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A new 'shadow rivalry' has emerged in the war with Harry and Meghan. This peace summit was not all it seemed... and there's only one way it ends: MAUREEN CALLAHAN

A new 'shadow rivalry' has emerged in the war with Harry and Meghan. This peace summit was not all it seemed... and there's only one way it ends: MAUREEN CALLAHAN

Daily Mail​3 days ago
Not since Yalta has the world seen such a controversial summit.
The seemingly impossible happened over the weekend, with senior aides to King Charles and Prince Harry meeting to broker a potential reconciliation — reportedly leaving livid.
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Australia's reckoning with Indigenous people takes one cultural glide forward, two political steps back
Australia's reckoning with Indigenous people takes one cultural glide forward, two political steps back

The Guardian

time8 hours ago

  • The Guardian

Australia's reckoning with Indigenous people takes one cultural glide forward, two political steps back

For several decades First Nations artists have done much of the heavy lifting in Australian cultural diplomacy. And now Wesley Enoch as chair of Creative Australia has to fix a damaged sector. Archie Moore, Tracey Moffatt, Warwick Thornton, Deborah Mailman, William Barton, Tony Albert, Judy Watson, David Gulpilil, Christian Thompson, Ivan Sen, Emily Kam Kngwarray, to name just some of the many who have won accolades for their stunning, original work and taken their place at the peaks of cultural power and influence. Winning hearts and changing minds as they went. Not so long ago this suggested a long overdue reckoning with the First Peoples; a reckoning that the rest of the world was watching in the detached way that those who can be bothered note what is happening elsewhere. Australia is diffident about cultural diplomacy, reluctant to exercise its soft power (in anything other than sport), as the abandonment of ABC Asia Pacific TV demonstrated – although the ABC has since revamped its international service. The global celebration of First Nations artists was a powerful way of showing that modern Australia had thrown off its colonial legacy, had grown into a truly mature and reconciled nation and come to terms with the ancient human heritage that makes it truly unique. Creative Australia put First Nations stories first in its strategic priorities, Dfat's cultural grants emphasised the persuasive power of 65,000 years of unique civilisation, and Australia lobbied hard for Unesco recognition of cultural heritage at Gunditjmara and now Murujuga. Yet as we approach the second anniversary of the decision by most Australians to reject meaningful recognition of First Peoples, the tension at the heart of this international celebration of the talent, stories and unique ways of seeing, being and doing comes clearly into focus. Is it simple hypocrisy or the old Australian way – one glide forward, two quick steps back? There are markers. The silence about discussing the referendum or to even consider national truth-telling. The ratty politics rejecting welcomes to country and Aboriginal and Torres Strait Islander flags. The patchy reporting of the coronial findings of institutional racism in the NT Police and the Yoorrook inquiry's findings of historic genocide. The federal court's hand-wringing decision that accepted government policies caused wilful destruction of culture and environment in the Torres Strait Islands but that it was unable to do anything about it. These recent events suggest that coming to terms with the enduring impact of the past is at best the latter, two quick steps back. At worst, to me, it suggests further signs of what Jeremy Bentham once called an 'incurable flaw'. All this came to mind as I stood outside Tate Modern waiting in line under an unusually hot summer sun for my bag to be checked. My English friend and I were on our way to the third floor of the vast former turbine to see the Emily Kam Kngwarray exhibition. 'Why is it on now?' he asked. He knows Australia, has spent time in central Australia and understood how the voice referendum hung heavily there. It's a reasonable question. And there are many answers. Some practical, others freighted with meaning. The director of the Tate told the press it was part of her plan to celebrate older female artists who should be considered great masters (mistresses?). The art press buzzed that this was one of three major exhibitions of Indigenous artists in London this summer – the others from Canada and Peru. Indigeneity is 'a thing'. The collaboration to celebrate the 'old lady's' work between the Tate, National Gallery of Australia and the women of Alhalker country began not long after the prime minister, Anthony Albanese, declared there would be a referendum to secure meaningful recognition of First Peoples in the Australian constitution. These big retrospective shows are years in the making, especially ones that require the active involvement of local communities as well as major galleries and high-profile owners around the world. When the extraordinary show first opened in Canberra just months after the vote, there was sadness about what might have been, about how the exhibition might have celebrated a new beginning. In London two years later, this is a barely acknowledged backdrop. Those seeing her work for the first time grapple with what it represents, how someone who only started painting in her 70s produced work as fresh and innovative as any major 20th-century artist – but how it grew out of her knowledge, skill and dreaming. Like all great artists the work is truly hers, grounded in her unique perspective. What comes as a surprise, to those who have only seen her images in books and posters, is their three-dimensional quality. Kngwarray layered paint to evoke stories of such extraordinary depth that they carry a fourth dimension of infinite time, 'everywhen'. It invites the viewer into a unique way of seeing and being. Another Australian artist is also celebrated on level 3 of the Tate. Leigh Bowery, who in his short life became a London gay style icon. Both Emily and Leigh speak to a distinctive Australian sensibility and energy. They prove that from an unlikely starting point anything is possible. Answering my friend's question, I said I wished the curators had projected The Adventures of Priscilla, Queen of the Desert, where flamboyant gay culture meets the outback, on the wall between the two iconoclastic Australians, to help viewers literally join the dots between the two exhibitions. Culture is complicated, cultural diplomacy can take time, but culture might still lead politics. Julianne Schultz an emeritus professor at Griffith University and the author of The Idea of Australia​

