Vox Media Workers Ratify New 3-Year Collective Bargaining Agreement With WGA East, Successfully Recognizing ‘Thrillist' & ‘The Dodo'
The 250-member unit voted unanimously to approve the three-year collective bargaining agreement, the union said Friday morning.
More from Deadline
Producer Scott Budnick Details How Hollywood Got California Lawmakers To Agree On Film & TV Tax Credit Program Expansion
California Legislators Approve $750M Funding For Film & TV Tax Credit Program
WGA East Ratifies First Union Contract With Nonfiction Producer Story Syndicate Nearly 2 Years After Organizing Workers
The WGA East had been fighting to bring all Vox Media workers across various verticals under one union contract, which they said the company had been resisting, prompting the talks to grow contentious. The two sides narrowly avoided a strike by securing a tentative deal just over two weeks ago — and it looks like the union got what it wanted.
Members working at PopSugar, The Dodo and Thrillist will be covered under this collective bargaining agreement. Those from Thrillist and The Dodo will also receive backpay from April 2024 and May 2024, respectively, per the 2024 Vox Media Union contract wage increases, the union said Friday.
The Vox Media Union also includes the editorial staff at Vox.com, The Verge, Eater, Punch, SB Nation, and Vox Media Podcast Network.
In a statement Friday, the negotiating committee said it is 'so proud to have fought and won this contract that betters the lives of all of our members.'
In addition, the contract also secures protections against generative AI and use of digital replicas, as well as a newly designed layoff process that includes two weeks of paid non-working notice, plus a minimum of 12 weeks of severance.
See more of the contract details below.
Guaranteed general wage increases:
Year 1: 5% for salaries under $106K, 4% for salaries over $106k;
Years 2 & 3: 3.25% for salaries under $106K, 2.75% for salaries over $106k;
A new salary floor of $70,000 for overtime exempt employees and $68,000 for overtime eligible employees;
Protections from Generative Artificial Intelligence (GAI):
No layoffs solely from the use or implementation of GAI;
Any GAI generated material will go through standard editorial review processes, and the use of any GAI generated material will include the public disclosure of use of such tools;
Reasonable advance notice of actual implementation of any new tool or system that will meaningfully impact employees;
Employees may decline to be credited on any content where GAI was used;
Protections against use of digital replicas;
A new layoff process that will involve two weeks of paid non-working notice, plus a minimum of 12 weeks of severance;
Maintains unlimited PTO policy, with the encouragement to take at least 25 days off per year (up from 20 days);
12 bereavement/pregnancy loss days (up from 10)
In addition to Vox Media, the WGA East also represents several other outlets via its Online Media Sector including the Bustle Digital Group, Civic News Group, CNET, Committee to Protect Journalists, Fast Company, Future PLC, Gizmodo Media Group, Hearst Magazines, HuffPost, Inc., Jewish Currents, NowThis, Onion Inc., Refinery29, Salon, Slate, Talking Points Media, The Dodo, The Intercept, Thrillist, and VICE.
Deadline parent company Penske Media Corporation has a stake in Vox Media.
Best of Deadline
2025 TV Series Renewals: Photo Gallery
2025 TV Cancellations: Photo Gallery
'The Buccaneers' Season 2 Soundtrack: From Griff To Sabrina Carpenter
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Gizmodo
2 hours ago
- Gizmodo
‘Five Nights at Freddy's 2' Lures Fans In by Taking Us Back to Where It All Began
Universal Pictures and Blumhouse were on hand at San Diego Comic-Con to give attendees a sneak preview of Five Nights at Freddy's 2. Returning stars Josh Hutcherson (The Hunger Games) and Piper Rubio (For All Mankind), who play the film franchise's central brother and sister roles, Mike and Abby, were on hand to share some insight on what the siblings have been up to since the events of the first film. 'Mike and Abby went through a lot,' Hutcherson explained. 'Mike is just wanting to get back to somewhat of a normal life, but that just can't happen in Freddy's world. Mike, in a way, is trying to fake it till you make it without fully working through all that stuff that happened, and then it happens to him again! Poor Mike.' Hutcherson added that while he's not deeply informed of the lore, he does lean on his co-star Piper Rubio (who plays his sister Abby) as the resident expert, adding, 'I am existing as Mike and experiencing it, but I do glean some things from Piper's insight.' But he did reveal that his favorite character from the universe is Mangle, and gave the Jim Henson Creature Shop credit where it's due for making another Five Nights at Freddy's icon really stand out in the practical ways the legendary monster maker can. 'What Jim Henson's puppeteering team and the creators and designers brought to life with Mangle,' Hutchinson continued, 'it's such another level of puppeteering and complicated everything. It's just so cool to see that brought to life.' While William Afton always comes back, the cinematic Afton, Matthew Lillard, was not on hand to discuss FNAF's big bad at Comic-Con but did introduce his partner in slashers for the sequel, Skeet Ulrich (the other half of their Scream duo), via video. Ulrich has been the center of fan theories of him playing Henry Emily, the co-owner of the Five Nights at Freddy's pizza franchise alongside Afton, and his answer feels like he's all but saying this is probably the case. 