logo
Siddharth Tears Up At 3BHK Trailer Launch, Opens Up About His Parents' Support

Siddharth Tears Up At 3BHK Trailer Launch, Opens Up About His Parents' Support

News18a day ago

Last Updated:
Siddharth will next be seen in the Tamil film '3BHK' directed by Sri Ganesh. It also stars R. Sarathkumar, Devayani, Yogi Babu, Meetha Raghunath and others.
Actor Siddharth had an emotional moment at the trailer launch of his 40th film, '3BHK', held on June 26 in Hyderabad. Known for his work in Tamil, Telugu, and Hindi films, Siddharth spoke about his career journey and the unwavering support of his family, during the event. He got emotional as he talked about his parents' support, and expressed how grateful he is to them.
Siddharth was seen wiping away his tears in a now-viral video from the trailer launch of 3BHK. Speaking in Tamil, he shared his thoughts on his parents' influence on his life and career. He mentioned that his parents are integral to 3BHK and expressed how proud and relieved his father felt when hearing about his 40th film. 'My parents are a part of 3BHK. I will tell you all what that means. Since the time I began my journey in films, and this is my 40th film as an actor… when I was sharing this with my parents, my father (Suryanarayanan) had pride and relief on his face," he said.
Describing 3BHK as an emotionally charged film, Siddharth said, 'Everyone has made me cry in this film; it's an emotional film. I am so glad this is my 40th film. Both my parents trusted me, took care of me, spent their own money for my life." Check out the video below!
'3 BHK நடிக்கும்போது, என் மனைவிக்காக நான் வாங்கிய வீடு…" – நடிகர் சித்தார்த் #3BHK | #Sarathkumar | #Devayani | #Siddharth pic.twitter.com/47diWk9tr1 — PTPrime (@pttvprime) June 26, 2025
3BHK centres around Prabhu, a middle-class boy played by Siddharth, who comes home to find his house flooded. Determined to improve his family's situation, he focuses on his education and dreams of a better future. The film, which also stars Sarathkumar, Devayani, Meetha Raghunath, Chaithra J Achar, and Yogi Babu, is set to release on July 4.
Siddharth, well-known for his role in Rang De Basanti, started his entertainment career with Boys (2003). A versatile actor, singer, and writer, he quickly gained fame with successful films across various languages. Renowned for his choice of meaningful and socially relevant roles, Siddharth has effectively balanced commercial and critically acclaimed projects.
First Published:

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

This famous British social media celebrity flew to India for just one ingredient!
This famous British social media celebrity flew to India for just one ingredient!

Time of India

time35 minutes ago

  • Time of India

This famous British social media celebrity flew to India for just one ingredient!

Some go the extra mile for love. This one flew across continents just to get curry leaves. British content creator Ved Campbell Maddison, known for speaking fluent Hindi, using Mumbai-style humour, and telling stories in his quirky way, has gone viral once again with his latest video. It begins with a small food craving from his partner: 'Mujhe kaanda poha chahiye.' But there's one condition: she wants it made with fresh curry leaves. While most people would make do with dried ones or leave them out, this couple had other plans and took the craving to a whole new level. In true cinematic style, he sets off on what turns into a full-blown curry leaf mission. From boarding an overnight flight to tackling Mumbai's bustling local trains, Ved documents every step of his adventure with trademark quirkiness. At one point, he is yawning dramatically in a crowded train. At another, he is helping co-passengers with luggage while tracking down the elusive patta. Eventually, he secures the prize from a local Indian market and hops back on a flight, leaves in hand and mission complete. Back in the kitchen, the scene is nothing short of delightful. His girlfriend rinses the poha while Ved cheerfully calls them 'poha flakes.' He roasts peanuts, adds mustard seeds, jeera powder, chillies, and finally the freshly flown curry leaves. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 새로 나온 '암보험' 최적가 가입인기! "암진단금+생활비+치료비 든든하게"... 굿리치 보험대리점 (등록번호:제2006038313호) 가격 받기 Undo Turmeric gets its moment too, which Ved hilariously dubs a 'haldi party.' The couple cooks together, laughs, and digs into a dish that's now much more than just breakfast. It's a love story, told through food. The internet is, understandably, obsessed. The video has racked up millions of views, with users praising Ved for turning something as ordinary as grocery shopping into a full-on rom-com. From 'Kanda Poha Princess' to 'national pati goals,' fans can't get enough. At its heart, this viral moment isn't just about poha or curry leaves. It's about effort, humour, and finding joy in the little things, like making sure your partner gets the exact version of comfort food she craved. And let's be honest, poha with curry leaves really does taste better. In a world full of shortcuts, Ved's journey reminds us that sometimes the smallest ingredients can mean the most, especially when they come wrapped in intention, laughter, and a touch of madness.