King Charles, the disquiet at Highgrove and the gardeners' exodus
King Charles, the disquiet at Highgrove and the gardeners' exodus

Times

time8 hours ago

  • Times

King Charles, the disquiet at Highgrove and the gardeners' exodus

T he King appeared in a circlet of feathers and a scarf draped ceremonially around the shoulders of his cream suit. It was a nod to the traditional cultures and forms of healing that underpinned his inaugural 'Harmony Summit' at Highgrove House last weekend — an event attended by indigenous tribesmen, herbalists and craftspeople. There could have been no more fitting backdrop to the event than the gardens at his nine-bedroom residence in Gloucestershire. For 45 years, Highgrove has served as a laboratory for the King's belief that humanity should work with nature, not against 'her'. He still regularly spends time at the house, tending to the exotic flowers and plants that are his pride and joy. Yet as 'sacred smoke' spiralled over the apple trees, elders read spiritual incantations to honour Mother Earth and the Amazon Prime documentary cameras whirred, an inconvenient truth was hidden. For, despite the King's pronouncements, life at the gardens has at times been far from harmonious. In summer 2021, Charles signed a deal to preserve his influence over the property when he became King, a legal and technical necessity as it was due to be inherited by his son, William. Since then, he has remained involved on the most minute level, supervising everything from the size of peaches to the shade of roses. He does this by attending walkabouts at the property, then sending notes in thick red ink to garden staff who are expected to act before his next return. The memos are often strikingly specific and emotional — demanding, for instance, that staff move a single, unacceptable ragwort from the perimeter of his swimming pool; telling them their failure to cultivate his beloved delphiniums had caused an almighty disappointment and spoilt one of his favourite moments of the summer; and even correcting grammar. Others are more positive: Charles expressing his giddy delight at the progress of a particular specimen, or affixing several exclamation marks to an upbeat comment. 'In the background, the King has entrusted a manager to become his go-between with the gardeners, many of whom say his requests are impossible to fulfil given the lack of resources. Others have complained of poor conditions, including pay as low as minimum wage. Charles is shielded from some of the issues, but not all. He was sufficiently aware of staff problems that, after the invasion of Ukraine, he dashed off a note proposing that war refugees could be recruited to help out. Of 12 full-time gardeners employed in 2022, 11 have left, including two heads of gardens and a deputy head gardener who departed within the space of a year. One had served the King for decades. Another failed his probation after revealing a lack of knowledge about a particular flower, instantly losing Charles's trust. The monarch said of him: 'Don't put that man in front of me again.' In late 2023, one staffer launched a grievance against the gardens' management, saying the team was overwhelmed, under-resourced and constantly struggling to fulfil the King's requests. His complaint said staff had developed physical injuries trying to keep up, and that the team suffered from low morale. It added: 'There is little management of HMTK [His Majesty the King's] expectations, and I know I would not be allowed to say we are understaffed.' In turn, The King's Foundation, which now runs the gardens, commissioned an external investigation. It found evidence of 'staff shortages' and 'poor' management practice; that pay was an 'issue for recruitment and retention'; and that churn was so severe the gardens had been given 'carte blanche' to hire temporary workers. It recommended 'management training for all managers', 'mental health support and counselling' and a pay review. Yet insiders say issues have persisted. Charles's charity has done away with the title of 'head of gardens', appointing only a 'head gardener' after successive departures, and removed the role of deputy head gardener. Two more staff walked out around the start of this year. In turn, the gardens have continued to rely on staff sent from Charles's other estates, as well as career-changers and local volunteers. The fact Highgrove is a demanding workplace has been hinted at in the past. Almost two decades ago, The New York Times published an article entitled 'Organic looks easy, if you've got a royal staff'. In it, the newspaper's gardening columnist said the eight gardeners 'may seem like a lot until you grasp the amount of labour involved', pointing out that their productivity was hard to believe given they are not allowed to use pesticides. Yet today is the first time that concerns have surfaced publicly. Last night, the palace declined to comment. The King's Foundation adopted the same approach but a source close to the charity said it was entirely natural that Charles retained a keen interest in the gardens. They said staff had been given pay increases and the proposals contained in the grievance report had been mostly implemented. The source added that there were no longer any vacancies within the gardening team, and only injuries that could occur 'within any working garden' had been reported. On July 1, 2021, Charles, as Prince of Wales, signed a deal to protect his life's work. Highgrove had long been his private home, although his real refuge was its outdoors. He had spent