Indian and Māori cultures come together on stage
Photo:
Sajith Photography
The Hawke's Bay Indian Cultural Centre (HBICC) is marking its 10th anniversary with a special performance that fuses Indian and Māori cultural traditions.
Titled Wairua Paani, the show blends Indian classical and Bollywood dance with te ao Māori storytelling.
The performance will take place at the Toitoi Opera House in Hastings on Saturday, 26 April.
This comes after a 2024 Māori and Tamil waiata, Whanaungatanga, about kinship that blends Tamil, English and te reo Māori, which forged a new cross-cultural connection between Indian and Māori communities in New Zealand.
Wairua Paani is a collaboration between HBICC and Wahanui Productions, led by Kristyl Neho and co-director Eunice August-Smith.
It reflects a shared artistic vision of cultural connection and respect.
"I really wanted something that has a connection to New Zealand for our tenth anniversary," said Deepthi Krishna, co-founder and artistic director of HBICC, speaking on RNZ's
Afternoons.
Krishna, who co-founded the centre in 2015 to teach and promote Indian classical dance, arts and cultural activities in the region, draws on her rich background in the art form.
In 2017, HBICC started the annual Music and Dance Event (MADE) for a cause and raised money for organisations such as Cancer Society, Kidney Kids, Heart Kids and Resource HB.
Two years later, the centre launched Krishni Productions and produced a dance drama titled Shakuntala in collaboration with Cook Place Production.
It was followed by two more theatrical productions titled Sita Unsung and Takshaka-King of the Snakes.
"I learned dance for ten years in India, and in 2018 I was also a contestant on TV3's The Great NZ Dance Masala," she said.
Over the past decade, HBICC has staged six major productions and four community dance dramas.
But Wairua Paani is its most ambitious work yet.
"The title blends two languages - wairua in te reo Māori means 'spirit', and paani in Hindi means 'water', so together the title speaks to the spiritual and emotional depth of the show," Krishna explained.
"In both cultures, water is sacred, so it heals and cleanses and that's where Wairua Paani comes from," Krishna added.
Bringing together two rich cultural worlds wasn't without its challenges.
"The challenge was doing it together not just mixing things but to create something that is respected by both sides… we wanted both cultures to shine," she said.
"So it wasn't easy, but it was honest. The strength of the show comes from deep respect, spiritually, emotionally and artistically and that's what make Wairua Paani different," Krishna noted.
She said the creative process required deep respect, collaboration, and a willingness to learn from one another.
"It was important to do it right - to listen, learn, and work together to create something meaningful," Krishna said.
The show will feature Bharatanatyam, a classical Indian dance form, alongside kapa haka and waiata, offering audiences a unique experience of cultural unity through performance.
"Together we created something that honours both cultures with care and integrity," she said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Spinoff
21 hours ago
- The Spinoff
Motuhaketanga: The long road home for wāhine Māori after prison
With wāhine Māori being one of the most incarcerated groups in the world, Motuhaketanga examines the jagged paths to redemption for three determined wāhine after they're released from prison. Māori remain severely over represented in the criminal justice system. Despite being only 17% of the population, Māori men make up 53% of the prison population and Māori women fare even worse at 68%. The prison population has fallen to its lowest in 14 years, yet the disproportionate incarceration rate of Māori has increased. It's a dire set of statistics that begs a simple question – why? Wāhine Māori commonly face intergenerational barriers, systems and traumas that work against them. According to Te Kāhui Tika Tangata Human Rights Commission, 75% of female inmates have been victims of whānau violence, rape or sexual assault; 80% of Māori women have substance abuse issues; and 75% have been diagnosed with having mental health needs in the last 12 months and are three times more likely to be abused than non-Māori women. A rudimentary take on it could be the impacts of colonisation have often been attributed with creating cycles of abuse and trauma, ultimately contributing to an increased probability of offending. It's all very theoretical – the statistics and academic garb can easily detach you from the humans behind the figures. What Motuhaketanga does so deftly is ground those numbers in an empathetic narrative and opens a reflective kōrero into the ever looming question of why. Motuhaketanga is a two-part documentary series that intimately follows three women as they leave prison and return to their whānau. We watch Arohatonu, Tristin and Lesley as they discover their own paths, navigate the challenges of reintegrating and rebuilding trust with their children, wider whanau and ultimately themselves. The series begins with the release of all three women from prison. There is a sense of hope and excitement sitting