logo
Sony Teases PS6, PS5 ‘Multi-Generational' Plan

Sony Teases PS6, PS5 ‘Multi-Generational' Plan

Yahoo14-06-2025

Sony Group held a business segment presentation earlier today, during which the company teased a 'multi-generational' plan for and . PlayStation CEO Hideaki Nishino pledged 'new and enhanced' ways for players to play games on both platforms.
Nishino acknowledged that there's a lot of interest surrounding the PS6 already, and while he understandably couldn't divulge future plans, he did say that the upcoming console is 'top of mind' for Sony. However, seeing the high levels of engagement from PS4 players well beyond the launch of PS5, the company intends to disrupt traditional approach to console life cycles.
What this essentially means is that unlike the switch from PS3 to PS4, the current generation validated Sony's new 'multi-generational' approach, and it plans to continue using that strategy going forward.
'We're still exploring what the future of our platform would look like,' added Sony Interactive Entertainment SVP Lynn Azar. 'We've reduced traditional cyclicality by establishing a large ecosystem of players across both the PS5 and PS4 generations. And as we continue to drive a multi-generational ecosystem into the future, we'll provide new ways for players to access the platform and experience our content and services.'
PS6 is expected to launch by 2028 at the latest.
The post Sony Teases PS6, PS5 'Multi-Generational' Plan appeared first on PlayStation LifeStyle.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Ex PlayStation boss thinks Nintendo's cheaper Japan-exclusive Switch 2 is an "amazing business decision," but doesn't think "PlayStation would emulate what they did"
Ex PlayStation boss thinks Nintendo's cheaper Japan-exclusive Switch 2 is an "amazing business decision," but doesn't think "PlayStation would emulate what they did"

Yahoo

time9 hours ago

  • Yahoo

Ex PlayStation boss thinks Nintendo's cheaper Japan-exclusive Switch 2 is an "amazing business decision," but doesn't think "PlayStation would emulate what they did"

When you buy through links on our articles, Future and its syndication partners may earn a commission. Former PlayStation boss Shuhei Yoshida has called the Japan-exclusive edition of the Nintendo Switch 2 an "amazing business decision." Worlds collided recently as former PlayStation head Shuhei Yoshida joined forces with Nintendo of America's former marketing leads Kit Ellis and Krysta Yang on an episode of their podcast. They spoke about their time working at the respective companies, with the topic of the rivalry between the DS and the PSP naturally coming up during the conversation. Despite being a player for the other team, Yoshida was extremely positive about the Switch 2, especially the Japanese-only edition that costs $110 less than the worldwide edition, with the caveat that you'll only be able to play Japanese region Nintendo games on it. Yoshida said the direction from Nintendo was "mind boggling," but an "amazing business decision." "I do not necessarily think other companies like PlayStation would emulate what they did," he added. "It doesn't make sense to me, you know, selling the same thing for such a different price for other consumers." Yoshida notes "it's clearly showing they want to keep the strong hold in Japan that they already have… that's an amazing decision they have made." Handhelds are an extremely strong market in Japan, and pretty much always have been. It's the reason Monster Hunter was pretty much a handheld-exclusive series for so long before the series took off worldwide. So Nintendo offering a cheaper way to get more handheld systems out to Japanese consumers is arguably a good plan, even if selling a console at a significant regional discount at launch is, as Yoshida said, "mind boggling." Wind Waker on Nintendo Switch 2 made two tiny changes that break it wide open for Zelda speedrunners – a strategy so hard "only a few people in the whole world can do it" is suddenly a lot easier.