decades cultivating the gardens, transforming unloved pastureland into a world of buttercups, birdsong and cherry trees — a process that felt to him like a 'form of worship'. TIM GRAHAM PHOTO LIBRARY/GETTY IMAGES Yet with his mother's health declining and Charles's 50-year wait for the throne nearing its end, those around him turned to an awkward fact of the original purchase. Technically, it was not his for ever. He had bought Highgrove via the Duchy of Cornwall, the 1,000-year-old private estate that belongs to whoever is heir to the throne. That would soon be William. To preserve his access to the place he loved, Charles created a new company, Highgrove Nominees Limited, which had one shareholder: 'His Royal Highness Charles Philip Arthur George The Prince of Wales.' He entered into a 20-year agreement to rent the estate through the company. His landlord: the Duchy of Cornwall, which, under his control or his son's, would have to honour the deal. The price agreed was £340,000 per year. As a result, Charles could keep the residence, a balustraded manor built in the 1790s, until the age of 92, while subletting the gardens to The Prince's Foundation (now The King's Foundation), which would oversee their day-to-day management while he attended to royal duties. It would also raise funds through an expanded offer of tours, classes and branded goods, making Charles less reliant on wealthy individuals for potentially embarrassing donations. Farrer & Co, the royals' lawyers, put finishing touches on the final agreement. Alastair Martin, keeper of the records of the Duchy of Cornwall, applied the wax seal, granting Charles's assent. Finally, the prince could breathe a sigh of relief. In actual fact, it was only the start of more problems. Today's article is based on interviews with eight sources who have worked as royal gardeners or have detailed knowledge of the estate's inner workings. None has spoken on the record, mostly because of concerns about breaching the non-disclosure agreements they had to sign with both the charity and the royal household. Some expressed concern about doing anything that would require them to revisit, or speak publicly about, a painful period of their lives. Those we spoke to were united in their conviction that Highgrove was in a state of dysfunction, but not in their diagnosis as to why. Some point to Charles's meticulous approach. They acknowledge that many find his passion inspirational or endearing, but say his feedback — the flashes of frustration, the specificity — can be demoralising and, given his unique status, impossible to object to. Others talk about Constantine Innemée, the executive director of Highgrove and one of Charles's most trusted advisers. Under his leadership, staff are told to prioritise Charles's wishes — even if they seem impractical. According to the 2023 grievance, on one occasion Innemée 'shouted at' one gardener who had sought to tell the King about staffing issues. Innemée insists he was being 'firm', and the grievance report made no finding on the matter. Constantine Innemée watches on as the Beckhams and the King speak at Highgrove in February FINNBARR WEBSTER/GETTY IMAGES Low pay is a running sore, with wages poor even by industry standards. At times as many as half of the garden's employees have been paid minimum wage. Charles is aware of the churn. Yet the monarch's determination to realise his vision has remained undimmed. 'There was nothing here at all.' So Charles recalled when he granted his friend, the gardener and broadcaster Alan Titchmarsh, a tour of Highgrove several years ago — an interview in which he explained his decision in 1980 to buy the house and the fields encircling it from Viscount Macmillan, son of the former prime minister Harold Macmillan. The prince was a 31-year-old bachelor with time on his hands. He turned to the Marchioness of Salisbury, a horticulturist, to design the gardens based on their shared principles of organic farming and sustainability. A team of gardeners was hired. On spare weekends, Charles would tend to the gardens himself. He told Titchmarsh: 'I actually planned everything in this myself, I did the whole thing, I chose all the plants.' Alan Titchmarsh at Highgrove for a BBC programme in 2011 SPUN GOLD/BBC In the early years, Charles was as selective with those he invited to the estate as he was with the botany. It was his private home, not an official residence. Meanwhile, the gardens prospered. Successes included the kitchen garden — 'a mass of strawberries, raspberries and gooseberries' — the arboretum — a woodland of sapphire and purple bulbs — and the stumpery, decorated with ferns and wood-carved sculptures. They were joined by the Sundial Garden, showcasing Charles's beloved delphiniums, and the Thyme Walk. As the garden thrived, Charles began opening up his creation. In 1990, he founded Duchy Originals, a company that sold organic food some of which was grown on site. For many years, such products were the closest most members of the public got to the gardens. Those who belonged to a charity or garden club could apply to visit but waiting lists were long and only minimal numbers were admitted. That changed in the 2010s. As he sought to widen the reach of his personal philosophy of 'harmony', Charles opened up the gardens to paid public tours. Hundreds, then thousands, then tens of thousands visited during the summer months. By June 2021, 40,000 people were visiting a year. The next month, Charles signed his deal with the Duchy of Cornwall, as part of which he leased the gardens to The