just below their nervous smiles but they speak bravely about their anxiety about what waits on the other side: How have their relationships with their children changed? Will their whānau be a safe haven or create more anguish? Will they be able to avoid relapse? And the underlying question of whether the women can forgive and ultimately love themselves. This is where the series really starts to sing. Producer/director Kathleen Mantel commits to a cognisant tone and knows how to remain there through the joy and, more importantly, the intimate struggles. She doesn't overplay the pain or vulnerability but rather lets the utter compelling nature of these women lead the way. Lesley, clever and chatty, had just reached her teenage years when she had to care for her siblings in the chaos of a drug-addicted household. At 13, she was put into a youth justice facility where she was the only girl among many males. While there, she was exposed to real and visceral harm – pain she has evidently carried into her adult years. Lesley ended up burning the facility to the ground. Now, toxic relationships are her kryptonite, with one being the reason for her relapse. Arohatonu, strong in her Māoritanga, lost her beloved sister to renal failure. Outside of prison, she struggles with her ever changing and tenuous relationship with her children. She is haunted by her absence in their formative years, grappling with the emotional impact it has had on them in real time. However, Arohatonu finds strength from her taha Māori – a joy you can see radiate from her. Unfortunately, tensions with her mother and overwhelming circumstances derail her recovery and she relapses. She has to admit this to her probation officer and it is genuinely heartbreaking to see her choke back tears when she whispers 'I relapsed', heavy with the shame of a setback. Tristin, guarded yet loving, has 40 convictions behind her. She has a caring but complicated whānau who wraps around her on her release. She still reels from the effects of an abusive ex who went on to raise their children with her mother. Eventually, her ex and mother started up a relationship. Tristin's vulnerability pierces through the screen when she confronts her about the impact of this betrayal: 'That quite hurt me mum, to be honest. You crossed that line and went there with him. I had no one after that, cos I lost you. It broke my heart,' she shares in the documentary. The trauma visibly stays with Tristin as she tries to navigate her culpability in the way she raised her own children. All three women find their purpose and struggle intertwined with their roles as mothers. Each of them fights to keep their relationships with their tamariki alive. Arohatonu persists in the face of her youngest child's rejection, Lesley emanates with pride when speaking of her daughter's stable life working in the army and Tristin recreates a 21st party for her son that she missed whilst she was inside. Here, they start to recognise a semblance of real hope in their lives and Mantel does well to keep this sentiment at the heart of its last act. At the guts of Motuhaketanga is an exploration of how New Zealand values wāhine Māori. It's not always easy watching and it's clear there is a long road ahead, but the filmmakers speak to their kaupapa best when they allow Lesley, Tristin and Arohatonu to tell their own stories. They're fallible, they're susceptible to vices and they don't always make the right choices, but they're also resilient, warm and determined to fight for a better future. This is the humanity, flaws and all, that statistics so often obscure but Motuhaketanga doggedly brings to the forefront, and it does so with immense care and honesty.


Scoop
3 days ago
- Scoop
Te Ao Māori Steps Onto The World Expo Stage Once Again; Carries The Full Force Of Mana Motuhake O Te Ao Māori
More than 70 Māori delegates from Aotearoa are arriving in Osaka to celebrate Te Aratini: Indigenous Peoples Week at Expo 2025 Osaka, Kansai from 4–10 August 2025. They will be joined by over 170 Indigenous representatives from across the globe. 'This global delegation is a declaration that Indigenous Peoples are not peripheral to global conversations. We are central to its future,' says Ngahiwi Tomoana, Kaihautū for Te Aratini. From Aotearoa, iwi leaders and Māori executives to performing artists and entrepreneurs, this dynamic Māori delegation embodies the diversity, determination and vitality of our living culture. More than $1 million NZD has been collectively invested through self-funded travel, direct contributions, and the gift of our delegates' time, affirming a shared commitment to a kaupapa that stretches across oceans, generations, and worldviews. 