A soul-stirring Bharatanatyam ballet of devotion and deception
A soul-stirring Bharatanatyam ballet of devotion and deception

Hans India

timean hour ago

  • Hans India

A soul-stirring Bharatanatyam ballet of devotion and deception

Ravindra Bharathi came alive with the grand premiere of Sirikakolanu Chinnadi, a Bharatanatyam ballet that dazzled with exquisite costumes, jewellery, music, and dialogue. Originally a radio broadcast drama by the famed Veturi Sundararama Murthy, it was the dearest wish of the late Padma Shri Dr. K. Viswanath that the story be transformed into a dance ballet. Although he originally intended it to be a film, circumstances prevented it, and the vision lived on in this evocative new form. The monumental task of choreographing and creating this ballet was entrusted to Dr. Smitha Madhav, who embraced the challenge with patience, devotion, and years of creative effort. The richly layered narrative, set in the luminous era of Sri Krishnadevaraya, was staged with classical finesse and majestic grandeur. At the heart of the story is Aliveni, a devadasi of profound devotion to Lord Krishna, caught in a whirlpool of love, deception, divine longing, and social condemnation. Through masterful choreography, soul-stirring music, and deeply expressive abhinaya, the production transported audiences to Sirikakulam—a sacred land envisioned as Vaikuntha itself. The music, composed by maestro Embar S. Kannan, gave the ballet a tonal richness that added to its emotional impact. The program's prologue opened with a vibrant homage to Telugu land and the Krishna River. Stunning imagery was projected on a screen, eliminating the need for traditional props. In 'Sīrulu Galugu Telugu Thalli,' young dancers in a riot of multicolored costumes celebrated the beauty of the land—said to surpass even Amaravati—setting the sacred tone for the story. Three noblemen in bright tunics encounter Aliveni, debate her identity, and try to win her over. She, however, remains detached, immersed in her devotion to Krishna. Smitha portrayed this enraptured mood with refined sensitivity. At a grand performance at the Andhra Maha Vishnu Temple, Emperor Krishnadevaraya notices her divine connection and appoints her as the temple devadasi, granting her lands and sacred honors. However, the provincial governor Marthanda becomes infatuated with her. Smitha's portrayal of Aliveni offering services to the Lord was marked by reverent, elegant gestures. Back home, tension brews between her and her mother Rangaji—a show-stopping performance by Bhargavi—along with her friends Chanchala (Ananya) and Jalaja (Aditi). Rangaji and Chanchala, driven by greed and cynicism, mock Aliveni's spiritual path. Jalaja's innocent questions about Krishna offer a tender moment, with Aliveni responding in the lyrical format of 'Nanda Kishorudu,' echoing the yaksha-prashna tradition. The supporting characters were deeply compelling: Bhargavi as the domineering and exploitative mother, Ananya as her crafty companion, and Aditi as the gentle and innocent Jalaja. These performances showcased abhinaya at its finest. Aliveni counters skepticism with a moving performance of 'Raayi Kaade,' declaring the deity as not merely a stone, but a living and loving Lord who resides in her heart. The narrative intensifies halfway through the 90-minute ballet. In a dream sequence set to 'Katthina Silanu,' Krishna appears, responding to Aliveni's yearning. She proves her devotion through 'Kondaneti Dhara.' Rangaji's fury escalates, and she imprisons her daughter. In the heart-wrenching 'Na Jeeva Veena Pai,' Aliveni pleads to Krishna, comparing herself to a silenced veena, desperate and abandoned. Rangaji, in collusion with Marthanda, plots to deceive Aliveni. Disguised in crown and garments, Marthanda (played with exuberance by guest artiste Hari Mangalampalli) approaches Aliveni pretending to be Krishna. She is deceived. The truth is revealed when Aliveni collapses during a dance performance before Krishnadevaraya, her pregnancy exposing the betrayal. A vivid courtroom scene follows, rich in drama and eloquence. After Aliveni sings 'Brindavaname' in despair, her innocence is proven through Marthanda's confession and Rangaji's remorseful admission. The emperor and his court poet Allasani Peddana reflect on the events. Marthanda is punished; Aliveni is spared. The finale is poignant and unforgettable. A broken-hearted Aliveni walks into the Krishnaveni River, symbolizing her liberation. In a stunning theatrical gesture, the dancer stepped off the stage and walked through the central aisle, dissolving the boundary between performer and audience. This moment marked not just the end of her story, but an immersive experience of spiritual transcendence. The ballet powerfully explored the eternal tension between worldly desire and divine love. Each scene was sculpted with classical precision—mudras, jatis, and expressions seamlessly aligned with raga and rasa. Sri. Y Harish Chandra Prasad founder Malaxmi Group presided as Chief blessings from Seetha Mahalakshmi the ballet was produced by Madhav-Director Varna Arts Academy. Presentation was assisted by the Department of Language and Culture, Govt. of Telangana and Raga Saptha Swaram whose convenor Smt. V. S. Rajyalakshmi was indefatigable in her organizational skills to make the recital well attended and appreciated.