Prince's Foundation. The small print made clear that, even as his charity took responsibility for management and finance, Charles had the right to view the 'gardens at any time without notice', hunt 'all games, hares [and] rabbits' as he pleased and 'fell, cut and carry away [any] saplings'. It would also work to 'ensure [his] privacy' when he was in residence, prevent 'any prejudicial effect on the reputation of … His Highness or any member of the Royal Family' and give him sole access to the swimming pool. Crucially, whereas Charles had once managed the gardeners directly, this responsibility now fell to Constantine 'Costa' Innemée, a Dutchman who grew up in the Hague. After graduating in journalism at Napier University in Edinburgh in 2011, he started his career as a press officer at The Prince's Foundation. There he caught the eye of Michael Fawcett, the head of the charity and the man Charles once said he could 'not live without'. Fawcett quit in November 2021 over the 'donations for honours' scandal that bedevilled the foundation. Charles and Michael Fawcett in 2019 ANDREW MILLIGAN/PA Innemée's ability to pre-empt the King's wishes and deliver quickly won him swift promotion. In 2021, he became Highgrove's executive director. The brief was clear: to transform the gardens into a cash-cow capable of funding Charles's other projects. He resolved that Highgrove would open itself up to private dining, including black-tie dinners and galas, practical classes such as 'sound healing' and candle-making, and more tours — with groups visiting every half hour in peak months. In retail, he widened the range of goods from the usual gin and jam to stationery and jewellery, as well as panama hats and tweed caps similar to those worn by Charles. Innemée deferred to Charles on horticulture, yet this arguably sensible division of labour would create its own tensions. As he prepared to ascend the throne, and then as monarch, Charles was busier than ever. But he continued to exercise strict control over the gardens. He did so through morning walkabouts supervised by Innemée and attended by a selected gardener. Hands tucked behind his back, he ambled from plant to plant, issuing instructions to be written up and acted on before his next return. In between visits, gardeners were to send detailed updates, which had to comply not only with precise botanical standards but also grammatical ones. Memos were to be addressed to 'YRH' (Your Royal Highness) and later 'YM' (Your Majesty) and avoid phrases Charles saw as improper. In turn, Charles responded with his characteristic handwriting on thick paper cards. Why were the name tags missing from his favourite magnolia? Why had the gardeners failed to save his beloved evergreen azalea? Why was a particular cherry tree failing to grow? Why had the delphiniums been cut back when doing so would harm their progress — and, for that matter, were they being fed enough seaweed, in line with his instructions? Was the public restaurant serving the particular kind of waxy potato that was his favourite? At times, Charles struggled to contain his frustration, asking staff why his acers had been left in a disgraceful state, or why they had failed to find a pink version of a cornus as requested. When one staffer misspelt the name of a Japanese deciduous shrub, he underlined the incorrect letter and sent a two-lettered objection: 'No!' The same passion, it should be said, could give way to tiggerish charm, as Charles expressed his gratitude and excitement about the progress of everything from salad leaves and onions to netting for his delphiniums. The King's intense approach and unapologetic demands for high standards provoked varying reactions. Some garden staff told us his attention to detail was unsurprising and only natural. One said: 'He's always been a gardener. If you were employed by somebody that wants stuff a certain way, I don't think that's a ridiculous demand. They're paying you and they ask you, 'I want an avenue of trees along here', I don't think that's an unreasonable thing to ask people who you're employing.' Another individual still close to Charles pointed out that he would offer positive feedback and genuine enthusiasm with equal vigour. Others took a less charitable view. One gardener said staff were treated like 'dirt', adding: 'There was anger boiling at the surface … very impatient, no politeness at all.' This person said the King's position made it impossible to speak up: 'It was like, you should be thankful that we've given you a job, and you work for the King, the highest person in the country.' Sources claim Innemée struggled to absorb Charles's anxiety or dilute more impractical requests. As one former gardener described it, if the King wanted a plant to be moved from A to B but the gardener's professional opinion was that it would die as a consequence, Innemée's position would be to insist on it anyway. As the gardens developed, the permanent staffing numbers remained the same at 12, only a handful more than the eight there had been almost 20 years prior. The budget for the gardens, which were expected to deliver seven-figure turnover and profit, had been transferred to the foundation and was in the low hundreds of thousands of pounds. Money was tight. One staffer concluded: 'Look, I just can't get this done.' Insiders recall that, after the foundation took over, staff had their contracts transferred from the household to the charity, making them answerable to Innemée. The head of gardens was one of the first to walk out. Junior staff ­followed, many