'I play somebody with a very particular and specific past,' Ulrich teased, adding, 'And with a very deep emotional tie to what's going on.' Before the panel closed out, director Emma Tammi and producer Jason Blum introduced an extended clip that feels very Scream, in the sense that Gen Z starlet McKenna Grace is featured as the host of a paranormal investigator channel whose crew gets to visit the first Five Nights at Freddy's location… the one where it all went wrong. You kind of get the feeling that she might be the Drew Barrymore of the film's opening, as she gets a super creepy security guard to tour them through the wreckage. The parlor itself is great; there's a moat complete with a sunken, decayed boat, which makes me jealous that my local pizza parlor didn't have one of those. The bridge and the in-the-round style of the original location make it feel like a demented Disneyland—it looks right out of the game, and you can't help but want to see what doom is hidden behind the urban decay of the pizza company's sordid past. Grace's character pushes the guard for more details about a very special animatronic that was only at that specific location—the Marionette. The crowd buzzed at the mention of the game's fan favorite. She recounts its lore, describing how it would rise from a trapdoor to direct the show on occasion. As her channel partners record, they notice that the security guard has led them to the stage with the iconic animatronics, and under the tarp it's pretty obvious they look bizarrely like new models ready for more terror trap mayhem. Alas, the clip cuts away before we find out the real reason why they were led there, but we can tell it's definitely bad news. We'll have to wait until this holiday season to find out just why the haunted world of Five Nights at Freddy's has reopened for more bloody business. Five Nights at Freddy's 2 opens December 5, 2025! Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.


Geek Vibes Nation
4 hours ago
- Geek Vibes Nation
'Self Driver' Blu-Ray Review - A Tense Heightening Of The Gig Economy
Facing mounting expenses and the unrelenting pressure of modern living, a down-on-his-luck cab driver is lured on to a mysterious new app that promises fast, easy money. As his first night on the job unfolds, he is pulled ever deeper into the dark underbelly of society, embarking on a journey that will test his moral code and shake his understanding of what it means to have freewill. The question becomes not how much money he can make, but what he'll be compelled to do to make it. If you've got nothing to lose, how far would you go? For thoughts on Self Driver, please see my colleague Lane Mills's review from its original festival release here. Video Quality Self Driver makes its Blu-Ray debut with a very strong 1080p video presentation that translates the film's look with great care. The ultra low-budget feature was reportedly shot using handheld cameras, which gives this a very claustrophobic, visceral aesthetic that makes you feel as if you are along for the ride. This also means the image is not always the most crisp and does not have the most complex color palette, but everything appears to be accurate to the source. The film primarily takes place at night, and there are some notable colors within the lighting such as neon signs along the road. The skin tones are natural with a fine amount of detail present in close-ups. The interior of the car and clothing provide some worthwhile textural details. Black levels reveal the slightest signs of banding in a few moments, but they largely hold up well enough. This Blu-Ray ensures this film maintains its authenticity as it is translated to physical media. Audio Quality Cinephobia Releasing gives this Blu-Ray a DTS-HD 5.1 Master Audio track that brings the soundscape to life without issue. Dialogue emerges clearly without being overshadowed by any competing sounds. Environmental sounds perk up the surround speakers with unique ambient details that settle you in the world of this vehicle. Any music maintains its fidelity as it complements parallel elements. There is a bit of texture in the lower registers during a few fraught moments when it comes to some of the bass in the music. The results are everything you want them to be when it comes to bringing this contained story to life. Optional English SDH subtitles are provided. Special Features Audio Commentary: Writer/Director Michael Pierro, producer Kire Paputts, and actor Nathanael Chadwick provide a commentary track that delves into the background of the production, collaborating with the other performers, the aesthetic of the film, the night shoots, and more. Alternate Scenes with Commentary by Writer/Director Michael Pierro: A 16-minute collection of footage that didn't make the final cut, including a full take of a scene from multiple angles that gives you an idea of how the movie was pieced together. Deleted Scenes: An 11-minute selection of footage that was not chosen for the film. Original Trailer (1:42) Behind The Scenes Still Gallery: A two-minute collection of moments from the production. Final Thoughts Self Driver is a really fun satire of the gig economy that forces you to question how far you are willing to go in order to serve your own needs. The film is compact in terms of scale, which allows the narrative to drill down on what is most prescient. Things stay relatively grounded, so gorehounds looking for something particularly grisly may feel underwhelmed, but the tension rings true throughout for a particularly captivating experience. Cinephobia Releasing has released a Blu-Ray featuring a strong A/V presentation and a decent selection of special features. Recommended Self Driver is currently available to purchase on Standard Edition Blu-Ray or with a Limited Edition Slipcover exclusively through Vinegar Syndrome. Note: Images presented in this review are not reflective of the image quality of the Blu-Ray. Disclaimer: Cinephobia Releasing and OCN Distribution have supplied a copy of this disc free of charge for review purposes. All opinions in this review are the honest reactions of the author.


