clark previously opened up to the PA news agency about how the pilgrimage changed him for good and why he thinks people need to talk about faith more openly. He said: 'People think you can't talk about religion – especially the youth – because there's something wrong with it, or it seems like if you believe in one particular religion, you hate all others. But that's not what it is. It doesn't have to be that deep. 'Everyone makes it so serious. If you believe, you believe. If you don't believe, you don't have to, and it's not the end of the world.' Clark also stars in the new series of Channel 4's Celebrity SAS: Who Dares Wins, which sees recruits endure special forces training in an attempt to make it through to the end. He is joined by former Premier League footballer Troy Deeney, Strictly Come Dancing 2025 runner-up Tasha Ghouri, singer Lucy Spraggan, and ex-Love Island contestants Chloe Burrows and Adam Collard. The memoir will be published by the Society for Promoting Christian Knowledge (SPCK), a charity and independent Christian publisher founded in 1698. The SPCK has also published a range of Bibles, guides to faith, academic texts and books for children with the aim of serving readers 'at every stage of the Christian journey'. Staying Faithful will be published on September 30.

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