citing low pay. In the days when Charles ran the estate himself, sources say he had from time to time ­written cheques to top up salaries and pay for unexpected costs. The moment he transferred it to his charity, this stopped. By March 2022, out of 12 staff, three were on an hourly wage of £8.91, the minimum wage; two were on £9.50, the minimum wage for the following year; and one, a student, was on £8.36. Innemée did permit modest pay increases for some of the replacements, but sources say gardens elsewhere remained more competitive. One source said low pay was a 'notorious' fact of royal life and a sacrifice people were willing to make because of the 'kudos' on one's CV. Yet in the modern era, and with staff now answering to a charity, not the household, fewer appeared willing to tolerate it. In the middle of 2023, as the situation deteriorated, some gardeners turned to Innemée, hoping he might use his relationship with the King to secure more resources. By then, Charles was not only managing the gardens from afar but, from time to time, asking for help on his private property, which was not covered by the charity. This included asking staff to tame plants growing by his pool or his personal study, and requesting that fruit be poached and made into jam at the house. Such requests appear to violate the terms of the agreement through which the charity is present at Highgrove. Sources now say they were made because the public-facing gardens offered a view of the private area and the King wished for visitors to see high standards everywhere. On a more immediate level, they added to the demands faced by staff. On one occasion, a gardener took the opportunity during a walkabout to tell Charles that if he wanted to cultivate his magnolias in a particular way, he would need a specialised — that is, a new — member of staff. Later, according to the grievance, Innemée summoned this person, allegedly 'screaming' at them and subjecting them to a 'humiliating' dressing-down. Innemée insists he was firm on this occasion but did not overstep the mark. The subsequent report did not make a finding either way. In November 2022, the first of two head gardeners left. According to a source, 'HMK [His Majesty the King] did not like him.' Others said he resigned because he could not bear to deal with the charity's politics. A short time later, a deputy gardener made the technical error during a walkabout — apparently about magnolias. Charles insisted he be removed immediately. At the end of the man's probation period he was told by Innemée that he had not passed, with foundation sources now claiming he was not at the 'level required for the role'. Charles was, at the least, aware of the staffing shortages. He proposed remedying them with elderly volunteers, who he said had done a terrific job at Ray Mill, his wife Camilla's home in Wiltshire, or refugees from the war in Ukraine. The estate duly put out a call to 'local green-fingered enthusiasts' who could 'play their part in caring for our green space'. In keeping with Charles's suggestion, Highgrove said it was specifically searching for 'semi-retired and retired men and women'. The King would be updated on individual staff departures and where they were leaving for. By August 2023, one senior gardener had had enough, submitting a grievance claiming that: 'There is little management of HMTK expectations, and I know I would not be allowed to say we are understaffed. I once gave advice regarding a staffing requirement for propagation and I was shouted at by [Innemée] and reprimanded after the walkabout. There has been an ongoing issue with staff shortages and this has created negativity and low morale within the team.' The King's Foundation retained the services of WorkNest, an independent HR consultancy, to investigate the allegations. It did not uphold personal complaints about Innemée, who denied his conduct amounted to bullying or harassment, but upheld the fact that there were severe staff shortages and poor management practices, including in relation to the man who made the error about magnolias. Its final report recommended Highgrove provide 'management training for all managers'; offer 'all employees' mental health support and counselling; manage probation periods in a 'fair' way; and review pay if it continues to be 'an issue for recruitment and retention'. Those who remain at the gardens say similar issues persist. The gardens are now on their third head gardener in as many years, the deputy role has never been filled and two gardeners are said to have left late last year. One person told us they could not bear to discuss their time at Highgrove, saying that for mental health reasons they had to consign that period in their life to the past. Meanwhile, accounts for The King's Foundation for the last financial year stated that 'trading income exceeded donation income for the first time due to strong retail and garden tour sales'. They singled out Highgrove, where turnover, at almost £6 million, was higher than any of Charles's other properties. In a statement, the foundation cited many 'positive' developments at Highgrove since assuming management including higher profits and visitor numbers. It said the public 'enjoy discovering' the King's 'personal impact' on the estate, adding that there were 'high satisfaction rates' among staff. The King remains as committed to his estate as ever. Despite all the money, and legal complexity, he has always had a simple recipe for the estate: 'harmony' — between humanity and nature, if not always between his own staff.

