logo
Oasis's photographer opens new exhibition of the band's photos

Oasis's photographer opens new exhibition of the band's photos

BBC News2 days ago
Noel Gallagher once called Jill Furmanovsky "the best photographer ever".From Oasis's early concerts to the height of their powers, she was granted unprecedented access to chronicle one of rock and roll's most creative yet combustible bands.And now the woman dubbed 'Oasis's unofficial official photographer' has a new exhibition of her pictures at the Lucy Bell Gallery in St Leonards-on-Sea, East Sussex, which runs until the end of September.Entitled Oasis 1994-2009, it coincides with the ongoing and much-hyped reunion of the Manchester group Furmanovsky admits to "having loved since the start".
She said: "The first time I saw them was at the Cambridge Corn Exchange in 1994."I found them very intriguing because there was tremendous excitement at the concert, almost hysteria."Yet when the singer wasn't singing he'd just sit on the drum riser."It was most peculiar and yet the atmosphere was electric, so I was intrigued."Furmanovsky's next assignment was photographing the band as they worked on the video for their single Live Forever."They were respectful to me because I had photographed a lot of their heroes," she said. "I think Noel had an instinct that he needed someone to document what was happening."
And from her unique viewpoint Furmanovsky captured the band's highs and lows, including a tension-filled photo shoot in Paris."On the day when we were supposed to meet up and do the shoot Liam couldn't be found in the hotel," she said."It transpired he hadn't gone to bed that night and had been in the bar drinking. "I had to send in an assistant to go and fetch him and he still had a glass of wine in his hand when we went off in the bus. "Noel was not in a good mood at that point."And, while Oasis would play giant concerts at Glastonbury and Knebworth, they eventually split in acrimony in 2009.
Last August though, Noel and Liam announced Oasis were getting back together, revealing details of a major UK tour this summer.Furmanovsky said: "I'm thrilled, the same as any fan."They've kept their souls and their integrity as artists, and I think that's what people respond to."She added she will be at the band's upcoming Wembley Stadium concerts.What is more, she will be taking her camera with her.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Where luxury meets ASMR: London Scribes
Where luxury meets ASMR: London Scribes

Times

time27 minutes ago

  • Times

Where luxury meets ASMR: London Scribes

Over 30 years ago, London Scribes was established, bringing its own vision to the traditional art form of italic calligraphy. In the years since, its handwritten lettering, illustration and print services have been used for events at institutions ranging from Claridge's to Tate Modern. The company was even awarded a royal warrant for calligraphy in 2009. In that same year Jenny Collier joined the business, where she was mentored by Craig Poland-Smith and apprenticed for 3-4 years before she began writing for clients. By 2022 she became the grantee and director of the royal warrant. Watch Collier craft an invitation and listen to the spine-tinglingly soothing sound of a dip pen with a Brause Bandzug nib and Montblanc Mystery Black ink, writing on a 400gsm wove notecard from Mount Street Printers. You'll see quickly why it's one of the most popular forms of ASMR on social media.

You'll never guess what I really like about going on holiday
You'll never guess what I really like about going on holiday

Times

time27 minutes ago

  • Times

You'll never guess what I really like about going on holiday

Mid-July, and we are in the middle of Peak Holiday Season — the six weeks in which everyone at some point will either ask or be asked, 'Do we have any of those aqua-shoe thingies? You know — for rock pools? Look like verruca shame slippers? Smell, inexplicably, like old turnips?' Obviously, no one needs to be reminded of the classic aspects of Holiday Season: no work! Having a lie-in! Consuming up to five pub lunches! And, of course, the big family argument — which always happens on the Tuesday. However, as you age, you start getting into the smaller, more niche aspects of holidaying. Because, by and large, all beach days, pleasant walks and visits to National Trust tearooms are the same. But the Secondary Holidaying Aspects? Well. They're for the Holiday Connoisseur alone. For instance: other people's Netflix habits. If you're hiring a cottage or Airbnb, there's a 50-50 chance the previous occupants forget to log out of their streaming account before leaving. Which allows you, as an ever curious observer of human behaviour, to work as an Algorithm Archaeologist — guessing who was here before you and how their holiday went. The most recurrent is kids' stuff: when you see that Frozen and Frozen 2 have both been watched back to back, you know that the last week saw unceasing, brutal rain. You know it contained multiple attempts to engage an obstreperous four-year-old with the cottage's Buckaroo — which has half the pieces missing — before some exasperated parent sighed, 'OK! I give in! Let's spend our summer holiday watching a sassy snowman! Fine!' Other times, it's more… unexpected. In one villa in Corfu, I discovered the previous occupants were obsessed with Japanese YouTubers. The kind who film, with serene minimalism, their daily routines: sweeping their floors with rustic brooms or slowly preparing enoki mushrooms. Here I sensed a neurodivergent teenager, on holiday under duress, firmly eschewing the horror of a boating day trip — probably to a rock covered in gannets, which are both raucous and unloveable — in favour of sitting at home with a Ribena, watching someone craft miso from scratch. And fair enough. I will skim over the Penrith cottage where Amazon Prime revealed a week containing every single movie made by Guy Ritchie — as it's embarrassing that 'men in their early thirties on a stag weekend' should be so predictable. Then there are the joys of the new area you have travelled to. Simpler people get excited about the mountains, moors or valleys. The more practised holidaymaker, on the other hand, is excited by a far more potent local joy: a small local supermarket. Our own local supermarkets are as familiar to us as our hands, or dogs. Which is why being in someone else's local supermarket feels so… transgressive. Almost like, after 30 years of marriage, sleeping with a new partner. The baskets are a different colour! They sell a vodka called 'Garry'! The washing-up liquid comes out of a mad giant dispenser! The first aisle doesn't have fruit and veg but something weird, like 'magazines and giant lollipops', or 'sunhats and charcoal briquettes'. In smaller, more isolated supermarkets, hardcore grocery nerds can get off on an aspect common to all small supermarkets: the laissez-faire attitude to the true sell-by date of grapes. Those guys are often pushing the envelope so hard, what they're selling is, technically, not 'grapes' but 'a bunch of sultanas'. To eat a deflating brown grape is to taste the true terroir of Bodmin. Finally: The Big Wash. I'm not sure where feminism stands on The Big Wash — it's been slightly distracted by both the trans issue and Sabrina Carpenter. But, without exception, every woman I know over the age of 40 confesses that one of their favourite moments of a holiday is getting home, kicking all the accumulated post out of the way, and putting all the holiday clothes onto a mixed load. 'There's something so satisfying about it!' 'It's like rolling the credits on your holiday: like, 'You having been watching… these shorts! And that T-shirt!' 'If the day's good enough to peg it out afterwards, I consider it the final holiday treat.' Is it unfeminist for a woman to consider laundry 'a final holiday treat'? I don't know any teenagers, or men, who are gagging to chuck a Surf 3-in-1 pod into a load of knickers on 30 degrees. All the not-women seem to spend their first hours home 'catching up on important emails' or ringing the cottage firm to see if the cleaners have found their iPhone charger. It's just the ladies who are ecstatically spot-treating a Piz Buin stain on a pair of pleated culottes. And yet, we are happy. Happy with our niche holiday joys.