1 Year Of Kalki 2898 AD: "If They Were Ever To Ask..." Amitabh Bachchan Says He Is Open To A Sequel If The Makers Want Him Back
1 Year Of Kalki 2898 AD: "If They Were Ever To Ask..." Amitabh Bachchan Says He Is Open To A Sequel If The Makers Want Him Back

NDTV

timean hour ago

  • NDTV

1 Year Of Kalki 2898 AD: "If They Were Ever To Ask..." Amitabh Bachchan Says He Is Open To A Sequel If The Makers Want Him Back

New Delhi: Kalki 2898 AD completed a year yesterday, June 27, 2025. Amitabh Bachchan who essayed the role of Ashwattham, took to his official X account to celebrate the milestone. He also mentioned how privileged he was to be in the first part, and is open to the sequel if the makers would have him. What's Happening Kalki 2898 AD celebrated the 1-year milestone of their film's release yesterday. Amitabh Bachchan was hailed for his performance as Ashwattham in the film. He shared an X post, which read, "My honoured privilege to be asked to be a part of that I admired and respected the blessings of Vijayanti films and the elders that ran and connected with it. Ever to be a part of it any day again, IF THEY WERE TO EVER TO ASK...." my honoured privilege to be asked to be a part of it .. one that I admired and respected the blessings of Vijayanti films and the elders that ran and connected with it .. ever to be a part of it any day again , IF THEY WERE TO EVER TO ASK .. — Amitabh Bachchan (@SrBachchan) June 27, 2025 About Kalki 2898 AD Nag Ashwin's Telugu mythological sci-fi film was one of his most ambitious projects yet. Other than Big B, the film also had Deepika Padukone and Prabhas in key roles. Set against the backdrop of a dystopian future, it was the first film in the Kalki Cinematic Universe. Nag Ashwin had shared details of Kalki 2898 AD's sequel that it is set to go on floors in December 2025, at the re-release event of his debut directorial Yevade Subramanyam. Nag Ashwin had also said, "The second part will have more of Prabhas, as it will be majorly centred around the Karna and Ashwatthama characters." The sequel will largely focus on Kamal Haasan's character Supreme Yaskin. In A Nutshell

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store