No, you're not dreaming: the Venus Optics Laowa 12mm f/2.8 FF II C&D Dreamer is coming next week
No, you're not dreaming: the Venus Optics Laowa 12mm f/2.8 FF II C&D Dreamer is coming next week

Yahoo

time12 hours ago

  • Yahoo

No, you're not dreaming: the Venus Optics Laowa 12mm f/2.8 FF II C&D Dreamer is coming next week

When you buy through links on our articles, Future and its syndication partners may earn a commission. Lens-maker Venus Optics has officially announced that it will be releasing a new 12mm f/2.8 full-frame autofocus lens on June 25, 2025. The Laowa 12mm f/2.8 FF II C&D Dreamer will be available in Sony E and Nikon Z mounts with full autofocus, and there will also be Canon RF and L-mount Alliance versions, although these will be manual-focus only. While Venus Optics has garnered a stellar reputation for producing innovative and often unusual manual focus lenses with remarkably low distortion, this new lens is only the second from the brand to have autofocus, joining the recently released Laowa 10mm f/2.8 FF II C&D Dreamer, which again offers autofocus in its Nikon and Sony versions, with other mounts only having manual focus. According to Venus Optics, the 'C&D Dreamer' designation in its Laowa lens range is broken down as follows. The 'C' signifies a compact build, the 'D' means minimum distortion, and the 'Dreamer' bit is reserved for lenses that exhibit soft, artistic image rendering. Indeed, it is compact and light, weighing around 377 grams, depending on the lens mount, and has a reasonably svelte 72mm filter thread. And Venus Optics claims that it produces images with a near-zero distortion. We'll see if our tests bear this out when we get our hands on a review sample. It's not the first 12mm f/2.8 Laowa lens – that honor goes to the Laowa 12mm f/2.8 Zero-D, which was released back in 2016. But while this 'Zero-D' model signifies a 'close-to-zero distortion' design, it is a significantly heftier lens, weighing in at around 609 grams, and is only available in manual focus, whatever the mount. While pricing details are expected to be officially released at the time of the announcement on June 25, I expect the lens will be competitively priced. As a rough guide, the autofocus versions of the Laowa 10mm f/2.8 lens cost £799 / £849 / AU$1,449.

28 Years Later Was Actually Filmed Using iPhones – Danny Boyle Explains Why
28 Years Later Was Actually Filmed Using iPhones – Danny Boyle Explains Why

Buzz Feed

time12 hours ago

  • Buzz Feed

28 Years Later Was Actually Filmed Using iPhones – Danny Boyle Explains Why

28 Years Later director Danny Boyle has opened up about his decision to shoot much of the film using an iPhone camera. The horror sequel was released last week, and has already proven to be a big success with both critics and cinemagoers. Danny previously helmed the original movie 28 Days Later, shot on hand-held cameras, giving the film the effect of looking like found footage, and his new offering used similarly lo-fi techniques. In a new interview with YouTuber Matti Haapoja's How They Filmed That series, Danny explained his motivations for using iPhone cameras (although it's worth pointing out he didn't just rifle in his pocket for his phone and start shooting, these were souped-up iPhones with impressive enhancements, with some shots requiring as many as 20 at a time to film) to record 28 Years Later. '[Using iPhones] allowed us to be very light, in our footprint, in areas of the country that we wanted to suggest hadn't been touched for 28 years,' Danny said. 'Now, a crew coming in with the normal equipment level, it's going to make a big footprint. 'We used drones a lot, as well, so we could film sequences that cameras couldn't possibly [achieve] without terribly disrupting the landscape, and making it look like a herd of elephants had gone through.' Danny added that the use of multiple iPhones and drones in 'arrays' allowed 'certain visceral moments of the film' to be even more impactful, allowing viewers to 'push inside' the two-dimensional shot in front of them before being 'thrown back out again'. Similarly, he told Wired: 'Filming with iPhones allowed us to move without huge amounts of equipment. 'A lot of Northumbria [where 28 Years Later was shot] looks like it would have looked 1,000 years ago. So we were able to move quickly and lightly to areas of the countryside that we wanted to retain their lack of human imprint.' During a separate interview with IGN, he also conceded that the iPhone-quality filming felt like something of a callback to 28 Days Later's shooting techniques. 'We decided to carry it as an influence,' he explained. Sony It's not just the use of iPhones as filming equipment that has generated conversation around 28 Years Later, though. The movie's dramatic climax has also raised plenty of eyebrows – with Danny having recently explained the meaning behind those perplexing final scenes.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store