London arts centre to amplify global majority voices and ‘urgent questions'
London arts centre to amplify global majority voices and ‘urgent questions'

The Guardian

time43 minutes ago

  • The Guardian

London arts centre to amplify global majority voices and ‘urgent questions'

A new London art institution aimed at promoting global majority voices wants to be a space for 'difficult, urgent questions' alongside civil debate, according to its founder, who claims freedom of expression is under threat. Ibraaz will open this coming October in Fitzrovia, central London, and Lina Lazaar wants the 10,000-square-foot Grade II-listed building to become a bastion for respectful debate without the 'aggression' seen in a lot of political discourse. It is funded by the Kamel Lazaar Foundation, the philanthropic organisation named after Lina's father, the Tunisian businessman who founded financial services group Swicorp before becoming a supporter of the arts in his home country. Lina Lazaar's father has long advocated for north African and Middle Eastern art, but Ibraaz, which began life as an online platform, will launch as a home for global majority art and artists. 'There has never been a greater need to create the conditions for genuine dialogue and a space for inquiry,' Lina Lazaar said. 'Freedom of expression is shrinking, in the press, on campuses and some institutions as well. I think we're living in a state of deep despair and inequalities. Having an additional space where people can tackle difficult, urgent, important questions in a way that is open, genuinely sincere and respectful, can only be a positive.' Its first exhibition will be Ibrahim Mahama's long-running, evolving work Parliament of Ghosts, which also appeared at the Manchester international festival in 2019 and features discarded objects from Mahama's west African homeland of Ghana. The Otolith Collective will create a 'library-in-residence', while the east London booksellers Burley Fisher will run Ibraaz's bookshop, which the Palestine festival of literature will initially curate. There will also be a talks programme. Lazaar says that recently some arts institutions and organisations have been uncomfortable hosting discussions or artists who have tackled weighty issues. Last February, the Barbican was criticised after it backed out of hosting a lecture series that included a talk about the Holocaust and allegations that Israel is committing genocide in Gaza. Shortly afterwards, across the cultural landscape, there was outrage after Arts Council England warned that 'political statements' could break funding agreements, before U-turning. The Kamel Lazaar Foundation is one of many privately run arts institutions in Africa, alongside Fondation H in Madagascar, 32Bis in Tunisia, Fondation Zinsou in Benin and the Zeitz Mocaa in South Africa. Lazaar says not being beholden to public funds means Ibraaz can have more freedom to host challenging works or ideas. 'Those spaces have historically made institutions feel a little bit uncomfortable and we want to be able to exist at that edge of discomfort,' said Lazaar. 'That's the only way I believe that institution will be in a position to be consequential in shaping discourse.' Sign up to The Guide Get our weekly pop culture email, free in your inbox every Friday after newsletter promotion Ibraaz's home is 93 Mortimer Street, an address that has had many incarnations. It was a synagogue, the residence of Conservative politician Sir Robert Bateson Harvey, the London Galvanic hospital and the German Athenaeum – a cultural club for artists, musicians, and businessmen. Lazaar says she was 'uncomfortable' with the space at first. It was grand and symbolised an old world opulence, rooted in British history and wealth – the kind of place where the people Ibraaz is trying to attract wouldn't have been welcome. But she says she now thinks of Ibraaz opening in the heart of Fitzrovia as a chance to 'reclaim the space' and bring in 'marginalised' voices. As well as an arts programme, there will be a music offering and a 'café-in-residence' led by Tunisian chef Boutheina Ben Salem, which Lazaar says is a key part of 'cultural hospitality'. 'I genuinely believe that with real cultural hospitality and care you are able to rebuild environments where the most kind of pressing and controversial and difficult, complex, layered issues should and can be debated, but in a civil way.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store