'Our people are not waiting to be invited. We are investing in our own future, standing in our own sovereignty, and carrying the weight of our tīpuna with us,' proclaims Tomoana, echoing the sentiments he voiced at Expo 2020 Dubai: 'Māori will be at every World Expo, whether or not Aotearoa has an official presence.' Five years in the making, Te Aratini builds upon its successful launch at World Expo 2020 Dubai. Formidable partners from Japan's Playground of Life: Jellyfish Pavilion, Australia and Canada have generously shared their spaces on the world stage, grounded in an Indigenous ethic of connection and care. This next chapter would not have been possible without the foresight and advocacy of Professor Kenji Yoshida, Senior Cultural Adviser to Expo 2025 Osaka, and Professor Emeritus and former Director-General of the National Museum of Ethnology and Japan's Thematic Project Producer 'Invigorating Lives' Expo 2025 Osaka, Kansai, Sachiko Nakajima. Reflecting on these pivotal relationships, Tomoana shares: 'We travel to Japan as manuhiri and acknowledge the Ainu people as an Indigenous Peoples of Japan, joining in shared spirit and mindful of the deep tikanga and kawa that shape our engagement. Each delegate is an ambassador. Together, we are future-focused, frontier-exploring, and fiercely Indigenous,' explains Tomoana. 'Through the vision of Professor Yoshida and our friends in Japan, doors began to open. Through his advocacy, we established an early connection to Sachiko Nakajima and laid the foundation for Te Aratini: Indigenous Peoples Week . Our relationship is built on shared purpose and the belief that Indigenous voices belong at the heart of the global conversation.' Building on that foundation, Professor Yoshida and Sachiko Nakajima recognised that the week of 4– 10 August, culminating in the United Nations International Day of the World's Indigenous Peoples (9 August), would offer the most powerful and resonant moment to honour and elevate Indigenous Peoples globally through Expo. Te Aratini invites the world into a future where Indigenous values of reciprocity, responsibility, and relationality are remembered and reimagined at scale. Former Minister of Foreign Affairs, Hon. Nanaia Mahuta, also joins the delegation to support this kaupapa. Mahuta was an instrumental partner in the inaugural Te Aratini: Festival of Indigenous & Tribal Ideas at Expo 2020 Dubai, and an advocate for continued engagement between Te Aratini and Japan in the years leading up Expo 2025 Osaka. 'Te Aratini is a unique opportunity to promote Indigenous-to-Indigenous relations and cross-cultural diplomacy. During this time of significant geo-political tension Indigenous Peoples provide a different advantage to promote peace, prosperity and planetary wellbeing. I look forward to promoting the Tauhokohoko a research project, which is designed to inform Indigenous trade policy" said Mahuta. For Tomoana, 'Expo is not the destination, it's the waka. And we are paddling together toward futures forged in tino rangatiratanga, mana motuhake, and whanaungatanga. Tū Māori mai, e te iwi. The world is watching. And we are ready!' Programme Highlights: Across the week, Te Aratini partners will deliver a compelling programme of events that honour Indigenous ingenuity, cultural resurgence, economic aspiration and leadership. Monday 4 August: Te Aratini launches at the Australia Pavilion with keynote speakers including Australia's Ambassador for First Nations People, Justin Mohamed, Hon. Nanaia Mahuta, Canada's High Commissioner to New Zealand, Keith Smith, and Indigenous Partnership Council members of the Indigenous Peoples Economic and Trade Cooperation Arrangement (IPETCA). Performances will feature Kahurangi Māori Dance Theatre, Baka people from Cameroon, First Nations performers from Australia, and Indigenous musicians from Canada. Tuesday 5 August: The day begins with a Water Ceremony led by Elder Gerard Sagassige (Curve Lake First Nation, Canada) and concludes with Confluence, a performance showcase curated by Canada's National Arts Centre at Expo 2025 Osaka's EXPO Hall (Shining Hat), celebrating the diversity and unity of global Indigenous voices. Wednesday 6 August: Focuses on dialogue across Indigenous economies, trade, and intellectual property, and features a cross-cultural collaboration between Indigenous musicians and performers at Life Plaza. Thursday 7 August: Centres on Indigenous knowledges, climate resilience, Indigenous women entrepreneurs, and Indigenous business dialogue and networking events. Friday 8 August: Builds on the themes of Indigenous innovation through fashion, cultural expression, and global connection, including an Indigenous Fashion Show and a Cultural Showcase spotlighting Indigenous voices and performances from across the globe. Saturday 9 August: The UN International Day of the World's Indigenous Peoples will bring the week to a crescendo, culminating in a full day of dialogue, performance, and strategy at the Canadian Pavilion. The programme will include a forward-looking focus on Expo 2030 Riyadh, where Te Aratini will mark a decade of presence at World Expos. Indigenous performers, including the Kahurangi Māori Dance Theatre and Waiata Māori Music Ambassadors, will also take the stage at the Matsuri Arena to open the Inochi Music Festival in a powerful display of visibility and solidarity. The day will conclude with a celebratory evening at the Australian Pavilion, featuring a special menu of canapés created by a leading First Nations guest Chef.


NZ Herald
3 days ago
- NZ Herald
Three recipes that show masala to be so much more than spice
Kashmiri Australian cook Sarina Kamini has released a book on regional Indian cooking. Photo / Patricia Niven