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GTA 6's preposterously gorgeous second trailer has me thinking 'no-one does it like Rockstar' isn't just a compliment, but an omen

GTA 6's preposterously gorgeous second trailer has me thinking 'no-one does it like Rockstar' isn't just a compliment, but an omen

Yahoo08-05-2025
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As you might've noticed by the titanic, earthquake-causing footsteps of an industry giant rolling over in its year-long delay slumber, Grand Theft Auto 6 has dropped a new trailer. And while my rational mind wants to put 'it's a doozy', here, I feel like that's a colossal understatement.
Far from just likely melting your computer, GTA 6 looks gorgeous in a way that defies the series' open world scale. The wrinkles on Jason's shirt, the hyper-realism of the evening light playing off the bars on a state prison, the little cracks and imperfections of a 'keep clear' sign that's been artificially made to endure the wear and tear of the dysfunctional society the game's parodying. Even the beer bottles are a new tier of impressive, because why not.
I get the same feeling watching this trailer that an Arctic researcher might watching a Lovecraftian horror breach the briny waves. I'm a sailor torn out of the golden age of piracy, staring at a picture of a cruise liner and wondering how it floats. I'm an ant being introduced to the concept of a lawnmower.
If I sound like I'm being up this game's fundament, I sort of am—but when some of my colleagues say "no-one does it like Rockstar", I can't help but think of that phrase as an omen of some kind, said in the way you might say: "In his house at R'lyeh dead Cthulhu waits dreaming".
This 13-years-in-development creature just isn't something that exists in the normal constraints of the gaming industry. I mean—despite my uneasy feelings and paranoia, borne out of a job that has me able to recite a dozen crushing layoffs from memory, it's clear that big-budget games aren't dead just yet.
Assassin's Creed Shadows did quite well for itself, and the big-names in Japan are doing alright. Well, they would be, if tariffs weren't happening. There are also plenty of heavyweight studios with irons in the fire—the next Witcher from CD Projekt Red'll likely shake the firmament, and Death Stranding 2 is looking similarly gorgeous and mystifying.
But we're also in the twilight years of several industry giants. While Ubisoft clings on after an extended slump, Rocksteady wobbles after Suicide Squad: Kill the Justice League. Bioware is unrecognisable, and probably won't be making a Dragon Age game again with how much institutional knowledge EA just shed. Bethesda kinda doesn't know how to make a Bethesda game anymore. Every mainline Final Fantasy title Square Enix makes is utterly gorgeous, and unfailingly behaving below expectations anyway.
I don't think doom is coming for Rockstar, not in the slightest—it might not even be coming for big-budget games from traditional publishers. But still, there's something in the air.
As far as Take-Two is concerned, GTA Online has a thick enough bankroll for the company to take its sweet time. Similarly, when GTA 6 does hit in 2026 (probably), it'll likely be one of the most successful videogames ever made. There's a reason anyone else making games is scrambling to get out from under its shadow.
There's also the darker side of the Rockstar pedigree that allows it to do, well, this—Red Dead Redemption 2 had a similar level of proportionately boggling scope, and that game was built off the back of "death march" crunch. Rockstar's promised to be better, and it very well may have done so. Still, even if things've changed, the path Take-Two took to get here isn't a pleasant one.
But I think we can agree it's a unique beast, right? Who else gets to comfortably sit on a pile of money while taking 13 entire years to make their next instalment? And who, gosh darnit, is doing it like Rockstar? I can name some studios that're getting close, but if this trailer's any indication, they'll be left two steps behind once more.
We'll just have to see. I'm not entirely convinced that blockbusters are on their way out, but if GTA 6 delivers on even two-thirds of the sheer detail and scope it's promising in these trailers, it'll be an architectural marvel, non-Euclidian and impossible to craft for anyone but the big R. And if trends continue, it might be another 14 years before we get anything like it—and who knows where we'll be in 2040.
GTA 6: Everything we knowGTA 5 mods: Revved upGTA 5 cheats: Phone it inGTA 6 cars: The lineupSan Andreas cheats: All the codes
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Superman's Nicholas Hoult Shared The Advice Michael Rosenbaum Gave Him About Playing Lex Luthor, And The Smallville Actor Had A Lovely Response
Superman's Nicholas Hoult Shared The Advice Michael Rosenbaum Gave Him About Playing Lex Luthor, And The Smallville Actor Had A Lovely Response