Prince Harry ‘fears he will be banished from UK' when William becomes King and wants to ‘heal family rift' with Charles
Prince Harry ‘fears he will be banished from UK' when William becomes King and wants to ‘heal family rift' with Charles

The Sun

time14 hours ago

  • The Sun

Prince Harry ‘fears he will be banished from UK' when William becomes King and wants to ‘heal family rift' with Charles

PRINCE Harry fears he will be banished from the UK when William ascends the throne, claimed a royal expert. The Duke of Sussex is reportedly desperate to heal his fractured family relationships - primarily with his father King Charles. 11 11 11 This comes amid swirling speculation after senior aides to both Harry and the Monarch were snapped meeting in London last week. Meredith Maines, Meghan and Harry's chief of staff in California, and Liam Maguire, the head of their UK PR operation, recently met Charles's communication secretary Tobyn Andreae at the Royal Over-Seas League which sits just three minutes from Clarence House. It is unclear which side initiated the summit. The secret peace summit sparked rumours a reconciliation is in the works, but Prince William's team was notably absent. It comes after the Duke revealed in his bombshell BBC interview"life is precious" and "I would like to get my father and brother back". Royal expert Tom Bower told the Mirror: "Whether they'll meet again in Charles's lifetime depends on how long Charles lives. "I couldn't say never because I'm sure Charles wants to meet his son, but so much depends on how Harry behaves. 'Harry is seriously worried that when his father dies one day, William will literally banish him and he will have no status in Britain at will be persona non grata.' The author, who wrote Revenge: Meghan, Harry and the War Between the Windsors, claimed the Duke is "desperate" to make amends with his father. Although Mr Bower suspected the Palace could be reluctant to build bridges with the dad-of-two, due to a lack of trust. I know Prince Harry & he's desperate to mend the royal rift for three key reasons The expert also thought it would be unlikely for Harry to meet with Charles when he visits the UK in September for the annual WellChild event. In September the King should still be on holiday at his Balmoral retreat, ahead of hosting US President Donald Trump in the middle of the month. And, even if the father and son do get back on regular speaking terms, there's a lot of damage to unpack. Mr Bower highlighted Harry's BBC interview in the wake of losing his security case appeal in May. In the bombshell chat, the Duke dubbed his defeat a "good old fashioned establishment stitch-up" and pointed his finger at the Royal Household on swaying the decision. 11 11 The royal author claimed Harry "fears that once Charles dies he will get no help from William" when it comes to his security case. Meanwhile, when it comes to Meghan Markle, Mr Bower suggested she would be indifferent to whether or not a reconciliation happened. The Duchess posted about sending her As Ever wine as a birthday present to her "ladies near and far" on the same day Queen Camilla turned 78. It is unclear who she is sending the wine to. She posted the video on what would have been Wednesday in California, but early Thursday morning in the UK. This comes after another royal expert told The Sun Prince William would never be able to forgive his brother. But Mr Hugo Vickers said he believed there's "hope" for Harry and King Charles. "I don't think it's all gone too far," he said. 11 11 "It's always good to talk. Lots can come out of talking, and you know it could perhaps lead to something. "We don't know what they