
Dua Lipa shares childhood snaps on Instagram to celebrate her mom Anesa's 53rd birthday
Dua Lipa pays a heartwarming tribute to her mother Anesa on Instagram to mark her turning 53 on June 29.
The 29-year-old singer delighted her followers on Saturday by sharing a series of adorable throwback and recent snaps of the mother-daughter duo over the years.
Captioning the post, 'Happy Birthday to my beautiful Mama. ❤️ The life of the party (up dancing until 4am most nights) and the voice of reason - somehow both can exist at the same time,' Anesa replied, 'I LOVE YOU, DUA!!! ♥️♥️♥️'

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BBC News
9 minutes ago
- BBC News
Working with stars like Brad Pitt 'a privilege' says film extra
A local film extra has described his delight at starring in a major Hollywood production alongside Brad Pegler, from Winterbourne Bassett near Swindon, appears in F1 the Movie as a race scrutineer and as a pit production, which was partially filmed at Silverstone during the 2023 Grand Prix weekend, sees Brad Pitt as an ageing racing driver looking to recreate former glories, having been forced into retirement years Pegler said that it was a privilege to appear alongside the stars in such a large production. "I stood next to Javier Bardem for one scene, and near Mr Pitt. I did say hello to him on a couple of occasions."(I was) fairly close to everything and everybody. "I think with people like Brad Pitt and Tom Cruise and the like, they've got a presence, and that was evident. And he's still a good looking boy at 60 something", he Pegler also described how the production was filmed in the midst of a busy race weekend."It's as everything's going on. Through race weekend, they're fitting all the scenes in around what's going on." In contrast to other films and TV shows he has been involved in, he said that the amount of money spent on the film was "crazy"."There were 60 background extras. We were on a reasonable whack for the film, and just that budget alone for the background is huge. "You can't possibly imagine the figures for the whole production."Mr Pegler says that he will watch the film, which has already been released in the UK, with a couple of friends at the cinema in Marlborough.


Telegraph
14 minutes ago
- Telegraph
Rock goddesses don't grow old, they just get more iconic. Happy 80th Debbie Harry
Safe to say, Debbie Harry, who turns 80 today, is as unconventional as ever. At the Gucci show last autumn, she turned up in eight-inch red leather platform loafers, a pencil skirt and a red leather jacket, her upside-down W of a mouth painted to match (she wears lipstick most days). Don't look to her for tips on how to mouse your way apologetically into your later decades. Other clothes she finds herself drawn to include 'rubber hotpants and fishnet stuff' – and the unpredictability of Lady Gaga's style. She still tours (she played Glastonbury in 2023). Millennials and Gen Zs earnestly dissect every step of her make-up routine on YouTube (it involves copious amounts of black kohl and metallic shadow). Fashion designers frequently cite her as an influence and in 2020, Miley Cyrus released a cover of Heart of Glass and spoke of the debt her generation of female singers owes Harry. Last year Gucci anointed her the face of an advertising campaign, shot by Nan Goldin, for a hobo-styled shoulder bag called – what else? – the Blondie. She told me at the time she was flattered (who wouldn't be?), but seemed most excited about working with the experimental Goldin. As for the Blondie Bag, been there, done that. It reminded her of a saddle bag she'd been wearing decades ago when someone tried to mug her in New York, but failed because the straps were so strong. This anecdote is on the tamer side of the biblical horrors that befell her in her first half century – we're literally talking fires and plagues. Not that she's one to dwell. Back in the mid-1970s, when she formed Blondie with her then-partner Chris Stein (who named it after Harry's tousled mane – she put the bed into head) was ascendant, I would have devoured all those 'How To Harry' tutorials. The only style nugget I ever remember her dispensing back then was never to wear those broderie anglaise petticoats that were all the rage one summer. 'Droopy' was the word I recall her using. Not that there was any YouTube to corroborate this. Succinct is the word I'll use to describe her sartorial advice at that time. That's what the 1970s were like before celebrities learnt how to monetise their every nano-thought. She's become more loquacious on the subject in the past decade or so, probably because she's had to work harder to look after those blessed genes, so there's more to share. Back in the day, that famous blonde mane was inspired by the old school Hollywood sirens – particularly Marilyn Monroe, with whom she was obsessed – and it was often a DIY job. 'I'd colour it myself, so couldn't always reach the back,' she said of the dark patches which gave the otherwise pristine silver-screen image a far more rebellious inflection. Sometimes, on a whim, she'd shave the sides. Grace Kelly this was not. Nowadays she has to treat her locks more circumspectly. She no longer uses ammonia to dye them. 'It burns my hair terribly. But I've had to bleach my hair for, well… a very long time, so it's not done too badly considering. I swear by Viviscal hair vitamins and Wen's cream conditioner that doesn't contain soap.' Good tips. Amazingly, there are more where this came from. She avoids red meat, dairy and gluten, performs what she calls old lady exercises most mornings, walks her two dogs (Russian Chins since you ask) every day and gets a reasonable amount of sleep (although she does it in two shifts, which sounds far more sensible than lying awake fretting that she's not getting an eight hour block). Her style might be the definition of specific, but some of her dilemmas, in spirit if not in detail, are universal. Like many women in their seventh and eighth decades, she is challenged by having so few examples to follow. 'I'm sort of at a crossroads right now,' she said in 2013 when she was a mere 68. 'I don't know if I'm making myself look foolish if I wear some of the clothes I feel comfortable wearing. And so that's my predicament'. Often when she's thinking about rubber and fishnets, she'll find herself wondering whether she shouldn't be wearing a Chanel jacket. I for one would love to see how she'd style it. It's this internal tussle that makes her relatable to millions who are also navigating the ageing process. The fact that she seems to have fun – viz. that red outfit she wore to the Gucci show – while trying to work out some kind of route map is encouraging. She knows that punk and ageing are a delicate negotiation – or as she puts it, 'I don't want to look like an idiot, but I love costume. In fact I love clothes'. Her wardrobe sounds major – everything from Saint Laurent to Comme des Garçons to Marc Jacobs and Manolos – and those are just the items she wears on a daily basis. She mentioned to me last year she's archived all her clothes from the past five decades. 'It's surprisingly organised,' she added. She told Elle magazine she finds getting rid of old clothes impossible. 'Vintage pieces like my Stephen Sprouse collection from the Seventies and early Eighties are too special to part with… I still wear a lot of his pieces. The stuff that fits anyway'. If it irks her that her looks are still at least as pored over as her music, she's too pragmatic not to play the game. Hence the facelift she confessed to having in 2019, 'for business reasons'. She also remarked that Botox and filler are akin to having flu jabs, which in some circles they probably are. In Face It, her candid 2019 memoir, she writes, 'getting older is hard on your looks. Like everybody else, I have good days and bad days and those s--t, I-hope-nobody-sees-me days'. Mind you, that's true whatever your age, although possibly not if you were Debbie Harry in the days when she appeared to view her God-given beauty with spectacular throwaway detachment . She was – is – blessed with spectacular genes. What the rest of us can learn from her is a positive, embracing attitude. Debbie Harry's most memorable style moments By Jessica Burrell