Yahoo

time8 hours ago

  • Yahoo

Superman's Nicholas Hoult Shared The Advice Michael Rosenbaum Gave Him About Playing Lex Luthor, And The Smallville Actor Had A Lovely Response

When you buy through links on our articles, Future and its syndication partners may earn a commission. Nicholas Hoult landed the role of Lex Luthor even though he auditioned to play the Man of Steel, but there were no hard feelings, as the British actor knew reading the script that the antagonist role was more in his wheelhouse. Still, to best play Superman's well-known villain, Hoult shared some advice given to him by Smallville's Michael Rosenbaum, who, in turn, had a lovely response to his kind words. Michael Rosenbaum's Lex Luthor Advice to Nicholas Hoult When taking on a timeless role like Lex Luthor for James Gunn's Superman movie, it helps to get advice from actors who've been in the villainous role before. Batman V. Superman's Lex Luthor's Jesse Eisenberg's blunt advice to Nicholas Hoult was… basically not to watch his performance. On the other hand, Nicholas Hoult had the pleasure of meeting the Lex Luthor he grew up watching: Smallville's Michael Rosenbaum. They've had a couple of occasions to meet. A year ago, on the American actor's podcast, the two talked about Hoult getting fit to play the role, and thy met again on set during Rosenbaum's cameo in Superman. Hoult got real with Entertainment Weekly on what it was like to finally meet the man behind his childhood villain, saying, Honestly, he was so kind and encouraging, and he really gave me a freedom and a confidence and a support that felt really lovely going into it. He was probably the first person I saw play Luthor when I was growing up. So to get to interact with him and to chat with him beforehand was really special. I appreciate that from him, his time, but also just his encouragement meant a lot. I completely relate to Nicholas Hoult in growing up watching Michael Rosenbaum play Lex. Smallville was one of the best DC superhero shows for the modern era and introduced younger audiences to the Man of Steel's beginnings. I remember Rosenbaum was on-point in portraying Lex's sinister personality while also being low-key – knowing his friendship with Clark Kent would uncover secrets of the Kryptonian native. It must have been a real dream for Nicholas Hoult to finally meet Michael Rosenbaum. But before they parted ways, the podcaster made sure to impart some sage words of advice onto the next Lex Luthor. Hoult recounted, The beautiful thing he said was, 'You've got this. Go have fun.' It's a, weirdly, kind of uplifting and wonderful thing to play a character that you've watched someone play and do a brilliant job at, to then have them say, 'Yeah, go get it. Go take it on.' That's a really bolstering sort of thing to happen. It was very kind of him to do that because I suppose it's a weird thing taking on a character that other people have played in some ways. Normally in acting, there's no comparisons, really, when it's a unique character, but when there's been different interpretations, then obviously people do compare. Michael Rosenbaum may have wanted to take the Lex Luthor role away from Jesse Eisenberg, but it looks like he's kindly given the go-ahead to Nicholas Hoult. One can tell Nicholas Hoult was enjoying himself playing the role in a new Superman clip that was released featuring Lex poking fun at Superman for missing his dog. While there may be a lot of pressure to portray a role that's been done many times before, the actor has earned acclaim for his performance. Michael Rosenbaum's Reaction to Nicholas Hoult's Praises Nicholas Hoult's kind words about Michael Rosenbaum didn't escape the eyes of the talented actor. Rosenbaum took to Instagram to return the favor for Hoult, writing: So kind of Nicholas to say such lovely things about me. I adore him. He's a great actor and will knock it out of the park. I told him right off the bat… 'you're in great hands with James'. Michael Rosenbaum knows what he's talking about since he's worked with James Gunn in Guardians of the Galaxy Vol. 2 and Vol. 3 as Martinex. I'm sure he trusts that the filmmaker's vision of Lex Luthor would be one his longtime pal would be proud of. Nicholas Hoult must have felt a wave of nostalgia meeting Smallville's fan-favorite Lex, who offered him wise advice on the role. Fortunately, he and Michael Rosenbaum plan to meet again on his podcast for the two to discuss their take on the new Superman. You can see Hoult's version of Lex Luthor in the 2025 movie release playing in theaters now. Solve the daily Crossword