Geek Vibes Nation
4 hours ago
- Geek Vibes Nation
'Wild Diamond' Review - The Coming-Of-Age Film For The Influencer Era
We've all had dreams of wanting to be famous. When I was a kid, the first thing I ever wanted to be was a film director. Whether it be an athlete, actor, singer, or some other form of notoriety, most people have at least thought of what it would be like to be famous. These feelings can come from a number of places within us. Unbridled confidence, arrogance, and determination are one thing, but many chase fame simply to get out of their less-than-stellar life situations. That's where we find Liane, the protagonist of Agathe Riedinger's feature film debut Wild Diamond. Liane (Malou Khebizi) is a 19-year-old micro-influencer living at home with her mom and sister in southern France. She spends her days wandering aimlessly through the streets, stealing name-brand items from shopping centers and peddling them in smaller towns to fund her makeshift, lavish lifestyle. Early on in the film, Liane gets a call from a casting director of a reality television show, and she comes in for an audition. It seemingly goes well, leading to an ego boost and increased desire to get out of her current circumstance. The audition is the catalyst for the rest of the film, putting a heightened strain on Liane's relationships with her family and friends. Cinematographer Noé Bach and composer Audrey Ismael combine their crafts to create an enthralling atmosphere for Liane's quest for stardom. There are a few club scenes where Liane focuses on dancers on stage and the music cuts out, with a heavy string score coming through as the lights flash before her eyes. This score and bright neon colors continue throughout the film, cutting beneath the constant onslaught of music and social media noise she consumes. These moments seem to offer her a reprieve from the stress of waiting on a call from the casting director and trying to look better than her friends. Even though she and her friends don't necessarily have the cash to go to clubs and buy the things they'd like, it doesn't stop them from trying. Whether through negotiating or straight-up theft, they find themselves getting into trouble at every turn. Their incessant need to give off the high-dollar lifestyle is almost insufferable at times, but that's also just the folly of youth. Chasing what they think they need to be successful instead of building a solid foundation for themselves. Riedinger's script and direction hit at something unique to this age bracket, something that many coming-of-age films miss. We see Liane's angst, that's for sure, but she also shows a more caring side, especially when it comes to her younger sister. Their mother is depicted as a lazy tyrant, unemployed and sleeping around with 'sugar daddies' to help pay the bills. Liane stands up to her, often at the defense of her sister (as well as her own freedom), which adds nuance to a character that could have been more one-note. We also see a softer side of Liane when she encounters Dino (Idir Azougli), a young man who works at a dirtbike shop in her small town. As she continues to wait for an answer regarding the reality show, she diverts her attention to Dino at first as a distraction, but soon as a real love interest. He sees through her makeup and dazzling clothes to the real beauty she holds. Wild Diamond is a strong debut for Agathe Riedinger, which attacks a newer and somehow modern, potent angle at gaining fame: becoming an influencer. Not everything comes together perfectly, but the sum of its parts is ultimately effective. Khebizi's performance is certainly a standout, offering the angst we expect from a young woman like Liane but also bringing depth and nuance to her character. Wild Diamond is currently playing in select theaters courtesy of Strand Releasing.