talked about or what their plans were. But that's a good sign." Despite hopes of a reunion between the King and his son Mr Vickers warns a cheery reunion with Will is a far less likely possibility. He said: "So as for William. It's much more difficult because the barbs were sent in his direction from Prince Harry, but very much directed towards Catherine. "That is very insulting, and I think William is likely to be more of an unforgiving person than his father." Mr Vickers added: "I think at the moment, if I was advising Prince Harry, I would say, get onto good terms with your father as soon as possible, and then that's step one and step two, try to get on good terms with your brother." Harry is reportedly set to invite his brother and father to the next Invictus Games. If the Monarch and his eldest son were to attend it could mark the biggest step towards reconciliation so far. In the meantime, the Duke has been following in his mother Princess Diana's footsteps in Angola this week. He was pictured walking among landmines with with charity Halo Trust 28 years after his mother did the same. Harry's solo adventure saw him land at Luanda airport and there proceed to take a series of small two-person planes to the site of the mines. The Duke of Sussex hopes the publicity from the daring stunt will encourage the Angolan government to make more donations to Halo - of with he became patron in 2019. FAMILY FEUD With rumours swirling around the possibility of a reconciliation, Harry previously said in his BBC interview that he had "forgiven" his family. The Duke also claimed reconciliation was now down to Charles. The feud between the Duke and his family started when he and Meghan Markle announced on January 8, 2020, that they would be stepping down as 'senior' members of the Royal Family. Since then it was revealed that Harry has limited contact with his father the King along with a slew of other revelations about the family feud. There was hope for reconciliation last year when Harry travelled to the UK to celebrate the 10 year anniversary of his Invictus Games. However, the King and Harry failed to meet due to the Monarch's "full programme". The Duke was offered to spend his time at one of the royal apartments - however he turned it down in what was branded a snub to his father. Meanwhile, Princes William and Harry have not been in direct communication since the release of Harry's controversial memoir, Spare, in January 2023. Their last reported interaction was during the funeral of their grandmother, Queen Elizabeth II, in September 2022, but conversations were said to be brief. The feuding brothers reportedly did not speak to each other despite standing 'virtually back to back' among mourners at their uncle's memorial service last year. The brothers have been at loggerheads since Harry and wife Meghan quit royal duty in 2020 for a new life in the US, where they have launched a succession of barbs at the Royal Family. Growing up, Wills and Harry shared many of the same friends who were part of their close, tight-knit circle. But their relationship took a sour turn after Harry lobbed vile allegations against the Prince of Wales in his memoir Spare. In the book, he claimed William had physically attacked him and knocked him to the floor in 2019 and made insulting comments about Meghan. The Sussexes had also targeted Princess Kate, when Meghan claimed the royal made her cry. The bitter feud was ignited with full force when the Sussexes told Oprah, in their 2021 sit down interview, that certain members of the Royal Family had speculated about Prince Archie's skin colour. 11 11

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