Two Ambitious Projects Bring Alexander McQueen's Story To Life
Two Ambitious Projects Bring Alexander McQueen's Story To Life

Forbes

time9 hours ago

  • Forbes

Two Ambitious Projects Bring Alexander McQueen's Story To Life

Rick Lazes and Gary McQueen are behind two projects celebrating the life of late designer Alexander ... More Mcqueen. The late designer Alexander McQueen wasn't just a rock star in the fashion world, dubbed 'Fashion's closest thing to a rock star,' he was a friend or inspiration to many rock stars, including David Bowie, Lady Gaga, Courtney Love, Bjork and Beyonce, among others, who wore his clothes. Now, McQueen, who died at the age of 40 in 2010 of suicide, is getting the full rock star treatment. Producer Rick Lazes and McQueen's nephew, Gary, have teamed up for two very different and distinct projects celebrating the life and legacy of the designer. House of McQueen, a play starring Bridgerton's Luke Newton and acclaimed Broadway veteran Emily Skinner, opens off Broadway September 9 officially. Meanwhile, across the country in LA, Provocateur, an immersive show will take you on a tour through McQueen's life and works beginning January 1. I spoke at length with Lazes and Gary McQueen about the ambitious dual slate. Steve Baltin: The two simultaneous shows is fascinating because obviously they're very different audiences and very different experiences. Where did the idea come from and how do you imagine them going on tour? Will they take different routes? Talk about how they'll expand going forward and where it started. Rick Lazes: They are two very different animals. House of McQueen is a major production; it has a big cast, hundreds of costumes. In order to even produce House of McQueen we couldn't find a theater that really had the attributes that we needed and that would be fit to his legacy so we're actually building a theater. That's part of the project in Hudson Yards, a15,000 square foot theater that we're building from the ground up. House of McQueen can play primarily in major markets. The plan is after New York to play London, Paris and Milan. Provocateur is a different kind of experience. Provocateur is a living documentary of Lee's life. It's about 10 ,000 square feet. It's composed of 10 rooms starting with his childhood bedroom, his first school, his first job at a tailor shop, and his first fashion show when he was making costumes out of literally plastic bags. It's like walking in a documentary. And Gary and I have worked together since we first met to make sure about the authenticity of the experience. So, Provocateur is an immersive exhibit where you walk through his life and Lee, in his own words, through dozens of interviews that we've licensed, tells his life story. Gary McQueen: So, it hits a key milestone in the shows that he created as well, leading up to Plato's Atlantis at the end. Also, we're going to bring Lee to life as well as a finale using holographic technology. Lazes: Yeah, that's a good point. Provocateur is based on technology because there are no actors. There are holograms, there's digital projection mapping, there are video projections and in the final scene we take you into the metaverse and you put on goggles, and you actually go backstage and see a fashion show with Lee interacting with the models and the makeup artists and then we actually take you out onto the runway. House of McQueen is an unconventional theatrical experience, but people actually sit in seats and there's a stage. It uses technology also. We have about a thousand square feet of LED screens. But the story is more about his work and his life and his relationship to his mother and his relationship to his mentor, Isabella Blow, in a very theatrical performance. With music, although it's not a musical, there's no singing and dancing. So, they are two very different projects, and they've been working in tandem. Having Gary on the team keeps us grounded and authentic, and he brings us back. McQueen: I come from a unique stance and standpoint being both his nephew and I'm an artist myself. That's where Rick and I met actually in Art Basel Miami when I was exhibiting there with holographic technology, but I also worked with Lee Alexander McQueen as well. I worked alongside him for seven years, which is 14 shows. So, it gives me quite a well-rounded view of him, both personally and creatively, which is quite a unique place to be Baltin: How do these shows reflect his vision? McQueen: He's always dreamed of incorporating both technology and physical art with his collection. And what I'm doing with Rick pays tribute to Lee's love of blending technology and art. It's getting the balance of everything right, to create an atmosphere and experiences that are truly immersive. So, you're really brought into Lee's world and that will be done through various screen technologies, the narration done by Lee where we're using Lee's voice mixed with some AI to help narrate the viewer through the experience. Also, it's important to have obviously authentic physical garments from these collections alongside those so they blend seamlessly into one