
Here's why a bus full of IPS officers visited Aamir Khan at his Bandra home
Interestingly, Khan has been meeting with batches of IPS trainees over the years. His 1999 film 'Sarfarosh'- in which he portrayed an honest and sharp-witted cop - has had a lasting impact, prompting many young officers to express their admiration for the actor.Watch the viral video here: View this post on Instagram A post shared by Viral Bhayani (@viralbhayani)Khan, who recently returned to the big screen with 'Sitaare Zameen Par', has been hosting several special screenings of the film. The movie has been well-received and has reportedly grossed around Rs 165 crore at the Indian box office. An announcement regarding upcoming projects under Aamir Khan Productions is also expected soon.On the acting front, Khan will next be seen in 'Coolie' alongside Rajinikanth, and is also set to work with director Lokesh Kanagaraj on a new film.Meanwhile, he is gearing up for his appearance as Chief Guest at the Indian Film Festival of Melbourne (IFFM) 2025. The festival, scheduled from August 14 to 24, will honour Khan's legacy with a retrospective of his work, including a spotlight on 'Sitaare Zameen Par'.- EndsTrending Reel
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Indian Express
19 minutes ago
- Indian Express
Mr Darcy and Elizabeth Bennet were the original situationship — that's why we are still obsessed with ‘Pride and Prejudice'
When Netflix shared the first look of their new adaptation of Pride and Prejudice, which comes a few days after the re-release of the 2005 film on its 20th anniversary in India, it was less a surprise and more a reminder of how Jane Austen's most enduring novel never really goes out of style. It resurfaces — with a new cast, reimagined and repackaged — every few years. And each time, it feels like the moment is just right for its return. But why this particular story? Why Elizabeth Bennet and Mr Darcy, again? The answer lies in the novel's finely-tuned characters, social commentary and a dynamic that feels oddly contemporary. Even when you strip them off their high-waisted empire dresses and countryside estates, you are left with a narrative of chauvinism, vulnerability, bad first impressions, pride, class anxiety, marriage, love and the quiet work of putting in effort to understand the other person and working on oneself to be better. At the heart of the novel are two characters who misjudge each other — publicly, spectacularly — and with consequences. Elizabeth Bennet is intelligent, independent and perceptive, but also quick to assume, and stubborn in her conclusions and prejudices. Fitzwilliam Darcy aka Mr Darcy is wealthy, reserved, and socially awkward, wrapped in a prideful shell that masks his insecurity and decency. Their romantic arc isn't built on swoon or spark — it's built on error, reflection, and emotional growth. In contemporary terms, it's not hard to imagine Darcy as the guy who's terrible on first dates but writes long, earnest texts later. Lizzie would likely have unmatched him after one pointed conversation, only to spiral into making an Instagram reel or Reddit thread six months later about how she might have misjudged him. The slow burn of mutual self-correction is what makes their dynamic so recognisable in 2025. You could argue that Darcy and Lizzie are Austen's version of a situationship. They orbit each other, exchange glances and barbs, and misread every signal. It's only when they begin to reconsider their own reactions — Darcy after Lizzie's brutal rejection, Lizzie after reading his letter — that anything resembling love begins to take shape. This emotional arc feels more real now than ever. In a world that is more focused on self-awareness, therapy, and 'doing the work', their story models a kind of romantic accountability that feels refreshing and modern. Darcy's arc isn't a grand romantic transformation — it's a case study in shutting up, listening, and fixing your mess without expecting applause. Beyond romance, Pride and Prejudice is a novel about social pressure, and no force exerts more of it than family. The Bennet household is a mess of chaos, ambition, and financial insecurity. Mrs Bennet is a shrill but not unjustified portrait of a mother whose daughters' futures rest entirely on their ability to marry well. Mr Bennet is passive, clever, and emotionally absent — a father figure that feels surprisingly familiar in the current discourse on emotionally unavailable parenting. Modern adaptations keep coming back to this structure because the stakes are still familiar: Love shaped by economics, social standing and familial pressure. Even now, the story of a young woman trying to navigate love, career, and societal expectations while dealing with family dysfunction and financial pressure feels strikingly familiar. Replace them with student loans, unemployment and housing insecurity, and the stakes barely shift. Elizabeth Bennet endures because she feels like someone we know — or are. She is proud, self-protective, brilliant, and not afraid to speak up. She doesn't suffer fools, even when society tells her she must. And unlike so many of her 19th-century contemporaries, she's not punished for her wit or independence — she's rewarded for it. In today's cultural landscape, where confidence is currency but women are still expected to perform likeability, Lizzie's refusal to pander makes her iconic. Her arc is not about humbling herself into submission but recognising her misjudgements and growing from them. That's a character arc women are still rarely allowed to have onscreen — flawed and opinionated, yet not villainised. Pride and Prejudice remains in rotation because it adapts. Its characters grow, its structure flexes, its emotions stay grounded. It is not a fairytale; it is a mirror. We return to it because its questions never stop being relevant. Can you fall in love without losing yourself? Can you admit you were wrong? Can you forgive someone else for doing the same? Each generation answers differently. Yet, somehow, the story remains the same — but refreshing nonetheless.