Telegraph
15 minutes ago
- Telegraph
Jack Draper has been fuelled by ‘nepo baby' jibes
There was a period in Jack Draper's life – the best part of a decade, in fact – when he could barely enter a tournament without someone bringing up his parentage. As the son of Roger Draper, the man who ran British tennis from 2007 to 2013, Jack was the ultimate nepo baby. Rival parents saw him as a lucky swine, unfairly promoted ahead of their own little darlings. This is entirely typical of junior tennis: a seething cauldron of jealousy and spite that would make an irresistible reality TV show. Such resentments inevitably fed through to the other young players. When I first interviewed Draper, in the summer of 2020, he told me, 'I would often go to junior tournaments and have 15 boys on the balcony I had never seen before willing me on to lose, making noises before I serve.' One wonders what all those hecklers are thinking now, as Draper prepares to enter Wimbledon as the fourth seed. Do they still believe that his career benefited from preferential treatment? Do they imagine themselves walking out on No1 Court, if only they had been similarly favoured? In all probability, plenty do take that view. We are all familiar with the sort of bar-room bore who insists that they would have played for Manchester United, had they not been the victim of a career-ending challenge on Hackney Marshes. But this is to underestimate the ingredients required to climb near the top of a global sport such as tennis. Athleticism and technique will only take you so far. To win a $10 million tournament like Indian Wells, as Draper did in March, you need an X-factor… not to mention a Y-factor and a Z-factor as well. During that same interview in 2020, Draper told me: 'There's always going to be people thinking that I am getting better treatment or whatever. But at the end of the day I am 280 in the world at the age of 18, and my dad has not done that for me. I am the one who has put all my efforts and hard work and sacrifices into being a good tennis player.' The sceptics probably scoffed at this comment. They had consistently painted Draper as an over-promoted ninny with more money than talent, and they weren't about to change their minds. Yet his continuing evolution has made them look daft. Admittedly, Draper's early outings on the tour betrayed a few obvious shortcomings. He wilted in the heat. He hit too many unthreatening rally balls. He didn't make enough first serves. But an expert observer could also discern the rudiments of a world-class game. And when you combine a Trojan work ethic with a ruthlessly clear-eyed view of your own weaknesses, it's amazing how quickly the diamond emerges from the ore. At this year's Wimbledon, the latest version of Draper will be a revelation for those who haven't watched him recently. He has developed into a very different animal to the man who collapsed on the court in his very first ATP match in Miami. On top of being a physical beast, he has become an assertive tactician and a reliable server with a knack for banging down aces when he most needs them. This season's win-loss record of 28-8 is comfortably the best of his career. 'The thing about Jack is that he has always been a fantastic natural competitor, even from a very early age,' says the experienced coach Calvin Betton. 'People like that will usually find a way.' No one is denying that Draper enjoyed advantages in life. Like Tim Henman, he attended Reed's, a fee-paying school in Surrey where he was coached by the brilliant Ben Haran – a man more recently involved in guiding 16-year-old Hannah Klugman's career. But then, few of the junior rivals who went up against Draper would have been drawn from housing estates either. Tennis is self-selecting in that way: the day-to-day costs of training and travelling form a natural barrier to entry. While the exclusion of working-class families is regrettable on any number of levels, Betton – who himself comes from a gritty part of Barnsley – disputes the idea that the less privileged must necessarily be hungrier for success. 'I've worked with all sorts of families,' he told Telegraph Sport, 'and the most committed kid I ever saw was the son of two Cambridge University professors.' It's true that the most driven athletes tend to have faced some sort of trauma or challenge in their upbringing. But that can come in any number of forms. The young Rafael Nadal was conditioned to be a relentless competitor by his uncle Toni, a harsh disciplinarian whose tough love often alarmed Rafa's parents, while the young Roger Federer only really focused on his tennis after the loss of his beloved coach Peter Carter in a car accident. For Draper, perhaps it was the barracking from the balcony that helped sharpen his desire in the first place. Speaking about it years later, he dismissed it as 'just kids' stuff'. But the very fact that it stuck in his mind shows how much it hurt. More recently, Draper has become something of a specialist in facing down hostile crowds. There were successive five-set victories over a pair of Aussies in Melbourne in January, followed by an equally thrilling late-night win over home favourite Gael Monfils at the recent French Open. So, maybe being a nepo baby really did help Draper. Just not in the way his critics thought.