experience. Lazes: We're working with collectors from around the world. Gill Linton with Byronesque of Paris is an amazing curator that has worked with the Met. She's been putting together the displays. There will be a display of Haute Couture original dresses, both in New York and in Provocateur, in both markets. In the play we don't reproduce his dresses or try to copy his dresses. It's really about his story, his work and his personal relationships. But tandem to House of McQueen is an exhibit in the same building that's available to people that come to see the play before, during the intermission and after. They can walk through a mini-Savage Beauty exhibit. It's amazing, 650,000 people showed up for Savage Beauty. And I was told recently that if you go to a cocktail party in New York today and haven't been to Savage Beauty, you have FOMO (laughs). It's an amazing demand for his work and his art. What always intrigued me was he was always conceived of, and his reputation was of a great fashion designer, but he never got credit for being an amazing artist. That was one of the angsts that he'd had, along with the mercantilism of the fashion industry, first from Givenchy and then Gucci. Ultimately, that's what overwhelmed him. But no matter how large his obstacles were, and how difficult his personal life became, it fueled his art, and his art kept getting better and better right to the very end. McQueen: For me, it's really about keeping his legacy alive. I was very privileged to be able to spend that time with him, from a young age where he used to babysit into working with him at Alexander McQueen. A lot of people won't get that opportunity, obviously. So, for myself, it's really important to keep that legacy alive and let people experience some of those highlights of Lee's life through Lee's different experiences. Baltin: Talk about also expanding the legacy and celebrating the stuff that you don't feel got celebrated enough in his life. McQueen: I took part in the McQueen documentary film. I was in that, and I created the hero image for that film. I think it's important that people understand Lee as a person. He's very human. If you met him, you wouldn't really bat an eyelid. But he had this God-given gift and he was very relatable in a way. He comes from a working-class background and worked very hard at it. It's really an inspiring story of how he achieved everything that he achieved and knocked down boundaries, both in terms of class and creatively Lazes: What you just touched on also is his influence not only on fashion but on music, art and really all of pop culture in the 21st century. And he touches on issues that are so relevant today of rejection, homophobia, depression, anxiety and ultimately suicide that are problems that affect a very wide swath of our demographics. So, part of our mission here is that there couldn't be a time in American history when there has been more divisiveness and antagonizing antagonism among different cultures, races, religions and walks of life. So, our goal here is to is to help start that healing process. One of his famous quotes, which he had tattooed on his arm, was 'Love looks, not with the eyes, but with the mind.' That's what he stood for. He also said, 'Find beauty in everything' with another one of his quotes. These are quotes that are so relevant and timely to today. Many young fashionists, young people that are interested in fashion that might not even know who he is. But his message will resound of kindness and creativity. Baltin: The musician that reminds me most of is Bowie. Because Bowie was that total genius chameleon who blended everything so well. The other thing though, there's been immersive shows about Bowie and there's been so much about him already posthumously. I'm curious if there were things that you looked at or that inspired Provocateur. Lazes: The David Bowie immersive show was amazing. It brought you into his life. I saw it at the Brooklyn Museum. And we actually are using the technology they used. I don't know if you remember from that show, but you put on headphones, and it followed you around with a satellite. It knew where you were. So, when you went into different rooms, it automatically synced you up, whether he was in a recording studio or on a stage or backstage putting on his costumes. You could follow him around and it knew where you were. And it made it very personal and emotional. And we're using that same technology. They have satellites in all the rooms. So, as you walk into the room, if Lee is speaking or working on a dress or talking to a model, you immediately are immersed in his conversation without having to touch any buttons, it's pretty magical. Immersive shows have become the flavor du jour among particularly younger demographic and museums who supported them because some of their audience is aging out. But our show is very different because it has a story. Lee tells the story in his own voice. It's very personal and emotional. It's not just showing pictures of his fashion shows. So, it's interesting that you talk about Bowie because it's one of my favorites, it's a great show.