Indian Express
19 minutes ago
- Indian Express
‘I was scared': German content creator detained for dancing on Bengaluru streets, bangs his head as cop drags him to police van
Noel Robinson, a popular German content creator known for his impromptu dance performances on Indian streets, was recently detained by Bengaluru police after he was caught dancing, wearing a Kerala mundu, attracting a massive crowd. Sharing the ordeal on Instagram, Robinson explained that the cops stopped him mid-performance as he attracted 'too many people' around him and was taken to the police station for 15 minutes, and imposed a fine. In the viral video, Robinson can be seen filming a video and is stopped by the police while the crowd is stunned. As the video progresses, the content creator bangs his head in the police van while he is taken away. 'Don't be sorry guys. This could have happened in any country. It's not about India. One little experience like that won't take away my love for India,' he says in the video. 'This was my first time being taken to the Police Station!! I was scared they would send me to prison but luckily Everything was fine! I'm Safe and I love India!!' he wrote in the caption. Watch here: A post shared by Noel Robinson (@noel) The video quickly gained traction, amassing a wave of reactions. 'As an Indian, I feel deeply sorry for the way you were treated. You came here as a guest, and no guest deserves to be thrown into a vehicle or handled with aggression over such a minor issue. Sadly, it's not just some citizens — even many in our police force lack basic civil sense and empathy,' a user wrote. 'Very bad handling of a tourist. Shameful work,' another user commented. 'The arrest is not the problem; everyone is subject to the law. The issue is how they handle him. How can they push someone this hard?' a third user reacted. Robinson has earlier won hearts with street dance videos in several cities, including Mumbai and New Delhi. A video of him dancing with a Mumbai cop early this year had won plaudits from social media users.


India Today
19 minutes ago
- India Today
Wicketkeeping first: Dhruv Jurel reacts to MS Dhoni meme ahead of Oval Test
Dhruv Jurel has been a part of India's series against England, but not in the way you would expect him to. In the last two Tests, Jurel has kept wickets as he came in as an injury substitute for Rishabh Pant but he hasn't got a chance to bat so far. This meant that a lot of memes on social media, with the most famous one being related to the scene from MS Dhoni: The Movie. This is the scene where a young Dhoni tells his coach he wants to bat but is shunned and told to keep first. Jurel said that he found that meme the funniest of the ones he saw on social media. advertisementOval Test: Preview | Weather Report "You know that scene from the MS Dhoni movie, where he says, 'I want to bat and the teacher replies, No, do wicketkeeping' and the kid replies, 'No, I like batting' and the response is 'No, you'll have to do keeping.' That part was really funny," said Jurel. Jurel will now finally get to bat in the Oval Test as he will replace the injured Rishabh Pant for the match. The 24-year-old said that overcoming challenges in overseas conditions is a special thing and he was excited to perform with the bat finally. 'To overcome challenges when you go overseas is always a special thing. If you perform overseas, people will rate you high so I am very excited, just want to go out and express myself,' said Jurel in a video shared by the BCCI.'I am very excited to play because this match is very crucial for all of us. I am very excited to do that one thing which helps the team win,' he added. View this post on Instagram A post shared by Team India (@indiancricketteam)Experience playing in Lord's was greatJurel's first chance in England came at Lord's when he donned the wicketkeeper gloves. He said it was his childhood dream to play at the iconic venue and he was just soaking in the moment. 'I used to think about playing at Lord's since childhood so I was just feeling the moment. The experience (of playing there was great).''First of all, what happened with Rishabh bhaiya was very unfortunate. When I went in to keep the wickets it's always a dream to play at Lord's.''We try, whenever that opportunity comes, we do that one thing which helps the team win.'India and England will lock horns in the Oval Test, which will start on July 31. - EndsTune InMust Watch