Interesting Details of Eagles' Super Bowl Ring Explained
Interesting Details of Eagles' Super Bowl Ring Explained

Newsweek

time10 hours ago

  • Newsweek

Interesting Details of Eagles' Super Bowl Ring Explained

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. On Friday night, the Philadelphia Eagles got to celebrate their Super Bowl victory once again. The 2024 roster gathered in Philly for a party, and each player received their unique-styled rings, designed by Jason of Beverly Hills. As always, the ring has plenty of important details that tell the story of the Eagles' entire 2024 season. Diamonds are a Bird's best friend — Philadelphia Eagles (@Eagles) July 19, 2025 In the word "Champions," there are 40 points of diamonds to represent the Eagles' points scored in the Super Bowl matchup against the Kansas City Chiefs. On the wings of the rings, there are 0.9 carats to represent the six sacks and three takeaways in the Super Bowl. As dominant as the two-way effort was, the Eagles' defense was absolutely critical as they shut down the MVP-caliber quarterback, Patrick Mahomes. In order to get to the Super Bowl, the Eagles had a dominant regular season, which helped them gain home-field advantage in the postseason for the first round, at least. The bracket ended up giving them a home game for each playoff matchup. Jalen Hurts #1 of the Philadelphia Eagles poses for photographs on the Green Carpet at The Battery on July 18, 2025 in Philadelphia, Pennsylvania Jalen Hurts #1 of the Philadelphia Eagles poses for photographs on the Green Carpet at The Battery on July 18, 2025 in Philadelphia, PennsylvaniaThe Eagles finished the regular season with a 14-3 record. After a 2-2 start, they fired off 10 wins in a row, which proved to the NFL they were the real deal. On the Super Bowl LIX logo, there are 10 points of diamonds to represent that streak. In total, the Eagles finished the year with 18 wins. Therefore, there are 18 green stones on the ring. On the inside of the ring, there is a Brazilian flag, which is where the season started. Although it was an Eagles home game, the team played one of the few international games this year. The Eagles defeated the Green Bay Packers in Brazil to kick off their big year. Right under the flag is a motto, inspired by the head coach, Nick Sirianni. "Tough, Detailed, Together," it says. Under the motto is a list of scores throughout the Eagles' playoff run, which included games against the Packers, Los Angeles Rams, Washington Commanders, and the Chiefs. The No. 145 represents the Eagles' NFL record of most points scored in the postseason. Perhaps, the most popular part of the ring is the wings. With the hit of a button, they pop out. The five diamonds on the button are there to represent the five players who scored points in the Super Bowl (Jalen Hurts, AJ Brown, Cooper DeJean, DeVonta Smith, and Jake Elliott). It's all in the details — Philadelphia Eagles (@Eagles) July 19, 2025 Lastly, the wings have a hidden message, which also comes from Sirianni: "You can't be great without the greatness of others." While Sirianni has dealt with a lot of criticism throughout his tenure with the Eagles, he has overcome all of that and shines as a motivator within the organization. Clearly, his messages have stuck with the team and will remain with them forever, as the Super Bowl ring sheds light on those mottos. For more Philadelphia Eagles and NFL news, head over to Newsweek Sports

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